The icon depicts a waist-length image of the Lord Almighty in traditional iconography: Christ holds an open book in his left hand and blesses with his right. The image was created by a professional master in the academic style typical of Moscow workshops of the 19th century. The massive silver frame is decorated with high-relief gilding, shining enamels of the Gospel and decorative inserts with inscriptions in the Old Russian language, made in the technique of enamel. The chamber and solemn image of the Savior carries a spiritual message to people, recorded in the Gospel of Matthew: Come unto me, all ye that labour and are heavy laden, and I will give you rest. Take my yoke upon you, and learn of me, for I am meek and lowly in heart (Matthew 11:28-29). Hallmarks: 84 assay value with the Moscow coat of arms St. George the Victorious slaying the serpent, the initials of the assay master I.A. and the date 1859 corresponding to the assay master I. Avdeev, as well as the name of an unknown master monogrammist with capital letters DT in a rectangular shield. Materials: wood, gesso, tempera. The frame is made of silver using the techniques of forging, chasing, graver engraving, finishing and gilding. Dimensions of the icon: height - 31.5 cm, width - 27 cm. The weight of the frame is about 430 grams. Width: 27cm, Height: 31.5cm, Depth: 3.5cm, Weight: 2kg, Condition: Signs of wear commensurate with age, Material: Enamel, ID: ID-ANTQ-11532
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396325 Los(e)/Seite
Russian silver Kovsh with an enamel pattern, made using cloisonne enamel technique. Residual gilding.Hallmarks: stamp-name NS corresponding to the owner of the silver institution Strulev Nikolai Fedorovich known in the period 1883 - 1908; letters AA - the initials of the assay master Anatoly Apollonovich Artsibashev (Moscow, 1891-1896). The number 1896 is the year of stamping. The number 84 certifies 84 standard silver. George the Victorious is the hallmark of the Moscow Assay Office.Weight: 102g L-11cm. Width: 11cm, Height: 4cm, Depth: 6cm, Weight: 0.1kg, Condition: Signs of wear commensurate with age, Material: Silver 84, Cloisonne enamel, Gilding, ID: ID-ANTQ-3524
Heures Repetition Quarts Taschenuhr Chronographe 14K gold pocket watch with quarter repeater Polished 14 carat yellow gold case (585), case diameter without crown 59 mm, case height 15 mm. White enamel dial with Arabic numerals, blued chronograph and second hand. Hand-wound movement with gold-plated bridge, Swiss escapement with Breguet hairspring and weighted balance wheel, finely ground and polished chronograph lever, 4-fold weight-reset adjustment, bell-calling by two 2-hammers on 2 gongs by pusher, hour indicator and minutes in the middle, small seconds at 6 o`clock. Fluted crown. Watch weight 103.5 gr. ID:25139 No: 209812. Turn of the 19th and 20th centuries Width: 5.9cm, Height: 1.5cm, Depth: 5.9cm, Weight: 0.150kg, Condition: Good, Material: Gold 14K, ID: ID-ANTQ-8297
The product of a great craftsman. Russian silver vodka cup stack decorated with cloisonne enamel. Hallmarks: Gustav Gustavovich Klingert. Assay master Alexander Alekseevich Smirnov, born in 1893, Moscow. 84 sample of silver. Weight 82 g. Height 6.7 cm. Width: 5cm, Height: 7cm, Depth: 5cm, Weight: 0.080kg, Condition: Good, with traces of use, Material: Silver 84, Cloisonne enamel, ID: ID-ANTQ-6016
