A George lll 18ct two-colour gold snuff box, London, 1809,by Alexander J Strachan. Rectangular rose gold rounded corner form with a central rectangular panel with basket engine turned decoration, with a green gold raised scrolling border to a textured ground. Shallow thumbpiece to engine turned basket decoration to all sides. Hand engraved inscription to the inside of the lid 'From a Sincere friend' to the interior base of the box, an earl's coronet with monogram below, '37, Chesham Place, Finder will be Rewarded'. 74 x 50 x 18mm, 119.72g
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An American gold hunter pocket watch,by American Watch Co., Waltham. A white enamel dial, 64mm diameter, with black Roman numerals, Arabic five minute markers to the chapter ring with subsidiary seconds, dial and hollow fuchsia-style blued hands to a milled bezel. Engine turned front cover with a central blind cartouche with foliate border, pie crust case border with cross-hatch case sides. Circular barley engine turned back case, pie crust border to a gold cuvette. Case marked 'Warranteed 14K US Assay No. 69130'. Suspended on a gold fetter link albert chain with a gold penknife with hand engraved initials. Marked 14K. Watch 143.72g, albert 18.04g, knife 23.83g
An 18ct gold key wound, open-faced, fob watch,suspended on a 9ct gold double albert chain. The fob watch, 36mm in diameter, with a gold engine turned dial, black Roman numerals and blued spade hands. Hand engraved side and back of case with a blind cartouche. London, 1891. Movement signed 'W B Gatward'. Case and movement to 3569. Suspended on a 9ct gold curb link double albert chain with a swivel clip at each end and gold Latin cross charm. Albert 430mm long, 35.95g, watch 43.37g
A Swiss gold, open-faced, key wound, fob watch, c.1860,with a case of 31mm diameter. An engine turned and hand engraved gold dial with black Roman numerals and blued spade hands. Bevelled glass with hand engraved foliate bezel, sides and back case with blind cartouche. Marked 18K with Swiss assay standard mark. Case by 'G Kuss & Sons, Newcastle-upon-Tyne'. 43.42g
A French gold hunter fob watch,suspended on a gold guard chain with a slide. A scroll edge case with hand engraved rococo-style panels to an engine turned ground on the front and back covers. A white enamel dial with one gold spade hand, other hand and glass deficient. Suspended from a gold guard chain with an hinged swivel clip, looped wire to a gauntlet, hinged to a repoussé end cap. Foxtail and box guard chain with a repoussé slide. Fob watch with French horse head mark for 18ct gold containing metal parts, 1838-1919, The chain tested as approximately 18ct gold. 60.79g
A gentlemen's stainless steel and gold Girard-Perregaux Altimeter GP4900 strap watch, c.1980,silvered engine turned dial with satin finish chapter ring. Charcoal grey Roman numerals, subsidiary dials, blued Breguet empire hands and date aperture. Concave steel bezel with rose gold milled band and gold-plated buttons. Original strap and buckle. Serial no. B-226. No box or papers
A collection of six silver and white metal vestas,comprising: one Continental, fluted oblong,one in the form of a jockey's cap,one shaped rectangular with Art Deco-style flutes,one plain square, Birmingham, 1947.one engine turned with scroll border, Birmingham, c.1910, andone chased with THE ADELPHI THEATRE, 1906, and SOUVENIR FROM A MIDSUMMER NIGHT'S DREAM (6)
19th century four-pillar mantel clock with French eight day movement, with outside countwheel, striking on a bell, brass dial with engine-turned decoration, white enamel chapter ring with Roman numerals and ornate foliate and flower-head decorated dial surround, steel and brass pendulum with large ornate engine-turned bob in a drum case mounted between four classical marble pillars with gilt metal capitals under a marble pediment with floral decoration and on a marble base with pierced classical gilt metal appliqué, on four turned gilt metal feet with Greek key decoration, 55cm overall height (winding key and pendulum present)
Late William IV / early Victorian silver christening mug of panelled baluster form, with scroll handle and engraved inscription (London 1836), maker - C. G., another similar (London 1853), Joseph & Albert Savory, an Edwardian silver lattice-work ring box with velvet cover (Birmingham 1909), William Hutton & Sons Ltd. and a 1920s silver spirit flask with engine-turned decoration, engraved initials and hinged cover with bayonet fastening (Birmingham 1925), maker's mark rubbed but stamped on base - Finnigans Ltd. Approximately 16ozs weighable silver, flask 16cm overall length (4)
