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Lot 886
Two boxed Corgi Toys, 481 Chevrolet Police Car, F/G but with some damage to aerial and stickers in F/G box together with 1130 Chipperfields Circus Horse Transporter with four horses, F, with faded red paint work and the upper plastic body has turned green, missing a door mirror and sticker at the rear in a F/G outer box missing the inner packing. (2)
Lot 2903
A French brass mantle clock, 19th century, in an ornate square case with leaf and wreath mounts above a floral swag painted dial with Arabic numerals flanked to each side with pierced panels, height 28cm, width 16cm, depth 16cm. Condition report: Some chips to enamel face around key winding holes. Dents to back door which does not look to be original. Not working.
Lot 697
18th century long cased clock with strung cross banded swan neck pediment, oak case with brake arch hood, surmounted by an Eagle finial with turned column to the side trunk with cantered corners and shell pateria to the door trunk and plinth, the brass dial signed Samuel Guy of London with wheatear engraving to the edge
Lot 15
Metalwork Trade Catalogues N. Burt & Co. Ltd. (London & Paris) Catalogue of High-class Or-moulu Door Furniture, black & white illustrations, gilt tooled textured boards Kirkpatrick Ltd. (Walsall) Illustrated Catalogue & Price List, 1903, black & white iullustrations, gilt tooled green cloth boards, with supplement Gardiner, Sons & Co. Ltd (Bristol) Catalogue No. 208, August 1947, black & white illustrations, gilt tooled red cloth boards G & S Allgood (London) Architectural Ironwork & Cloakroom Equipment, black & white illustrations, red cloth boards A. Oakden & Sons, Ltd. (London) Illustrated Price List & General Guide, c.1910, monotone illustrations, orange cloth boards with seven other related publications (12)The seven other publications are: Comyn Ching- Architectural Ironmongery catalogues no's 40, 84 and 91; James Gibbons Ltd.- Architectural Fittings, 1958; G & S Allgood- Architectural Brassfoundry catalogue together with Architectural Fittings & Door Closers, 1958; Nettlefold & Sons Ltd.- Illustrated Catalogue, 1936
Lot 671
An imposing walnut seaweed marquetry longcase clock, Delander and adapted, the caddy top hood with fretwork mouldings, 12.25inch dial with silvered calendar ring to the arch, dolphin spandrels below, silvered chapter ring and seconds dial, marked to a recessed oval 'D.Delander, London, No.9', strike silent lever to the right side, mask spandrels, later associated 4 pillar 8 day movement with replacement seatboard, rectangular trunk door and plinth with replaced skirting, restorations. Literature: For a similar design case for a Daniel Quare clock, see the Iden Collection catalogue, by P. Dawson, p. 116.
Lot 672
An early 18th century lantern clock, adapted for a longcase, converted to anchor escapement and with associated 11inch square dial signed Henry Blake, Malling, with date aperture, later seconds dial, all supported in a dark oak cottage size longcase with barleytwist pilasters to the hood, and a lenticle to the trunk door, faults 182cm (71in)
Lot 674
Thomas Lister, an imposing 18th century musical longcase clock, the oak and banded case with caddy top hood having 13 inch brass dial, moonphase disc to the arch, with seasonal figural spandrels, signed 'Thos Lister' to the chapter ring below, cut away calendar dial below the centre, the movement with substantial pillars and large barrel train playing on 10 bells, striking on a further bell, four winding squares to the dial centre (one possibly for tune selection or adjustment), the pendulum swinging between the plates, the trunk with star inlaid door, 262cm (102in) Other Notes: Thomas Lister of Halifax, born in 1745 in Luddenden, Yorkshire, trained with his father (also Thomas) and others in this well-known family of clockmakers. He left his father's studio in 1765, setting up his own workshop in Halifax where he worked until his death in 1814. In his own workshop he concentrated on quality eight-day clocks in mahogany cases. His work and output increased after the death of his only serious local competitor, Thomas Ogden, in 1769. He made a number of very complicated clocks including world-time and musical clocks. Thomas Lister senior, of the well known family of Halifax clockmakers, started out producing 30hour cottage type longcase clocks, his son Thomas junior then began making more complicated clocks, this surely being one of those examples....
Lot 675
Thomas Hunter, London, an 18th century red lacquer and gilt chinoiserie bracket clock, the arched case with five finials above painted 19cm dial, music selection hand to the arch indicating 'Song, Minuet, Hornpipe, Silent', moon hands and Roman numerals, still leaf cast door frame, three train 8 bell movement converted to anchor escapement, striking on a further bell, Prince of Wales feathers engraved backplate, glazed rear door, radiant mask side fret panels, on leaf scroll bracket feet 49 x 35cm (19 x 14in) some retouching, front glass broken, few empty holes to movement
Lot 677
Justin Vulliamy, London, a George III brass mounted ebonised balloon-shaped chiming table timepiece, the urn finial above the shaped brass dial, signed below, strike/silent lever above, with three train fusee movement chiming on six bells and striking on a further bell, signed to the engraved backplate, with glazed side panels, the rear with plain rectangular door 56cm (22in) A similarly shaped clock by Vulliamy is in the Royal Collection at Buckingham Palace, ref. RCIN 2838 together with a later associated gilt metal mounted wall bracket
Lot 682
A George III mahogany longcase clock, the breakarch one piece 12inch silvered dial signed 'Roberts, Bury', with 8 day 5 pillar movement, seconds and calendar dials, strike / silent to arch (disconnected), the hood with Corinthian capped columns, figured break arch trunk door flanked by quarter capped reeded columns, upon a rectangular plinth and bracket feet 235cm (92in) movement looks correct though one spare hole to a front plate corner, and one to a backplate corner; pendulum broken
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235302 item(s)/page