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Lot 4
A walnut and marquetry escritoire, circa 1690 and later, decorated throughout with oyster veneer and marquetry reserves depicting flowers and birds, incorporating green stained bone detail throughout, the moulded cornice above a cushion drawer, the hinged fall centred by a flowering urn, opening to an arrangement of small drawers, pigeon holes, concealed compartments and a central cupboard section, the door inlaid with a rural scene of ladies reading, the lower section with a drawer decorated with marquetry conforming to the top and two further plain walnut drawers, on integral bracket feet, 140cm high, 107cm wide, 52cm deep
Lot 7
A Continental walnut, rosewood and marquetry cabinet, in Louis XVI style, 19th century, the moulded top and edge inset with green marble top, with a leaf decorated frieze drawer and panelled cupboard door decorated with a central trophy incorporating flowers and crossed quivers of arrows, the side panels decorated with flowering cornucopia, the reverse with an ox skull within swags, on fluted tapering legs, gilt metal caps and integral ball feet, 87cm high, 55cm wide, 40cm deep
Lot 563
Jeremy Gardiner, British b.1957- "Durdle Door to Bats Head", 2009; acrylic and jesmonite on poplar panel, 58.4x104cm (may be subject to Droit de Suite) Exhibited: Chichester, Pallant House Gallery, "Jeremy Gardiner: A Panoramic View", 13 March-31 May 2010 Note: While incorporating the Modernist tradition of artists like John Tunnard and Ben Nicholson, Jeremy Gardiner's interpretation of the landscape is also informed by science, new technologies and direct physical engagement with ancient landscapes. Gardiner has spent several decades exploring the Jurassic Coast, the 95-mile long stretch of coastline running from Orcombe Point in East Devon to Old Harry Rocks in East Dorset with a geology which spans 185 million years of earth's history. Gardiner is interested in the relationship between landscape and time, and in an attempt to emulate the effects of geological time, his working method involves scouring, building up layers of paint, collaging and sanding down. CONDITION REPORT: in a glazed, white painted wooden box-type frame titled, dated and signed on reverse in black pen poplar panel is irregularly shaped, dimensions are at widest/longest point no visible defects or damages in very good condition
Lot 35
A Victorian Chippendale mahogany display cabinet, unusually narrow, single astragal-glazed door enclosing five adjustable shelves, a slide to each side at waist level, further slide above single drawer, on chamfered square legs with fret-carved spandrels, with key, 1ft. 4in. wide; 5ft. 5in. high
Lot 29
London Transport 'Ultimate' TICKET MACHINE no U889 with correct-type box ex Kingston garage for routes 218/219 plus TICKET-ROLL HOLDER with TICKET ROLLS (non -LT), driver's door MOUNTING BRACKET, driver's TIME-CARDS for 218/219 duties and a pair of reversible plastic GARAGE ALLOCATION PLATES for Kingston (K)/Norbition (NB) garages. Machine appears to be in excellent condition. [Set]
Lot 762
A Victorian burr walnut Davenport, the top having a stationary cabinet with hinged cover, and a further re-curved hinged lid opening to reveal an extending tooled-leather writing surface and an arrangement of inlaid drawers and compartments, above acanthus-carved scroll supports and a bank of lateral drawers enclosed by a panelled door, (a/f)
Lot 90
A Victorian mahogany miniature wardrobe and dressing table, probably apprentice pieces or salesmans samples Condition Report / Extra Information Horns broken on dressing table. Three knobs missing and two replaced. Screws missing to attach mirror to horns. Wardrobe gouged over top of mirrored door.
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