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A William IV silver 'Castle-top' vinaigrette, Newstead Abbey, by Taylor and Perry, Birmingham 1835, rectangular form, the hinged cover with a raised scene of the Abbey, the interior with a pierced foliate scroll grille, engine-turned sides and base, with a vacant cartouche, length 4.5cm, approx. weight 1.1oz.
A small collection of four Art Deco silver and enamel wine labels, comprising: a pair by Turner and Simpson, Birmingham 1933, engine-turned with black and yellow decoration, titled 'PORT' and 'BRANDY, length 4.7cm, plus another pair by the same maker, Birmingham 1935 and 1937, with black and white decoration, titled 'SHERRY' and 'BRANDY', length 4cm, approx. weight 2.2oz. (4)
A 19th century Russian silver 'trompe L'oeuil' snuff box, by Karl Veyrlen, Moscow circa 1880, rectangular form, modelled as a suitcase, with belted straps and engine-turned decoration, the cover with an oval cartouche engraved with a pointer dog facing left, the base engraved with a crest, length 10cm, approx. weight 4.8oz.
A George IV silver raised relief snuff box, by Joseph Willmore, no apparent date letter, Birmingham circa 1825, rectangular form, the hinged cover with a raised classical battle scene, possibly Alexander The Great on horseback at the Battle of Issus, reeded sides and engine-turned base with a vacant cartouche, length 7.7cm, approx. weight 4oz.
A George III silver-gilt and micromosaic mounted snuff box, by Hockley and Bosworth, London 1815, rectangular form, the hinged cover with a Roman micromosaic depicting a cockerel and hen in a field, foliate scroll border, the sides and base with engine-turned decoration, plain thumb-piece, length 7.5cm.
A late 19th century Swiss gold snuff box, incuse stamped O.B, Geneva circa 1890, and with later French control marks, rectangular form, the cover engraved with flowers and foliate scroll decoration, on an engine-turned ground, the base with similar decoration, engine-turned sides, length 7.4cm, approx. weight 67.7g.
A George III eighteen carat gold and enamelled box, by Alexander James Strachan, London 1806, circular form, the hinged cover set with an enamelled pastoral panel of a young couple with their son attracting their attention to nesting doves, on a gold ground within an engine-turned border, the convex sides and base with similar engine-turning, the underside of the cover with a crest dated June 1794 and bearing the Order of Bath, diameter 7cm, weight 99.5gms. The crest was granted by Sir William Betham, Ulster King of Arms (1820-53) to Vice Admiral Sir Ross DONNELLY, RN who was invested KCB (military) on 17 March 1837. The date inscribed within the crest, June 1794, was of great significance to Donnelly: The Glorious First of June (also known as the Third Battle of Ushant, or Bataille du 13 Prairial) was the first and largest fleet action of the naval conflict between Great Britain and the First French Republic during the French Revolutionary Wars. The British Channel Fleet under Admiral Lord Howe attempted to prevent the passage of a vital French grain convoy from the United States, which was protected by the French Atlantic Fleet, commanded by Rear-Admiral Villaret-Joyeuse. The two forces clashed in the Atlantic Ocean, some 400 nautical miles (741 km) west of the French island of Ushant. Donnelly started the battle as first lieutenant of the Montagu but after the death of his captain, James Montagu, took command. After the battle Donnelly and a number of other officers who had had to take command of their vessels after the deaths of their captain were disappointed not to receive the gold medal issued to all post captains involved. There were bitter consequences of these awards, rooted in Howe's official dispatch to the Admiralty concerning the battle. After studying the ship's logs and reports of the battle, the Admiralty minted a medal to be awarded to the living captains on the list only (although Captain William Parker of HMS Audacious was awarded one as well). The captains excluded from the list were furious, and the furore from this selective commendation lasted years: in 1795 Vice-Admiral Caldwell quit the service in anger as a result. Over five decades later the battle was among the actions recognised by a clasp attached to the Naval General Service Medal, awarded upon application to all British participants still living in 1847. This rule was afterwards modified and, both after the Nile and Trafalgar, first lieutenants who succeeded to the command by the death of their captain received the medals or other awards.
