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A 1930's Art Deco Burr Walnut Hospitality Cabinet with a drop down top revealing a mirrored cocktail bar with accessories and two glass decanters below a two door cabinet incorporating a bottle compartment, metal handles on ivory coloured button fixings, 62cm wide, 36.5cm deep and 105cm high
GEORGE III BLACK JAPANNED LONGCASE CLOCK, BY WILLIAM BARON, LONDON MID 18TH CENTURY the step moulded hood with a pair of finials, above a blind fret frieze, with an engraved silvered and brass arched 11 inch dial with Roman and Arabic numerals, a subsidiary seconds dial and date aperture, signed WILLIAM BARON LONDON, flanked by columns, above an arched trunk door, raised on plinth base, with an eight-day movement striking a gong(48cm wide, 232cm high, 24cm deep)Provenance: Property from Tornaveen House, Aberdeenshire
PINE NARROW LONGCASED LANTERN CLOCK, JOHN STARTBRIDGE, LYMINGTON 19TH CENTURY the moulded hood above an arched brass 5 inch dial, with Roman numerals and a single hand, signed JOHN STARTBRIDGE LYMINGTON, the trunk with moulded door, raised on a plinth, striking on a bell(25cm wide,185cm high, 19cm deep)
Vintage plastics: Selection of Catalin including four amber, one green Angel Fish napkin rings 7cm, set of six red, green and amber napkin rings with original box, green fluted circular lidded box 8cm, pair of amber ribbed napkin rings, pair of amber door handles, green napkin ring and dark green mantel clock pencil sharpener (18)
A Danish Brazilian rosewood three piece dining room suite by Skovby Mobelfabrik comprising sideboard with four doors, the left opening to reveal five green baize lined interior slide out drawers, the middle and right cupboards with adjustable shelving, length 205cm, depth 48cm & height 892cm, the extending table with two leaves, max. length 265cm, depth 100cm & height 72.5cm, corner cabinet with interior adjustable glass shelves and lower cupboard with single adjustable shelf, width 95cm, depth 52.5cm & height 168.5cm. Non transferable CITES certificate No. 599079/01. Condition - table top with minor fading, the leaves slightly darker in colour, middle left cupboard door corner with ding, minor marks and scratches, otherwise fine.
An interesting Silver and Enamel Art Deco miniature travel clock or purse watch by Grant watch Co, the 36 x 24mm case decorated with blue, red and yellow flowers with falling petals against a cream background with black borders, the top and bottom edges engraved with foliate decoration to the silver, hinged sprung doors revealing watch/clock movement within inner silver hinged case, flanked by miniature photo frames, the clock having signed Art Deco styled dial with blue Arabic numerals and syringe style hands, powered by a 15 jewel manual wind movement.Condition: currently in working order however not sold with any guarantees, outer case surface wear including surface scratches and a couple of minor chips and cracks to black borders, no major signs of losses to enamel, clock dial good with only minor age related wear to edges, hinges of case good, springs and release button functional, right side door does not spring fully open however spring is strong, rear of watch case marked 'Sterling Pat. Nov 9-26' with reference 1.606.403, stamped 'B70' to inside.
SCOTTISH GEORGE III MAHOGANY AND LINE INLAID LONGCASE CLOCK, BY JOHN ROBERTSON, EDINBURGH EARLY the hood with a swan pediment centred by a brass eagle, with an arched engraved silvered 12 inch dial, with seconds subsidiary dial and date aperture, signed John Robertson Potterrow Port Edinburgh, flanked by fluted columns, above the trunk with arched fielded panel door, flanked by quarter fluted columns, raised on plinth base and bracket feet, with an eight day movement, striking on a bell(50cm wide 227cm high 27cm deep)
Y DUTCH WALNUT AND FLORAL MARQUETRY CABINET-ON-STAND, IN THE MANNER OF VAN MECKEREN LATE 17TH with a moulded cornice above a pair of featherbanded doors profusely inlaid with marquetry veneers, stained and white ivory depicting birds, tulips, and flowers, and acanthus, the sides similarly decorated, the inside of each door with quarter-figured veneers outlined with geometric banding and stringing, the interior fitted with four later rosewood fronted shelves; the stand with three short frieze drawers raised on spiral twist legs with ball feet and joined by a wavy peripheral stretcher(181cm wide, 198cm high, 57cm deep)Provenance: Property of Archibald Stirling of KeirFootnote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
Y REGENCY MINIATURE MAHOGANY, INLAY AND JASPERWARE MOUNTED COLLECTOR'S CABINET EARLY 19TH CENTURY enclosing six graduated drawers with turned ivory handles, behind a lift off door inset with a blue jasperware roundel depicting a putto holding a dove, within an ivory moulded surround, the door with further decorative embellishments such as inlaid mother of pearl and banding highlighted with gilt leaves and flowers, the sides and top with boxwood and ebony stringing, raised on bracket feet with scroll details, the top surmounted with three ivory finials, one acting as a pin for the door(20cm wide, 29.5cm high, 13.5cm deep)Footnote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
TWO HANGING DISPLAY CABINETS 20TH CENTURY the first in the Chinese style with a glazed door and asymmetric shelves; the other of mahogany and parcel gilt, with a glazed door enclosing shelves(70cm wide, 85cm high, 16cm deep; 64cm wide, 97cm high, 14cm deep)Provenance: Collection of Dr. John A. Packer, Edinburgh
A Victorian mahogany partners pedestal desk, the rectangular top with a green tooled leather inset and a moulded edge, above an arrangement of nine drawers to one side, the reverse with six drawers and a panelled door, on a plinth, (AF), 74cm high, 50cm wide, 114cm deep. Note: VAT is payable on the hammer price of this lot at 20%.
