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Lot 475
An Edwardian walnut Bedroom Pair comprising wardrobe with pierced cornice enclosed by single bevel mirror panel door with stylised floral carved decoration and single drawer under. 3' 10" (117cms) wide and a dressing chest with two trinket drawers two long and two short drawers under together with a pair of double sized bed ends.
Lot 526
An Edwardian mahogany Bedroom Suite crossbanded in satinwood and comprising; wardrobe with faux dentil cornice enclosed by single bevel mirror panel door, side panels inlaid with trailing flowers and two drawers under on a plinth base. 5' 6" (168cms) wide, dressing chest with oblong bevel mirror, two trinket drawers, two long and two short drawers under and a marble topped wash stand together with a pair of double size mahogany bed ends.
Lot 588
A George III oak and walnut crossbanded full height corner cabinet, circa 1800, the dentil moulded ogave cornice above an arched fielded panel door enclosing three shaped shelves over another fielded panel door enclosing a single shelf between canted angles on plinth base, 107cm wide, 220cm high, 55cm deep
Lot 540
An oak and mahogany crossbanded longcase clock,early 19th century the hood with broken scroll swan neck pediment above a 14 inch white painted enamel dial with Roman numerals and rolling moon phase in the arch subsidiary seconds dial, eight day movement striking on a bell, indistinctly signed 'Bilston' above a short trunk door and panel base raised on bracket feet, 227high
Lot 532
A mid 18th century Dutch burr walnut eight day longcase clock, the 12 inch arched brass dial signed 'William Redie, Inventeur, Amsterdam', with centred subsidiary seconds dial, date and month apertures over pierced scrolling leaf spandrels to the lower corners under a rolling painted scene to the arch, the movement striking on a single bell, the arched hood with plain columns surmounted by Atlas and two further figures, the trunk with arched long trunk door with oval glazed lenticle and pierced oval mount depicting Father Time on a stepped box base with concave canted angles, 269cm high overall
Lot 587
An impressive Edwardian satinwood Chinese Chippendale revival bedroom suite, comprising quadruple wardrobe with egg and dart moulded cornice and chinoiserie panel doors enclosing slides over three drawers flanked by cupboard doors with internal mirrors and raised on foliate ogee bracket feet, 228cm wide, 61cm deep, 219cm high, a matching pedestal dressing table on cabriole legs, 136cm wide, 59cm deep, 160cm overall height, a washstand with two panel cupboard doors on cabriole legs, 130cm wide, 60cm deep, 82cm high, a night cupboard with panel cupboard door, 41cm wide, 40cm deep, 84cm high, a cheval mirror with bevelled oval plate, the plate 133cm high, an oval bevelled wall mirror with chinoiserie and foliate pierced bracket surmounts, 113cm wide, and two single beds with panel, head and foot boards, 107cm wide (8)
Lot 548
A George III mahogany serpentine sideboard the bow central frieze drawer flanked by a cabinet door to the left hand side and deep cellerette drawer to the right, all fitted with brass ring handles with circular flower head pressed back plates raised on four square tapering boxwood line strung front legs with moulded collar, 231cm wide, 93cm high, 82.5 cm deep
Lot 535
A George III oak and mahogany crossbanded longcase clock, the hood with broken scroll pediment and brass eagle and ball finials above a 14 inch painted enamel arched dial with Roman numerals subsidiary seconds dial and date aperture and marked 'Hanny, Shrewsbury', eight day movement striking on a bell above a short conch shell inlaid trunk door and oval panels and on bracket feet, 239cm high,
Lot 536
A George III oak and mahogany crossbanded longcase clock, the arched hood with broken scroll, swan neck pediment and brass thistle stamped roundels, above an arched glazed door flanked by fluted brass capped pilasters enclosing a 12'' arched white enamel dial with Roman numerals and date aperture painted spandrels and painted flower pot in the arch, the dial marked Thos Fletcher, Barnsley, 30 hour movement striking on a bell above an ogive moulding and shaped top crossbanded trunk door, centred by an oval harewood and boxwood conch shell motif over a further moulding and conforming base board and on plinth base, 219cm high.