Frame in gilded silver depicting the Madonna kissing the child. Rectangular frame with a semicircular arched top and two closing doors, decorated on the outside with pinkish-lilac transparent enamel on a guillashed surface. The semicircular upper surface of the frame is decorated on the outside with orange transparent enamel over a guilloched surface. The sashes of the frame are equipped with a latch. On the reverse side of the frame, a figured easel movable (on a loop) brace with a slotted pattern is fixed. In the central part, in a rectangular frame, there is an image of the Madonna holding and kissing the baby (possibly based on Josef Zasche (Austria, 1821-1881). The drawing is made in the technique of painted enamel (?). Good condition. Brand: Female head, oriented Letter A to the right, letter L to the left. Stamp in a hexagonal horizontally elongated shield. Letters in a rectangular shield. Unknown workshop. Possibly Austria-Hungary, Vienna, turn of the 19th-20th centuries. Silver, stamp, gilding, mount, guilloche , enamel, edging Traces of existence Dimensions: frame height - 8.7 cm, frame width with open doors - 9.2 cm, frame width with closed doors - 5.2 cm, frame thickness - 7.0 cm, weight - 123 gr. Width: 9.2cm, Height: 8.7cm, Depth: 7cm, Weight: 0.123kg, Condition: Good, Material: Silver, guilloche enamel, gilding, ID: ID-ANTQ-8033
Icon of the Tikhvin Blessed Virgin Mary in a silver frame and crowns of cloisonne enamel. The turn of the 19th-20th centuries. The tender and lyrical image of the Virgin and Child, vividly painted in oil, is favorably set off by the smooth-backed silver frame and decorative belt on the margins of the icon. A special measure of sublimity and celebration is conveyed by the cloisonne enamel crowns with colorful floral patterns and elastic arches of pearl necklaces. The hallmark on the crown is 84 sterling silver, 1899-1908. The edge of the frame is reinforced with a metal tape, probably hiding the marks of the frame. Dimensions: 27x22 cm. Width: 22cm, Height: 27cm, Depth: 2.5cm, Weight: 0.700kg, Condition: Good, with traces of use, Material: Silver 84, Cloisonne enamel, ID: ID-ANTQ-8457
Russian silver kovsh with floral enamel decoration on a dark background, gilding and with a dominant blue tone.Hallmarks: P. Ovchinnikov. Moscow, last quarter of the 19th century. 84 silver sample. H-4.5cm. L-12cm. B-7cm. Weight: 106gr. Width: 12cm, Height: 4.5cm, Depth: 7cm, Weight: 0.2kg, Condition: Good, Material: Silver 84, Cloisonne enamel, Gilding, ID: ID-ANTQ-3762
A set of 6 Grachev`s teaspoons in its own case. St. Petersburg, last quarter of the 19th century. Cloisonne enamel on sterling silver 88. Master AP. A distinctive feature of Russian Art Nouveau and the aesthetics of the Grachevs is the full-bodied, original shape of the handle, which is square in cross section. What gives her a sense of genuine weight, functional justification and organic decor. The ability to give weight to life to laconic restrained things, to raise them to the revelations of the era - that`s what we appreciate in the products of the Grachevs. The total weight of the spoons is 174 gr. Width: 3cm, Height: 14.5cm, Depth: 30cm, Weight: 0.5kg, Condition: Good, Material: Silver 88, ID: ID-ANTQ-4856
A wonderful gift set for tea, French silver, for 12 persons, in the original boulle box. Includes 12 teaspoons, sugar tongs, tea strainer and short serving spoon with shell shovel. Whimsical forms of Louis XV style. Silver 800 tests. Minervas head in profile. Engraving. Gilding. Spoon length: 14.5 cm. Total silver weight: 212 gr. In the original turnkey box, ebony with brass, tortoiseshell decor, and blue enamel on the hinged lid. Case dimensions: 19x27.5x4 cm. Width: 27.5cm, Height: 19cm, Depth: 4.5cm, Weight: 0.827kg, Condition: Good, Material: Gilding, ID: ID-ANTQ-8328
Luxurious tableware. Gilded silver champagne glass in cloisonne enamel. Simple but recognizable conical shape, completely covered with pseudo-Russian enamel decor. Vasily Agafonov, last quarter of the 19th century, Moscow city stamp, 84 assay. Weight 184 g. Height 18 cm. Width: 6cm, Height: 18cm, Depth: 6cm, Weight: 0.184kg, Condition: Good, with traces of use, Material: Silver 84, Cloisonne enamel, ID: ID-ANTQ-5079