A small collection of five silver stamp cases, comprising: an Edwardian double one, by the Ahronsberg Brothers, Birmingham 1904, flat rectangular form, slide-action cover, plus one of envelope form, one of flat rectangular form, one with engine-turned decoration, and a modern one embossed 'STAMPS', approx. weight 2.5oz. (5)
A collection of silver stamp boxes, comprising: an Edwardian one by Matthew Jessop, London 1902, rectangular form, slide-off base, with a glass stamp moistener roller, plus a triple stamp box, Chester 1900, and American triple stamp box, engine-turned decoration and a German double stamp box, embossed figural scenes, approx. weight 6.8oz. (4)
A Victorian silver 'castle-top' snuff box, Newstead Abbey, by Nathaniel Mills, Birmingham 1837, rectangular form, the hinged cover with a raised view of the Abbey, silver-gilt interior, foliate, engine-turned sides and base, the base with a vacant cartouche, length 6.2cm, approx. weight 1.4oz.
A Victorian silver engraved vinaigrette, Rousseau Island, Geneva, by Nathaniel Mills, Birmingham 1846, shaped rectangular form, the hinged cover with an engraved scene of the statue and Island, with the city behind, the interior with a silver-gilt pierced and engraved foliate scroll grille, the base with engine-turned decoration, the base with a inscribed cartouche, 'From J.F to M.G, 24 July 1866', length 4.5cm, approx. weight 0.9oz.
A William IV silver 'castle-top' vinaigrette, Newstead Abbey, by Nathaniel Mills, Birmingham 1835, rectangular form, the hinged cover with a raised view of the Abbey, the interior with a silver-gilt pierced and engraved foliate scroll grille, foliate scroll borders, the sides with chased foliate scroll decoration, the base with engine-turned decoration, and with an initialled cartouche, 'J.H from S.E.S', length 4.5cm, approx. weight 1.2oz.
A William IV silver 'castle-top' vinaigrette, possibly an interpretation of Abbotsford House, by Taylor and Perry, Birmingham 1835, rectangular form, the hinged cover with a raised view of the House, the interior with a silver-gilt pierced and engraved foliate scroll grille, foliate scroll borders, the sides and base with engine-turned decoration, the base with a vacant cartouche, length 4.3cm, approx. weight 1.1oz. Christie's, South Kensington, Objects of Vertu, The Property of the late Diana Keggie, 30 November 2005, lot 54.
A George IV silver 'castle-top' vinaigrette, possibly St. Peter's Church, Brighton, by J. Lawrence, Birmingham 1829, rectangular form, the hinged cover with a raised view of the church, the interior with a silver-gilt pierced and engraved foliate scroll grille, reeded sides, engine-turned base, length 3.5cm, approx. weight 0.4oz.
A Victorian silver engraved vinaigrette, Elgin Cathedral, by Nathaniel Mills, Birmingham 1843, rounded shaped rectangular form, the hinged cover with an engraved scene of the ruins of the Cathedral, the interior with a silver-gilt pierced and engraved foliate scroll grille, the sides and base with engine-turned decoration, the base with a vacant cartouche, length 5.3cm, approx. weight 0.8oz.
A Victorian silver engraved vinaigrette, William Shakespeare's House, by Nathaniel Mills, Birmingham 1849, rounded shaped rectangular form, the hinged cover with an engraved scene of the house, the interior with a pierced and engraved foliate scroll grille, the sides and base with engraved foliate scroll and engine-turned decoration, the base with a vacant cartouche, length 5.2cm, approx. weight 0.8oz. Provenance: purchased at Christie's, South Kensington, Objects of Vertu and Miniatures, 18 March, 2003, lot 159.
