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A George III line inlaid mahogany longcase clock with eight-day movement striking on a bell, with a twin swan neck pediment above the 14 inch painted broken arch dial, with Adam and Eve automaton to the arch, with subsidiary seconds and date dials, signed John Barber, Nottingham, with an inlaid foliate paterae to the trunk door and the base, height 240cm.
Antique wooden dental cabinet. The lower half with one door and 20 pull drawers of various sizes; with porcelain drawer pulls. The upper half with a mirrored door that swings upward and slides back along with three glass doors. Two of the glass doors with a frosted design.Height: 63 in x width: 36 in x depth: 14 1/2 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Adam Henein (Egypt, 1929-2020)The Cat bronzesigned 'A.HENEIN' and numbered 'VII/IIX', number 7 from an edition of 8, executed in 197335 x 103cm (13 3/4 x 40 9/16in).Footnotes:Provenance:Property from a distinguished private collection, CairoAcquired directly from the Artist by the above circa 1990sBonhams are delighted to present two exquisite sculptures by one of the most prominent Arab sculptors of our time. Adam Henein was born in Cairo in 1929 into a family of metalworkers. In 1953, he graduated from School of Fine Arts, Cairo, he went on to receive a two-year grant to study at the Luxor Atelier. The atelier was established a decade earlier by the notable Egyptian artist and scholar Mohamed Nagi to promote Egyptian art education in school circular. In 1954 and 1956 Henein received the Luxor price for his artistic achievements. Two years later, he received a diploma in advanced practices from the Munich Academy in Germany.In 1971, Adam Henein was invited to participate in an Egyptian contemporary art exhibition in Paris at the Musée Galleria. He spent the next two and half decades, from 1971 to 1996 in Paris pushing his practice through sculpture and painting and continued focusing on ancient Egyptian themes and traditional materials. The early 1970s marked an important evolution in Henein's artistic practice, whilst in Paris he was given the opportunity to be exposed to the work of great western modern sculptors and artists whose freedom of interpretation he found to be deeply inspiring.In the late 1990s, Henein returned to his homeland. He contributed greatly to his Egypt's cultural landscape, particularly in Aswan where he established the city's annual International Sculpture Symposium. Upon his return to Egypt he was also appointed by the Minister of Culture to head the design team involved in the restoration of the Great Sphinx in Giza. Henein was awarded Egypt's State Medal, the State Merit Award, as well as the Mubarak Award in the arts. His works have been exhibited at the Institut du Monde Arabe in Paris, the Metropolitan Museum of Art in New York, The MATHAF in Doha, The ASB Gallery in Munich as well as in London and Rome.Throughout his vast career Henein produced a significant number of large and small-scale sculptures handling a variety of different mediums such as bronze, granite, plaster, limestone and terracotta. In 2014, the Adam Henein Museum opened its door in Cairo's Al-Harraniya district, which is a priceless gift from the artist himself to his native country. The museum is dedicated to the largest collection of Henein's sculptures as well as featuring some of his paintings.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
A late 19th/early 20th century silver-gilt and enamel small timepiece, by Breguet, the signed silvered dial numbered no. 4132, in rectangular red guilloche enamel case, the interior of the case door further engraved 'BREGUET 4132', on bun feet, 5.6cm high, in original leather triptych outer case.
A late 19th/early 20th century silver and hardstone small timepiece, by Breguet, having circular white enamel dial, the arched-top silver case with reeded decoration on green hardstone plinth base, the movement stamped 90837, the interior of the case door engraved 'BREGUET 3544', 6.2cm high, in original leather triptych outer case.
A George III style mahogany and walnut veneered partner’s desk, dark green faux leather writing surface to the over-sailing rounded rectangular top, a long drawer, and two short drawers to each long frieze. Each pedestal having three graduated short drawers, and a cupboard door opposite, bracket feet, 75.5cm high x 182cm wide x 120.5cm deep, 20th century.
A Georgian style reproduction mahogany bureau bookcase, swan-neck pediment, dentil cornice, over a pair of astral-glazed doors, enclosing three tiers of wooden shelving. The base having a fall door to top, enclosing a fitted interior, above pair of short drawers, and cupboard doors, bracket feet, 234cm high x 107cm wide x 47.5cm deep, (second half 20th century).
An Edwardian inlaid mahogany bureau bookcase, out swept cornice with inlaid Greek-key decoration, above a pair of astral-glazed doors, and three tiers of wooden shelving, and hinged fall door with shell patera, enclosing a fitted interior, over a pair of short, and two long drawers, brass swan-neck handles, bracket feet, 222cm high x 107cm wide x 49cm deep.