An extremely exquisite decorative pitcher in the historicist style made of silver, gilding and partly enamel, is a magnificent example of the craftsmanship of silversmiths of the Austro-Hungarian Empire of the 19th century. Its graceful shape and refined details of the handle embody the spirit of the era, when luxury and attention to detail reached their peak. The body of the pitcher is decorated with an intricate floral pattern, which, in combination with images of birds and foliage, made using enamel, creates a spectacular and harmonious pattern. Natural stones, cabochon cuts, pearls and small enamel elements enhance the expressiveness of the product, creating a bright contrast and emphasizing the high level of craftsmanship. Every detail of this pitcher is made with exceptional care, which indicates high artistic performance. Hallmark: Austro-Hungarian Empire of the 19th century. Weighs 840 grams. Dimensions: height - 23.5 cm, width - 15 cm. Width: 15cm, Height: 23.5cm, Depth: 15cm, Weight: 0.840kg, Condition: Good, with traces of use, Material: Pearl, ID: ID-ANTQ-11556
Silver, egg-shaped sugar bowl, on leaf-shaped legs with a handle, decorated with cloisonne enamel. A three-dimensional, arched pattern rises along the body of the object with an enamel floral pattern on a gold background, made in the technique of hot, cloisonne enamel. Russia, Moscow, 1896-1908. Weight: 283 gr. Hallmarks: Letters IGT unidentified master, letters I?, of the Moscow District Assay Office of 1896-1908, which depicts: the number "84", certifying the assay of silver; "female head in a kokoshnik", turned to the left - a sign of a state certificate; IL - the initials of the district manager Ivan Lebedkin, appointed since 1899. Width: 11cm, Height: 17cm, Depth: 11cm, Weight: 0.3kg, Condition: Signs of wear commensurate with age, Material: Silver 84, Cloisonne enamel, Gilding, ID: ID-ANTQ-2601
Icon of the Lord Pantocrator, made in 1891 in Moscow. The icon shows a half-length image of the Lord Pantocrator in traditional iconography: with an open book in his left hand and a blessing gesture of his right hand. The image was painted by a professional master in the academic style typical of Moscow workshops of the late 19th century. The silver gilded frame is decorated with shining enamels on the crowns, fields and corners, emphasizing the high artistic level of the icon. The icon is a striking example of the neo-Russian style, combining the features of historicism and modernism in Russian art at the turn of the 19th-20th centuries. Hallmarks: silversmith`s marks in Cyrillic AM, presumably Mukhin Alexander Alekseevich, hallmarks of the Moscow assayer - Oleks Lev Fedorovich - initials L.O - 1891. Dimensions: 27x22.5 cm. Historical background: Mukhin Alexander Alekseevich - owner of a silver products factory in the 2nd half of the 19th century. In 1879 there were 12 workers. He made 100 pounds of various silver items, totaling 112,000 rubles. Including salt shakers, gospel frames, church utensils. Width: 22.5cm, Height: 27cm, Depth: 3cm, Weight: 2kg, Condition: Signs of wear commensurate with age, Material: Silver 84, Cloisonne enamel, Gilding, ID: ID-ANTQ-11173
Silver glass holder with a spoon decorated with cloisonne enamel. Cylindrical glass holder with a high curved sharp-angled handle. The surface of the glass holder is decorated with an ornament made of polychrome cloisonne enamel depicting stylized flower heads with leaves arranged along the chased surface of the glass holder. In the center of the surface of the glass holder (on both sides) there are 2 figured cartouches filled with a pattern of polychrome cloisonne enamel. The inner surface of the cup holder is gilded. The upper edge of the coaster and the bottom edge are decorated with a belt of white enamel balls and a belt consisting of a chain of decorative patterns of multi-colored enamel. Similar enamel belts limit the lower