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Click here to subscribeA mahogany cross-banded and line inlaid cabinet in the George III style, the cornice pediment over an astragal glazed single door, the base section fitted with two drawers and a single door cupboard with cock-beaded detail and with brass carry handles to the sides, raised to square tapered legs, later alterations and repairs, height 181cm x width 49cm x depth 52cm.
Suzuki Alto - a red Suzuki Alto SZ five door hatchback, petrol, 996cc engine, first registered on 30th December 2014 on a 64 plate, part service history, one owner from new, 9800 miles only, electric front windows, parcel shelf, digital CD player, wheel trims intact, two keys, viewing by appointment with The Auction Centre
Laura Ashley Furniture - a double gentleman's wardrobe over six drawers of varying sizes approx 193cm (h) x 120cm (w) x 61cm (d) Condition - slight damage to the catch inside of right door, surface scratches shallow and minor throughout. There are a couple of scuff marks to the base, scratches where the door closes and scratch marks to outer lips.
THE DOORS AUTOGRAPHED DRESSING ROOM SIGN. An A4 page with tape to upper/lower edges with one side reading 'The Cult' and signed in black marker pen by Ray Manzarek, Robby Krieger and John Densmore of the doors. Inscription reads 'To Billy' and John Densmore has inscribed 'Great playing with you'. The verso reads 'The Doors Green Room'. “In September 2000 the original members of The Doors, Ray Manzarek, Robby Krieger and John Densmore re-united for VH1’s “Storytellers” TV show. They performed with some of the best singers around at that time including Ian Astbury on a number of the songs. I got to play on the track “Wild Child” with Ian too. After the show I got Ray, Robby and John to sign our dressing room door sign as a memento.”
MIXED LOT OF VINTAGE COLLECTABLESincluding a Zorki-4K camera in case, a Zehum-C camera in case, an Admiralty Pattern 5526A volt metre, a brass cased carriage clock, another small brass cased Swiza desk clock, a Pallitoy 1970s doll, a pair of horn bird ornaments, a vintage door bell, a canvas binocular case (the interior marked M.E.Co. 1940), and a wooden plate stand
An oak inlaid eight day longcase clock, signed Jno Redshaw, Newcastle, early 18th century, caddied pediment, inlaid case, trunk door with glass lenticle, 12-inch square brass dial with a silvered chapter ring signed, seconds dial, date aperture, four pillar movement with an anchor escapement and inside count wheel striking on a bell, possibly later case, 203cm high 22.08.19 Case with small scratches and small dents in parts, convex moulding is slightly loose, dial is discoloured, movement needs cleaning, later seatboard, both side cheeks with extra added wooden blocks under the seatboard, possibly later case, with pendulum and two weights.
Interesting and rare mahogany single fusee Patent repeater alarm clock by William Bartleet of Birmingham, the front movement plate inscribed Trusted's Patent Repeater, Wm. Bartleet, Birmingham over an alarm setting slide and bell, fitted with an instruction label to the inside front door inscribed 'Directions for using the Patent repeater, with an alarum...', the movement with alarm winding cord to the left and pull repeat cord to the right, the 3" white dial within a rounded arched case inlaid with boxwood lines and surmounted by a brass carrying handle, 11.75" high overall *This clock is sold with a copy of an article written about it titled Restoration of a Curious Time Repeater by Philip Setterfield from the November issue of Clocks magazine in 1980 and a restoration invoice receipt from Yalecastle Limited dated 8th September 1980
Good Synchronome Electric master clock, no. 2388, crackled black casting with damper to the gravity arm, polished 51" high oak case with the "luxury" door openers, the clock having a silvered dial, pendulum and bob. *This clock is known to date from circa November 1937 *Featured in Alan Shenton - Collectable Clocks, figure 389 *A copy of Synchronome Miscellany included in the lot
Rare early English blue lacquer and floral gilded double fusee verge bracket clock, the 7" brass arched dial signed Ralph Tolson, London on a silvered arched plate to the matted centre with false pendulum bob and calendar apertures, also with strike/silent dial to the arch, the movement with pull repeat playing on a nest of six bells and striking on another, with fine scrolling foliate engraved back plate, within a stepped case surmounted by a caddy top with four turned brass finials and carrying handle, 21" high (pendulum and door keys)
Oak eight day longcase clock, the 12" brass arched dial signed Richard King Ratliff, Highway to the centre with subsidiary seconds dial and calendar aperture, with strike silent dial to the arch, the case with long rounded arched moulded door and the hood surmounted by a moulded rounded arched cornice, 80" high (pendulum, two brass cased weights and winding key)
Good green lacquer and painted eight day longcase clock with five pillar movement, the 12" brass arched dial signed Isaac Rogers, London on an arched silver plate to the matted centre with subsidiary seconds dial and calendar aperture, with strike/silent dial to the arch, the case with long rounded moulded arched door finely painted with biblical scenes, with another painted to the base, all enclosed with stylised floral gilded and diaper borders, the hood surmounted by a rounded moulded arched cornice, caddy top and three pear shaped spire finials, 98" high (pendulum, two weights and keys)
Mahogany longcase regulator, the 12" white painted dial signed C. Cartwright & Sons, Birmingham to centre and with pierced steel hands, the movement with deadbeat escapement and maintaining power, the case with long rounded arched glass door and mirrored back, 79" high (pendulum and brass cased weight)
Oak eight day longcase clock, the 12" square brass dial signed France, Warrington on the brass chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, the case with long wavy arched crossbanded door and the hood surmounted by a caddy top with three turned finials (in need of re-building), over a reverse painted foliate glass panel, 86" high (pendulum and two weights)
Oak eight day longcase clock, the 12" square brass dial signed James Whitehurst de Congleton on the brass chapter ring enclosing a matted centre with ringed winding holes and calendar aperture, the case with long door and the hood with a flat moulded stepped pediment over a reverse floral painted panel, 77" high (pendulum and weights)
Fine mahogany three train musical longcase clock, the 12.25" brass arched dial signed Sermon Torquay on a plaque to the centre above six o'clock, with subsidiary seconds dial and chime/silent and Westminster/Whittington/St Michael dials to the arch, the dial also overlaid with pierced foliate brass work, the movement playing on eight tubular bells and striking the hours on another, the case with long astragal glazed door flanked by canted corners and the hood surmounted by a wavy moulded swan neck pediment over latticework panels, 89" high (pendulum, three weights, nine tubes and winding key)
Red and black lacquer eight day longcase clock with five pillar movement, the 12" brass arched dial signed Thos: Gardner, London on a circular silvered boss to the arch, over a silvered chapter ring enclosing a matted centre with subsidiary sun burst seconds dial and calendar aperture, the case with long moulded rounded arched door and the hood surmounted by a moulded rounded arched raised pediment, decorated overall with figures and boats in pagoda landscapes, 90" high (pendulum, two weights and winding key)
Good walnut eight day longcase clock, the 12" brass arched dial signed Jn. Bowen, Bristol on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, the arch fitted with a calendar dial with Roman and Arabic numeral chapter rings enclosing a matted centre with moon phase, the case with long crossbanded wavy top door and the hood surmounted by a broken swan neck moulded cornice and turned wooden spike and ball finial, 91" high (pendulum, two weights and keys)
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