A sapphire and diamond pocket watch, early 20th century, and two pendants, 19th century, the pocket watch engraved with a trefoil and set with circular-cut diamonds and a circular-cut sapphire, opening to reveal a black, white and gold enamelled face, length 4cm including suspension hoop, the interior signed Landon 1922 V/23, numbered 140449 and 449, Swiss and German assay marks for 14ct gold, minute hand deficient; together with an elongated guilloché enamel and rose-cut diamond pendant, length 6.7cm, end deficient; and a circular gold mourning locket pendant, the front reading 'In Memory Of', enclosing initials, the reverse with a glazed compartment, and inscribed 'Mrs Sarah Fuller, died 13 Augt 1828 Aged 72', length 3.4cm including bail
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396325 Los(e)/Seite
λ A rose quartz, demantoid garnet and tortoiseshell parasol/walking stick handle, late 19th/early 20th century, the handle of tortoiseshell, one end capped with a band of gold festoons on a ground of green guilloché enamel and a pommel of carved rose quartz inset with circular-cut demantoid garnets, length 32.1cm, Cyrillic assay mark, fitted case stamped Jo Vickery, Regent Street
A gold, onyx and enamel locket brooch, late 19th century, designed in the Archaeological Revival style, set with a banded onyx cabochon, within a band of gold rope twist and outer border of white enamel roundels with smaller onyx cabochons at the cardinal points, the reverse with a glazed compartment containing a lock of hair, suspending an onyx cabochon pendant, length 5.3cm
A collection of six charms, 19th century, comprising: four scent bottles, one in gold, one in gold and turquoise, one with a central glazed compartment containing hairwork within a coiled wire border; one in enamelled ceramic, indistinct assay mark, largest scent bottle 4.3cm; a carved wood pendant opening via a screw thread to a plain interior compartment; and a gold stick pin depicting a rose in blue enamel, length 4.5cm
Tiffany & Co, a gold wristwatch, early 20th century, composite, signed dial with Roman numerals and blackened hands, manual movement, elaborate scrolled gold case with enamel decoration, numbered 32720, import marks for 1924, on black leather band with an 18ct gold deployant clasp, case width 2.6cm, inner circumference 16cm, clasp signed Cartier
λ A collection of clasps, 19th century, comprising: sixteen clasps, including two set with colourless pastes; five clasps set with coral; one set with carnelian cabochons; one plain gold barrel clasp; four set with pearls; two in gold with designs of pansies in enamel; and one formed from a striped onyx bead, clasps variously set in gold and gilt metal; together with a late 18th century lozenge-shaped pearl, enamel and paste brooch, 4.0 x 1.5cm; two enamel and pearl jewel components, one with a dedicatory inscription; a synthetic ruby within a border of pearls; and a demi-lune shaped locket in a border of pearls, backing deficient; all pearls untested, variously mounted in gold, silver and gilt metal
λ Two enamel and ivory sentimental rings, late 18th century, comprising: one ring of cut-cornered rectangular outline, the glazed compartment containing a putto placing a spray of flowers on an altar in ivory and gold wire, to a blue glass ground, mounted in low carat gold, size J1/2, front measuring 2.0 x 1.1cm, indistinct maker's mark, stamped 6K; and a similar ring of oval outline, depicting a winged putto dropping a spray of flowers onto a pair of burning hearts atop an altar in carved ivory and gold, to a blue glass ground, mounted in gold, size O, front measuring 2.5 x 1.3cmCf.: Diana Scarisbrick, Jewellery from Renaissance to Art Deco: 1540-1940, Tokyo, 2003, p.94, and Hugh Tait ed., The Art of the Jeweller: A Catalogue of the Anne Hull Grundy Gift to the British Museum, London, 1984, p.50, no.187-192, for rings intricately made in a similar technique, attributed to French origin, late 18th century. Depictions of twinned flaming hearts on altars are a popular romantic symbol in 18th century sentimental jewels, often referred to as the 'Altar of Love'.
