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A late 18c eight day longcase clock, the 12" arched brass dial signed James Rule, Portsmouth in the arch. The dial has a strike/silent lever in the arch, seconds and date indications, a silvered engraved dial centre, scroll spandrels and unmatched steel hands. The four pillar movement has been converted to strike on a gong in the back of the case. The mahogany case has a pagoda top with sound fret on the front and a dentil moulding around the top hood moulding. Fluted columns flank the dial and the trunk is plain with an arched door, the base has a rectangular applied panel and bracket feet, 84" tall overall.
An eight day longcase clock circa 1700 by Thos. Pare of London, the 12" square brass dial having cherub head spandrels, ringed winding holes and engravings around the dial centre and date aperture. The movement has six ringed pillars and latchplates and inside countwheel striking. The weights are brass bound. The walnut case has a flat topped hood with sound fret and plain ebonised columns flanking the dial. The long rectangular trunk door has a brass ringed lenticle glass and three panels in marquetry depicting birds and foliage. The base has a similar panel and a solid skirting plinth, 86.5" tall overall.
A late 18c eight day longcase clock, the 12" arched brass dial signed John Grace, Tring and having a strike/silent lever in the arch (not connected), scrolls, spandrels and date and seconds indicators. It is contained in a plain oak case with full arch hood with vase finials and fluted columns flanking the dial. The long trunk door has an arched top and raised edge moulding and the plain base has a double plinth, 81" tall overall (John Grace is not listed as a maker in Tring and this clock bears resemblances to ones made by John Clement of Tring at this time. A John Grace was born in Tring in 1766 and it is possible that this may have been made for him by Clements in 1780/90`s).
An eight day longcase clock, the associated 11" square brass dial signed Arthur Mitchell, Dorchester and having female head spandrels, matted centre and date and seconds indicators. The early 19c movement is of standard construction and has a dial false plate from Osborne`s of Birmingham. It is contained in a late 18c oak and walnut case with flat top hood which has attached hood columns flanking the door. The trunk has a band of light and dark rope inlay down the front corners and the long door has walnut crossbanding and star inlay to the centre and fan inlays to the corners. The base has walnut crossbanded edges and similar inlays and a wavy plinth, 78.5" tall overall.
A mid 19c thirty hour clock, the 12" square painted dial signed D Read, Ipswich and having shell decorated corners, Arabic numerals, date ring and unusually for a thirty hour clock a seconds ring. It has a plated movement with rope drive and is countwheel striking on a bell. The oak case has flat swan neck pediment and reeded columns flanking the dial. The rectangular trunk door is plain, as is the base which has a wavy plinth, 75" tall overall.
An early 18c eight day longcase clock, the 12" arched brass dial signed Peter Collomby, London and having female head spandrels, date, seconds and strike/silent in the arch. The five pillar movement is rack striking on a bell and has anchor escapement. It is contained in a walnut case, the hood having full arch surmounted by a caddy which has a broken arch pediment with three finials over. The long trunk door is of well figured walnut with stringing and crossbanding around its edges and a raised edge moulding. The cut down base now has a plain plinth, the case is in need of extensive restoration with the trunk door detached and the hood needing replacement mouldings, 89" tall overall.
An early 19c eight day longcase clock, the 12" arched dial indistinctly signed and having floral corners and a vase of flowers in the arch. The dial has seconds and date indications and matched brass hands. The oak mahogany case has swan neck pediments to the hood with three pineapple finials and plain columns flanking the dial. The trunk has canted corners with boxwood line inlays and the door has mahogany crossbanded edges and a central applied oval. The base has mahogany crossbanding and no plinth, 77" tall overall.
An early 19c eight day longcase clock, the 12" arched brass dial signed John Isaacs, London and having vase spandrels and engraved floral dial centre and tempus fusee in the arch. It has seconds and date indicators and unmatched steel hands. The substantial three train movement quarter chimes on eight barrels and strikes on a ninth. It is contained in a mahogany case which has been extensively recarved, the hood has swan neck pediments with a central finial and plain columns flank the dial. The trunk has canted fluted corners and the pointed door has extensive floral carving. The base has large lunette carving with a central sheaf of corn and a deep bracket footed plinth also recarved, it stands 89" tall overall.
