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Lot 145
After Charles Cooper Henderson, British 1803-1877- The Liverpool London Mail Coach; oil on canvas, bears initials 'CH.' (on the coach to the right of the door), further signed 'C. C. Henderson' verso, 51 x 75 cm. Provenance: Private Collection, UK. Note: Henderson was the son of John Henderson (1764-1843), an amateur artist and patron of Thomas Girtin (1775-1802) and J.M.W. Turner (1775-1851), and trained under the watercolourist Samuel Prout (1783-1852). Henderson had a particular talent for painting horses, and was prolific in his production of coaching scenes. His works are held in the Tate and the Courtauld Galleries
![Frederick Daniel Hardy, British 1826-1911- A knock at the door; oil on canvas, signed and dated 'Fredk Hardy Ju [..] / 1876'](https://cdn.globalauctionplatform.com/fff0e171-e255-4a7f-a74e-b02900b55a34/fc135032-9715-4854-a0c0-b02e00abdafd/468x382.jpg)
Lot 153
Frederick Daniel Hardy, British 1826-1911- A knock at the door; oil on canvas, signed and dated 'Fredk Hardy Ju [..] / 1876' (lower left), 40 x 29.5 cm. Provenance: Private Collection, UK. Note: Hardy hailed from a prominent family of painters including Heywood Hardy (1842-1933). Specialising in genre scenes, which promoted an idealised vision of non-industrial, rural life, he was heavily influenced by the interior compositions of 17th-century Dutch artists, such as Pieter de Hooch (1629-1684) and Nicolaes Maes (1634-1693), as well as the works of later Scottish artist Sir David Wilkie (1785-1841).
Lot 310
William Bell Scott, Scottish 1811-1890- Three figures in the doorway of a church; pencil and watercolour heightened with white on card laid down on board, signed with initials 'W.B.S.' (lower left), with the remnants of a watercolour on the backing board, 15.1 x 10.7 cm. (unframed). Provenance: Private Collection, UK. Note: Working against the backdrop of the Pre-Raphaelite movement, Scott was closely associated with various prominent artists of the Victorian period, including Dante Gabriel Rossetti (1828-1882) and Arthur Hughes (1832-1915). He worked as the Principal of the Newcastle School of Art between 1843 and 1864, and, in this capacity, was one of the first artists to record the development of the Industrial Revolution, which, over the course of the 19th-century transformed the city of Newcastle. His oeuvre was varied and he executed a large body of works exploring historical and religious themes, as well as the industrial revolution and modern society. He also produced a number of more romanticised landscapes and historical scenes. The present work depicts a group of three figures huddling at the foot of the doorway of a large church or cathedral, dwarfed by its scale. A pile of baskets lies in front of them, seemingly having come from the open door of what appears to be a somewhat incongruous shed, contrasting with the grandeur of the building behind.
Lot 126
A Regency mahogany bracket clockof lancet shape and inlaid with ebony stringing and mouldings, the sides with embossed brass ring handles and pierced brass arched grilles, the polished steel face with twin winding apertures, the twin train movement striking on a belldial diam. 17cm, height 42cmCondition: We cannot guarantee the clock's workings.The case is in tired condition with some losses. The front, right hand and back mouldings where the case meets the base, are lacking. The glass is lacking to the face door and back door, some losses to the tip of the top. The rear door has veneer losses and needs attention, it is currently jammed in. See image. Old veneer repair to right side near the loop handle. The left side has some splits in the same area, and a long split running from the handle area to the top.
Lot 25
A late 19th century mahogany fronted pine tabletop collectors cabinetarched glazed door enclosing six graduated long drawers with turned knob handles, on plinth baseheight 46cm., width 35.5cm., depth 26cmCondition: Good commensurate with age. Scuffs and light scratches. Drawers originally lined and with divisions. No Key
Lot 17
A Louis Philippe mahogany pot cupboardthe mottled black and white marble top above a flame veneered tapered cupboard door, on a plinth baseheight 76cm, width 35cm, depth 35cmCondition: The base is detached and in a few sections, see image. The veneers to the base have water damage and there are some veneer losses at the edges. The drawer is lacking its handle.
Lot 122
A late 19th century French gilt bronze cased repeating carriage clock with alarm probably Drocourt6cm diameter white enamel dial with black Roman numerals, minute track, outer Arabic minutes and blued steel moon hands over a subsidiary alarm dial, indistinctly signed probably Howell, James & Co, London, silvered platform escapement with compensated balance, passing strike on a bell, foliate engraved and green enamel decorated matte ground gilt mask, foliate engraved three pane bevelled glass case with inspection top, solid rear door with shuttered winding holes, on plinth base, case, backplate and key numbered 5179height 14.4cm.Condition: Winding key present. Case in need of cleaning with tarnish. Platform appears original. Loss to green enamel on mask in several areas. Alarm hand absent. No chips to glass Winds but does not tick or run. Alarm and strike functional but hammer does not strike bell. Signature on dial very rubbed and indistinct.
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