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Nine vinyl LP records; including, King Crimson Starless and Bible Black 9275-A Island pink rim label, In the Court of the Crimson King Island pink rim label, Pink Floyd Dark Side of the Moon matrix A5/B5, Led Zeppelin In Through the Out Door, Presence,Sountrack to the film, III green/orange label, IV plumb/ label A3/B4 deluxe 2401012, Physical Graffiti.
A Danish mid century teak sideboard, W.210cm, D.50cm, H.80cmCONDITION: No visible maker's marks, the top has a few minor areas of water damage and staining. To the left hand side is a double 2in. scratch, the left door has a 2in. scratch running from the right of the pull handle. Two or three dents/bruises below the cupboard doors, otherwise good
An Edwardian beech four piece bedroom suite, comprising a single door mirrored wardrobe, marble top washstand, dressing table with swing mirror and a chest of three graduated long drawers. tiled back to washstand has had replacement tiles fitted, split to dressing table top, chest of drawers has been varnished so displays a darker colour. This lot is not available for in-house P&P.
A French Provincial two door armoire circa 1760, having a floral carved crest surmounting the two paneled doors, and rising on inswept legs, 95"h x 58"w x 24"d Provenance: Estate of Frank J. Caufield (San Francisco, CA) Note: Mr. Caufield was one of the founding partners of the venture capital firm Kleiner, Perkins Caufield, and Byers
Chriss Whipple Hardy (Florida/New York/Tennessee, 20th/21st Century) oil on canvas painting titled "Charleston Light & Shadow" depicting a white building with greenery, a white stone bench, and a pathway leading to a green door partially cast in shadow by a flowering tree. Signed "Chriss Hardy" lower left. Typed artist's biography en verso. Housed in a contemporary black wooden frame with a giltwood rabbet edge. Sight - 11 1/2" square. Framed - 16 3/4" square. American, late 20th/early 21st century. CONDITION: Overall excellent condition.
One (1) etching after Rembrandt, two (2) etchings after Goya, 3 items total. 1st item: After Rembrandt Van Rijn (Dutch, 1608-1669) etching on laid paper titled "Beggars Receiving Alms at the Door of a House". Signed and dated "Rembrandt. f. 1648" lower right. Float mounted and housed under glass in a gilt wood frame with an off white linen and giltwood liner. Sheet - 6 3/4" H x 5 1/4" W. Sight - 7 5/8" H x 6" W. Framed - 16 1/8" H x 14 1/8" W. 2nd and 3rd items: Two (2) After Francisco Goya (Spain, 1746-1828), etchings with burnished aquatint on laid paper including plate #21 titled "Cual La Descanonan!" (How They Pluck Her Feathers!) and plate #67 titled "Aguarda Que Te Unten" (Wait Till You've Been Anointed)" from the Los Caprichos series, tenth edition, published by Tomas Harris, printed in the Calcografia for the Real Academia, Madrid. Both titled lower center under image, both numbered top right above image. Both with "Jose Guarro" and Goya wearing a cap watermarks. Both with Abelardo Linares, S.A. Antiguedades, Madrid, Spain paperwork. Both double matted and housed under glass in near identical gilt silver wood frames. Plates approximately 8 5/7" H x 5 7/8" W. Sight - 9 1/4" H x 6 3/4" W. Frames range in size from 16" H x 13" W to 16 3/4" H x 13 5/8" W. Circa 1918-1928. Provenance: Private Southern Collection. CONDITION: Overall good condition. 1st item: Foxing spots, toning/acid burn to sheet and liner. Trimmed to plate lines. 2nd and 3rd items: Plate #21 with toning, few minute foxing spots. Plate #67 with two visible foxing spots, largest 1/4". Not examined outside of frames.
Southern African-American quilt, attributed to Margaret or Lema Carr of Rogersville, Tennessee, recently exhibited at Colonial Williamsburg. This quilt displays an ingenious and unique design by incorporating the traditional Schoolhouse pattern with a semi-abstract Tree of Life motif, using hand-stitched pieced and appliqued cotton and synthetic fabrics. Eight rectangular panels enclose multicolored schoolhouses with beads representing door knobs and embroidered flowers, facing each other; the "roofs" and panel borders are joined by a central green vertical "tree trunk" to become its limbs, with all enclosed within a mauve border. Off white cotton backing. 78 1/2" x 63 1/2". Early to mid 20th century. Provenance: According to family tradition, Margaret Carr (born ca. 1909), an African-American schoolteacher from Rogersville, Tennessee, made the quilt or inherited it from her mother. Margaret appears in the 1940 United States census from Hawkins County, Tennessee when she was 31 years old and living on North Church Street with her parents George and Lema Carr. Although she had completed four years of college, Margaret was working as a cook in a private home at the time of that census. Margaret remained single until at least 1971, when the local Rogersville Review newspaper reported that Miss Margaret Carr hosted a meeting of the Woman's Home and Foreign Missionary Society of Russell Chapel Church at her home on Church Street. Russell Chapel was an African Methodist Episcopal Church. (source: The Colonial Williamsburg Foundation). Provenance: the collection of Mary Jo Case, Kingsport, Tennessee. Exhibited, "A Century of African-American Quilts," McCarl Gallery of the Art Museums at Colonial Williamsburg, February, 2017, to June of 2018. CONDITION: Overall good condition. Scattered areas of staining/discoloration. 3/8" area of shattering, top right. Two schoolhouses, second from top on right and bottom on left, are missing doorknob beads. Velcro band for display across top of quilt backing.
