A George V silver rectangular trinket box, the engine turned hinged lid within a raised border of leaves above engine turned sides, London 1912 by Charles Fox & Co Ltd, weight including velvet lining 299g, length 13.8cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
186062 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
186062 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
186062 Los(e)/Seite
Seven Dinky Toys and Supertoys commercial vehicles, comprising No. 581 horse box, No. 555 fire engine, No. 965 Euclid dump truck, No. 972 20-ton lorry mounted crane 'Coles', No. 921 articulated lorry, No. 991 AEC tanker and No. 642 pressure refueller, all boxed (some paint chips, boxes creased, scuffed and stained).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A pair of gold cut cornered rectangular cufflinks, partly engine turned, detailed '9ct, dimensions of each front 1.6cm x 1.1cm, a 9ct gold oval pendant locket with floral decoration, a 9ct gold, sapphire and diamond heart shaped cluster pendant with a 9ct gold neckchain, total weight 7.4g, and a pair of gold hoop shaped earrings with post and butterfly fittings, unmarked, weight 0.8g.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Simon Pierse Saris on The Beach, 2022 Watercolour on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Simon Pierse is painter in oils and watercolour. He lives in mid-Wales and on the Kent coast. Education Slade School of Fine Art Select Exhibitions/Awards SOLO EXHIBITIONS 2019-20 Shy Green - Ice Blue, Tessa Sidey Gallery, Aberystwyth University 2019 Icebergs & Northern Lights, Alpine Club, London 2018 Tree Portraits and other paintings, Long Gallery, Dunmoochin 2009-10 Life-Line: a drawing retrospective, School of Art Galleries, Aberystwyth 2008-9 Sketches from Gran Paradiso, Alpine Club, London 2008 Paintings in the Long Gallery, Dunmoochin, Melbourne 2004 A Sometimes Cloud, Old Fire Engine House, Ely 1999 Paintings of Ladakh, Oxford Gallery, Oxford 1998 Recent Paintings, Center Gallery, Glen Arbor, Michigan 1997 A Sunburnt Country, Commonwealth Institute, London 1997 Between Two Worlds: Paintings of Ladakh, Y Tabernacl, MOMA, Wales 1996 The Empty Landscape, National Library of Wales, Aberystwyth 1995 Red Sands, Blue Gums, Y Tabernacl, MOMA, Wales 1993 St. Martin's Gallery, Melbourne Gallery Representation Bankside Gallery London; Russell Gallery, London Statement about AOAP Submitted Artwork I visited the fishing village of Mamallapuram, South India. It was during the New Year festival of Pongal and there were crowds of people on the beach, paddling in the surf while they waited for the full moon to rise in the sky against the backdrop of ancient seashore temples. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
AN EARLY 20TH CENTURY NORWEGIAN SILVERGILT MOUNTED OVAL PHOTOGRAPH FRAME with a border of translucent bronze-coloured enamel over an engine-turned ground, gilt-metal easel back, together with a smaller frame with lime green enamel and a white pelleted border, wire easel stand, both by David Andersen, Oslo, 1910-1930; the larger one 5.3" (13.5cm) high
A MID 20TH CENTURY NORWEGIAN COVERED BOWL circular with a plain body, the cover decorated in translucent mint green enamel over an engine-turned ground, centred with a stylised dove finial, with wings displayed, the base with a small inscription, by J,Tostrup, Oslo, c.1950; 4.75" (12cm) diameter; 10.95 oz
MISCELLANEOUS SMALL SILVER:- to include: a bright-cut caddy spoon, initialled, 3 condiments and 3 spoons, a engine-turned cigarette case, a compact, a child's spoon, inscribed, a egg cup, initialled, a spirit flask, inscribed, a napkin ring, initialled and a continental box resembling a stack of coins; the flask 4.1" (11cm) high; 20.3 oz (14)
A VICTORIAN CASTLETOP VINAIGRETTE rectangular with rounded ends, reeded sides and a view of the Scott Memorial, Edinburgh in relief on the cover against a matte ground, the base with hatched engine-turning, initialled "TT", the grille with leaves and a flower, gilt interior, by Nathaniel Mills, Birmingham 1846; 1.7" (4.3cm) long; 0.9 oz
A GEORGE IV RECTANGULAR SILVERGILT VINAIGRETTE with engine-turning and a raised floral border, initialled, the grille with a basket of flowers, gilt interior, by Thomas Newbold, Birmingham 1823 and a silvergilt book-shaped vinaigrette, initialled "JHG", by Taylor & Perry, Birmingham 1834; the latter 1.3" (3.4cm) long; 0.9 oz (2)
AN ART DECO RECTANGULAR CIGARETTE CASE with engine-turned decoration and gold borderwork, gilt interior, by S.J Rose, London 1937 and a late Victorian cased set of 5 condiment spoons (one mustard and 4 salt) with decorative stems and gilt bowls, by Levi & Salaman, Birmingham 1896; the cigarette case measuring 5" (12.5cm) long; 7.2 oz (2)
A VICTORIAN VINAIGRETTE of shaped rectangular outline, with rounded ends, decorated with reserves of various engine-turned patterns, a serpentine thumbpiece and a vacant cartouche, the grille with a flower and scrolls, gilt interior, by William Dudley, Birmingham 1851 together with another Victorian vinaigrette of similar form, initialled, by George Unite, Birmingham 1896; the former 2.3" (5.8cm) long; 1.8 oz (2)
A VICTORIAN ENGINE-TURNED VINAIGRETTE of rectangular form, with rounded corners and a circular cartouche on the cover engraved with flighting duck, the grille with floral scrolls, gilt interior, by W. Wright & F .Davies, London 1870 (with retailers mark of "HALSTAF & HANNAFORD, 228 Regent St"; 1.55" (4cm) long; 0.85 oz

-
186062 Los(e)/Seite