surface of the cylindrical part of the cup holder. The cup holder is accompanied by a teaspoon of a traditional shape, decorated with a flower-leaf pattern (partially - the handle, the outer surface of the scoop), made of polychrome cloisonne enamel. The inner surface of the scoop and partially the handle are gilded. The handle of the spoon is faceted, twisted in the middle part. Spoon length - 14.5 cm, weight - 27 gr. .The assay mark of the Moscow Assay Office in an oval shield indicating: a female head in a kokoshnik, oriented to the right, a triangle and a sample of silver 84. The assay mark of the Moscow Assay Office, presented in a round shield in the form of a female head in a kokoshnik, oriented to the right. Brands on a spoon: The masters mark is EO in a rectangular shield (unknown master), the assay mark in a spatula-shaped shield is silver 84, the head of a girl in a kokoshnik, the index of the district assay office (1908-1926) is indistinct. Width: 10.8cm, Height: 11.7cm, Depth: 10.8cm, Weight: 0.186kg, Condition: Very good, Material: Silver 84, Cloisonne enamel, ID: ID-ANTQ-8128
A pair of vases - buds of gilded silver. Green and white guilloche enamel under perforated, silver, applied ornamentation with scallops and geometric patterns. Height approx. 12.3 cm, rim diameters 4.5 and 4.7 cm. Total weight approx. 264 g . Marked with 900 silver fineness. Unclear unrecognized signs. With Soviet import stamps 1927-54 Width: 4.7cm, Height: 12.3cm, Depth: 4.7cm, Weight: 0.264kg, Condition: Good, Material: Silver 900, ID: ID-ANTQ-4977
Master of the Faberge company I. Britsyn. Silver photo frame with guilloche enamel. St. Petersburg, 1908-1917. Silver, carving, blue guilloche enamel, beveled glass. Hallmarks: 84 samples, female head in a kokoshnik, facing to the right and code of the St. Petersburg Assay Office, workshop “BRITSYNâ€, “I.Bâ€. Dimensions: height 10 cm, frame diameter – 9.8 cm, clear diameter – 5.8 cm O. Weight: 248 g. Britsyn Ivan Savelievich (1870-1952). Former employee of the Faberge company in St. Petersburg (“Our former employee.†From the notebook of Eugene Faberge - Tatiana Faberge Archive, Versonne, France). He passed the exam to become a goldsmith in March 1903 and opened his own enterprise, “Russian Enamel†(Malaya Konyushennaya Street, 12), where 10-15 people worked. The companys products were awarded a gold medal at the St. Petersburg Craft Exhibition in 1909. In 1910 – 1917 Ivan Britsyn repeatedly supplied his products to the courts of members of the imperial family and to the Cabinet of His Majesty. Ivan Britsyns products were in constant demand on the English market. He made products made of stone and purple, collaborated with A. Sumin. During the NEP period he had his own workshop (1923). Britsyns products are often exhibited at auctions at the worlds largest auction houses and are listed along with Faberge items. Britsyn managed to create his own creative style, unlike Faberge, the distinctive features of which are original shaping, large guilloche patterns of unexpected geometry and a more contrasting and “thick†palette of enamels. Cigarette cases with pale blue and white transparent enamel are considered Britsyns calling card. Britsyn, one of the few, besides Faberge, made table clocks. The revolution of 1917 interrupted the work of the extraordinary jeweler. Information about his work in the period 1924-1952. are very scarce, but it is known that Ivan Savelyevich continued to work in his specialty. Width: 9.5cm, Height: 10cm, Depth: 3cm, Weight: 0.3kg, Condition: Excellent, Material: Silver 84, guilloche enamel, ID: ID-ANTQ-8531
