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Lot 814
An Edwardian inlaid mahogany and satinwood banded three piece bedroom suite, to include: a dressing chest with oval mirror above jewellery drawers, the base fitted two short and one long drawer; a dressing cabinet, fitted two cupboard drawers; and a bedside cabinet with single drawer above cupboard door. (3)
Lot 686
A mid 19th century Florentine ebony break front side cabinet, in the Neo-Classical taste, gilt metal mounted and bone inlaid, having a central fielded panelled cupboard door decorated with anthemions and bell flowers, flanked by a pair of split pilasters and a pair of bow front doors, plinth base, lacking upper
Lot 533
VICTORIAN SCOTTISH MAHOGANY DRUMHEAD LONGCASE CLOCK maker P. Aitken, Glasgow, the circular cream enamel dial with Roman numerals, over a trunk door and square base section on bun feet, 205cm high Note: 'Aitken, Peter. 96 Argyll Street, Glasgow, 1841' page 12, Old Scottish Clockmakers 1453 to 1850 by John Smith
Lot 550
GEORGE IV BRASS INLAID MAHOGANY BRACKET CLOCK maker George Kirton of South Shields, of lsancet form with enamel Roman dial, the movement with shaped backplate and adjustable brass pendulum, chiming on a bell, the rear door with shaped glass panel, some damage to case, missing finials, 42cm high
Lot 126
A Gillows Aesthetic Movement Amboyna and Parcel Gilt Étagère. England circa 1860, having a frieze above a mirrored tier supported by parcel gilt fluted columns, below there is a door which is enriched with a musical cartouche and which opens to reveal dividers, the whole item standing on bun feet with castors with the top draw bearing a Gillows inventory mark,
Lot 16
A Pair of Rosewood Hanging Shelves England circa 1810, each tier is inset with brass stringing and joined by lavish brass mounts, the top tier having an unusual gallery of acorns, thistles, lilies, anthemia, possibly emblematic of the British Isles, the sides have X frame supports with foliate patera and classical masks, 46cm wide, 72cm high, 97cm deep Two similar pairs have been sold at Christies: The first on 6th April 1995: "Fine English Furniture", Sale 5370, Lot 155: "A matched pair of William IV Mahogany Three-Tier Hanging-Shelves attributed to Gillows of Lancaster, each with three-quarter galleried rectangular top above two further tiers, the ring-turned baluster supports centred by ring-turned X-shaped struts, one with pencil inscription to the reverse: "east wall near piano" and with further inscription "near the fireplace", the other with pencil inscription "east wall" and "east wall near oak door", variations. Provenance: Supplied to the 2nd Earl Manvers, Thoresby Hall, Nottinghamshire. Thence by descent at Thoresby until sold, Sotheby's house sale, 31 May - 2 June 1989, lot 307. There are several references to Lord Manvers in the Gillow archive for the period 1800-1840 but he seems also to have bought furniture from their London retailer. This prevents exact identification of purchases because objects sold in London appear in the Gillow archive by the name of the retailer alone. The Manvers archive itself suggests large scale buying, totalling as much as £3,000. As many as forty pieces by Gillow were included in the Thoresby sale." The second on 21st May 2009 "A West Country Tradition: Avon Antiques". Sale 5969, lot 236 "A Set of Regency Ormolu-Mounted Rosewood Three-Tier Hanging Shelves, In the Manner of John Mclean, Early 19th Century The upper tier with scrolled brackets and urn finials, above x-frame supports to the lower tiers, each shelf with pierced front gallery, on ball feet. These china-railed shelves have golden palm-wrapped brass pillars tied by pateraed braces in the Pompeian tripod-altar fashion that was popularised by Thomas Hope in his guide " Household Furniture and Interior Decoration", 1807.
Lot 358
A Pair of Rosewood Penwork Cabinets England circa 1820, with grisaille penwork composite tops depicting neo-classical scenes, the frieze with a long drawer, above a door with brass grilles, lined with yellow silk, enclosing a single adjustable shelf, flanked at the corners by quarter columns, raised on turned topie feet, 80cm wide, 89cm high, 41.5cm deep This fine pair of rosewood cabinets, owing something to the designs of Thomas Hope epitomise the taste for Greco - Egyptian neo classicism with motifs resembling sculpture on the tops. Figure compositions such as these with highly complex arrangements were almost certainly only taken on by the most skilled professional penwork artists. The present cabinets, not only show the artists skill in the fine and well drawn floral border consisting of blooming flowers and twisting foliage details, but each also has a parade of graceful dancers on one cabinet and a classical military scene on the other; perhaps a reference to war and peace.
Lot 60
A 19th Century Bronze Lantern England circa 1850, a cylindrical bronze lantern with elaborately cast serpentine and foliate arched supports ending in turned urn finials above flat Ionic pilasters, with additional curling spandrail, the door opening with foliate cast handle and the base finished with central finial mounted paterae, now fitted for electricity, 42cm wide, 81.3cm high
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235302 item(s)/page