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A fine French engraved gilt brass centre seconds carriage clock with spring detent `chronometer` escapement and push-button repeat Bollviller, Paris, circa 1845 The gilt eight-day two train bell striking movement with underslung spring detent escapement and vertical rim monometallic balance with blued steel timing screws and helical balance spring mounted via a bridge with column turned uprights onto a large linear engine-turned platform, the backplate stamped with oval BOLLVILLER, A PARIS trademark to lower margin, the rectangular white enamel Roman numeral dial with centre seconds, blued steel Breguet style moon hands and repeat signature BOLLVILLER A PARIS in a curve below, the gilt one-piece caddy moulded foliate scroll engraved bevel-glazed case with hinged carrying handle and repeat button fitted towards the front edge of the top glass, the rear door with shuttered winding holes within a rococo-scroll engraved gilt field, on cavetto moulded skirt base with recessed rounded angles, the inner base plate stamped L. LANGE 84 to underside, 14cm (5.5ins) high excluding handle. Bolviller is recorded in Allix, Charles and Bonnert, Peter CARRIAGE CLOCKS, Their history and development as working from various addresses in Paris from circa 1830-70; Rue Saint-Avoye 1830, Rue Charlot 1840, Rue Vendome 1850-60 and Rue Beranger 1870. L. Lange is also recorded by Allix as a specialist carriage clock case maker whose stamp appears mainly on one-piece cases housing movements by Auguste, Jules and Japy amongst others. The current lot is unusual and rare in that it is fitted with a spring detent `chronometer` escapement and has centre seconds. The design of the bridge for the balance, as well as the engine turned detail to the platform, can be directly compared to an underslung pointed-tooth platform lever escapement fitted to a very similar but non centre seconds carriage clock signed by Jules, Paris, illustrated in Allix, Charles and Bonnert, Peter CARRIAGE CLOCKS, Their history and development pages 74-5 (figs II/50 and II/51). Indeed these similarities add weight to the suggestion made by Allix that these clocks originated from the same manufacturing process/workshop.
A rare French petit sonnerie striking carriage clock with two-plane `chaffcutter` escapement and push-button repeat Paul Garnier, Paris, circa 1840 The eight-day two train movement with two-plane `chaffcutter` escapement and three-arm monometallic balance set between the plates and striking the hours and quarters on a pair of graduated bells mounted to the backplate signed PAUL GARNIER, H`LR DU ROI PARIS towards upper left hand corner and numbered 1183 to centre, the rectangular engine-turned silvered brass Roman numeral dial with radial design to centre within chapter ring and `watered-silk` infill incorporating vacant signature plaque to lower margin and with Breguet style blued steel moon hands, the gilt brass one-piece caddy moulded case with hinged slender baton handle above repeat button mounted within the top glass panel and the rear sliding upwards for winding, on cavetto moulded skirt base with inset rounded angles, (strike train with faults), 14.5cm (5.75ins) high excluding handle; with original leather covered outer travelling case. Paul Garnier is recorded in Allix, Charles and Bonnert, Peter CARRIAGE CLOCKS as born 1801 and receiving Silver Medals in the Paris Exhibitions of 1827, 34, and 39; and gold medals in 1844 and 49. He worked from various addresses at Rue Taitbout, Paris and died in 1869 leaving the business to his son of the same name who was still exhibiting carriage clocks in the Paris Exhibition of 1889. Paul Garnier is generally credited for being the first maker to essentially standardise the `petit pendule portative` which was in effect to become the prototype for the archetypal French carriage clock. The current lot with its `chaffcutter` escapement, engine turned `watered-silk` dial and squat one-piece case with wooden block insert to underside can be firmly identified as a `Series I` carriage clock by Garnier as identified by Allix (see Allix, Charles and Bonnert, Peter CARRIAGE CLOCKS pages 56-7). This clock is rare in that it was made with petit-sonnerie striking and has particularly early use of repeat button set into the top glass of the case.
A French gilt brass four-glass mantel clock Samuel Marti et Cie, Paris, late 19th century The eight-day gong striking movement with twin mercury capsule `compensated` pendulum and with stamped roundel S. Marti et Cie, MEDAILLE DE BRONZE and numbered 56763 to backplate, the dial with visible Brocot escapement to the recessed gilt engine turned centre within white enamel Roman numeral chapter ring and engine turned bezel, the bowfronted bevel-glazed case with moulded cornice and ripple cast frieze above reeded Corinthian columns to angles, on curved-front cavetto moulded base incorporating shaped apron, 28cm (11ins) high.