Festive silver glass holder in cloisonne enamels by Nikolai Vasilievich Alekseev. Moscow. The turn of the 19th and 20th centuries. Cylindrical in shape, on a glass-shaped base with gilding inside, bravura floral enamels on the body and a perky rectangular handle on the scroll. Moscow hallmark of 88 silver samples from 1899-1908, assay master Ivan Sergeevich Lebedkin and the authors monogram of Nikolai Vasilyevich Alekseev - ON in a rectangular shield. Height: 9.1 cm. Weight: 0.3 kg. Width: 9cm, Height: 9.1cm, Depth: 8cm, Weight: 0.2kg, Condition: Good, Material: Silver 88, Cloisonne enamel, Gilding, ID: ID-ANTQ-8549
The icon of the Lord Almighty, created in Moscow at the turn of the 19th and 20th centuries, is a half-length image of Christ in the classical iconographic tradition: in his left hand he holds an open book, and blesses with his right hand. The work was made by a professional master in the academic style typical of Moscow workshops of the late 19th century. The silver frame is decorated with a shining enamel crown, and its fields are covered with a relief chased plant ornament. At the bottom of the icon there is a plaque with an inscription made using the technique of pitted enamel. The icon is an example of the neo-Russian style, which combines elements of historicism and Art Nouveau, popular in Russian art at the turn of the 19th and 20th centuries. Hallmarks: silversmith in Cyrillic NG, presumably Nikolai Yegorovich Grachev, Hallmark of the Moscow District Assay Office with the initials of the district manager Ivan Sergeevich Lebedkin, appointed in 1899. Hallmark with the image of a woman`s head in a kokoshnik, facing left, in an oval shield, on the right side are the initials IL, on the left side is the assay value 84. Dimensions: 31x27 cm. Historical background: Nikolai Egorovich Grachev, owner of a gold and silver workshop, 1897-1917, Russian Empire, Moscow. Width: 27cm, Height: 31cm, Depth: 3cm, Weight: 1.5kg, Condition: Good, Material: Champleve enamel, ID: ID-ANTQ-11252
Silver kovsh of Pavel Ovchinnikov with enamels. Made in the form of a liturgical bowl under the influence of Greco-Roman style. The round flat vessel with a horizontal handle is provided with stiffening ribs and is decorated along the body with a belt of a geometric pattern with a ruby glass cabochon. The handle is decorated with an enamel cross with a hawk inside. Full mark of P. Ovchinnikov under the double-headed eagle. Moscow 84 sample of silver 1899-1908. Assay master Ivan Lebedkin. Length 14.5 cm. Weight: 145 grams. Width: 14.5cm, Height: 3.5cm, Depth: 9cm, Weight: 0.145kg, Condition: Good, Material: Silver 84, Champleve enamel, ID: ID-ANTQ-6503
Round and weighty 8-day alarm clock, Vacheron Constantin, in an oval silver frame on an easel support, and decorated with floral motifs. It combines the businesslike laconicism of technology and the sentimental decor of garlands on a pastel blue guilloche enamel background. Three-part alarm clock face: with clock, stopwatch and dial, equipped with Arabic numerals. On the cover of the steel watch case: fabrique pour Vacheron Constantin. Geneve. No. 915. On the lower edge of the oval frame: 58947, nase, Swiss, 0.935 in a rectangular shield and a Swiss hallmark of 875 sterling silver - a bear on an oval shield. Switzerland, 1928. Total weight: 269 g. In working order. Width: 9.5cm, Height: 9cm, Depth: 3cm, Weight: 0.269kg, Condition: Good, Material: Steel, ID: ID-ANTQ-8557
Body-worn icon of the Holy Blessed Grand Duke Alexander Nevsky, made using the Enamel technique with a silver frame. Hallmarks: masters of the letter AN, hallmark 84 Width: 2cm, Height: 2.8cm, Depth: 1cm, Weight: 0.1kg, Condition: Signs of wear commensurate with age, Material: Silver 84, ID: ID-ANTQ-5581
Guards Helmet Plates & Badges (2) Irish Guards Helmet Plates, (2 )Coldstream Guards Helmet Plates & (6) Cap Badges, (1) Royal Corp of Transport enamel Plate, plus 7th Foot Helmet Plate Good Condition. Lugs in tact. Provenance: A Large Private Single Owner Collection Curated Over Many Years. CONDITION: Good Condition.
