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Preisdatenbank abonnierenAn Elizabeth II silver rectangular cigarette box with engine turned decoration, London 1966 by Asprey & Co Ltd, length 14cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A George VI silver mounted engine turned eight-piece dressing table set, comprising two hairbrushes, two clothes brushes, hand mirror, cut glass powder jar and two cut glass perfume bottles, one with atomizer fitting, Birmingham 1946 and 1947 by Adie Brothers Ltd, cased.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A GEORGE V ENGINE TURNED SILVER AND RUBY GUILLOCHE ENAMEL LADIES COMPACT with bright cut borders and raised clasp enclosing a gilt interior. London import marks 1926 P H Vogel.8cm wide 5.5cm deep Two repaired pieces of enamel (see images uploaded) surface scratches to the lid and the underside, lid shuts well and silver frame in good order.
A FINE GEORGE V ENGINE TURNED SILVER AND BLUE GUILLOCHE ENAMEL LADIES COMPACT with radiating lid and jewelled clasp enclosing a gilded interior, George Stockwell London import mark 1933.7.5cm wide 5cm deep There are some very light scratches to the top and some restoration to the enamel on the front left side (see extra image). The hinge works correctly. The case is dirty but there are no dents to the case.
AN EARLY 20TH CENTURY FABERGE 14CT GOLD AND DIAMOND CIGARETTE CASE, WORKMASTER HENRIK WIGSTROM (1862 - 1923) having an engine-turned surface and diamond set thumbpiece, the lid with concealed hinge, hallmarked number 56 to the interior with workmasters initials and Faberge mark, scratched inventory number 261999cm wide, 7.3cm deep
AN EARLY 20TH CENTURY GOLD FILLED FULL HUNTER QUARTER REPEATING POCKET WATCH WITH MATCHING GUARD CHAIN the engine turned case with spring loaded cover opening to reveal a white enamel dial with Roman numerals and subsidiary seconds fronting a keyless wound spring driven movement with lever escapement and push button quarter repeat on two gongs55mm diameterIt is ticking and repeating the correct quarters and hours. We cannot guarantee mechanical parts or functionality. No dents to the case, and the hinges work correctly, some rubbing to the repeat button, the chain is in good condition, and the clasp works correctly.
ATT. THOMAS COLE. A FINE MID 19TH CENTURY ENGLISH BRONZE AND ORMOLU CLOCK DESK COMPENDIUM the heavy case of square form having a stepped moulded pediment above reeded corner columns and engine-turned raised panels on a patinated bronze base raised on gilt turned feet, the front panel enclosing a 4.5cm enamel dial with Roman numerals signed by the retailer 'EMANUEL BROTHERS, LONDON', the side panels enclosing enamel dials for days and date both linked to the eight-day chain driven fusee movement with compensated lever escapement14cm high It is in very good original condition, having good quality gilding to the case. It is slightly rubbed to the top edges. The left-hand calendar dial has very fine hairline cracks. The other two dials are in perfect condition. The movement is complete and in working condition, moving the calendar work correctly but may need a service. the movement is original to the case and has the original lever escapement. A very fine quality clock that has never been on the market.