λ A diamond and ivory mourning ring, circa 1792, of oblong outline, centring on a glazed panel containing a funerary monument in ivory bordered with rose-cut diamonds, painted with an urn and the initials JY, to a ground of hairwork, the outer border of black and white enamel, mounted in gold, the reverse with dedicatory inscription 'James Young ob 25 Septr 1792 At 55', size P, front measuring 3.1 x 1.7cm
A verre églomisé brooch and a pair of enamel earrings, 19th century, the brooch of oval outline, the centre with a glazed panel depicting a gold verre églomisé spray of roses, within a gold frame applied with quatrefoils of black enamel, measuring 4.2 x 4.9cm; together with a pair of gold drop earrings applied with black enamel, with engraved sprays of roses, anemones, lilies and convolvulus in reserve, length 6cm each, French assay marks for gold, Paris, 1819-38, fitted case
A collection of three rare white enamel mourning rings, late 18th century, each applied with white enamel between millegrain borders, with dedicatory inscriptions in reserve, inscribed 'LAURENTIUS BROCKETT B D OB24 JULY 1768 AET 43'; 'WM STANHOPE ESQ OB 12 OCT 1783 AE 73' and 'TC FOUNTAYNE ARM OB 1 JAN 1780 AE 22' respectively, each mounted in gold, sizes M1/2-P1/2, one with maker's mark PE
An unusual diamond, ruby and enamel ring, second half 19th century, the wide gold band with a hammered finish, centring on a snake biting its own tail, set with cushion-shaped diamonds, its eyes set with cabochon rubies, the interior with a spray of forget-me-nots in blue and green enamel, and the initials JR with a knot in deep blue enamel, size S, stamped 18, maker's mark JW
A magnifying glass, a stick pin and a pair of earrings, mid 19th century, comprising: a folding magnifying glass, the handle in gold, each side applied with grisaille enamel depicting classical figures in profile, possibly Apollo and Demeter, the border of basse taille blue and white enamel, total length when open 11.2cm; a brooch designed as a bow with intricately engraved foliate motifs in bicoloured gold, set with turquoise cabochons, length 4.2cm; a stick pin, the head of openwork filigree centring on an enamelled pansy, length 7.7cm; and a pair of earrings designed as bouquets, set with half pearls, yellow pastes and amethysts, in varicoloured gold, length 2.3cm each, one post fitting deficient, pearls untested
λ An ivory, enamel and hairwork mourning ring, late 18th century, of cut-cornered rectangular outline, set with a glazed panel containing an ivory plaque initialled AW, within a cut gold border of laurel festoons surmounted by a ribbon bow, to a ground of woven hair, within an outer border of blue and white enamel, mounted in gold, size Q1/2, front measuring 2.5 x 1.7cm
An amethyst, chalcedony and enamel vinaigrette, first half 19th century, of rectangular section with carved floral borders in gold, the lid set with an inverted cushion-shaped amethyst, the interior compartment with a hinged openwork cover designed as pansies, applied with multicoloured enamel, the base set with a white chalcedony, measuring 2.8 x 2.3 x 1.5cm
An Art Nouveau silver, enamel and agate pendant, a carnelian bodkin case and a gold powder compact, 19th/20th century, the Art Nouveau pendant designed as a circular beaten silver case inset with sections of lace agate and decorated with silver flowers on a ground of violet enamel, secured by screws, enclosing dried flowers, French assay mark for silver, 5.7cm diameter; together with a bodkin holder, of cylindrical form, set with polished panels of carnelian in gilt metal mounts, measuring 10.6 x 2.2 x 2.2cm; and a gold powder compact, of circular outline, the lid opening to reveal a mirror, 6.5cm diameter
λ A rare Berlin iron necklace, circa 1825, and a collection of jewel components, 18th and 19th century, comprising: a Berlin iron work necklace designed as openwork leaves, length approximately 28cm, incomplete, central motif detached, clasp deficient; an 18th century carnelian and marcasite brooch, length 3.2cm, brooch fitting later; a navette-shaped miniature on ivory depicting a lady in a pink shawl, within a frame applied with blue and white enamel, length 5.6cm including later pendant chain fitting; an openwork oval plaque designed as a Neoclassical trophy, set with rose-cut diamonds, mounted in silver, length 3.5cm; a jewel component designed as a pansy, set with rose-cut diamonds and a ruby, the leaves applied with green enamel, length 2.2cm; a glass cameo depicting a putto; a jet bracelet, clasp broken; a paste hair pin and brooch, brooch pin deficient; a pair of enamelled panels and a mother of pearl panel, each depicting flowers; a pair of rose quartz finials; a black lava fob seal carved with a woman leaning on a pillar; two paste buttons and two small paste brooches; two seed pearl and diamond links, pearls untested; Cf.: Ginny Redington Dawes and Olivia Collings, Georgian Jewellery:1744-1830, Antique Collector's Club, 2007, p.62, for an illustration of a similar Berlin iron choker necklace
A collection of wood stamp boxes,19th century, to include Maucheline Ware examples inscribed 'Pierrefonds, Le Chateau', 'Grand Aquarium, Brighton', and 'Weston Super Mare', a Tunbridgeware example, enamel inlaid and painted examples, including a box modelled as an artist's easel, inscribed 'Fontainebleau', and four American stamp dispensers, the largest 19cm wideCondition ReportKnocks and wear throughout.
