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A George III mahogany longcase clock, the break arch hood with brass scale side frets, the silvered one piece flat dial with strike/silent to arch, seconds and calendar dials, inscribed James Hicks White Chapel, with adapted 4 pillar movement (now gong striking), the trunk with break arch door, upon a rectangular plinth, the case probably associated, all in need of attention, 202cm high
Broderick, Spalding, an oak longcase clock circa 1800, the painted arched 12 inch dial with subsidiary seconds, the 8 day movement with shaped plates (one dial foot lacking), the hood with pierced cresting, three brass finials and reeded columns, the trunk with shaped top door flanked by reeded canted corners (movement possibly associated) 216cm high
An 18th century North Italian/South German floor standing painted and gilt decorated corner cupboard, the arched moulded cornice above a glazed door with scrolling astragal bars enclosing shaped shelves above a carved panelled door enclosing further shelves flanked with scroll and rosette carved canted corners, standing on a plinth base, 94cm wide, 52cm deep, 213cm high
An Edwardian mahogany decorated cabinet, the upper section with moulded cornice above a Greek key and paterae inlaid frieze and a glazed door enclosing shelves flanked with further glazed panels, the lower section with floral painted frieze above a marquetry panel flanked with a pair of doors enclosing further shelves, standing on square section tapering legs, 145cm wide, 41cm deep, 227cm high
A George III mahogany partner's desk, the moulded rounded rectangular leather inset top above three frieze drawers supported on twin pedestals each fitted with three short drawers opposing a panelled cupboard door, standing on a plinth base with inset castors, 184cm wide, 121cm deep, 77cm high
A satinwood corner display cabinet, circa 1900, the arched top above a glazed door enclosing two shelves, supported by two turned columns over a pair of glazed doors, enclosing a single shelf, classically painted with rose and ribbon decoration, raised on square tapering supports and spade feet, 72 cm wide x 200 cm high.
A LONGCASE CLOCK by John Spencer, Colne, the thirty hour movement with anchor escapment and outside count wheel, 12 square brass dial chased with foliage, and with calendar dial chased with buildings, in oak case, the arched pediment with turned finials, verre eglomise frieze on turned columns, arched door flanked by fluted quarter columns, panel base and bracket feet, the whole later profusely carved with flowers, dragon and geometric motifs, 91 3/4 high
A LONGCASE CLOCK, the eight day movement with anchor escapement, arched 12 brass dial inscribed Tempus Fugit, secondary dial, in oak case, the scrolled pediment with turned brass finials on fluted columns, arched door flanked by quarter columns, panel base and bracket feet, 19th century, 87 1/4 high
A LONGCASE CLOCK by T Benbow, Northwood, the eight day movement with anchor escapement arched 12 1/2 dial painted with flowers and moonphase, secondary dial and calendar aperture, in mahogany case , the scrolled pediment with arched surmount and brass finials on fluted columns, frieze inlaid with hearts, arched door with shell marquetry patera, flanked by fluted quarter columns, panel base with shell patera and fluted corners, on bracket feet, 88 1/2 high
A LONGCASE CLOCK by Peter Morris, Leigh, the eight day movement with anchor escapement and 12 brass dial chased with foliage, seconds dial and calendar aperture, in oak case with moulded cornice on turned pilasters, panelled door, the base with raised panel having incurved corners, on bracket feet, 80 3/4 high
A LONGCASE CLOCK by Michael Wild, Wakefield, the thirty hour movement with anchor escapement and outside count wheel, arched brass 12 dial chased with urn and foliate scrolls, calendar dial, in oak case, the scrolled pediment with gilded flame finials on fluted columns, arched door flanked by quarter columns, panel base on plinth, 87 high
A LONGCASE CLOCK, the thirty hour movement with anchor escapement and outside count wheel, 12 square dial painted with flowers and with moonphase and secondary dial, in oak case with mahogany columns and quarter columns, scrolled pediment, arched door, panel base and bracket feet, 89 1/4 wide
A LONGCASE CLOCK by A Cranstone, Scarborough, the thirty hour movement with anchor escapement and count wheel striking on a bell, 12 arched dial painted with flower and bird on fruiting branch, calendar aperture, in oak and mahogany banded case with scrolled pediment on turned columns, canted trunk with arched door, panel base, 84 high
A LONGCASE CLOCK by John Barraclough of Haworth, the eight day movement with anchor escapement and 14 1/2 arched dial painted with a figure scene and four allegorical maidens representing the seasons, secondary dial, in mahogany case, the scrolled pediment on baluster turned columns, arched door flanked by quarter columns, panelled base, shaped apron and splayed bracket feet, 93 1/2 high
A FRENCH KINGWOOD BEDSIDE CABINET of square form, the waved edged top inset with red marble, drawer with turned wood handles over panelled door enclosing a ceramic interior, flower carved apron, quarter veneered sides, on leaf carved cabriole legs and scrolled feet, 19th century, 15 1/4 wide
AN ADZED OAK DRESSER by Frederick May , the upper section with moulded cornice, raised central shelving flanked on either side by a glazed door, protruding base with two short over three long drawers flanked on either side by a panelled door, iron mask handles and hinges, panelled sides and faceted turned feet, 60 1/4 wide, 73 3/4 high
AN ART DECO BURR WALNUT DINING SUITE comprising sideboard with raised central section having three drawers with block handles, flanked on either side by a cupboard door, on pedestal base with cupboard below a display niche, on plinth, 66 wide, 36 1/4 high, together with extending dining table, 63 long, and six chairs with cream leather covering (8)
A GEORGE III OAK HOUSEKEEPER'S CUPBOARD crossbanded in yew, dentil moulded cornice, central door with fielded panels, enclosing drawers and pigeon holes flanked on either side by a similar door now enclosing a hanging space with pegs, the base with six dummy drawers over three base drawers, brass drop handles, panelled sides and ogee bracket feet, 66 wide, 79 3/4 high
Fruitwood bracket clock, the bell topped case with carrying handle, broken arch door and gilt brass fretted sides, silvered face with strike silent, roman numerals and named "Thomas Doughty London ", two train fusee movement striking on a bell, engraved backplate and bob pendulum. Height 42cm.
Mahogany longcased clock by William Winstanley, Wigan, broken arch brass face with painted rolling moon, silvered chapter ring with date numerals (no indicating hand), subsidiary seconds dial, engraved floral field, in a flat topped swan neck hood with fluted columns on a blind fret frieze, quarter column trunk and canted, set-out base on ogee bracket feet. Height 249 cm. (Pendulum, 2 weights, 2 winding and 2 door keys)
Mahogany long cased clock inlaid with brass, the broken arch face painted with a grand house and shell & flower spandrels, convex dial with arabic numerals, subsidiary seconds dial and date aperture, two train movement in swan neck hood with square section spirally reeded columns, on column with arched door and spiral pilasters. Height 225cm (Key, pendulum and two weights).
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235346 item(s)/page