A French Louis Philippe parcel silvered ormolu figural mantel clock Retailed by Reinhauer Freres, Hamburg, circa 1840 The eight-day outside countwheel bell striking movement with silk suspension and stamped button trademark for JAPY FRERES above engraved retail signature Reinhauer freres, Hambourg to backplate, the circular white enamel Roman numeral dial with engine turned bezel, the case finely cast with an equestrian figure of a Turk wearing elaborate robes and a turban with blunderbuss strapped to his back and sabre drawn in his right hand above naturalistic base adorned with a cactus and incorporating the dial, on plinth base with repeating pendant decorated frieze above foliate cast cavetto mounded base incorporating key pattern border over elaborate scroll cast feet, 60cm (23.5ins) high.
A French Empire ormolu mantel clock Unsigned, early 19th century The eight-day countwheel striking movement with silk suspension and circular convex cream painted Roman numeral dial within engine-turned ropetwist bezel, the case with musical trophy and laurel leaf cast surmount above rectangular upstand inset with dial above mount cast with tied foliate swag between standard uprights to apron, flanked by a pair of cherubs seated on stools applied to platforms with conforming mounts to front, on medallion centred scroll panel fronted plinth base with plain skirt and engine-turned bun feet, (with faults), 29cm (11.5ins) high.
A French Louis XVI style gilt brass mounted Siena marble mantel clock garniture Hanteau, Alencon, circa 1900 The eight-day bell striking movement stamped S.H. PARIS to backplate and with blue on white enamel Arabic numeral dial signed HANTEAU ALENCON to centre, with fine pierced and chased gilt scroll hands within engine-turned bevel glazed bezel, the case with eagle and scroll cast surmount to the circular drum flanked by ovoid finials set onto horizontal platforms supported by panel uprights fronted with laurel wreath and stylised foliate scroll cast mounts with sunburst pendulum swinging between, on demi-lune fronted skirt base with conforming mount to apron and disc feet, 31cm (12.25ins) high; with a pair of urn side pieces en-suite, each with flambeau cast finial above triform lions mask capped supports and circular base with conforming disc feet, 25.5cm (10ins) high; and a group of three giltwood stands (non-original to clock garniture).
A French small gilt and patinated brass mantel timepiece in the Egyptian revival taste Unsigned, late 19th century The circular eight-day movement with platform cylinder escapement mounted on the backplate and stamped 205 towards lower margin, the circular silvered Roman numeral dial with blued steel moon hands and Arabic five minutes to outer track within convex glazed stylised leaf bordered bezel housed in an engine-turned cylindrical case supported by a mummiform sphinx with outstretched wings on circular socle fitted to square brown veined marble base with winged scarab beetle decorated collar to lower edge with scroll feet to angles, 16cm (6.25ins) high.
A Russian Soviet period brass bound stained wood cased two-day marine chronometer First Moscow Watch Factory, Kirov, model MX-6, third quarter of the 20th century The circular four pillar engine turned gilt single chain reverse fusee movement with Harrison`s maintaining power, Earnshaw type spring detent escapement and Guillaume type split bimetallic `integral` balance with cylindrical compensating weights and palladium alloy helical balance spring, the backplate with spring set-up ratchet and stamped pentagonal trademark above serial number N-16398, the 3.75 inch circular silvered Arabic numeral dial with subsidiary seconds dial inscribed with repeat serial number beneath signature in Cyrillic and state of wind dial to centre, secured by a screw-down bezel into a lacquered brass bowl mounted via gimbals into a stained wood three tier box with shaped brass corner caps to top tier above front applied with rectangular brass trade plate with number 8916-77, the sides with lacquered brass carrying handles and inset brass reinforcement straps to angles, 18cm (7ins) wide; with protective tailored red velvet bag and outer guard box with extended shaped base panel, 33cm (13ins) wide. The First State Watch Factory was founded in 1930 under the instructions of Stalin using machinery imported from the then defunct Ansonia Clock Company of Brooklyn and the Dueber-Hampden Watch Factory of Canton, Ohio, U.S.A. In 1935 the factory was named after the murdered Soviet official Sergei Kirov. After a short period of evacuation, due to the threat on Moscow by Germany, the factory was re-established in 1941 with the name revised to `First Moscow Watch Factory, Kirov`. From 1952 the factory produced marine chronometers (based on the A. Lange and Son, Glashutte M4568 chronometer in use during WWII) of which the current lot is a good example. In 1961 the factory`s products were branded Poljot (flight) in honour of Yuri Gagarin succeeding as the first man in space on 2nd April of that year. The manufacturing of watches still continues on the same site today - mainly producing watches for the Volmax brand.