A Continental silver and glass stamp box,marked 800, the lid with a blue enamel border, to engine-turned decoration, 6.2cm widetogether with a German silver example, crescent moon and crown mark, marked 800, the glazed lid with floral decoration, opening to three stamp compartments,7.5cm wideCondition ReportNo apparent chips or nibbles to the glass. No dents to the silver.
A collection of silver flatware,to include a cased Christening set, comprising a pusher and spoon, Sheffield 1960, a cased set of six apostle top spoons, a cased set of six coffee spoons, Birmingham 1960, a Swedish spoon, with incised decoration, three crowns mark, and three Canadian enamel souvenir spoonsweighable 15.4ozt (qty.)Condition ReportWear throughout commensurate with age and use.
A Japanese cloisonné koro,early 20th century, the compressed globular body enamelled with scrolls, flanked by two dragon handles, the domed cover with a Buddhist lion finial, 28cm high (2)Condition ReportChips and losses, and dents in various locations. Enamel losses to body. Surface scratches, wear and some verdigris consistent with age.
A pair of Tiffany Studios 'His and Hers' stamp boxes,early 20th century, each with enamelled blue and pink panels, to gilt metal borders, the hinged lids opening to reveal two pull out stamp compartments, stamped 'Tiffany Studios, New York', no. 1605, 6.5cm wide5.5cm deep3cm highCondition ReportBoth with wear and patination to the gilt metal. The enamel panels are intact, with no apparent cracks. Small losses/pitting to the enamelling.
A musical automaton bird box or tabatière, 20th century, in the manner of Karl Griesbaum, the sides decorated with lake scenes, the top decorated with a courting couple, opening to reveal a pierced gilt grille and singing bird automaton, 10cm wide 6.5cm deep5cm highCondition ReportWith key. Holds a tune. The bird's automation appears to be in working order; it sings and flaps its wings and closes at the end but the fly wheel continues to rotate after the lid is closed. No losses to the enamel but minor marks to the top. Wear to the gilt borders.Video: Lot 348 - 24 October Homes & Interiors - YouTube
A Thomason type brass corkscrew,19th century, with a royal patent, and bone handle,18cm hightogether with a Canton enamel box,20th century, floral decorated to a pink ground,8cm wide6cm high (2)Condition ReportCorkscrew) Patination to the brass. Cracks to the bone handle.Canton box) Cracks throughout. Losses to the enamel around the rim.
A large collection of novelty stamp boxes and dispensersof recent manufacture, to include American examples modelled as a letterbox and postal van, another modelled as a cashier, two porcelain examples modelled as a cat and dog, and an enamel Starry Night example, the largest 15cm highCondition ReportLarge quantity in varying condition; knocks, wear and some losses throughout.
A large Stephens' Ink enamel sign thermometer,mid-20th century, with an arched top, inscribed 'Blood Heat, Summer Heat, Temperate, Freezing, Zero, For all temperatures',31.5cm wide159cm highCondition ReportSome slight overpaint to the edges where it has been previously. Small knocks, losses and patches of oxidisation.
A spelter clock garniture,the enamel dial marked 'A. Tetart, Boulogne S/ Mer', above a figure of a reclining woman, leaning on a water jug, raised on a rogue marble base, 53cm wide, flanked by two conforming spelter urns, with putti,43cm high (3)Condition ReportNibbles and chips to the marble. Wear to the spelter. No apparent losses. The feet are slightly wobbly.
A Tiffany Studios 'Graduate' pattern stamp box,early 20th century, inlaid with blue enamel, the hinged lid opening to reveal three pull out stamp compartments, stamped 'Tiffany Studios, New York', no. 1797, 10cm wide5.5cm deep3.5cm highCondition ReportWear and patination to the metal, but no apparent cracks to the enamel. Slight losses/pitting to the enamel. The stamp compartments are slightly stiff to remove.
A group of five silver stamp cases,comprising an envelope form example, Birmingham 1903, 2.3cm wide, another similar example, with an engraved thistle, and purple paste stone, Birmingham 1907, 2.7cm wide, a Victorian example, with enamel inscription 'Stamps', 3cm high, another Victorian example, the interior with a spring action stamp holder, 3cm wide, and a circular example, engraved 'Stamps', opening to a gilt interior, Birmingham 1907, 3.5cm diameter,total 1.8ozt (5)Condition ReportWear and surface scratches throughout. Dents to the envelope form examples.