Three: Station Officer Joseph Calderwood, Lanarkshire Fire Brigade, who died of injuries sustained whilst fighting a fire at Colvilles steelworks at Bellshill in January 1963 Defence Medal; Fire Brigade L.S. & G.C., E.II.R. (Stn. Offr. Joseph Calderwood) in its named card box of issue; British Fire services Association, bronze medal for 10 years, with additional bronze ribbon bar (J. Calderwood) in box of issue, nearly extremely fine (3) £160-£200 --- A Commemorative plaque bearing the names of Assistant Firemaster Stanley McIntosh and Station Officer Joseph Calderwood who died as a result of the incident on Monday the 7th of January 1963 at Colvilles Limited, Mossend Works, Bellshill was unveiled 10-30am on Thursday the 8th of August, 1985, at Motherwell Fire Station. The fire was a in Metal lean-to shed 20 feet by 8 feet used as a Paint Store and containing flammable liquids, paraffin, diesel, petrol, paint, etc., in containers 1 gallon to 4 gallons. 5 Appliances from Motherwell, Coatbridge and Hamilton attended. Apparently Deputy Firemaster McIntosh was showing new Firemaster (Firemaster John Stewart) round the stations in the area when they received a call about the fire and decided to attend the incident. When they arrived Station Officer Calderwood took them into the paint store; they were at the door when there was an explosion, the Firemaster was blown off his feet and saved by the heavy overcoat he was wearing, Deputy Firemaster McIntosh was killed and Station Officer Calderwood was seriously burned and died of his injuries a week later.
A George III oak and mahogany cross banded thirty hour longcase clock by J Haley, Wrexham, the broken swan neck pediment over freestanding pilasters flanking the 28cm brass dial, applied with Roman and Arabic numerals centred with a date aperture and makers name, enclosing the chain driven thirty hour movement striking on a saucer bell, the case with quarter pilasters flanking the shaped door above a conforming cross banded lower panel, 213cm high, weight and pendulum
A George IV mahogany eight day longcase clock by John Heywood, Northwich, the break arch dial with moon phase above a 35cm painted dial, centred with subsidiary second and date dials, signed with the makers name, the two train movement strikes on a saucer bell, flanked by freestanding reeded pilasters over a frieze inlaid with the Prince of Wales feathers, and a shaped door embraced by reeded cluster columns, above a conforming lower panel with canted reeded corners, raised upon ogee bracket feet, 235cm high, two weights and pendulum
A George III mahogany stick barometer by J Testi, the broken architectural pediment above an 18cm silvered dial signed with the makers name, the slender case extending to a domed cistern cover, 98cm high (at fault)Condition report; Extensive tarnishing to dial, triangular shaped chip 2cm wide to the cistern cover, mercury tube lacking mercury and loose, possibly damaged behind the cistern cover, hinge detached on the dial door, general overall wear commensurate with age and use
An early 19th century mahogany bracket clock, of lancet form, signed 'Campbell Oswestry', the 20cm white enamel dial with Roman numerals enclosing a twin fusee movement striking on a saucer bell, behind a rear glazed door, trellis vents to the sides and ring handles, all raised upon gilt metal ball feet, 45cm H Provenance: Ruyton Hall, Shropshire (at fault) Condition report; front plinth is detached with some loss to the ebony beading, a minor 'L' shaped gouge to the top of the case, minor hairline cracks running from the top the case, 2cm long ,and around the side handles, general rubbing and wear to the case commensurate with age and use, front left foot only loosely attached and requires attention, please see further images for clock movement and back plate conditionChains are present on both barrels, clock runs when wound and pendulum prompted, however no guarantee of working orderNo subsidiary strike lever on the dial
A George III pollard oak eight day longcase clock by Watkin Owens Llanrwst, the 33cm brass dial with a four pillar movement, subsidiary seconds dial and date aperture, above quarter reeded pilasters and a shaped door, 208cm H Provenance: Ruyton Hall, ShropshireCodition report; Much later movement board sitting on a wedge to one side, requires further attention. Gap in the door on the side of the hinges, multiple splits and cracks to the bottom board and sides, along with some water damage, some fading to the front and sides of the case