A Victorian silver engraved vinaigrette, by Frederick Marson, Birmingham 1846, rounded rectangular form, the hinged cover with a lake scene, with buildings in the fore ground and boats and hills behind, the base with engine-turned decoration, and with an initialled cartouche, length 4.5cm, approx. weight 0.7oz.
A George IV silver 'castle-top' vinaigrette, possibly a different view of Warwick Castle, by Joseph Willmore, Birmingham 1834, rectangular form, the hinged cover with a raised view of the castle, the interior with a silver-gilt pierced and engraved foliate scroll grille, reeded sides, engine-turned base, length 3.6cm, approx. weight 0.9oz.
A Victorian silver engraved vinaigrette, by Yapp and Woodward, Birmingham 1847, shaped rounded rectangular form, the hinged cover with a lake scene, with buildings to the left and right, and boats and hills behind, the sides and base with engine-turned decoration, the base with a vacant cartouche, the interior with a pierced and engraved silver-gilt grille, length 4.5cm, approx. weight 0.7oz.
A Victorian silver 'castle-top' vinaigrette, Martyrs' Memorial, Oxford, by Nathaniel Mills, Birmingham 1842, rectangular form, the hinged cover with a raised view of the Memorial, the interior with a silver-gilt pierced and engraved foliate scroll grille, foliate scroll borders, the sides and base with engine-turned decoration, the base with a vacant cartouche, length 4.8cm, approx. weight 1.2oz.
A George IV silver raised relief snuff box, tavern scene, by Christopher Bucker, London 1821, rectangular form, the hinged cover with a tavern scene with gentlemen drinking and smoking, the sides and base with engine-turned decoration, the interior gilded, length 8.2cm, approx. weight 4.8oz.
A Victorian silver engraved 'castle-top' card case, Pompeii, by Wheeler and Cronin, Birmingham 1845, rectangular form, the front with a view of classical ruins, scroll borders, engraved foliate and engine- turned decoration, the reverse lake scenes and similar decoration, length 10cm, approx. weight 2oz.
A Victorian silver engraved 'castle-top' card case, Haddon Hall, Derbyshire, by Nathaniel Mills, Birmingham 1847, rectangular form, the front with a view of Hall, scroll borders, engraved foliate decoration on an engine-turned background, the reverse with similar decoration, length 10cm, approx. weight 2.1oz.
A Victorian Scottish silver engraved 'castle-top' card case, with four Scottish buildings, by J, Naesmyth and Co, Edinburgh 1851, rectangular form, the front with a view of Edinburgh Castle, St. Giles Cathedral, Scott Memorial, and Holyroodhouse, engraved foliate scroll and engine- turned decoration, the reverse with a vacant cartouche, erased, length 9.6cm, approx. weight 2.6oz.
A Victorian silver engraved 'castle-top' card case, Henry IX statue, Pont Neuf, Paris, by Nathaniel Mills, Birmingham 1847, rectangular form, the front with a view of the statue and bridge, scroll borders, engine-turned decoration, the reverse with similar decoration, and with an initialled cartouche, length 10cm, approx. weight 2.1oz.
A Victorian silver engraved 'castle-top' card case, St. Columb's Cathedral, Londonderry from the river Foyle, by Nathaniel Mills, Birmingham 1848, rectangular form, the front with a view of city, scroll borders, engine-turned decoration, the reverse with similar decoration, and with a cartouche, inscribed 'Presented to Miss Blackburn by a few Attercliffe Friends', length 10cm, approx. weight 2.2oz.
A Victorian silver engraved 'castle-top' card case, Chatsworth, by Taylor and Perry, Birmingham 1846, rectangular form, the front with a view of the house, scroll borders, engine- turned decoration, the reverse with a scene possibly the Burns Monument, Alloway, initialled cartouche, length 8.6cm, approx. weight 1.3oz.
