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Lot 574
A George III mahogany bureau, the fall flap opening to reveal a central door and two demi pilaster fronted semi secret rear access compartments, flanked by six recesses over two short and three medium sized drawers, over two short above three long graduated drawers, raised on bracket feet, 102cm high, 84cm wide, 49cm deep.
Lot 630
A late 18thC George III oak and mahogany corner display corner, with an out swept pediment, over an astragal glazed door, enclosing a cream painted interior with three shelves, above a pair of cupboard doors, enclosing a further shelf, raised on bracket feet, 210cm high, 106cm wide, 49cm deep.
Lot 4139
Tajima, Hiroyuki: (1911 Japan 1984). Green recollection B / melancolic door / Padolica. Farbholzschnitte. (19)72. Jwls. ca. 32 x 23 cm, Blgr. 50 x 31,5 cm. Sign., dat., num. u. bet. Aus einer Auflage von 100 Ex. In Alu-Wechselrahmen. - Tls. le. fl., ein Blatt mit Knicksp. außerhalb der Darstellung. Eines etw. verg. D
Lot 48
Scheuchzer,J.J.: Geestelyke Natuurkunde, Uitgegeven in de Latynsche Taale. In't Nederduits vertaald. Versierd met Byschriften in Poëzy door G. Tysens. 15 Teile in 5 Bdn. Amsterdam, Schenk 1735-39. Fol. Mit gest. Front., 2 gest. Portraits von Pintz nach de Marees und Laub nach Heidegger in Schabkunstmanier, 15 (wdh.) gest. Titelvign. u. 750 (auf 748, davon 5 dplblgr.) Kupfertaf. von J.A. Pfeffel (u.a.) nach J.M. Füssli. Blindgepräg. Ldrbde. d. Zt. Nissen ZBI 3661. Vgl. Horn/Schenckling 19267, Faber du Faur 1855, Lanckoronska/Oe. I, 32, ausführlich Kat. "Natura Sacra" (Zürich 2012), S. 77-128. - Einzige niederländische Ausgabe der "Kupfer- Bibel oder Physica sacra" (Augsburg 1731-35) mit den Kupfertafeln der Originalausgabe. - Mit diesem Werk unternahm Scheuchzer den "einzigartig gebliebenen Versuch einer naturwissenschaftlichen Exegese der Heiligen Schrift" (NDB). Sie erschien in deutscher, lateinischer, französischer und niederländischer Sprache, wobei die ersten beiden mit identischen Kupfern erschienen (die Bildunterschriften deshalb in Latein und Deutsch gedruckt). Scheuchzer selbst vollendete noch das deutsche und das lateinische Manuskript, den vollständigen Druck erlebte er nicht mehr. Die eindrucksvollen Kupfer, von Augsburger Meistern nach J. M. Füssli gestochen, zeigen biblische Szenen mit figürlichen Umrahmungen und Details, meist gefolgt und ergänzt durch weitere Kupfer mit detaillierten Tier-, Pflanzen, Architektur- und technischen Darstellungen. "Wo immer in der Bibel ein Tier-, eine Pflanze, Metalle, Versteinerungen, Naturphänomene oder heilige Bauwerke Erwähnung finden, werden sie von Scheuchzer unter Berücksichtigung der damals bekannten wissenschaftlichen Literatur ausführlich erörtert." (J. Hesse, in: Kat. Natura Sacra, S. 108). Weiterhin finden sich Kupfer zu Haus- und Landwirtschaft, aus der Astronomie, aber auch Schlachtordnungen, Stammbäume, Karten und Landschaften ebenso wie Portraits von Autor und Verleger. - Die Tafelzahl variiert, wobei die Nummern 37-39 auf 1 Doppelblatt angeordnet sind. Im vorliegenden Exemplar sind folgende zusätzliche Tafeln vorhanden: 39 A, 99 B, 133 A, 217 A, 223 A, 340 B, 446 B und C, 463 A und 470 A. - In den Rändern etwas stock- und braunfleckig, stellenweise auch etwas feuchtrandig.
