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Oak eight day longcase clock, the 13" square painted dial signed Jon. Westall, Hollyhead?, with subsidiary seconds dial and arched calendar aperture, the centre painted with two birds of paradise amidst flowering foliage, with medium length door flanked by canted corners and surmounted by a stepped pediment, 79" high
Mahogany eight day longcase clock, the 14" painted arched dial signed Blairton, Stourbridge, with subsidiary seconds and calendar dials, painted with a religious scene entitled Abraham`s Servant Meeting Rebekeb, Gen`s Chap 24, the flamed case inlaid with boxwood and ebony stringing, with short double lancet door flanked by turned pillars and surmounted by a broken arch swan neck pediment, 89" high
Walnut thirty hour longcase clock, the early birdcage movement and 9.75" square brass dial signed H Miles, Horton on the chapter ring enclosing a matted centre, the contemporary case with long beaded and feather banded door, surmounted by a stepped pediment over a pierced foliate fretwork panel, 74" high
Oak and mahogany crossbanded eight day longcase clock, the 13.5" painted arched dial signed Griffith Davies, Dolgelly, with painted moon phase and high water at Barmouth to the arch, over a subsidiary seconds dial and arched calendar aperture, the case with medium length mahogany crossbanded and boxwood inlaid door flanked by quarter fluted pillars and surmounted by a broken arch swan neck pediment, 90" high
Good early oak thirty hour longcase clock, the 10" square brass dial signed Thomas Deykin, Worcester, with a single iron hand, matted centre, bearing the number 183 on the dial plate under six o`clock, the contemporary case with long beaded moulded door surmounted by a stepped caddy pediment, 78" high
Good mahogany eight day longcase clock with five pillar movement and deadbeat escapement, the 12" arched brass dial signed Ellicott, London, with strike/silent dial to the arch, subsidiary seconds dial and calendar aperture to the finely matted centre, the case with long arched moulded door, surmounted by an arched caddy, pierced fretwork panels and triple brass turned flame finials, with a pair of brass cased lead weights, 105" high
Good black lacquer and chinoiserie decorated three train longcase clock, the 11.5" square brass dial signed Henry Richardson on the chapter ring enclosing a matted centre with three ringed winding holes and calendar aperture, the movement chiming on six bells and the strike work with outside locking plate, the case with long door fitted with a circular lenticle and decorated with figures in pagoda garden landscapes and on horseback, the base sides and top decorated overall with birds, flowerheads and foliage, surmounted by a flat caddy top, 89" high*This clock is illustrated and discussed in Herbert Cescinsky and Malcolm R. Webster - English Domestic Clocks, see fig. 197, pages 192 and 196*
Fine 18th century mahogany longcase clock of one month duration, the 12" engraved arched brass dial signed Ellicott, London, (John 1706-1772) with subsidiary/silent dial over the silvered chapter ring and centre with inset subsidiary seconds dial over the date aperture, the six pillar brass plate movement with anchor escapement striking on a bell, the tall elegant figured case with brass inlay and caddy top over a long arch top door and panelled base with a skirted plinth, 100" high*John Ellicott was one of the most respected English clockmakers of the 18th century. Ellicott established his business at 17 Sweetings Alley, Royal Exchange London where he worked from 1728 until his sudden death in 1772, he was succeeded by his son Edward*
A pair of Victorian, walnut, ormolu mounted and strung pier cabinets each having rectangular figured top over floral inlaid frieze, the panelled door set with hand painted porcelain plaque of courting couple within a cast flower and leaf frame and the whole on serpentine bracket plinth. 105 x 78 cms.
A large gilt brass repeating carriage clock with rectangular moulded case, having a shaped carrying handle and shuttered rear door, fitted a 3.5" white enamel dial with Roman and Arabic numerals, signed Martin and Co. Paris and London, within a foliate engraved gilt surround, having an eight-day twin cylinder movement striking on a gong, 24cm (9.5") high, No 10965 in a leather travelling case complete with numbered key, see illustration
A mahogany case eight-day longcase clock, the moulded cornice above a painted tin frieze and glazed door flanked by free standing columns, the trunk fitted a long door with a ogee shaped top, the canted base on shaped bracket feet, the square painted moonphase dial with date recorder signed E Winstanley, Wigan, the dial 34cm (13.25") wide
A Victorian Gothic bracket clock, the arched mahogany case with carved cornice and free-standing compound columns flanking a glazed arch panel door, on gadrooned feet, the silvered dial signed Whitmore & Son, Northampton and with Roman numerals, fitted a twin fusee movement with repeat mechanism, 58cm (22.75") high and the mahogany bracket for the same, see illustration
A late 18th Century mahogany eight-day longcase clock, the case banded in satinwood with broken swan neck pediment to the hood having fluted columns to the sides, the trunk enclosed by an arch top door with canted columns to the sides, the arch top brass dial with feathered border and fitted an equation of time dial to the arch, the pierced spandrils each of two cherubs with coronet, the engraved centre with subsidiary seconds and date aperture, having a silvered chapter ring signed Bingham Dublin, fitted an eight-day movement striking on a bell, 237cm (93.25") high, see illustration
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235346 item(s)/page