A Victorian silver engraved 'castle-top' card case, Buckingham Palace, by Alfred Taylor, Birmingham 1854, rectangular from, the front with view of the Palace, within a scroll border and engine-turned decoration, the reverse with similar decoration, and with an inscribed cartouche 'J. Lawrence', length 8.6cm, approx. weight 1.1oz.
A Victorian silver engraved 'castle-top' card case, Pompeii, by Taylor and Perry, Birmingham 1846, rectangular form, the front with a view of classical ruins, scroll borders, engraved foliate and engine- turned decoration, the reverse with a vacant cartouche, length 9.8cm, approx. weight 2.1oz. Provenance: purchased in these rooms, Silver, Early Spoons and Collector's Items, 25 April 2006, lot 660.
A Victorian silver engraved 'castle-top' card case, Warwick Castle, by Nathaniel Mills, Birmingham 1843, rectangular form, the front with a view of the Castle, scroll borders, engine-turned tartan decoration, the reverse with similar decoration, and with an initialled cartouche, length 9.8cm, approx. weight 2.2oz. Provenance: purchased from Christie's, South Kensington, Objects of Vertu, 12 May 1998, lot 210.
A Victorian silver engraved 'castle-top' card case, Windsor Castle by Nathaniel Mills, Birmingham 1850, rectangular form, the front with a view of the castle from the River Thames, scroll borders, engine-turned decoration, the reverse with similar decoration, and with an initialled cartouche, length 10cm, approx. weight 2oz.
A Victorian silver engraved 'castle-top' card case, London Bridge, by Nathaniel Mills, Birmingham 1848, rectangular form, the front with a view of London Bridge with St. Paul's Cathedral in the background, and boats in the foreground, scroll borders, engine-turned decoration, the reverse with similar decoration and with a vacant cartouche, length 10cm, approx. weight 2.2oz.
A Victorian silver engraved 'castle-top' card case, Scott Memorial, by Yapp and Woodward, Birmingham 1846, rectangular form, the front with a view of the Memorial, scroll borders, engraved foliate and engine- turned decoration, the reverse with an initialled cartouche, length 10cm, approx. weight 2.3oz.
A Victorian silver 'castle-top' card case, Burns Monument, Alloway, by Nathaniel Mills, Birmingham 1850, rectangular form, scroll borders, the front with a raised scene of the monument, on a matted background, within engine-turned decoration, the reverse with similar decoration and with a cartouche, inscribed 'Presented to John Sewell Mus' Bac. as a token of esteem by a few admirers of his musical talent AD 1851', length 9.8cm, approx. weight 1.9oz.
A collection of four Victorian silver card cases, rectangular form, comprising: one with engine-turned decoration, by Hilliard and Thomason, Birmingham 1875, with a chain and finger ring, plus a similar one by Nathaniel Mills, Birmingham 1838, a smaller card case, Birmingham 1845, and one with engraved decoration, by George Unite, Birmingham 1881, approx. weight 8oz. (4)
λA collection of four silver card cases, one by Deakin and Francis, Birmingham 1910, engraved and engine-turned decoration, the leather interior with a pencil, and stamp holders, plus one with engraved foliate decoration, Birmingham 1899, one with an aide memoire, and one with textured decoration. (4)
A Victorian silver engraved 'castle-top' card case, by Nathaniel Mills, Birmingham 1846, rectangular form, engraved with a lake scene, with buildings and a bridge, with a rowing boat and sailing boat on the lake, with mountains behind, with bands of engine-turned decoration, the reverse with an initialled cartouche, length 8.5cm, approx. weight 1.4oz.
λA Victorian silver-gilt mounted black leather travelling inkwell and dip pen, by Charles and George Asprey, London 1888, square form, the hinged cover with engine-turned decoration and engraved with a crowned cipher, with a matching silver-gilt and ivory dip pen, length of inkwell 6cm. (2) The coronet and Cypher are those for David Ogilvie, Earl of Airlie.

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186062 Los(e)/Seite