A group of stamps boxes,comprising a French kingwood parquetry box, the brass plaque inscribed 'Timbres-Poste', 8.5cm wide, a two-division tortoiseshell box, 7cm wide, a green veined marble a gilt metal mounted example, possibly Russian, 9.1cm wide, an ebonised box with an Ashford marble panel, 6.5cm wide, three hardstone examples, five mother of pearl examples, largest 10.3cm wide, and five needlework examples, largest 7.7cm wide,and a Halcyon Day Enamel post box,with screw-top, printed mark,3.5cm (qty.)Condition ReportMarble example with a repaired chip to the corner of the lid. Wear, marks and pulls to the needlework examples. General surface wear and minor marks.
Two Chinese porcelain garden seats,20th century, of drum form, each decorated with birds and flowers or butterflies, between bands of studs and pierced coin decoration,47 and 49cm high (2)Condition ReportFamille rose - chips and losses to one of the bevels.Both with surface scratches, enamel losses, wear and dirt.
BOL RARE CHINOIS EN ÉMAIL CLOISONNÉ 'LOTUS, VIGNE ET DOUBLE POISSON'Dynastie Ming, XVIe siècleEEN ZELDZAME CHINESE CLOISONNÉ EMAIL 'LOTUS, DRUIVENRANK EN DUBBELE VIS' KOMMing-dynastie, 16de eeuwA RARE CHINESE CLOISONNÉ ENAMEL 'LOTUS, GRAPEVINE AND DOUBLE-FISH' BOWLMing Dynasty, 16th century27 cm (diamètre)Footnotes: Provenance / HerkomstAdolphe Stoclet Collection, acquired in the early 20th centuryLes côtés arrondis et profonds s'élèvent vers un bord évasé, décorés à l'extérieur de grandes fleurs de lotus polychromes, portées par des tiges feuillues ondulantes. L'intérieur est composé d'un médaillon central de poissons jumeaux parmi des herbes aquatiques, dans une frise de vignes pendantes, portant des fruits violets, sortant de feuilles aux tons panachés, le tout sur des fonds turquoises dans des bordures florales.Comparé avec un bol apparenté de la dynastie Ming à ' lotus et double poisson ', mais sans la vigne, vendu chez Bonhams, Londres, 17 mai 2018, lot 204. Voir également un bol à ' double poisson ' en émail cloisonné, dynastie Ming, sans la vigne, vendu chez Christie's Londres, 5 novembre 2019, lot 68.De diepe afgeronde zijkanten lopen op tot een uitwaaierende rand, aan de buitenkant gedecoreerd met grote polychrome lotusbloemen, gedragen op golvende bladstelen, de binnenkant met een centraal medaillon van tweelingvissen temidden van wier, binnen een fries van hangende wijnranken, die paarse vruchten dragen, voortkomend uit bonte bladeren, alles op turquoise ondergrond binnen florale randen.Vergelijk met een verwante Ming Dynastie 'lotus en dubbele vis' kom, maar zonder de wijnstok, verkocht bij Bonhams, Londen, 17 mei 2018, lot 204. Zie ook een cloisonné geëmailleerde 'dubbele vissen' kom, Ming-dynastie, zonder de wijnstok, verkocht bij Christie's Londen, 5 nov 2019, lot 68.The deep rounded sides rising to a flaring rim, decorated to the exterior with large polychrome lotus blooms, borne on undulating leafy stems. The interior with a central medallion of twin fish amongst aquatic weeds, within a frieze of pendent grapevines, bearing purple fruits, issuing from variegated-tone leaves, all on turquoise grounds within floral borders.Compared to a related Ming Dynasty 'lotus and double-fish' bowl, but without the grapevine, sold at Bonhams, London, 17 May 2018, lot 204. See also a cloisonné enamel 'double-fish' bowl, Ming Dynasty, without the grapevine, sold at Christie's London, 5 Nov 2019, lot 68.For further information on this lot please visit Bonhams.com
A vesta, a case "County Borough of Blackpool", a silver propelling pencil case, a silver handled paper knife, a silver handled cheese knife, two pairs of plated sugar tongs, a silver pin cushion in the form of a Viking boat, a Norwegian Sterling silver blue enamel decorated salt with spoon in the form of a boat, a white metal pill box with abalone shell decoration to the lid, a white metal salt, and a silver trophy cup, silver bookmark, a silver lid, a silver napkin ring, and a silver case, approx. total weight of Hallmarked silver 72gms

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396325 Los(e)/Seite