East Tennessee two-door press or cupboard, Johnson County, tiger maple, cherry, and walnut primary, chestnut secondary. Comprised of a plain overhanging top above one full length dovetailed drawer and two paneled doors opening to reveal two interior shelves; paneled sides and turned feet to the front with square tapering rear feet. 40" H x 38 1/8" W x 16 3/4" D. Circa 1840. Provenance: The estate of James (Jimmy) Neely, Smyrna, TN. CONDITION: Losses to upper left edge of drawer and case front; chew/losses to lower rear edge at back of case; lower backboard edge and lower interior shelf. Back edge of top loose where wood split. Interior with old white paint.
George III mahogany and brass longcase clock signed James Gandy, Cockermouth England. 8 day movement. Comprised of a molded hood with three brass finials, foliate brass mounts and Corinthian columns with brass capitals; 12-inch arched brass dial with Roman and Arabic chapter ring and a inner calendar ring, center with engraved masonic emblem and engraved "Gandy Cockermouth" lower center, corners of dial with leaf scroll spandrels and the whole surmounted by a circular brass mount engraved in Latin "Tempus Fugit" (Time Flies) and additional scroll spandrels. The trunk with a shaped door and canted sides, rectangular plinth with molded center, canted sides, and bracket feet. 94 1/2" H x 20 1/2" W x 10 1/4" D. English, 2nd or 3rd quarter 18th century. Note: James Gandy arrived in Cockermouth around 1726 and worked there until his death in 1779. CONDITION: Brass works and dial are not original to the case. Clock retains the winding key, case key and two weights. Not tested for functionality. Dial with some light abrasions. Case in overall good condition.
Southern cherry vernacular classical Jackson press, attributed to Alabama. Poplar and yellow pine secondary woods. Two part construction with top section having a canted cornice over a plain frieze and two glazed doors, each door with six glass panes. Base with two dovetailed drawers over two paneled doors flanked by plain stylized pilasters with canted trapezoidal capitals. Four substantial turned feet. Paneled back and sides. 85 1/2" H overall x 44 1/2" W x 21" D. Circa 1840. CONDITION: Later and somewhat faded surface, with scattered water spots and streaks to front. Some staining to top of base section. Some dark stains to interior shelves. 1" gouge to right drawer front; small hole/chew spot above top of left drawer. 1 1/2" area of loss to molding around the lower right pane on left glazed door. Scattered age related shrinkage and wear. Repaired molding to lower left side at back of base. 2 panes of glass with cracks to left lower side of top right door.
Three (3) Country Store / Advertising items, including De Laval Cream Separator Parts cabinet and two (2) mincemeat firkins, one Nashville related. 1st item: De Laval Cream Separator Parts advertising country store oak display cabinet, comprised of an overhanging top and base, hinged front door with embossed chromolithographic tin sign reading "AGENCY FOR DE LAVAL CREAM SEPARATORS THE WORLD STANDARD" depicting an image of the machine, opens to reveal interior with adjustable shelves and paper labels reading "Oklahoma Mail From Factory", "Iowa Mail From Factory", and "Minnesota Mail" with additional illegible labels. Includes a cardboard board of De Laval Bowl Rings containing ten rings. 25" H x 16 3/8" W x 11" D. 2nd-3rd items: Two (2) stave constructed mincemeat firkins, including one (1) yellow painted firkin with white paper label for Grocer's Special, Ervin A. Rice Co., Chicago, wooden handle, and one (1) firkin with light blue paper label for Atmore & Son, Inc., Philadelphia, PA, depicting a cow in a field, center, wire bail handle. Both with ink stamps to lids, including Robert Orr Co. Nashville TN stamp Grocer's Special lid on yellow firkin. Ranging in size from 13 5/8" H x 11 1/4" dia to 15 1/8" H x 11 7/8" dia. All items early 20th century. Provenance: The estate of James (Jimmy) Neely, Smyrna, TN. CONDITION: 1st item: Overall good condition with wear to cabinet, wear and stains to sign. Back panel partially separated from nail, top left, with areas of loss, largest 3 3/4" x 1 3/4". Interior with dividers missing. 2nd-3rd items: Overall good condition with wear, areas of staining/loss to labels to be expected from age.