GEORGE III PAINTED WALNUT LONGCASE CLOCK, JAMES SPEIGHT, TONG LATE 18TH CENTURY the hood with a pagoda pediment, enclosing a 12 inch brass engraved breakarch dial with silvered chapters with Roman numerals, subsidiary calendar dial flanked by scrolls and birds, the maker's name inscribed to the top of the arch 'Speight, Tong', the arch with a painted scene of a shepherd with his flock, above a moulded trunk door with lenticle, on a plinth with bracket feet, the case painted with Classical motifs within scrolling foliage, the eight-day two train movement striking a bellDimensions:243cm high, 55cm wide, 30cm deepProvenance:Provenance: Henryson-Caird Collection, Cassencarie House
GEORGE III MAHOGANY STAGEBACK SIDEBOARD EARLY 19TH CENTURY the raised back with tambour door compartments and small drawers to the sides, above a breakfront bowed base with a long centre drawer flanked by cellaret drawers, raised on square tapered legs ending in spade feetDimensions:217cm wide, 110cm high, 69cm deepProvenance:Provenance: Property of the late Mrs. Jean Bogie
SCOTTISH BLONDE MAHOGANY DRUMHEAD LONGCASE CLOCK, JAMES RITCHIE & SON, EDINBURGH EARLY 19TH CENTURY the moulded hood enclosing a 13 inch painted cream enamel signed dial with Roman numerals and subsidiary seconds and date dials, above a case with moulded door flanked by chamfered corners, on a plain plinth, the twin train movement striking a bellDimensions:208cm high, 46cm wide, 23cm deepProvenance:Provenance: Stevenson Collection
EARLY VICTORIAN WALNUT, KINGWOOD, EBONY AND MARQUETRY GILT METAL MOUNTED CREDENZA MID 19TH CENTURY of serpentine outline, with a central cupboard door with flowering urn marquetry opening to a velvet lined shelved interior and flanked by glazed cabinets, all with further marquetry of ribbon-tied floral garlands and sprays and outlined with gilt metal mounts, on a plinth baseDimensions:186cm wide, 116cm high, 50cm deepProvenance:Provenance: Stevenson Collection
PARQUETRY AND WALNUT COUNTRY HOUSE POST BOX 19TH CENTURY of upright form, the top with a letter slot over a hinged front door inlaid with various specimen woods in a star motif enclosed within chequer banded and zig zag borders, on bun feet, the interior fitted with a drawerDimensions:29cm wide, 40cm high, 24.5cm deep
VICTORIAN CARVED OAK GOTHIC STYLE CHIMING LONGCASE CLOCK, ATTRIBUTED TO J J ELLIOTT 19TH CENTURY the hood with trefoil crenelations and carved oak leaf panels and crocket spire mouldings, the sides with Gothic trellis sound frets, enclosing a brass dial with a silvered Roman numeral chapter ring and gilt floral engraved mask and three winding holes, a silvered subsidiary seconds dial, and blued steel fleur-de-lis hands, with 'CHIME/ SILENT' and 'WESTMINSTER/ WHITTINGTON' levers to the outer edge, above and moulded glazed Gothic arch trunk door, on a stepped plinth base with quatrefoil details, the three train quarter-chiming movement with pull repeat, striking both Westminster and Whittington chimes to a pin wheel of eight steel chimes with an additional strike chime, stamped HarringtonDimensions:248cm high, 64cm wide, 35cm deep
Y VICTORIAN ROSEWOOD, INLAY, AND MARBLE TOPPED SIDE CABINET 19TH CENTURY the nero portoro marble top of breakfront outline with a moulded edge, above a line inlaid frieze over a central oval glazed door with yellow pleated silk lining and marked at the corners with scrolling foliate inlay, flanked by further glazed cupboards enclosing shelves, on a conforming plinth baseDimensions:184cm wide, 105cm high, 38cm deepNote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the UK, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit https://www.defra.gov.uk/ahvla-en/imports-exports/cites/
QUEEN ANNE WALNUT AND MARQUETRY LONGCASE CLOCK EARLY 18TH CENTURY the hood with a flat moulded cornice above a square door, enclosing a 10 inch brass dial with silvered chapter ring with Roman numerals, subsidiary seconds dial, date aperture, and two winding holes, with pierced mask spandrels, above a walnut moulded trunk door with a circular lenticle, on a square plinth with moulding, all inlaid with figural and floral marquetry panels on ebonised grounds, the twin train five pillar movement striking a bellDimensions:199cm high, 43cm wide, 24cm deepProvenance:Provenance: Property of the late Mrs. Jean Bogie
GEORGE III OAK AND MAHOGANY MOONPHASE LONGCASE CLOCK, JOHN PATTISON, HALIFAX LATE 18TH CENTURY the swan neck cornice with embossed brass roundels, above a 13 inch painted breakarch dial with moonphase and central reserve painted with a gentleman and lady in an ironmonger's workshop, Roman numeral chapter and subsidiary seconds dial, the spandrels painted with flowers, over a moulded arch trunk door flanked by brass mounted quarter columns, on a plinth base, the twin train eight-day movement striking a bellDimensions:225cm high, 58cm wide, 25cm deep
