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Click here to subscribeA Victorian aesthetic movement ash part bedroom suite, comprising: a three door wardrobe, the central mirrored door opening to reveal fitted drawers and hooks, flanked by a pair of panelled doors opening to reveal hanging space; a dressing table with swing mirror above one long and two short drawers, surmounting three frieze drawers above a pair of cupboards; together with a pot cupboard en suite.
An early 19th Century serving table of `D` form, having one door and two short drawers to the front with later turned knob handles, raised on square tapering feet, the whole with boxwood stringing, 51 x 29 x 23in. (130 x 74 x 58.5cms); together with an associated astragal glazed bookcase with flared pediment cornice, boxwood and ebony stringing, fitted two shelves with double doors, 46 1/2 x 49 x 14in. (118 x 124.5 x 36cms).
A late 19th Century Anglo Indian pierced and carved rosewood Davenport with raised back, fitted open shelf and small drawers above the velour-lined hinged writing slope opening to reveal a storage compartment of short drawers, a panelled door to the side, raised on carved bird and snake mounts, 24in. x 46in. high.
Early 18th century verge ebonised two train bracket clock, possibly Dutch, the 6" brass chapter ring with engraved foliate centre and date aperture over the visible pendulum, the movement with an engraved foliate back plate and turned pillars striking on a bell within an ebonised caddy top case surmounted with gilt metal cast pineapple finials over unusual vertical sliding fret side panels and glazed back door, 15" high; together with an ebonised oblong base inset with a small drawer, 12" wide
18th century mahogany Norwich wall clock, the 12" circular silvered dial signed Page & Christian, Norwich, brass A-plate single weight driven movement with anchor escapement, the slender case with a single long arch top door, 51" high *Thomas Page and John Christian (Page`s son-in-law) entered into partnership in June 1777 at The Dial, St. Stephens Street, Norwich. After only three years the business was declared bankrupt in May 1780 and the remaining tools and stock of the business were sold off in May 1788 four years after Page`s death in 1784*
Good mahogany eight day longcase clock, the 12" arched brass dial signed Edgecumbe & Nichols, Bristol, with Adam and Eve automata to the arch over an engraved dial with subsidiary seconds dial and arched calendar aperture, the flamed case with short inlaid ebonised bordered door, surmounted by a wavy rounded arched cornice over a fluted panel bordered with boxwood lines, 87" high
Oak and mahogany eight day longcase clock, the 14" painted arched dial signed James Powell, Worcester, moon phase to the arch, subsidiary seconds and calendar dials, the case with short door crossbanded with mahogany and inlaid with boxwood and ebony lines, flanked by quarter fluted ormolu mounted Corinthian columns, the hood also inlaid with boxwood lines and chequered banding, surmounted by a broken swan neck pediment with pressed rosettes and two ball and eagle finials, 100" high
Oak eight day longcase clock, the 12" square brass dial signed Samuel Holbin, Bitton, the centre engraved with a ship and village scene, with subsidiary seconds dial and calendar aperture, the case with long door inlaid with a star motif and boxwood lines, surmounted by a moulded cornice over a carved frieze, 75" high
Oak eight day longcase clock, the 12" square brass dial signed Baker Appleby on the silvered chapter ring enclosing a gilt matted centre with subsidiary seconds dial and calendar aperture, the case with long arched door flanked by quarter fluted pilasters over a panelled base, surmounted by a wavy shaped pediment, 79" high
Mahogany three train musical longcase clock, the 12" brass arched dial signed A. Ross. Boston, on a silvered plate to the floral engraved centre, the movement playing on eight bells and striking on another, the case with short door inlaid with boxwood banding, surmounted by a swan neck pediment, 81" high
Oak eight day longcase clock with five pillar movement, the 12" square brass dial signed Anthony Harrison, London, the matted centre with subsidiary seconds dial, calendar aperture and ring turned winding holes, the case with plain long door surmounted by a moulded stepped cornice, 79" high, (with brass cased weights)
Early 18th century walnut eight day longcase clock, the 12" square brass dial signed Edward Patrick, London, with a silvered chapter ring and engraved matted centre depicting lovebirds and a basket of fruit, with a subsidiary constant seconds dial over a date aperture and applied with pierced cast cherub spandrels, the figured veneered case with a flat hood and blind fret moulding over a long cockbeaded moulded door inset with a glass lenticle, 85.5" high
GEORGE BRETTINGHAM SOWERBY: POPULAR BRITISH CONCHOLOGY, 1854, orig blind stpd cl gt worn and soiled, new EPs + F EDWARD HULME: WILD FRUITS OF THE COUNTRY-SIDE, circa 1902, orig cl + F FURNEAUX: THE OUT-DOOR WORLD OR YOUNG COLLECTOR`S HANDBOOK, 1905, orig pict cl gt, aeg, slightly worn + GEORGE MASSEE: BRITISH FUNGI, [1911], orig cl gt, new EPs + ROSALIE LULHAM: AN INTRODUCTION TO ZOOLOGY THROUGH NATURE STUDY, 1930, orig cl gt worn + WILLIAM T INNES: EXOTIC AQUARIUM FISHES, [1949], orig cl gt slightly worn (6)
Ingamells-Dictionary of British..Travellers complied from the Brinsley Ford Archive" presentation copy to John Ward and with a pencil sketch by Ward on dedication leaf ?of Ingamells original cloth dust-jacket 1997 § Yoxall (H. W.) A Fashion of Life inscribed by the author to John Ward "whose drawing is the most distinguished thing in the book" plates original cloth dust-jacket 1966 § Dior (Christian) Collection Autome-Hiver 1949-1950: Liste des Modeles 10 pp. annotated by John Ward - "fat girl announcing names leans against door - Happy Birthday" other annotations giving details of the collection to guide his Vogue drawings Paris 1950; and 6 others similar " v.s.(9)
A 19th Century mahogany and strung eight day Longcase Clock, the 12" painted dial with roman numerals, subsidiary second hands, date aperture, and signed Thos. Huggins (Gloucester), all within ornately gilded and painted spandrels and flanked by wrythern columns, figured mahogany trunk door and on shaped bracket style feet 86" high
An early 19th Century oak and mahogany crossbanded and facaded thirty hour Longcase Clock, broken swan neck pediment above classical style pilasters with Corinthian columns and gilt metal capitals flanking a 12" brass dial with Roman numerals, foliate style engraving, date aperture and signed Will Snow, no. 825, all within pierced foliate style gilt metal spandrels, rectangular crossbanded trunk door flanked by quadrant fluted pilasters, on bracket feet, 82" high
*A good 19th Century oak Side Cabinet in high gothic style, galleried moulded top above single drawer carved with gothic tracery, further over similarly carved panelled door enclosing shelf and two finely carved vertical foliate style panels flanking, with panelled sides and on plinth base, 33.5" wide, illustrated inside back cover
*A late Regency period breakfront mahogany Bookcase, the gadrooned cornice above bookshelves and two panelled cupboard doors below (as drawers), one further smaller cupboard door flanking right (as a drawer), the left hand section with single panelled door and small drawer above, 71" wide x 85" high
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