Lot 56
2nd-4th century AD. A bronze key with iron shank and bit; the handle square in section with flange rims above and below, substantial integral loop; two lateral faces each with three ring-and-dot motifs, upper face with a temple(?) outlined in silver inlay with incised pediment and door, starbursts and ring-and-dot motifs above the triangular roof, row of ring-and-dot motifs below the silver-inlaid steps. Cf. Pall, M. Schlüssel und Schlösser, Graz, 2012, item 5658 for type. 213 grams, 11.5cm (4 1/2"). Property of a Surrey collector; acquired in the early 1970s. . Fine condition, shank restored.
Lot 1885
17th-19th century AD. A square piece of parchment with twenty-two lines of Hebrew text, three Hebrew characters on the reverse, for use in a mezuzah; Spanish workmanship. 3 grams, 10 x 9.5cm (4 x 3 3/4"). Property of a Middlesex gentleman; acquired in the 1980s. A mezuzah (Hebrew for 'doorpost') is a piece of parchment (often contained in a decorative case) inscribed with specified Hebrew verses from the Torah (Deuteronomy 6:4-9 and 11:13-21"). These verses compose the Jewish prayer Shema Yisrael, beginning with the phrase: Hear, O Israel, the Lord is our God, the Lord is One. In Rabbinic Judaism, a mezuzah is affixed to the door-frame of Jewish homes to fulfill the mitzvah (Biblical commandment) to inscribe the words of the Shema on the doorposts of your house (Deuteronomy 6:9"). [No Reserve]. Fine condition.
Lot 455
6th-7th century AD. A discoid bronze trade weight with low-relief image to one face of a church façade with gabled roofs, windows, door with prominent cross above. Cf. Bendall, S. Byzantine Weights: An Introduction, London, 1996, item 90 for architectural image. 125 grams, 49mm (2"). From a German collection; acquired on the German art market before 1990. [No Reserve]. Fine condition.
Lot 1034
11th century AD. A bronze openwork stirrup mount of Williams's Class A Type 3, with facing nude male figure held by serpents, restraining the elbows and knees and forming an arc from the shoulders and neck to the wrists; attachment loop above the head, small ledge to the reverse with ferrous stain above. Cf. Williams, D. Late Saxon Stirrup-Strap Mounts, York, 1997, p.37. 34 grams, 61mm (2 1/2"). Found Leicestershire, UK. There are several figures in the Viking mythology that can be related to this iconography. One of the possibility is Loki, a cunning trickster known from many poems to be both friend and enemy of gods and giants. As a punishment for his crimes, gods killed his son and bounded Loki with his entrails, and Skadi, a giantess with a personal interest in his punishment, put a poisonous snake above his head dropping venom on his face. His faithful wife Sigyn, sat next to him and gathered the poison in a bowl. This imprisonment should have lasted until ragnarok, the final battle between gods and giants, when Loki would break free, and die in a fight with god Heimdall. Another possibility is that this mount may represent one of the most famous heroes of the Viking Age, Ragnar Lodbrok; who, according to the legend, died in a pit full of snakes by an order of king Ælla of Northumbria. A similar death was meant for legendary hero Gunnarr, known from the cycle of Nibelungs. A man in a snake pit can be found carved on the door of Urnes church and baptismal in Bohuslan. Similar earlier depictions can be seen on picture stones from Gotland, where a male figure is surrounded with snakes, usually approached by a woman holding a drinking horn. A similar image can be found on the Gosforth cross, considered by many to be a depiction of Loki and Sigyn. A hall from snake bodies is also supposed to be located in Helheim, the land of dead. . Fine condition.
Lot 319
A mahogany and brass-mounted table(?) clock,the enamelled convex dial with Roman numerals over a panel inscribed 'Thos. Moss, Ludgate Street, London', enclosing a twin fusee movement striking the hours with strike/silent lever, with pierced brass fishscale sound panels to the sides and top, the back door now with a fret cut panel, backed with cardboard,8in dial27cm wide28cm high
Lot 682
RICHARD ROUGHSEDGE, TWICKENHAM, A GEORGE III MAHOGANY EIGHT DAY LONGCASE CLOCK, the brass and silvered 12-inch dial with strike/silent, subsidiary seconds, Roman chapter and date aperture, the hood with fret carved crest, three brass sphere finials and free-standing columns with brass stop fluting, the case with moulded break arch trunk door flanked by quarter reeded columns, the base with fielded panel and bracket feet. 238cm
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235346 item(s)/page