A 17th century and later walnut veneered cabinet on chest of Dutch influence, the moulded cornice above a cushion frieze drawer, and a pair of feathered cross banded doors enclosing an arrangement of eight drawers, upon the chest formed as two short and two long drawers, with brass furniture, all upon bun feet (handles and feet later), 165cm H x 114cm W x 51cm D Provenance: Ruyton Hall, ShropshireCopndition report; Extensive inactive historic worm to the top of the cabinet, 10cm minor split on RHS of cabinet, full height veneer split to RH door, LH door with a similar repaired split.Rubbing around the brass fittings on the cabinet, minor signs of historic worm in cushion drawer, veneer splits to the inside of both doors.Minor sun bleaching to drawer fronts with later associated handles, drawer runners appear to be later.Very minor water damage to sides of chest, very small light scratch to the LHS of chest, 3cm Loss of veneer chest top LH rear corner moulding.Raised upon later feet, back boards probably replaced. Overall drawers run smoothly and cabinet appears in sound condition with light, sympathetic restoration
A Chinoiserie lacquered cabinet on stand, 17th/18th century, the painted European wood and gesso Rococo scroll carved base, supporting a gilt highlighted and brass mounted two door cupboard enclosing an arrangement of oak-lined drawers, each of varying sizes, 171cm H x 110cm W x 55cm D (at fault)Provenance: Ruyton Hall, ShropshireCondition report; Historic woodworm and damage to RH rear foot, with signs of historic worm in the same leg, rear board on the stand appears to be later, minor chips and rubbing to the stand.Multiple minor chips to the lacquer on the cabinet, two full length splits on the LH cabinet door, with a single split to the RH door, chip to the RH door lacquer, 2cm x 6cm, gilt metal spandrel mount detached RH side bottom RH corner.Overall very minor rubbing and wear commensurate with very light use
A Victorian inlaid walnut credenza, the frieze inlaid with satinwood foliate motifs above a central cupboard door, flanked by a pair of bow front glazed cabinet doors, overall applied with gilt metal banding and appliques, raised upon a plinth base, 99cm H x 150cm W x 38cm DCondition report; Item does not seperate
A late Victorian ebonised Aesthetic movement inverted breakfront credenza, having a central arcaded recess over a single cupboard door centred with a jasperware plaque, flanked by a pair of glazed cabinet doors and punctuated with angular pilasters each inset with a jasperware roundel, overall embellished with incised gilt decoration and raised upon six turned mushroom shaped feet, 109cm H x 180cm W x 44cm D
THE BREADALBANE HEATHER PATTERN WORCESTER PORCELAIN BREAKFAST SERVICE CIRCA 1840 an extensive service, each piece painted with sprigs of heather on a white ground, centred with the Breadalbane coronet of a B below a crown, with gold rim, the service includes pieces commissioned from Flight, Barr and Barr, with brown printed mark Flight, Barr & Barr, Worcester and Coventry St London, and slightly later unmarked pieces. Comprising: twenty five small saucers, 14.5cm diameter (nine marked Flight, Barr and Barr) fifty four large saucers, 17.2cm diameter (thirty marked Flight, Barr and Barr) thirty one side plates, 19.6cm diameter (eighteen marked Flight, Barr and Barr) sixty five plates, 21.5-22.5cm diameter (thirty one marked Flight, Barr and Barr) twenty one plates, 25.5cm diameter (twelve marked Flight, Barr and Barr) fifteen egg cups four sugar bowls with covers three tall jugs, 18cm high two small cream jugs, 9.5cm high four small hot water pots (covers lacking), 12cm high one hot water pot with cover 13.5cm high three jugs with branch formed, handles 15cm high one round bowl, 11.5cm diameter five slop bowls, 18.5cm diameter fourty three large tea cups twelve coffee cups three cylindrical jars with domed covers, on stands, jars 11.5cm diameter (with an additional stand and an additional cover) four round muffin dishes with domed covers, 22cm diameter (with an additional cover)Provenance: Taymouth Castle, Perthshire Wooton House, Bedfordshire Thence by descent.Footnote: Note: This extensive rare and historic service comprises pieces from two distinct Worcester periods. Part of the service is pre-1840 and the pieces are marked with the Flight, Barr and Barr brown printed mark. In addition to these there is a large quantity of post-1840 unmarked pieces, which were made around the time when Chamberlain’s took over the running of the factory in 1840. The slightly earlier Flight, Barr and Barr pieces have subtle differences in the decoration, and are