Edwardian silver four-compartment folding photograph wallet with engraved foliate decoration and vacant cartouche, with twin hinged covers, opening to reveal oval photograph mounts with engine-turned decoration, in a fitted case (Birmingham 1903), H. Matthews (marks rubbed), 5.5cm overall height
Late Victorian silver mounted dressing table set with rococo scroll and foliate decoration - comprising two pairs hairbrushes (Birmingham 1901), another 1920s set with engine-turned decoration - comprising two pairs hairbrushes, hand mirror and comb frame (Birmingham 1928 / 1929) and one other brush, together with a selection of miscellaneous silver - including Art Nouveau photograph frame, six glass holders, various condiments and other items (various dates and makers). Approximately 13ozs weighable silver (qty)
A GEORGE III SILVER SNUFF BOX, MAKER'S MARK T.S, BIRMINGHAM, 1797 rounded rectrangular with reeded sides and engine-turned base, the hinged cover and rims chased with scrolling foliage enclosing a presentation inscription, gilt interior, 105g, 8cm wide; A George IV Silver Snuff Box, Maker's Mark T.S, Birmingham, 1827, with reeded sides, the base and hinged cover with engine-turned decoration and foliate thumbpiece, gilt interior, 77g, 7,5cm wide; A Victorian Silver Snuff Box, Nathaniel Mills, Birmingham, 1839, rounded rectangular with reeded sides and base, the hinged cover and rims chased with scrolling foliage and thumbpiece, gilt interior, 8,5cm wide, 129g; A Victorian Silver Vinaigrette, Nathaniel Mills, Birmingham, 1846, shaped rectangular with overall engine-turned decoration enclosing a vacant cartouche, the interior with pierced foliate grid, 27g, 5,3cm wide; A Victorian Silver Double Sovereign Case, Israel Sigmund Greenberg, Birmingham,1896, rounded rectangular with overall foliate decoration, 37g, 6cm wide, And A Continental Silver Case, marks indistinct, probably French, 19th Century, of rectangular form with canted corners, the whole with engine-turned decoration, cover with initialled cartouche, 118g, 9cm wide (6)
A VICTORIAN SILVER CARD CASE, SAMPSON MORDAN, LONDON, 1877 rounded rectangular, the whole with overall engine-turned flowerhead and scrolling foliate decoration, one side enclosing a cartouche engraved with initials, the other with flowers, the interior fitted with turquoise fabric, blue paper concertina divider and pencil, one side of case and pencil stamped S. MORDAN & Co., 121g all inclusive, 10,7cm long
A GEORGE VI COMMEMORATIVE SILVER TROWEL, TURNER & SIMPSON LTD, BIRMINGHAM, 1938 (3) with an ivory handle, inscribed: Presented to Mrs D Macintyre by The Municipality of Bulawayo of the occasion of The Laying of the Foundation Stone of the "Gertrude Macintyre Native Girls' Hostel" Bulawayo on the 6th January 1944, 24,5cm long; And A George IV Silver Double Sovereign Case, Birmingham, 1938, the rounded rectangular body with an engine turned thumb piece, 38g, 3cm high, 6cm long, And An Elizabeth II Silver Cigarette Case, John Rose, Birmingham, 1960, rectangular with canted corners and overall engine-turned decoration, thumb piece, gilt interior, 146g, 10cm wide
A Comme des Garçons 'Ballerina Motorbike' collection ensemble, Spring-Summer, 2005, labelled and sizes S & M, the foam padded calico jacket with patchwork of curved interlocking shapes to the waist sides and back; worn over a skirt of bright pink mesh inset with undulating plastic crinoline banding, large bow to the front; and an underskirt of raw-edged cream calico (3)The jacket is illustrated in 'Breaking the Mode', Contemporary Fashion from the Permanent Collection of the Los Angeles Museum, pp 60-61.In this collection Kawakubo contrasted the the soft layers of a ballerina's tutu, with the rounded contours of a motorbike, the openwork detailing mimicking the engine vents and the padding - the curved foam-rubber seat covers. Kawakubo described her inspiration: 'I thought about the power of the motorbike - the machine itself - and the strength of a ballet dancer's arms'. CONDITION REPORT: Good condition, looks unworn

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