AN EARLY 19TH CENTURY FRENCH ROUGE MARBLE AND ORMOLU PORTICO MANTEL CLOCK the break arched top surmounted by two doves on stylised clouds supported on four ormolu capped turned marble columns on a rectangular base raised on ormolu engine-turned bun feet. The 4.5" enamel dial with Roman numerals and gilt fleur-de-lis hands fronting an eight-day spring driven movement with silk suspension and outside countwheel striking the hours/half hours on a bell50cm high
VINER & CO. LONDON. A 19TH CENTURY ROSEWOOD CASED GOTHIC REVIVAL DOUBLE FUSEE MANTEL CLOCK OF SMALL SIZE the engine turned gilt brass dial with swirled centre, Roman numerals and strike/silent to the arch bordered by a shaped gilded slip. Fronting a fine quality signed eight-day double fusee bell striking movement with anchor escapement with rolling pin suspension. Housed in a lancet-top case with outset front cluster columns, side frets and shaped plinth base on turned feet25cm high
A selection of silver comprising a sugar caster, a milk jug, a silver covered wooden cigarette box and a Norwegian 830S stamped spoon. The sugar caster is marked for James Dixon & Sons, Sheffield 1920 and is in the shape of a conical Art Deco cocktail shaker. Approximate weight 145 grams/4.66 OzT. The milk jug is of simple circular design with a scalloped rim and stands on three legs. Approximate weight 110 grams/3.54 OzT. It is marked for William Neale & Sons, Birmingham, 1922. The cigarette box has an engine turned pattern on its lid and a vacant cartouche. It is hallmarked, however the mark is indistinct. The spoon is of a chased design to the handle and a rounded bowl. It bears the marks "830S" and "NM". Approximately 8.9 grams/0.28 OzT. (4)
A mid Victorian ebony, calamander, abalone, mother of pearl, ivory, bone, rosewood, purpleheart, sycamore and fruitwood marquetry collector's cabinet1870-1875, possibly by Jackson and GrahamWith line-inlaid borders and stringing, the top surmounted by a baluster gallery to the rear, above a stylised foliate inlaid frieze comprised of alternating palmettes and lotus-leaves flanked by rosette tablet angles, over a twin double panelled door, the upper panel inlaid with a still life of assorted shells, moluscs, coral and seaweed, the lower door panel inlaid with stylised foliate and scrolled angles, enclosing a total of eleven satinwood veneered and mahogany lined drawers comprised of eight long drawers over three deep drawers, flanked by stylised foliate, palmette and honeysuckle inlaid angles, on a plinth base, the lock stamped: 'CHUBB PATENT, 128 QUEEN VICTORIA ST., ST. PAUL'S, LONDON, 800354', 96cm wide x 67cm deep x 148cm high, (37 1/2in wide x 26in deep x 58in high)Footnotes:The repeating inlay running across the frieze of the offered lot is redolent of some Greek revival or 'Neo-Grec' designs published in 1856 within 'The Grammar of Ornament' by Owen Jones (1809-1868). Worthy of particular comparison are several decorative patterns inspired by ancient Greek vase ornamentation which feature among Plates XVI and XVII, Greek No.'s 2 and 4. Owen Jones was among the most notable designers employed by the renowned cabinet making combination of Jackson and Graham so it seems probable that the present cabinet was indeed executed by this firm. Added to this, the use of ivory (amongst the various other exotic materials) inlaid into ebony, along with its distinctive stylised foliate embellishments, are certainly characteristics very much in keeping with those pieces produced by Jackson and Graham during the period 1865-1875. Jackson and Graham (fl. 1836-1885)Jackson and Graham were one of the most successful and prestigious firms of the early and mid-Victorian periods. Based in London, they were responsible for enhancing the reputation and improving the renown of English cabinet makers throughout the rest of the World. In 1836 the partnership of Peter Graham (1811-1877) and Thomas Charles Jackson (1807-1848) was founded at 37 Oxford Street, but by 1839 the venture had developed to incorporate 37 & 38 Oxford Street, as well as an additional location at 18 Newman Street.In 1845 the company was recorded in the Post Office Directory as cabinet makers, upholsterers, carvers, gilders and house agents. However, by as early as 1866 they had grown sufficiently quickly as to include locations at 29, 33, 34, 35, 37 and 38 Oxford Street, together with the ownership and running of addresses at Perry's Place, Freston Place and Newman's Yard. In the 1860s, as part of their operation, Jackson and Graham employed 250 workers. During the 1850s the firm set up a steam engine for the more rudimentary sawing requirements, however by the next decade they had established machine-carving as well. By 1875 their total number of employees had reached within the region of 600 to 1,000. The rapid rise of the business is summarised in a London Directory advertisement of 1866 in the