Joseph Pennell (New York/Pennsylvania/United Kingdom, 1857 – 1926) gouache, ink and watercolor illustration on board titled en verso “The Out-Door Kitchen” depicting a gypsy woman holding a lantern by a shelter with coffee pot on ground by the opening and a kettle over a fire foreground with a wagon and trees background. Signed lower left in the work “Jo. Pennell” and dated 7-82. Featured on page 905 of The Century Illustrated Monthly Magazine: Volume 25 in the article “Visiting the Gypsies” by Charles G. Leland. Published January 1, 1883, by The Century Company, New York. Pencil inscription lower right reads “Te Tan te wardo(I see a smoke, a tent, a wagon) – Gypsies” and Tents and the wagons. See letter from page 8? along with other numbers. Image: 9 7/8? H x 12? W. Framed: 12 5/8? H x 16? W. Provenance: The estate of Joan Dearden, Johnson City, Tennessee. CONDITION: Toning to board, some chipping and losses to corners. Otherwise overall good condition.
Middle Tennessee Jackson Press, Wilson or Rutherford County, cherry primary, poplar secondary. The top section having a slanted ogee molded cornice over two glazed doors with total of sixteen panes opening to four shelves. The base having two dovetailed drawers with wooden pulls above two paneled doors enclosing three interior shelves, flanked by fully turned pilasters, and resting on turned legs. Top - 50 1/8" H x 46 1/2" W x 15 1/2" D. Base - 47 1/2" H x 45" W x 21 1/2" D. 97 5/8" total H. Both pieces Circa 1830. Provenance: The estate of James (Jimmy) Neely, Smyrna, TN. CONDITION: Press is comprised of two assembled pieces (married). Old repair to right top corner of the right upper door, near cornice. Lower section of press has a top that may be have been flipped or is possibly an old replacement, with scattered scratches and losses. Old rectangular patches to drawer fronts near escutcheons, possibly indicating removal of the original hardware or a lock. Abrasions to turned columns. Drawer supports are replacements. Underside of base with newer side supports. Gouging to top of drawer cutouts.
Southern, possibly Virginia, one-piece cherry corner cupboard, yellow pine secondary wood. Top with an ogee cornice over one door having nine glass panes opening to reveal two interior shelves, base with two paneled doors opening to reveal one interior shelf over a bracket foot base. 79 1/2" H x 42" W x 23" D. 2nd quarter 19th century. CONDITION: Older refinish. Cornice is a later replacement. A fragments of the original cornice is retained. Some losses to bottoms of back boards.
Ladies benchmade inlaid Hepplewhite 2-piece writing desk, mahogany primary and other mixed woods with satinwood inlay bordered by alternating inlay bands, inlaid columns, and stiles with line inlay. Top comprised of a central prospect door above one drawer and flanked by two tambour doors enclosing fitted interiors. Base comprised of a fold out writing surface above three graduated dovetailed drawers having oval brass pulls and tapered legs with string inlay. 46 1/2" H x 28" W x 18 1/2" D. 20th century. Provenance: Estate of Jean Payton, Kingsport, TN. CONDITION: Overall very good condition with light general wear.
French Neoclassical gilt bronze clock featuring a female figure in Classical dress, holding a goblet and ewer, while a draped staff rests against a clock having a dial with Roman numerals and steel hands, all atop a plinth with relief-decorated frieze featuring four putti, supported on four anthemion feet. Time and strike movement is unsigned. 14" H x 10" W x 4" D. French, 19th century. Provenance: the estate of Dr. Howard T. DeHaven, Columbia, TN. CONDITION: Clock is not running and lacks movement door. Other internal movement parts appear missing. Old tape residue to back of plinth. Scattered oxidation to surface. Dial shows wear and one hand is slightly bent.
Pair of carved wooden Buddhist temple door columns, originally part of a door surround. Together with 4 custom plexiglass holders for mounting on a wall. Approximately 66" L (w/ dowel) x 2 1/4" dia. Southeast Asia, late 18th/early 19th century. Provenance: the estate of Kent Cathcart, Nashville, Tennessee. CONDITION: Overall general wear and losses. Trace remnants of paint.
Easter Monday, 1916. Unused theatre ticket for the Coliseum Theatre, Henry Street, together with a Theatre Royal Theatre ticket. The Coliseum Theatre first opened its door on Easter Monday 1915. It was a popular venue for music and comedy acts but on Easter Monday, 1916 the public were kept from the entertainment by the occupation of the neighbouring GPO by armed rebels. As the week went on the Coliseum bore the brunt of shell-fire and flames. By the time of the cease-fire it lay in ruins, never to open again.
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235302 item(s)/page