We found 235302 price guide item(s) matching your search
There are 235302 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
235302 item(s)/page
A large Black Forest carved cuckoo clock and bracket, 19th Century with a triple fusee movement, twin cuckoos, and striking on a gong, the rear of the interior door inscribed in pencil `Febrero 1880` and further dates and inscription, `Julio 13, 1938, Regundo ano triunfal vibo, Franco`, 69cm high (excluding bracket).
A late 19th Century gilt bronze "Pendule D`officier" of typical form, with cast snake carry handle, over laurel and oak swags, to a caddy top, and flanked by rosettes and raised on four bladed feet, to a cast brass bezel with convex glass, enclosing a 4 ¼" Arabic enamel dial, with further Arabic quarters, and outside minute track with pierced and stamped gilt hands, to a glazed back door, enclosing a circular brass movement with signed Lepine A Paris, with platform escapement and strike on a bell, height 8 ¾" (ILLUSTRATED INSIDE BACK COVER)
A late 19th Century American Walnut and inlaid Wall Clock, the moulded circular surround set with stringing and rosettes over carved ears, flanking a single hinged glazed door and double stepped base, to a spun brass bezel enclosing an 11 ½" painted Roman dial with outside minute track and steel spade hands, and painted "Presented by Mrs Bingham", to a spring driven movement with anchor escapement and strike on a coiled gong, height 32"
A late 18th Century Mahogany cased Ships Barometer, Cary of London, with brass ring suspension to an applied nameplate and hinged door, enclosing formerly silvered single scale alcohol thermometer and scale of 22-31, with adjustable vernier over an ivory button, and cylindrical body with lacquered brass cistern to the base, height 38" (ILLUSTRATED INSIDE BACK COVER)
A late 19th Century Mahogany cased lacquered Brass Binocular Microscope, unsigned, the "Y" shaped cast foot to a pivoting universal table, set with a double-sided mirror, to a binocular tube with screw adjustment, in a fitted mahogany case with glazed door and fitted with two pairs of interchangeable eye-pieces, height 18 ¼"
A late 19th Century American Walnut "Bible" Mantel Clock, the overhanging cornice with fluted columns to a broken plinth base, with ring turned wooden bezel enclosing a 3 ½" reverse painted on glass Arabic chapter ring, with fleur-de-lys brass hands, and visible brocot type escapement, to a circular brass movement and hinged door to the back containing a leather bound copy of the Holy Bible, height 13 ½"
A late 20th Century faux tortoiseshell and brass inlaid Mantel Clock, the case of waisted form surmounted by a cast and pierced foliate finial, with further applied mounts and scrolling feet to a single shaped and glazed door, enclosing a cast dial with applied Roman lozenges, to a spring-driven movement with strike on a bell, height 22"
A late 19th Century American Walnut Cased Wall Clock, Jerome & Co, the cushion moulded rectangular form with a single panelled glazed door with a reverse painted on glass print of a streetscape, beneath a 7" square painted dial, with Roman numerals, outside minute track and blued steel hands, to a spring driven movement, with anchor escapement and strike on a coiled gong, height 26"
A late 20th Century Mahogany cased Mantel Timepiece, the caddy top set with a cast and applied Brass handle to an over hanging cornice, the single arched glazed door with plinth base and flared bracket feet, to a 3 ¾" arched Brass dial with silvered boss, signed Tempus Fugit, with mask spandrels enclosing a silvered Roman and Arabic chapter ring and blue steel hands, to a circular Brass movement with platform escapement, height 10"
A mid 20th Century triple barrel Mantel Clock, the caddy top with carry handle to a single glazed door, the plinth base, to a 7" square Brass dial with mask spandrels enclosing a Roman and Arabic chapter ring and engraved centre with blue steel hands, to a Brass movement with strike on five rods, height 14 ½"
A mid 20th Century Mahogany cased triple barrel Mantel Clock, retailed by Committi of London, the caddy top with cast and applied Brass handle, to an overhanging cornice and single glazed door, with plinth base and raised on compressed bun feet, to a 6 ½" Brass dial with mask spandrels enclosing a silvered Roman and Arabic chapter ring, with blue steel hands, to a Brass movement with strike on five rods, height 14 ½"
A mid-19th Century Scottish Mahogany cased 8 Day Long Case Clock, F J Wild of Dundee, the arched hood with shaped pediment over a moulded throat with acanthus leaf cap quarter columns flanking a panelled trunk door, and further panelled base, to a cast brass bezel enclosing a signed 12 ½" painted circular dial, with Roman chapter ring and outside minute track, enclosing subsidiaries for seconds and date, with blued steel moon hands, to a movement with plates united by four knopped pillars and anchor escapement strike on a bell, height 79"
A first half of the 19th Century Mahogany and Oak cased 30 hour Long Case Clock, Pizzi & Ortelli of Buckingham, the hood with swan neck pediment over free-standing gilt metal mounted columns, to a moulded throat and plain frieze, to a short trunk door centred with an inlaid floral vase, and raised on a plinth base, to a 12" square painted third period dial, with floral vase spandrels to a Roman chapter ring, with outside minute track and further floral detail to the centre, over a date sector with pierced and stamped brass hands, to a movement with plates united by four knopped pillars and anchor escapement, strike on a bell, height 80"
A last quarter of the 18th Century Oak cased 8 Day Long Case Clock, R Davy of Hoveton, the arched hood with scrolling pediment, and brass capped free-standing plain columns, to a moulded ogee throat and long arched trunk door, to a plinth base, to a signed 12" first period painted dial, with plain arch and gilt highlighted gessoed spandrels enclosing a Roman and Arabic chapter ring, enclosing subsidiaries for seconds and date, with pierced steel hands, to a movement with plates united by five knopped pillars, with anchor escapement and strike on a bell, height 86"
