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A William IV period mahogany drumhead longcase clock the twin train movement with anchor escapement, the floral carved hood enclosing a white painted roman dial with subsidiary seconds and calendar dials above a tapered case with ogee crested trunk door, the panelled apron on bun feet 212cm high
A Louis XV style display cabinet the moulded arched cornice with brass foliate cartouche, over a glazed door enclosing glass shelves flanked by windows, stepped base with painted cupboard depicting a courting couple, raised on cabriole legs and sabatt feet, with all over brass foliate detailing 70cm wide, 183cm high, 43cm deep
A George III thirty hour longcase clock, oak, the 12 brass dial signed ‘Ezek Hughes, Machynlleth’, with outer ring of Arabic numerals, inner ring of Roman numerals and date aperture, within pierced scrolling leaf spandrels, the hood with turned tapering front corner pilasters over a long shaped trunk door, flanked by quarter fluted pilasters on a box base, lacking feet, 204cm high
A Victorian single fusee wall clock, rosewood mother of pearl inlaid, the 12 circular enamelled dial signed ‘Shepherd, Walsall’ with ring of Roman numerals, lacking glass to the door, and an octagonal frame over a rectangular glazed pendulum aperture, flanked by scrolling leaf mouldings (a/f), 75cm high
A Victorian eight day longcase clock, oak, the 14 square painted dial signed ‘Owen Thomas, Festinog’, with ring of Roman numerals, subsidiary seconds dial and date aperture, the spandrels and centre painted with summer blooms, the hood with swan neck pediment and moulded front corner rectangular pilasters over a short trunk door on a box base and cut out plinth, 211cm high
A late Victorian bracket style chiming mantel clock, mahogany, the 7 arched brass and silvered dial with ring of Arabic numerals under three subsidiary dials for chime and silent, slow/fast adjustments and Whittingham chimes and Cambridge chimes, the key wound movement striking on eight graduated bells and five coiled gongs, the case of architectural form with scrolling leaf pediments flanked by turned urn finials, over an arched bevel glass door, flanked by three quarter fluted pilasters, 58cm high
An eight day longcase clock, mid 19th century, oak crossbanded mahogany, the 14 arched painted dial signed ‘Benj Evans, Chester’, with outer ring of Arabic numerals, inner ring of Roman numerals, subsidiary seconds dial and date aperture, the spandrels painted with summer blooms and strawberries under a rolling moon (face indistinct), the hood with swan neck pediment over fluted front corner pilasters, above a crossbanded long trunk door and box base, with later skirting, lacking feet mouldings, 225cm high
An eight day longcase clock, 19th century, mahogany, the 12 arched painted dial indistinctly signed with ring of Roman numerals, subsidiary seconds dial and date aperture, the spandrels painted in the Chinese taste, the arch painted with a conch shell, the hood with swan neck pediment over slender baluster turned front corner hood pilasters, above a long arched trunk door, on a box base and cut out plinth, 212cm high
A Victorian eight day longcase clock, mahogany, the 14 arched painted dial with ring of Roman numerals, subsidiary seconds dial and date aperture with painted architectural ruins to the spandrels under an arch painted with central figure between a lion and lioness, the hood with swan neck pediment and turned front corner hood pilasters, over a short trunk door on a box base and ogee moulded bracket feet, 230cm high
A Victorian mirror back sideboard, oak, stamped ‘Edwards & Roberts’, the mirror back with two landscape mirrors and two open shelves above a central frieze drawer and open cabinet, flanked by a single short drawer and single cabinet door to each side, raised on a plinth base, extensively carved with scrolling leaves and grotesques, 201cm wide, 204cm high, 66cm deep
A livery cupboard, early 18th century, oak, the canted moulded cornice over a button circle decorated frieze, above the four panel channel moulded door, fitted with blacksmith made iron butterfly hinges, flanked by two rectangular vertical panels to each side, opening to reveal an interior of eight pegs on extended tall channel moulded stile-end supports with two plank boarded ends, 156cm wide, 173cm high, 50.5cm deep
