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Click here to subscribeA LOUIS XV STYLE BEECH AND ORMOLU-MOUNTED VIRTINE, late 19th/early 20th century, of small proportions and shaped D-form, the marble-inset top enclosed by a pierced gallery over a two-panel glazed door flanked by conforming sides and opposed by a pair of two-panel glazed doors verso, raised on cabriole legs with acanthus leaf caps. 1.41m by 0.65m by 0.35m
A VERNIS MARTIN VITRINE CABINET IN LOUIS XVI STYLE, the top with pierced gilt-metal gallery above a case glazed on three sides and lined in crimson silk enclosed by a single door painted with a courting couple in 18th century costume, the sides with landscape panels, raised on short cabriole legs and applied throughout with gilt-metal mounts, probably early 20th century. 1.56m by 0.62m by 0.35m
AN EDWARDIAN INLAID RED WALNUT BREAK-FRONT VITRINE, c.1910, the slightly projecting cornice above a frieze inlaid with pendant bell flowers, over a door with glazing bars flanked by bowed ends, above a shaped apron, raised on square tapering legs terminating in spade feet. 1.71m by 1.36m by 0.36m
A 19th Century longcase clock, the eight day movement with arched painted dial depicting a mother and child, having floral spandrels and secondary seconds dial in mahogany case with satinwood stringing, swan neck pediment on wrythen turned columns, shaped trunk door and bracket feet, 85” high
A longcase clock, having eight day movement with brass dial inscribed Thomas Armstrong & Brother, Manchester, silvered chapter ring and pierced foliate spandrels in dark oak case with moulded pediment and blind fret carved frieze on wrythen turned columns, panelled door, on plinth base, 78 1/2” high
A 19th Century longcase clock, by Anthony Smith, Wellingboro’, the eight day movement with arched painted dial depicting a vignette with a castle beside a river, gilded floral spandrels with anchors and having date aperture, in oak and mahogany case with swan neck pediment on reeded columns, the shaped trunk door with shell inlay on panelled base and bracket feet, 87” high
An 18th Century longcase clock, by Thomas Lister, the thirty hour movement with square brass dial having moon phase with date and seconds apertures and scrolled spandrels, in oak case with blind fretwork frieze on turned columns, shaped trunk door and panelled base with bracket feet, 79” high
An oak and lacquered four piece bedroom suite, comprising a single wardrobe with blind fret work under a flared cornice, central mirrored door flanked to either side by oval chinoiserie lacquer work panels, over a base drawer on turned feet, 78 1/2” high, 50 1/2” wide, 20” deep, together with a dressing table with swing mirror and two door cupboard having similar lacquered panels and a double bed (no lacquer work) (4)
A Victorian ebonised credenza, of D form with gilt metal mounts, the central cupboard door applied with a painted oval ceramic plaque depicting figures, flanked by reeded pilasters and bowed glazed display doors enclosing shelving, raised on platform base and turned feet, 66” wide, 44” high, 16” deep (distressed)
A GEORGE III OAK AND MAHOGANY 30 HOUR LONG CASE CLOCK BY JOHN WILSON, NUNEATON, the domed top painted dial decorated with a sporting scene of a hunter with dogs, with within a case with swan neck pediment, column sides, the body with cross-banded door and column sides, supported on bracket feet. 7ft 1ins high.
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