A collection of Recent Issue Indie Rock LPs to include (1) The 1975 - Being Funny In A Foreign Language (DH01499, White Vinyl); (2) Boygenius - The Record (00602455067432, Clear Vinyl); (3) Pale Waves - Unwanted (DH01399, Neon Pink Vinyl); (4) Foals - Antidotes (0190296714009, Recycled Vinyl); (5) The Wombats - A Guide To, Love, Loss & Depression (5054197424878, Pink Viny); (6) Two Door Cinema Club - Tourist History (PROINC005V); (7) Vampire Weekend - Contra (XL LP 429); (8) QTY - QTY (DH00249); All conditions Near Mint to Mint with generally Near Mint to Mint Sleeves. (8)
Nesbit (E.). The Railway Children, 3rd edition, London: Wells Gardner, Darton & Co., 1906, monochrome illustrations by C. E. Brock, bookplate to the front pastedown, some toning & light spotting throughout, front gutter partially cracked, top edge gilt, original gilt decorated red cloth, boards slightly rubbed with some minor marks, 8vo, together with:Lindsay (Joan), Picnic at Hanging Rock, 1st U.K. edition, London: Chatto & Windus, 1968, original cloth in price-clipped dust jacket, 8vo, plusTravers (P. L.), Mary Poppins Opens the Door, 1st edition, London: Peter Davies, 1944, monochrome illustration by Mary Shepard, some minor spotting to the text-block, original cloth in dust jacket, spine lightly faded, covers slightly rubbed with some minor marks, 8vo, and other early to mid-20th century juvenile fiction, including works by Elinor M. Brent-Dyer, Noel Streatfeild, Violet Needham, Malcom Savile, M. Pardoe, mostly original cloth in dust jackets, G/VG, 8voQTY: (5 shelves)
Eight day longcase clock 'William Gardner in Uxbridge fecit' with 10" dial, cherub and scroll spandrels in walnut case with quartered veneers and tapering barley twist columns, the hood formerly rising, with original hook. Various restorations late 17th/early 18th century.Condition report:Case looks late 17th/early 18th century. Old oak carcass with some original veneers. Door may have had some restoration (no trace of key escutcheon) old hinges nailed to door but re-fitted old screws on trunk. Hood top old but restorations on slide and mouldings on base. Nice tapering barley twist columns. Fret possibly original. Old hook nailed on. Bun feet replaced but base seems to be the same as trunk.Movement with possible wheel and pinion replacements. Back cock and pendulum 19th century brass cased weights, probably original.
A Chinese blackwood writing tablelate 19th centuryin two parts, the upper section with an openwork gallery above central pigeonholes, two drawers and a cupboard door, the cleated top above two drawers and a shaped scroll carved apron, on cabriole legsDue to the size of this item, please note that it MUST be collected from our auction venue at Farleigh Golf Course by 3pm on Friday 17th November. For further information please contact our office on 020 8468 1010height 121cm, width 93cm, depth 58cmCondition: There is shrinkage to the panel to the top. The left corner by the drawer has a crack which means the top moves. The joints have a little movement back to front which would need attention. Gallery sits well but has some movement
An Edwardian alabaster model of the Taj Mahalearly 20th centurythe domes and towers and with metal spikes, enclosed by ten associated painted plaster figures of Indian men and women, on a black felt base with moulded base on feet, enclosed by a glass domewidth of model 18cm, height 17cm, height with dome 25cm, base 32cm diam. Condition: There is clear evidence of quite a lot of re-gluing, one tower is loose, one is lacking its spike. Five of the 10 figures have losses of varying degree, one figure has lost its head. Minor chip to corner of base of building. Small chip to corner of one parapet. One door with small chip. A personal viewing is recommended.
A mid 19th century French gilt brass repeater carriage clock in one piece casewhite enamel dial with black Roman numerals, minute track and blued steel Breguet style moon hands, signed Hatton Paris, 8 day movement with platform escapement striking on a bell, backplate stamped Hatton A Paris 214, caddy moulded one piece bevelled glazed case with solid rear door with shuttered winding holes, carrying handled and inspection top, stamped L. Lange 588 to underside height 14.5cm.Condition: untested. No key. Rubbing and oxidation to case Chip to top left corner of front pane and bottom right. Both side panes with small chips to bottom corners Small hairline to dial top left. Short Scratch to dial from 4 o'clock through minute track
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235346 item(s)/page