Lot 1549
Staden,H.: De voorname Scheeps-togten van Homburg in Hessen, na Brazil, gedaan Anno 1547 en 1549... Nu eerst uyt 't Hoogduytsch vertaald na den egten laatsten vermeerderden derden Druk. Leiden, P. van der Aa (1706). Fol. Mit gest. Titelvign., 1 gefalt. Kupferkarte u. 23 Textkupfern. 2 Bl., 76 Sp., 1 Bl. Spät. Ldr. im Stil d. Zt. mit Rverg., goldgepr. Rsch. u. goldgepr., doppelt gestaffelten Deckelfileten. (Berieb., etw. best., tls. kratzspurig). Sabin 90057. Henze V, 205f. Alden 706/209. Borba de Moraes 786. - Separat-Abdruck aus Pieter van der Aa's "De Aanmerkens-waardige voyagien door Francoisen ... Bd. I". - Herausragendes Werk über die Entdeckung Brasiliens von Hans Staden (um 1525-1576), einem deutschen Söldner, der 9 Monate von Tupinambá-Indianern verschleppt, an einem Festtag rituell getötet und verspeist werden sollte. - "This edition ... was printed from the same setting of type as the preceeding octavo edition, rearranged to make two columns to a page ... all but one of the copper plates in the octavo edition are included as illustrations in the text of the folio. The map is printed on the same sheet with one of the other maps of this volume" (Sabin). - Das Kupfer in Sp. 61/62 wie manchmal montiert. - Seiten unbeschnitten, papierbedingt gebräunt u. etwas braunfleckig, wenige Blätter restauriert mit Ergänzungen im w. Rand.
Lot 891
An early 19th century mahogany longcase clock by Thomas Barry, Bolton, the hood with brass finials and paterae, blind swan neck pediment and square side pillars, the trunk with reeded square side pillars, and full length triple arch door, canted base and ogee bracket feet, the painted dial with moon phase and 8 day striking movement
Lot 256
A PAINTED WARDROBE IN 18TH CENTURY STYLE 20TH CENTURY Bearing date 1826 to the cupboard door, enclosing a hanging rail 168cm high, 97cm wide, 47cm deep Condition Report: As catalogued this is of 20th century make but in an earlier style, would appear to have signs of 'aging' to give the appearance of an antique example, with surface 'wear', 'chips' 'distressing'. Some splits and cracks, some chips and losses, some unevenness overall The interior is unfinished pine, has supports for a shelf that has never been present at Dreweatts - if wished one would need to be sourced by the purchaser - it now has a hanging rail There is an old lock but no key, the door is open at time of report Overall solid and stableSome signs of old woodworm Please see additional images for visual reference to condition Condition Report Disclaimer
Lot 162
AN OAK DRESSER BASE MID 18TH CENTURY The drawers with mitre-moulded fronts and with a pair of conforming cupboard doors 87cm high, 183cm wide, 47cm deep Condition Report: Marks, knocks, scratches, abrasions consistent with age and useSplits and cracks, chips and losses, both cupboard door most noticeably split down the length. Handles appear to occupy the original holes, no obvious signs of others having been fitted, the locks all look old too, the escutcheons match the handles - the lowest drawer of the central 'bank' has a lock but the escutcheon hasn't got a key hole, again this element matches the handles and other escutcheons. At some point this has been stood on an uneven floor and one rear leg has been raised which now means the dresser base sits unevenly on our flat floor - some work may be required on installation to ensure it stands firmly when in a domestic setting There are some chips and losses to the timber and veneersThe top surface with old split, and also some marks and staining including ring marks and othersPlease see additional images for visual reference to condition Condition Report Disclaimer
Lot 252
A GREEN AND POLYCHROME PAINTED WARDROBE 18TH CENTURY The frieze initialled AL MR, the cupboard doors enclosing a hanging rail 197cm high, 175cm wide, 55cm deep Condition Report: Marks, knocks, scratches, abrasions consistent with age and use Old splits and cracks, joints openingWoodworm holes, this appears to be old worm, Dreweatts has no records or guarantees if this has ever been treated. The painted surface with marks, scratches, chips, losses, dirt and discolouration, rubbing and wear and also some refreshment and repainting.One door with a key, the other door is locked from the inside, this arrangement appears to be original. The key is held at Donnington Priory's reception. The interior with a later hanging rail - the peg hooks are probably original Bun feet appear to be laterPlease see additional images for visual reference to condition Condition Report Disclaimer
Lot 40
AN OAK COURT CUPBOARD LATE 17TH CENTURY AND LATER The central cupboard flanked by carved panels above a base with knopped front supports and platform pot shelf 126cm high, 124cm wide, 43cm deep Condition Report: Marks, knocks, scratches, abrasions consistent with age and use, Old splits and cracks, various chips and losses, the top with bowing and warping to the boards, old joints opening throughout, the lower undertier with splits and cracks, losses, gaps between the boardsThe cupboard door with various hinges, including an H-hinge and a strap hinge, the lock appears old - there is no key, there is a later twist catchSigns of old woodworm, other old holes including tack/nail marks around the back boards - these appear to have been replaced but incorporating old timbers - possibly associated to be in keepingPlease see additional images for visual reference to condition Condition Report Disclaimer