painted with bell heather rather than the common ling heather depicted on the unmarked pieces. This service may well be the first to have been produced in the Heather pattern. However, The Duke of Sutherland ordered an identical pattern service for Dunrobin Castle in Sutherland. Dunrobin was remodelled in 1845 so the service there is likely to be later, ordered after the renovations in 1845. The service offered in this lot was supplied to John Campbell, 2nd Marquess of Breadalbane, prior to the visit to Taymouth Castle by Queen Victoria and her consort Prince Albert in 1842. It was the royal couple's first visit to Scotland and they were guests of the Marquess from 7th - 10th September. The unmarked pieces are likely to have been an additional order to increase the quantities of the service, ensuring that it would be extensive enough to cater for the large volume of guests. In the Worcester archive there is an invoice, dated 1842, for approximately 53 pieces, at the cost of £8-12-11. It was delivered to Taymouth Castle in January 1843. One can speculate that these pieces were perhaps acquired to make up for any losses and damages to the service that had been incurred during the revelery of the royal visit. The Worcester archive also contains a letter dated Sept 26th 1843, from the Worcester Porcelain Works to the Marquess of Breadalbane, respectfully asking him to pay his invoice, nine months after it had originally been received. Then, also on record at the archive, is a written instruction from the Marquess ordering the payment to Chamberlain and Co Worcester Porcelain for the additional items, dated 27th October 1843. The 2nd Marquess, made huge efforts to make the royal visit memorable and a truly 'Scottish' experience for the couple. From arches of heather at the entrance of the castle and around the village, and an array of tartan dress on display, to finer details such as the use of the Heather pattern breakfast service, there was attention given to every aspect of the visit. Mrs Maule, a wife for the Liberal MP for Perthshire, was a guest at Taymouth Castle on the day of the Queen's arrival. Below is an excerpt from her diary: At 10, people in the park beginning to collect and the mist rising gracefully from the hills. The flags flying, birds singing and the hum of voices all round… From one o’clock we began to see people flocking into the Park, all the ladies with Tartan in scarfs or ribbons. 50 of Sir Neil Menzies tenants clad in their Tartan joined the rest in front of the house. Between 3 and 4 we began to expect the Queen and Prince and everything was put in readiness for Her reception. … Outriders and part of the escort preceded Her carriage and 6 other carriages followed… HM on reaching the door was welcomed by a simultaneous burst of cheering that echoed back again and again and anything so enthusiastic I never saw or heard. Lord Breadalbane at first stood in front of his splendid Highland Guard of 200 men and then having made a bow, bonnet in hand, he came round and assisted the Queen to alight and came up stairs to the drawing room where we were all waiting to receive her. [National Records of Scotland reference: GD45/26/89, pp.2-5] The Marquess wore highland dress and Queen Victoria commented in her journal, "it seemed as if a great chieftain in olden feudal times was receiving his sovereign". During the royal visit to Taymouth meals were provided for 730 people each day, including members of the royal party, guests, staff, pipers etc. While important Royal and invited guests would have had their lunch and evening meals served on and in silver, they would have had breakfast and refreshments from the Breadalbane Heather porcelain service being offered in this lot.
An attractive French satinwood gilt brass mounted and parquetry inlaid Vitrine of breakfront outline, with grained marble top, the frieze with brass scrolling foliage, above glazed door, flanked either side with two bowed glass panels, the lower section with trellis parquetry and overlaid with gilt brass floral swags tied by ribbon bowl, on four square tapering legs, approx. 161cms (63 1/2") high x 109cms (43") wide. (1)
A fine quality Irish Georgian mahogany cased Grandfather Clock, the swan neck pediment with rosettes surmounted with central finial above a lion mask, the glazed door flanked by corinthian columns housing an ornate brass and silvered dial, by John Dalrymple - the elongated case with arched panel door on box base with bracket feet, approx. 8' high (244cms). (1)
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235346 item(s)/page