A French Louis XV style ormolu mantel clock F. Villemsens, Paris, mid 19th century The eight-day outside countwheel bell striking movement with silk suspension and signed F. VILLEMSENS, PARIS to backplate, the circular gilt engine-turned Roman numeral dial with blued steel moon hands within fluted convex bezel, the waisted leafy scroll cast and chased case with floral surmount above generous leafy rococo scroll cast shoulders and open aperture to view pendulum beneath dial, on integral leafy scroll supports attached to secondary base with conforming cast rococo scroll decoration incorporating knurl feet, 31cm (12.25ins) high.
A William IV ormolu small mantel timepiece William Payne, London, circa 1830 The circular four pillar single chain fusee movement with pendulum holdfast and signed W`m Payne, 163 New Bond St., LONDON to backplate, the 3.5 inch circular gilt Roman numeral dial with engine-turned centre and fine heart-pierced blued steel hands, the finely chased rococo-scroll cast waisted case with cartouche crest and conforming panel beneath dial, the sides with repeating leafy bands flanking central ribbon-tied reeded batons, on burnished cabriole supports, 21cm (8.25ins) high. William Payne is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in London 1820-40, other sources suggest that he worked from 1811 until 1856 with the firm continuing to trade under as Payne & Co. until around 1875.
An impressive French Charles X ormolu mounted amboyna and burr oak portico table clock Unsigned, circa 1830 The countwheel bell striking movement with large brass and steel `gridiron` pendulum with disc shaped bob and numbered 40 to backplate, the 6.5 inch circular engine-turned gilt Roman numeral dial with sweep calendar to inner track and Breguet style steel moon hands within repeating leaf cast and chased bezel, the case with anthemion decorated gilt scroll applied swan neck crest above architectural pediment with foliate cast ogee cornice and individual gilt scroll dentils above further gilt mouldings and dial set between pairs of tapered amboyna veneered columns with finely cast and chased stylised acanthus and anthemion cast caps and bases, on stepped burr oak plinth base with conforming cast ogee moulding to skirt and scroll decorated bracket feet, 74cm (29ins) high.
ART DECO EDWARDIAN SILVER VANITY SET, EDWARDIAN SILVER PART VANITY SET AND A SILVER BRUSH AND HAND MIRROR the silver vanity set comprising a hand held mirror, a brush, and two clothes brushes, all with engine turned design, Birmingham 1923, the mirror approximately 27cm long, in a fitted case; the silver vanity set comprising a hand held mirror, a brush and two clothes brushes, all decorated with a reeded and floral motif border, Birmingham 1906, the mirror 28.5cm long, in a fitted case; the mirror and brush, Sheffield 1912, the mirror 27cm long The mirror for the part silver vanity set has some knocks and the rim around the glass is bashed in places so the glass is now separate, hallmarks slightly rubbed, the other items in the set with slight knocks and all over surface wear. The fitted case with some internal loss to the lining and missing one of its clasps on the box. The mirror and the brush and one of the clothes brushes with knocks, and all over surface wear. The fitted case with fraying to lining. The brush and mirror with small dents throughout and all over light surface wear.
SILVER CIGARETTE CASKET, CIGARETTE CASE, TRINKET BOX AND BRIDGE PENCILS the casket with engine turned decoration and cedar lined interior; the cigarette case also with engine turned decoration; the trinket box with hinged lid; the bridge pencils with enamelled suit symbols in red and black and in a fitted case (4) The cigarette casket is dented and does not close properly; the case is undamaged; trinket box dented in several places; bridge pencils are in nice condition
GEORGE V SILVER OVAL TEA CADDY AND A SILVER CIGARETTE BOX the tea caddy with reeded border to the hinged lid and base, and with twin lionhead and ring handles, maker Atkin Brothers, Sheffield 1921, approximately 479g, 16cm wide; the cigarette box with engine turned decoration and cedar lined interior, London marks, 18cm wide (2) The caddy is undamaged with good clear marks; the box has several tiny dent, the cartouche is monogrammed, the marks are slightly rubbed though legible
TWO SILVER CUPS AND TWO SILVER BOXES one box with a hinged lid and engine turned decoration, maker W&S, Birmingham marks, 9.5cm wide; the other with hammered decoration, Chester marks, 9.5cm wide; each cup 8cm high, silver weight minus the hinged lid box is approximately 310g One cup is dented and misshapen; the other is undamaged; the larger trinket box is undamaged though the interior fittings require attention; the smaller box has a number of tiny dents; all with clear hallmarks

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186049 Los(e)/Seite