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396323 Los(e)/Seite
Los 103
A collection of jewellery, to include a silver lilac guilloche enamel bangle, Birmingham 1922, three silver cigarette cases, 361.84g, a 9ct gold cross with engraved decoration, 1.80g, a rolled gold locket set with paste stone moon and star, and a matched set of dress studs, marked 9ct, 5.42g, together with other studs
Los 5
A collection of costume jewellery, to include a 9ct gold tie tack, with brushed gold emblem, 2.23g, a rolled gold hollow hinge bangle with engraved decoration, a silver marcasite ring, a silver green stone and marcasite cluster ring, a rolled gold white paste stone ring, a silver ingot on a box link chain, a silver single stone amethyst ring with textured bar shoulder, a Norwegian silver enamel Viking ship, stamped 925, AKSEL HOLMSEN, a single row graduated cultured pearl necklace, strung knotted to a 9ct gold clasp in a lotus, a 9ct gold 'S' link bracelet, 0.77g
Los 166
A 19th century porcelain ormolu mounted box of oval form, the hinged cover painted with a courting couple in a landscape, the body with rose garlands within bands of gilded scales, 5.5 x 8cm, together with a 19th century enamel box of rectangular form, decorated in relief with gilded flowers and green foliage, 3 x 6.5 x 5cm
Los 316
A late-Victorian silver and enamel presentation cigar case, over-stamped with maker's mark of Barnet Henry Joseph, Birmingham 1893, rounded rectangular form, the front enamelled with a sailing boat, the reverse enamelled with two burgees and dated '1893', length 12.3cm, approx. weight 7.9oz.
Los 336
A silver and enamel snuff / cigarette box, import marks for London 1930, importer's mark of H.C. Freeman, and also with Irish import marks for 1940, rectangular form, engine turned sides and base, the hinged cover enamelled with a cartoon of a man on bended knee with a woman in Islamic dress, with a man peeping round a corner, signed H.M. Bateman, Copyright', length 7.8cm, approx. weight 3,2oz. 'To many admirers of the art of the cartoon, H.M. Bateman is the most original, the most various, the most brilliant - and, indeed, the funniest - genius of his times. Born in 1887, he was already drawing for publication in his early teens. Surprisingly, prolific and inventive, everything he saw became material, so that his work can be read as a social history of Britain in the first half of the 20th Century and, to an extraordinary degree, as a kind of autobiography. His family and friends; his trips to the fair, to the seaside, abroad; his passions for the Music Hall, for tap-dancing, for boxing, for fishing, for golf; his desperate experiences in the First World War; his car, his house, his vacuum-cleaner; his triumphs and disasters over many years - all find their way in to his cartoons'. ref www.hmbateman.com.
Los 338
A French silver and enamel vesta case, unmarked, rectangular form, slanting hinged cover, the front enamelled with two semi-naked ladies in a fencing duel, the reverse with a semi-naked apple seller, showing her wares above 'Que Vent Des Pommes', the sides and cover with foliate decoration, length 4.8cm.
