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186049 Los(e)/Seite
Photographs, a late 19th Century photo album of family photo's, all captioned including European views, golf, walking groups, traction engine at Beck Hall saw mill, naval, (HMS Edinburgh) etc. Sold with an album of North England views (captioned), late 19th Century including Stainforth Bridge, Clapham Village and Church, Giggleswick Village, Settle, (including Market Place) & others (mainly gd)
Postcards, a fine mixed topographical/transport selection of 18 RP cards including Southfields Station exterior, airship Gamma at Salisbury Plain, Traction Engine, H J Sutton, Salisbury, Anarchist Outage (unidentified) (3), Rail Disaster Carr Bridge, Gretton, Kosmos Kinema etc a few unidentified (mixed condition, fair/gd) (18)
A MIXED LOT:- A waiter of shaped circular outline with a moulded border by the Barker Brothers, Birmingham 1913, a pair of small pin trays, crested, a pair of larger pin trays, an ash tray, inscribed, and a three piece, engine-turned dressing table set; the waiter 8" (20.5 cms) diameter; 19.4 oz weighable silver (9)
A RARE GEORGE IV BRITANNIA STANDARD SNUFF BOX rectangular with engine-turning, concaved sides & raised floral borders, the cover initialled "WC to BI", the gilt interior inscribed "The Produce of Hudgill Burn Lead Mine 1823", by Thomas Shaw, Birmingham 1822; 2.9" (7.4 cms) long; 3 oz *See Luddington, J: Starting to collect silver pp.147 & 148 where John comments on the rare Birmingham Britannia standard mark & Hudgill Burn mine "In The Connoisseur of August 1975, I described my discovery of what might be the rarest of all the nineteenth century hallmarks. On a vinaigrette made by Thomas Shaw, there was an oval shield enclosing the figure of Britannia, denoting the higher standard of silver. (The Assay Master at Birmingham was unaware that such a mark had been struck in Georgian times but, during an unsuccessful search through the archives and vaults of the Assay Office for this very punch, another similar Britannia mark which had been used in the years 1844-6 was discovered)" Proudly engraved within the lid of this vinaigrette and carefully unimpinged upon by the hallmarks, there were the words "The Produce of Hudgill Burn Lead Mine" and with this as my clue I decided, if possible, to discover the history of my box, hoping that there was a romantic story attached to it. In the south of England, no one had heard of Hudgill Burn for it is a very tiny stream, even in the spates of spring, but after a comprehensive search in a nineteenth century edition of 'Bartholomew's citizens' Atlas' of those districts in which lead had been mined in the past, I spotted the name of a hamlet called Leadgate, situated a few miles south west of Alston in Cumbria. The location and history of the mine were well known to the Abbot Hall Museum, Kendal, for the opening and closing of the Hudgill Burn mine had made significant social import over the surrounding countryside.
AN EARLY VICTORIAN PRESENTATION SNUFF BOX with an engine-turned base convex sides & a convex border around the cover, profusely chased with flowers, leaves & scrolls and inscribed "Presented to Arthur Stanley Bride of Broomfield Esq. by his friends & neighbours in testimony of their approbation of his skill, zeal and public spirit in superintending the construction of the wooden bridge over Ashford river in the months of November & December 1839", gilt interior, by Nathaniel Mills, Birmingham 1837; 3.8" (9.7 cms) long; 6.7 oz
THEATRICAL INTEREST: An early Victorian snuff box with raised floral borders, chased sides & an engine-turned base, the cover inscribed "To John Willmott Esq. a testament to his fidelity and zeal from William Charles Macready*, Drury Lane theatre Dec. 25th 1842", gilt interior, by Joseph Wilmore, Birmingham 1840; 3" (7.5 cms) long; 3.6 oz *William Charles Macready (1793-1873) was a great actor, in the line of first players, which begins with Burbage and continues with Betterton, Garrick, John Philip Kemble, Edmund Kean, Macready, and Irving. When he retired in 1851 Tennyson, then Poet Laureate, in a sonnet that called him "moral, grave, sublime", wrote the famous phrase: "Thin is it that our drama did not die, nor flicker down to brainless pantomime" ** Sold with a copy of J.C. Trewins: MR MACREADY - 19th CENTURY TRAGEDIAN, 1955 (with dust wrapper)
TWO CIGARETTE BOXES & A CIGARETTE CASE each with the applied gold monogram "HB", together with an engine-turned cigarette case with gold banding, the interior inscribed "Presented to H.E. Sir Harcourt Butler by the Stewards Lucknow Races...." and another cigarette case with engraved crest, date "1916" & "Harcourt"; the latter 5" (12.6 cms) long; 14 oz weighable silver (5)
AN ENGINE-TURNED RECTANGULAR CIGARETTE CASE engraved on the front with a stag's head, the gilt interior inscribed "H.Venn, Minehead", Birmingham 1921 together with an 18th century Dutch table spoon and two George III table spoons, all either crested/initialled; the case 4.5" (11.4 cms) long; 10.9 oz (4)
AN EDWARDIAN 9 CT. ROSE COLOURED GOLD CIRCULAR VESTA CASE with an engraved motif on each side & initials, suspensory ring, by Asprey & Co., Birmingham 1905 and a 9 ct. gold circular vesta with engine turned & a suspensory ring, by Deakin & Francis Ltd., London 1905; each one 1.75" (4.5 cms) diameter; 0.95 oz (2)
A LARGE ENGINE-TURNED VESTA CASE with a gilt interior & suspensory ring, by John Henry Hill, London 1919 together with a large plain vesta case, initialled, by H. Matthews, Birmingham 1900, a large engraved example with a suspensory ring, monogrammed, Chester 1914; the latter 2.7" (6.5 cms) long; 5.5 oz (3)
AN EDWARDIAN ENGRAVED CIRCULAR VESTA CASE initialled, suspensory ring, by Lewis Hart, Birmingham 1909, a similar vesta case with engine-turned decoration by C. Saunders & F. Shepherd, Birmingham 1909, and another circular vesta case with a flip-back cover, initialled & inscribed "From Standard Manchester - 1906", maker's mark "JR" (in a lozenge), Birmingham 1904; each approx. 1.9" (4.5 cms) diameter; 1.9 oz (3)
A MODERN LARGE MATCH BOX COVER resembling a snuff box with raised floral books & engine-turning, crested (marks lost in decoration), another on ball feet embossed with a dancing girl by Nathan & Hayes, Chester 1898 and another with an inscription on the reverse; the latter 3.2" (8 cms) long; 5.8 oz (3)
A LATE 19TH CENTURY FRENCH NIELLOWORK VESTA CASE initialled, maker's mark "S&D" c.1880, a Dutch engraved vesta case with a button-operated cover, a 20th century Viennese book match hold, engine-turned with three gold stripes, and a French vesta case decorated with seed heads, tendrils & leaves, c.1900; the latter 1.8" (4.6 cms) long; 3.2 oz (4)
A GOLD-PLATED VESTA CASE inset with a seed pearl crescent, a gold-plated vesta case with a turquoise bead thumbpiece & suspensory ring, another gold-plated vesta with a hammered finish & suspensory ring and a gold-plated vesta with engine-turning & a suspensory ring; the latter 1.75" (4.5 cms) long (4)
A VESTA CASE AND SPARK STRIKER COMBINED of rounded oblong form with an engine-turned base & cover & concealed hinge, the pull-out striker with space for a cotton wick or taper, gilt interior, by Asprey & Co.Ltd., Birmingham 1915, with Registered design no. "646323"; 2.25" (5.7 cms) long; 2.6 oz

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186049 Los(e)/Seite