following way: 'Jackson and Graham announce... that they have recently made great additions to their former extensive premises, which render their establishment the largest of its kind in this or any other country. The Spacious Show Rooms and Galleries are filled with an unrivalled stock, the prices of which are all marked in plain figures at the most moderate rates for ready money. The extensive Manufactory adjoining, with machinery worked by steam power, is fitted with all means and appliances to ensure superiority and economise cost. Each of the departments will be found as complete as if it formed a separate business...' Only one decade on from this, another detailed account of the company is provided in J.H. Pollen's publication of Bevan's 'British Manufacturing Industries' (London, 1876). It elucidates a business which was as almost entirely automated as any other at that time in Victorian Britain, utilising and manipulating steam in order to power their wide assortment of machinery. Yet, despite this fact, the substantial contribution of highly skilled human labour and craftsmanship was also simultaneously championed therein. And, probably in part due to their employment of specialist foreign inlayers or marquetry experts, the firm's output easily rivalled anything then being produced in Europe, as evidenced by the numerous awards they were honoured with over time. Jackson and Graham used every opportunity to display their 'wares' at the various International Exhibitions which took place throughout much of the second half of the 19th century. They did so in order to showcase the very best of what they could produce. Their notable participation at the first and most famous of these, the Great Exhibition of 1851, was described thus by the 'Art Journal': 'Messrs Jackson and Graham, the eminent upholsterers of London are large contributors to the Great Exhibition of many important articles of their manufacture'. At the 1851 Exhibition in London, they received a prize medal for their exhibits.For the 1855 Paris Exhibition the firm showed a large Eugene Prignot-designed cabinet to the public, which was thereafter acquired by the Victoria and Albert Museum for £2,000: W.81-981, where it is still housed today. Among the more significant furniture supplied for the 1862 International Exhibition in London were a pollard oak sideboard and a Louis XVI style ebony and ivory cabinet with an onyx top. Again, they were honoured with multiple awards in London, but also gained similar trophies five years hence at the Paris Exposition. In 1871 an ebony and inlaid cabinet, which followed a design by R.S. Lorimer, was displayed by Jackson and Graham at the International Exhibition. They were also involved at Vienna in 1873 and took part in London the next year. However, it appears that at the 1878 Paris Exposition, which was their ultimate event of this scale and scope, they obtained the Prix d'Honneur for the British section. Whilst for the star item, known as the 'Juno' cabinet, they in fact achieved the 'Grand Prix' before the Viceroy of India bought the piece for £2,000 (now in the Victoria and Albert, W.18: 1-6 1981). Their principal documented commissions include work provided for; the Ball Room at Buckingham Palace; the Palace of the Khedive in Cairo, Egypt; the City Carlton Club; and the Livadia, a yacht belonging to the Czar of Russia.It should be noted that a great deal of the success of this business was allied to the fact that they often employed the major designers of the day. Such prominent figures as Owen Jones, Thomas Jeckyll, Bruce Talbert and Christopher Dresser all worked at one time or another for Jackson and Graham. As on the offered lot, the particular emphasis in the designs of Owen Jones was largely upon ebony pieces inlaid with ivory and sometimes also metal. During the period 1862-c.1864, Alfred Morrison commissioned Jackson and Graham together with Jones to produce extensive work at Fonthill House in Tis... This lot is subject to the following lot symbols: TP Y ФTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.Y Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.For further information on this lot please visit Bonhams.com
WW2 German U-Boat Crewmembers Safety Belt, heavy duty webbing and leather waist belt with buckle fittings. Inked to the belt is “U-324”. Shows wear but still generally good condition. These safety belts were worn by crewmembers when the submarine was above water, so crew could move along the outside of the ship safely. U-324 was a Type V11C/41 submarine which was commissioned on the 5th April 1944. Initially the boat was used for training, but then served operationally from 15th March to 8th May 1945 as part of 11th U-Boat Flotilla. She had to return to port due to engine problems and was eventually surrendered in Bergen, Norway on 9th May 1945. The boat was broken up in March 1947.