JEAN COCTEAU (1889-1963)Le Théâtre Antique, 1962 (Guédras, 136)Coupe en terre de faïence blanche Décor aux engobes gris foncé et émail noirSignée Jean Cocteau et annotée 'Edition originale de Jean Cocteau Atelier Madeline-Jolly Exemplaire d'auteur' au reversDiamètre : 37 cm White earthenware bowl, decorated with dark gray engobes and black enamel; signed Jean Cocteau and annotated 'Edition originale de Jean Cocteau Atelier Madeline-Jolly Exemplaire d'auteur' underneathFootnotes:Cette oeuvre est le modèle original réalisé par Jean Cocteau pour l'édition de 40. Un certificat d'authenticité de l'Atelier Madeline-Jolly daté du 10 janvier 1962 sera remis à l'acquéreur.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Cartier New York Belle Epoque Circa 1910 An attractive yellow gold champleve enamel and diamond-set cigarette case The oval case with ribbed champleve white enamel design, and turquoise and white enamel banding, the terminals with turquoise enamel centre, and white enamel beading, the top with a small rose-cut diamond central flower motif Signed 'Cartier New York', numbered '0101' Weight: Approx. 64.94 grams Dimensions: 7.2 cm. (L) x 4 cm. (W)
ChaumetA burr walnut presentation vanity case, presented to Baroness Thatcher by King Hassan II of Morocco. The case with three drawers. With 'M H T' monogram to the top.Complete with:[a] A black alligator briefcase[b] A black alligator clutch bag with a black enamel and single diamond clasp[c] A woven gold clutch bag, in 18 carat gold with black enamel and single diamond clasp. [d] An 18 carat gold compact with black enamel and single diamond detailing[e] An 18 carat gold pen with black enamel and single diamond detailing[f] A tortoiseshell comb with an 18 carat gold spine, with black enamel and single diamond detailing[g] An 18 carat gold pill box, with black enamel and single diamond detailing[h] An 18 carat gold lipstick holder, with black enamel and single diamond detailingThe diamonds G-H colour, VS clarity. Provenance:Baroness Thatcher visited Rabat, Morocco, on the 27th March 1989 and was there for two days before travelling on to West Africa for the remains of what became known as the 'African Tour'. She was presented with this case by King Hassan II during her time in Rabat. Dimensions:7.5 in. (H) x 17.75 in. (W) x 13 in. (D)
A mixed lot of items to include [a] A large plaster Medieval-style goblet [b] An Arts and Crafts copper casket with central enamel tile [c] A globe with inlaid semi precious stones [d] A white ceramic stylized head Property of a gentleman From the collection of Peter Roe To be sold without reserve
British, Late 19th century, An 18 carat gold half hunter pocket watch with white enamel dial and black enamel roman numerals With black enamel maker's name inscribed 'Daniel des Bois 79 High Coburn, 1886' The outer yellow gold case with blue enamel numerals and crest engraved to the reverse With a fetter link 18 carat gold Albert chain and 9 carat gold bloodstone and carnelian fob Total weight: Approx. 155.52 grams
59 Robertson jam / Golden Shred enamel pin badges on a collectors banner. Notice from the the-saleroom.com: These items are listed on the basis they are illustrative of a bygone culture in which there were different social norms. We understand the potential controversy surrounding this type of item but believe that providing transparent information about historical context fosters greater understanding of our complex cultural history.
Robertson jam / Golden Shred Enamel badge diary collection 2001 plus a limited edition xmas badge. Notice from the the-saleroom.com: These items are listed on the basis they are illustrative of a bygone culture in which there were different social norms. We understand the potential controversy surrounding this type of item but believe that providing transparent information about historical context fosters greater understanding of our complex cultural history.

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396325 Los(e)/Seite