A late George III dresser base, Lancashire, oak crossbanded mahogany, the two plank rectangular top over a central single panel cabinet door with central conch shell inlay, flanked by three short drawers to each side, fitted with brass swan neck handles and oval brass key escutcheons (lacking two escutcheons and two handles), raised on reduced shaped bracket feet (top patched and later stained), 199cm wide, 78cm high, 49cm deep
A George III dresser, North Wales, oak, the three shelf back with shaped ends over a rectangular three plank top, the three short frieze drawers above three short central drawers, flanked by a single cabinet door to each side, all fitted with later turned wooden handles, raised on shaped bracket feet, 176cm wide, 196cm high, 52cm deep
An Art and Crafts wall hanging cabinet, late 19th century, oak, the two door cabinet with wriggle work decorated brass strap hinges, brass ring handles and four panels to each door, opening to reveal one fixed shelf between shaped sides with plank back above and below, 67cm wide, 74cm high, 17cm deep
A Regency press cupboard, mahogany, of two rows of two short drawers fitted with brass knob handles, over two single panel cabinet door revealing three shelves, between deep fluted front corner pilasters on a protruding stepped plinth, the cupboard stamped ‘M H’ to the top of the centre rear back vertical plank, 110cm wide, 137cm high, 52cm deep
A William IV sideboard, mahogany, the low back with central rectangular rosewood veneered panel above a bowed central frieze drawer, over a shaped apron, flanked by a deep cellarette drawer and single cabinet door, all fitted with brass ring handles with lion mask octagonal stamped back plates with quarter spiral reeded front corner moulding on turned and tapering front legs (faded), 152.5cm wide, 105cm high, 65cm deep
A 20th Century Continental longcase clock with eight day chiming movement playing 'Whittington' and Westminster' Chimes, the gilt brass square dial with pierced scroll and mask spandrels and silvered chapter ring with black Arabic and Roman numerals, the case with stylized scallop shell surmount above a glazed door with reeded sides, on a rectangular base and bun feet, height approx 198cm.
A George III oak longcase clock with thirty hour movement, the painted square dial with black Roman numerals, date aperture and inscribed 'W. Lancey, Wivelscombe', the hood with arched pediment above a glazed door, the trunk door with mahogany crossbanding on a plain base and stepped plinth, height approx 197cm (faults).
A George III oak longcase clock with eight day movement striking on a bell, the painted break arch dial with Roman numerals and inscribed 'Thos Vurley Wisbeach', beneath a flower festoon to arch, the pagoda top hood with glazed door and fluted pilasters above an arched trunk on a plain base and bracket feet, height approx 215cm. (See illustration)
A George III oak longcase clock with eight day movement striking on a bell, the square brass dial with silvered chapter ring inscribed 'Thomas Ramsbottam', framing subsidiary lunar calendar and date dial, cornered by pierced gilt scroll and urn spandrels, the case with carved decoration and rectangular trunk door on bracket feet, height approx 219cm (faults and alterations). (See illustration)
A George III mahogany bracket clock with eight day double fusee movement striking on a bell, the gilt breakarch dial with strike/silent indicator above a silvered chapter ring with black Roman numerals and Arabic minutes, framing a matt gilt centre with mock pendulum aperture, date aperture and applied silvered plaque inscribed 'Robt Thorne London', framed by pierced gilt foliate scroll spandrels, the backplate floral engraved, the case with caddy top above a moulded pediment and glazed door, flanked by brass carrying handles and glazed panels on a rectangular base and brass bracket feet, height approx 48cm (faults). (See illustration)
An 18th Century brass thirty hour bell strike clock movement, the break arch dial with single hand and alarm setting disc framed by a silver chapter ring with Roman numerals and lozenge half hour marks, beneath a silvered boss inscribed 'Philip Greathead, London', surrounded by mask and scroll spandrels, the later mahogany wall clock case with glazed door, dial width approx 14cm.
A late 19th Century oak cased mantel clock with eight day movement striking on two gongs, the square brass dial with slow/fast and chime/silent indicators above a silvered chapter ring with Roman numerals, the backplate stamped 'W & H Sch' (Winterholder & Hofmeier), the case with glazed door flanked by Corinthian capitals and fluted pilaster on an inverted breakfront base, height approx 37cm.
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235302 item(s)/page