Los 390
A collection of six Victorian silver 'cut-out letter' wine labels, comprising: one modelled as a 'W', by William Summers, London 1870, with blue and red enamel decoration, plus three further modelled as 'W', one as 'B' and one as 'C' for cognac, by William Hutton and Sons, Sheffield 1920, approx. weight 2.9oz. (6)
Los 566
By Fred Rich, a modern silver and enamel vase, London 1994, also signed 'Fred Rich 94', tapering cylindrical form, enamelled with four frogs amongst reeds, flowers and foliate decoration, gilded interior, on a raised spread circular foot, height 15.8cm, approx. weight 25oz. Fred Rich (b.1954) studied at the central School of Arts and Design, London. This is where he learnt his skills in enamelling, and also attended evening enamelling classes at the Sir John Cass School of Art . In 1980 Fred won various awards including a bursary from the Royal Society of Arts and another from Goddard's. He graduated in 1981 with a first class honours degree. He set up a workshop in Portobello Green with two fellow graduates from the Central School. The demand for his enamelling skills by other designers resulted in him being so busy he could not get on with his own work. The Worshipful Company of Goldsmiths acquired the enamelled vase for which he won another award for in 1982, and in 1983 he started exhibiting at the Goldsmith's Fair, but was mainly offering jewellery with some small piece of silver. In 1984 De Beers purchased one of this necklaces for the trainer of the winner of the King George VI and Queen Elizabeth Diamond Stakes. Commissions arrived from the British Museum, De Beers, Lambeth Palace and the World Gold Council. Towards the latter half of the 1980's he decided to gradually wind down his work for others and concentrate on his own projects. In the 1990's there was a change in his work and he was one of the four exhibitors of the Rising Star's Exhibition at Goldsmiths Hall in 1990. In 1993 his work was commissioned by Garrard and Co, as part of their 150th anniversary exhibition. His work so impressed Richard Jarvis, the Managing Director of Garrards that he supported a one man show by Fred. in 1997 he received four major accolades including the coveted Jacques Cartier Award. In 2000 he established a partnership Fred Rich Enamel Design, with Adrian Butcher. Reference: Andrew, J. and Styles, D., Designer British Silver The Antique Collector's Club, 2015. pages 406-415. A vase by Fred Rich was exhibited at Treasures of the 20th Century, The Goldsmiths Company, 25 May-21 July 2000, no. 288, illustrated on page 108 of the catalogue.
Los 567
Please note: the tea pot is hallmarked underneath the enamel, the cover is unmarked.By Fred Rich in partnership with Adrian Butcher, a modern three-piece silver and enamel Millennium Tea Dance Tea set and silver-gilt sugar spoon, London 2000, maker's mark FRED, the tea pot marked under the enamel, but signed Fred Rich in the enamel. tapering cornucopia form, with large scroll handles terminating in scroll supports, the pull-off cover with a gilded scroll finial, the bodies enamelled with a tea dance with dancing figures in various poses and also including the band, the base drum with gilt lettering 'Fred Rich Tea Dance', the interior with turquoise enamel, height of teapot 19cm, height of milk jug 12cm, length of sugar bowl 12cm, approx. total weight 88oz. (4) For footnote of Fred Rich see lot. 566 For another illustrated example of the Tea Dance tea set see: Andrew, J. and Styles, D., Designer British Silver The Antique Collector's Club, 2015. pages 413.
Los 736
A miniature silver and enamel clock, with import marks for London 1929, importer's mark of George Stockwell, retailed by Harrods, rectangular form, with green enamel decoration, with horizontal silver lines and black enamel borders, on four bun feet, in a fitted case, with the retailer's stamp, height 4.3cm.
Los 738
A 19th century Austro-Hungarian silver and enamel mounted rock crystal tazza, circa 1886, the oval bowl with etched decoration and with an enamel border of men hunting birds in landscape settings with a crocodile, the stem modelled as a standing stork, with traces of gilding on a raised oval base with similar decoration, some damage, height 15.3cm.
Los 739
A pair of Austro-Hungarian silver-gilt and silver-mounted enamel figures, maker's mark of LP, modelled as a flower seller and a gent playing bagpipes, on cylindrical plinths with enamelled decoration of figures in landscape settings, on raised circular bases with leaf borders, height 8.3cm and 8cm. (2)
Los 775
A continental silver and enamel double snuff box, the mount marked with a French control mark, possibly 19th century, cushioned rectangular form, the hinged cover with a scene of a gentleman on a horse with a river and church behind, the sides and base with landscape scenes with ladies and gentlemen, foliate scroll thumb-piece, the interior of the hinged covers decorated with dancing pug dogs, length 8.2cm.
Los 777
A rare mid-18th century Battersea enamel wine label, circa 1755, escutcheon form with a scene of two embracing cherubs by a row of barrels, one titled 'RHEIN', length 6.6cm. Provenance: Dr. Bernard Watney Collection. Illustrated in Salter, J., Wine Labels, 1730-2003, Antique Collector's Club in association with the Wine Label Circle, 2004, page 295, fig. 998.
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396323 Los(e)/Seite