A silver, ivory and Shibyama Kodansu (table cabinet) inset with five ivory and five gilt lacquered panels, each typically inlaid in shibyama style and decorated with a variety of birds and insects, all reserved on a silver ground, engraved in reserve with key patterns within simulated bamboo borders, the front with a single door, hinged and opening to reveal three drawers decorated in gold lacquer, the inside of the door lacquered with a bunch of irises laying against a suspended tasselled Kusudama, with top handle, signed on rectangular mother of pearl inlaid tablet to base, 4.5"l, 3.25"w, 3.75"h.
A 19c Continental satinwood side cabinet with classical marquetry coloured wood decoration, having ormolu mounts and fittings, having a central slight bow front cupboard and the door with an oval painted pictorial panel of two lovers in a landscape setting and flanked by ten short drawers within fluted swag decorated pilasters, supported on short tapering legs, 59.5"w, 43"h.
AN EDWARDIAN/EARLY 20TH CENTURY MAHOGANY TANTALUS having hinged lid with shell inlay over a two door front with bevelled glass panels, the centre set with a Continental time piece internally fitted with drawer, two later decanters and compartments, on plinth, 29cm high x 38cm wide x 26cm deep
A 20TH CENTURY REPRODUCTION GEORGIAN STYLE BLONDE WOOD DISPLAY CABINET, having bar glazed front and sides, the single door opening to reveal glass shelved interior, supported on four cabriole legs with carved knees terminating in ball & claw, bearing the trade plaque "Asprey - London - Made in England", 151cm x 138cm
A late 19th Century Vienna style wall clock, having spring driven eight day movement striking on a single gong, the circular dial with Roman numerals and sunburst centre, in walnut case with turned and carved shaped pediment, half columns to the sides of the door and fluted base with finials, 38” high.
An early 19th Century longcase clock, the eight day movement with painted arched dial inscribed “Denton & Fox Hull” and depicting a seated female with a bird, floral spandrels, date aperture and seconds dial, in mahogany case with replaced brass ball finials on pagoda top with inlaid conch shell, fluted columns and arched trunk door, on panelled base and replaced stepped feet, 95” high.
An Art Nouveau mahogany two piece bedroom suite, comprising a dressing chest with swing mirror over two short and two long drawers, 42” wide and a double wardrobe with flared cornice over a mirrored door beside a shorter panelled door with brass, copper and mother of pearl inlaid stylized floral panel, over two short drawers and a long base drawer, on bracket feet, 82” high, 55” wide, 21 1/2” deep.
AFTER JOSEPH F P .... "Durham Cathedral", a black and white etching inscribed and signed in pencil in the mount, AFTER C RITCHIE "A courtyard with timbered door, figures beyond", black and white drypoint etching, signed in pencil in the margin, 19TH / 20TH CENTURY CONTINENTAL SCHOOL "Figures on a path in a wintery landscape with church beyond", oil on canvas, monogrammed "L P" lower left and various assorted watercolours, oils and prints, etc
An oak hanging wall cupboard, the single panelled door with foliate decoration within a guilloche carved frame enclosing a single shelf and three pigeon holes, together with a late painted fire screen with tapestry panel, a miniature painted pine chest of two short, a three long graduated drawers on plinth base and a mid 20th Century cream painted framed triple dressing mirror
An early 20th Century mahogany side table of shallow bow fronted form, fitted with a brushing slide on cabriole legs to claw and ball feet, a modern pine wall hanging cabinet with single glazed door, a glass three tier TV stand and a pair of four branch oak light fittings and another similar fitting
An early 20th Century oak court cupboard in the 17th Century manner, the plain top with moulded edge above a lunette carved frieze and lozenge carved panelled door flanked by turned cup and cover supports, over two foliate carved drawers and two panelled cupboard doors enclosing a shelf, raised on moulded and chip carved stile supports
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235302 item(s)/page