Lot 253
A CONTINENTAL PAINTED WARDROBE BEARING DATE 1809 The panel doors enclosing a hanging space and arrangement of shelves 178cm high, 150cm wide, 61cm deep Condition Report: Overall with marks, knocks, scratches abrasions consistent with age and use Overall appears to have been formed from antique and later elements, some bits with signs of genuine age, other bits more recent in make, there are old woodworm holes in placesThe righthand door is locked shut - this appears to be on a spring mechanism that has seized and the door cannot be opened, the other door is on a conventional lock The painted surface with wear and loss, general unevenness to the appearance Please see additional images for visual reference to condition Condition Report Disclaimer
Lot 250
A CONTINENTAL PAINTED WARDROBE BEARING DATE 1765 The panel doors enclosing an arrangement of shelves 163cm high, 129cm wide, 50cm deep Condition Report: Overall this appears to be of 20th century construction, there may be some earlier elements incorporated in the manufacture but with re-working, adaption and alterationsThe interior with arrangement of shelves, these are of various dates, it would appear it once had a hanging rail to one side which has been replaced and later shelves fitted. The interior painted red to probably try to disguise the alterations Some signs of old woodwormThe lock with a key operating at time of report, One door with a key, the other door is locked from the inside. The key is held at Donnington Priory's reception.The painted exterior with marks, knocks, scratches, abrasions, chips, losses, scratches and wear, some unevenness, some hardened surface deposits to both doors There is a painted motif to the side, this appears to have been designed to be central but is now cut through and shortened - again probably indicating adaptions and alterations.The cornice to the top appears fairly recently manufactured Old woodworm holes through painted surface at lower portions Please see additional images for visual reference to condition and appearance Condition Report Disclaimer
Lot 417
A suite of rosewood dining room furniture, by Archie Shine for Merrow of Surrey, circa 1970s; comprising an oval extending dining table, 70cm high, 138cm long extended; six faux leather upholstered dining chairs, 97cm high, 50cm wide; a two-door side cabinet, 76cm high, 100 cm wide, 56cm deep; and a low table, 39cm high, 137cm long, 91cm wideRosewood CITES sale licence number 23GBA10KLQ6T0
Lot 438
*François & Sido Thévenin, a pair of Trône armchairs 1970s; bronze mounted wrought iron and leather; each with twin ring topped urn finials above confronting cornucopia form crestings; the leather backrests tied with thongs behind and with makers' stamps F + S, on openwork strapwork back frames; the leather seats and scrolled armrests also with leather thongs; above arching legs to flat pad feet;152cm high, 74cm wideProvenance: Chateau de Vouzeron, Upper Loire, Department du Cher, France.Note: Born in 1931 on the French Riviera, Francois Thevenin is seen as a visionary architect and sculptor, and a designer of extraordinary furniture, working primarily in metal and wood since the 1960s.His creations have been diverse, from chairs to coffee tables, lamps, door handles, and banister railings. -favouring the far more intuitive, sculptural but laborious methods of hand-forging, over casting in metal. Thevenin worked for much of his career alongside his late wife, Sido, often collaborating on one sheet of metal simultaneously.
Lot 533
Wall clock, circular mahogany case, painted dial with Roman numerals, signed A. Allan, Thrapstone, single fusee movement, diameter 47cm.Condition report:Appears complete, and with pendulum, winding key and case key. The gut has snapped though so you can't wind it at present. Otherwise the movement certainly looks well maintained. The dial has some scuffs and discoloured scratches, the odd chipped loss surrounding the winding hole. The frame of the glazed door has been split and repaired. The pendulum door also has some missing veneer to the outline.
Lot 417
Haselbech Oak light oak dresser, the upper section with three glazed doors, the base with three doors above cupboards, width 153cm, depth 46cm, height 203cm.Condition report:There is some noticeable discolouration to various parts of the top half. The central top door does not close fully. One drawer is a bit stiff. The drawers have dovetail joints. Generally sound. Please see additional uploaded images.
Lot 2093
A rare Art-Nouveau period English oak two door wardrobe, in the manner of Gillows or Liberty. Each door heavily carved, with stained glass panels. Raised above a single drawer base. 111 x 60 x 208cm H. (Key in office). Please see additional pictures. Losses to the wood surrounding the lock, one panel (base) is not present, one handle missing from base drawer. base drawer does not appear to fit correctly as it has gaps either side. Glass and moulding good. scuffs to the interior boards commensurate with use. Not available for in-house P&P
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235302 item(s)/page