A Mahogany Burr Walnut, Boxwood and Ebony inlaid 8 Day Long Case Clock, with moon phases, signed R D Lear, Pinhey of Plymo Dock, the hood with overhanging cornice to a dentil work panel and blind fret frieze, with further moulding and free-standing fluted columns, to an ogee throat and further blind fret panel, to a large shaped trunk door, decorated with an image of Old Father Time, with applied foliate and ropetwist detail, and flanked by canted corners to a panel base, the arched brass dial centred with an ivory sphere depicting moon phases over a rising tide, flanked by silvered subsidiaries for moons age and state of the tide, to case and applied mask spandrels enclosing a Roman and Arabic silvered chapter ring, to an engraved centre with subsidiary seconds and large date sector, to pierced blued steel hands, to a movement with plates united by four knopped pillars and anchor escapement, strike on a bell, height 89"
An unusual second quarter of the 19th Century Mahogany and Ebony line inlaid 8 Day Long Case Clock, with moon phases, Robt Gidney of Norwich, the arched hood with scrolling whale`s tail pediment, and set with three lacquered brass sphere and eagle finials, over brass capped and reeded baluster free-standing columns, to a moulded throat and long arched trunk door with panelled plinth case, to a 12" third period painted dial, set with moon roller and depictions of eastern and western hemispheres over gilt highlighted shell spandrels, to a signature chapter ring naming William Bilby, enclosing subsidiary seconds and date section with black painted hands, to a signed false plate and movement with plates united by four knopped pillars and anchor escapement, strike on a bell, height 92"
A last quarter of the 18th Century Oak cased 8 Day Long Case Clock, Thos Aldridge of Deal, the arched hood with overhanging cornice to a blind fret panel over ¾ baluster columns with gilt gesso capitals, to a plain moulded throat and long arched trunk door with plinth base, to a 12" arched brass dial with signed silvered boss with cast and applied "C" scroll spandrels, enclosing a silvered Roman and Arabic chapter ring, enclosing a silvered and engraved centre with subsidiaries for seconds and date aperture, and blued steel pierced hands, to a movement with plates united by five knopped pillars and anchor escapement, strike on a bell, height 88"
A 19TH CENTURY MAHOGANY LONGCASE CLOCK, marked J Kern and Company Swansea, having arched hood with brass ball and spike finial`s above arched aperture flanked by twist turned columns, the waist with twist turned columns flanked by plain door on a panel base. Overall decorated with chequered inlaid decoration. Arch brass face with eagle "tempus fugit" to the arch, foliate spandrels Roman numerals and seconds and date dials. Eight day movement striking on one bell The dial 19" x 13". 85" Overall.
A VICTORIAN WALNUT DROP DIAL WALL CLOCK, having painted face with Roman numerals marked J.F Newton, High Street, Hampton. Brass bezel within inlaid scalloped frame, waist with foliate mounts and pendulum door, on a scrolled base with foliate inlaid decoration. Labelled Jerome & Company Anglo American superior eight day Anglo American Clocks, New Haven USA. 40" High, Dial width 13.5".
A Rosewood and Mother of Pearl Inlaid Trunk Dial Wall Clock, John Fryer, York, circa 1830, the case with circular top and inlaid with mother of pearl, the trunk flanked with side ears, pendulum front viewing window and under curved base with opening door, 12-inch painted dial with Roman numerals, single fusee movement with shaped plates and anchor escapement, 67cm high See illustration
A George III Ebonised and Gilt Metal Mounted Chiming Table Clock, signed Thomas Field, Bath, circa 1790, the inverted bell top case with finials and applied scroll decorated mounts, side carrying handles and pierced sound frets, front door flanked by mask and floral mounts to the canted corners, the base raised upon bracket shaped feet, 8-inch arched brass dial with silvered central dial and Roman and outer Arabic numerals, inner date ring with corresponding central date hand, dial centre signed Thomas Field, Bath, the arch with a silvered dial for strike/silent selection, triple fusee movement with verge escapement, quarter chiming with eight hammers striking onto eight bells and a further hammer striking a bell for the hours, movement backplate elaborately engraved with a central pagoda and scroll work, bob pendulum, movement secured by brackets, 60cm high See illustrations , Thomas Field is recorded working in Bath 1773-1812. See Baillie (GH) Watchmakers & Clockmakers of the World, page 108.
An Oak Thirty Hour Longcase Clock, signed Newby, Kendal, circa 1770, the case with swan neck pediment, turned columns, trunk door with crossbanding and flanked by inset fluted pilasters, the slightly reduced plinth with canted corners and crossbanding, 12-inch arched brass dial with silvered Roman and Arabic chapter ring, finely engraved dial centre with scrollwork and signed Newby, Kendal, subsidiary date dial, the arch with rocking painted scene of a sealing ship, above signed on a arched silvered plaque Sic Est Vita Hominis, four pillar movement with anchor escapement and outside countwheel striking on a bell, 215cm high See illustration James & William Newby are recorded working in Kendal 1765-1800. See Loomes (Brian) Watchmakers and Clockmakers of the World, pg 170.
A Mahogany Eight Day Longcase Clock, the case with a later added pagoda top, fluted columns, arched trunk door, the reduced plinth with a quatre form moulding, 12-inch silvered dial with Roman and Arabic numerals and signed William Avenell, Portsmouth Common, date aperture, subsidiary seconds, the arch with a rocking figure depicting Tempus Fugit, five pillar movement with anchor escapement and rack striking on a bell, 228cm high (dial and movement associated to the case) See illustration
-
235302 item(s)/page