A late 19th century enamel and gem-set brooch, the central oval blue enamel plaque with engine-turned decoration and set with an old brilliant-cut diamond, in a garland surround of floral design, set throughout with old brilliant and rose-cut diamonds and with circular-cut ruby highlights, mounted in silver and gold, with locket compartment to reverse, length 28mm. £500-£600
Swiss. A gold open-faced keyless watch with belcher link chain, circa 1900. Movement: manual winding, lever escapement. Dial: white enamel, Roman numerals, subsidiary seconds. Case: 14ct gold, engine-turned back with central cartouche, gilt cuvette, no. 21557. Signed: unsigned. Dimensions: diameter 45.5mm. Together with a 9ct gold belcher link chain. £300-£500
Swiss. A lady’s silver and enamel keyless watch with matching chain, circa 1910 Movement: cylinder escapement. Dial: silver, engine-turned centre, Arabic numerals. Case: silver, engine-turned back, translucent blue enamel, London import mark for 1910, maker’s mark HAD, no. 313480, matching silver and blue and white enamel chain. Signed: unsigned. Dimensions: diameter 28.5mm, chain length 29mm. £150-£200
Rolex. A lady’s gold cushion-form wristwatch, circa 1929 Movement: manual winding, 15 jewels Dial: silvered, engine-turned, Arabic numerals Case: 9ct gold, snap-on back, no. 66373 1156A, Glasgow import mark for 1929, lacking winding crown, associated gold plated bracelet Signed: case and movement Dimensions: length 23.5mm, width 24mm. £80-£120
Cartier. A gold chronograph wristwatch with date, Ref. 1400, Diabolo Chronoflex, circa 1990 Movement: quartz. Dial: cream, gilt engine-turned subsidiary dials for 30-minute, 12-hour registers and date. Case: 18ct, sapphire cabochon-set crown, back secured by six screws, 18k gold deployant buckle. Signed: case, dial, movement and buckle. Dimensions: diameter 32mm. £1,200-£1,500
A silver mounted cigar box, by Goldsmiths & Silversmiths Co. Ltd, London 1921, with engine-turned honeycomb decoration throughout, the hinged lid crested and opening to reveal a presentation plaque, engraved: ‘TO LIEUT. C.C. ATKINSON M.C.. FROM THE OFFICERS OF THE WIRELESS COMPANY EGYPT & PALESTINE ON THE OCCASION OF HIS MARRIAGE DECEMBER 1921”, dimensions 17.8 x 12.7cm x 4.5cm. £80-£120
Mixed Lot: Pair of George VI silver square shaped ashtrays with engine turned design, hallmarked Birmingham 1947, two oval shaped ashtrays, Birmingham 1930/33 and engraved verso with the initials 'DR 1943', a three piece silver condiment set of octagonal form comprising a hinged mustard, open salt, pepper and condiment spoon, each engraved with a horse, blue glass liners and hallmarked for 1939, makers mark is J B Chatterley & Sons Ltd together with a slip end spoon, London 1953, makers mark for Wakely & Wheeler, weighable silver 270 gms
A George V silver trinket box of shaped elongated form, the hinged lid with engine turned decoration around a circular cartouche engraved with the letter 'P', opening to a gilt interior, hallmarked for London 1912, makers mark for the Goldsmith & Silversmith Company Ltd, 16 x 4 x 2cm, 126 gms
Mixed lot to include a cased pair of George VI silver napkin rings, engine turned decorated, name engraved 'Ronnie and Pat', hallmarked Birmingham 1944, makers mark for C T Burrows & Sons, a single silver napkin ring, a silver pepper, Chester 1911, together with an Argentinian metal knife and scabbard and two straws etc
A group of four vestas: ivy leaf and floral engraved, rectantular, 5x3cm, Chester 1909; foliate engraved rectangular 4x2.5cm, Birmingham 1913 by Henry Williamson Ltd; rectangular with engine turned edges to the front 5x4cm, Birmingham 1914 by Horton & Allday; square foliate engraved with cartouche 4x4cm, Birmingham 1903 by Thomas Hayes, 84gms total (4)
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