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396323 Los(e)/Seite
An Arts & Crafts Enamel and Gilt Metal Photograph Album, by Alexander Fisher, mounted with four cabochon amethysts to the back and front, the front mounted with an enamel rectangular plaque depicting two Pre-Raphaelite maidens below a fruiting tree, one holding a flame the other a star, surrounded by four inscribed blue enamel plaques TO OUR BELOVED AND MOST LOVING PARENTS ON THEIR GOLDEN WEDDING DAY, the back with a blue enamel plaque decorated with a bow, wreath and ribbon 1855 1905 and monograms SEH and CWD, surrounded by four inscribed blue enamel plaques CONGRATULATIONS TO SOPHIA EMMA HATTON AND CHARLES WILLIAM DOWDESWELL, the spine with three floral purple enamel plaques, with clasp, the interior with illuminations by Gilbert Anthony Pownall, overall 12.5cm high, 9cm wide, 3.5cm deep, in a green leather fitted velvet lined case The interior inscribed: To Father and Mother in commemoration of their golden wedding day august XXVIII MCMV from their children Charlie Walter Emmie Florrie Nellie: their sons-in-law & daughters-in-law Howard George Edith Elsie: and their grand children Cathie Colin Doris and Arthur: MDCCCLV and MCMV Charles Dowdeswell`s words at the presentation My dear father & mother it is with the greatest possible pleasure that on behalf of your children your sons & daughters-in-law and your grandchildren I offer you our affectionate congratulations. This is your golden wedding day and it is needless to remark it is not given to every parent to every married couple to witness it: half a century ago you were married and today we are all gathered here together in an unbroken family circle: To dear mother we must offer our special love and felicitations broken as her life has been by continual illness: Everything calls for fervent gratitude that we are spared to celebrate this happy anniversary: It is said in our family that we are undemonstrative. But this is an occasion where we may abandon all reserve say frankly that no children were ever blessed with kinder wiser or more unselfish parents than are our parents whose love for their children has not only never wavered but which has been as it were a benediction to them safeguarding them in many ways from the dangers temptations of life: But lest we grow too serious I will say no more in this vein: We have here a little something which we ask you to accept: It is the most absolutely useless thing that we could possibly think of: It serves no practical use whatever for it is neither a toast rack an inkstand a dog kennel nor even antimacassars for the drawing room: But to carry it to completion it has cost us a little time and trouble I think that when you have looked at it carefully you will agree with us that at any rate it is a thing of beauty: it is a little book cover by me Alexander Fisher the enamelist with illuminations by mr Pownall carried out under our instructions and in accordance with our wishes: And now let me place it in your hands and ask you to accept it with our dearest love: August XXVIII. MCMV: Enclosing family photographs of: Charles Dowdeswell Walter Dowdeswell Emma Ingram Florence Smith Eleanor Dowdeswell Howard Smith George John Ingram Edith Dowdeswell Elsie Dowdeswell Catharine Dowdeswell Ingram Colin Dowdeswell Ingram Doris Evelyn Howard Smith Arthur Howard Smith Chip to middle enamel panel on the spine. Crack in top left corner of dated 1855 panel. Metal spine panels are bent. Clasp is lightly not in line. Inscribed BOUND BY WOOD.LONDON. Illuminated pages are slightly rippled. Original fitted box. 111114
A Victorian Gothic Revival Messrs John Hardman & Co. Silver and Enamel Plate, Birmingham 1864, the rim inscribed with The Twa Corbies - Two Crows verse, the centre enamelled with a slain knight below two crows in a tree, maker`s mark J.H & Co., Birmingham 1864, 25.5cm The firm of Messrs John Hardman & Co`s association with Augustus Welby Pugin and E.W.Pugin on Gothic church architecture and decoration lasted three generations. John Hardman`s nephew John Hardman Powell (1827-95) married Pugin`s daughter Anne in 1950. Powell became the chief designer in 1849, prior to Pugin`s death in 1852. Some restoration to enamel (areas include: above the knight`s right leg, below the leaf on the right hand side, the grass below the knight`s hand). Dent in silver - well at top. Surface scratches. Rim is slightly misshaped. Rim has scuffed area. 111114
A Victorian hallmarked silver centre seconds chronograph pocket watch, the white enamel dial with Roman numerals, Arabic numerals to outer dial, movement signed John Forrest, London, Chronometer maker to the Admiralty, no. 24882, Birmingham 1876 on white metal Albert chain, S/D, together with a George V silvered dial pocket watch, London 1933, on hallmarked silver Albert chain (2)
A Victorian hallmarked silver open faced pocket watch, the white enamel dial with Roman numerals, foliate engraved case with central vacant cartouche within blue enamelled band, together with hallmarked silver Albert chain, a foliate engraved vesta, a BSM fob, and other white metal items (8)
A small parcel lot of items to include a boxed four piece blue guilloche enamel and white metal dressing table set, an EPNS foliate engraved chatelaine purse, a relief carved ivory cheroot holder, tortoise shell and gilt metal spring action oval lorgnettes with larger gilt metal pair, a Tunbridge ware pin cushion, opera glasses, ladies belts etc. (qty)
A 17th Century or earlier pine carving of St Barnabas in a flowing robe with a crescent banner, weathered but some traces of polychrome enamel remaining, height 58cm Augustus Welby Pugin has strong connections with the vendor and it is possible that this was acquired by Pugin while travelling in Flanders.
Five assorted 19th Century teacups and saucers comprising a Serves ring handle example with hand painted decoration and gilt detailing, a Royal Worcester cup and saucer with hand painted ferns and flowers, a Mintons China burnt orange can and saucer retailed through T. Goode and Co, a Chinese export twin handled cup and saucer with enamel scenes of animals and a Berlin footed can decorated with hand painted classical figures with a matched Vienna saucer, damages (qty)
A 19th Century Chinese teabowl, the exterior decorated with enamel Mon motif in yellow and burnt orange against a patterned ground with Greek key border, six painted character mark to the base, height 5.5cm, together with four blue and white rice bowls with blue and white roundels of dragons (5)
A nineteenth century boulle work bracket clock. Adorned with gilt metal mounts, having enamel and gilt brass dial and housing a twin train eight day movement with anchor escapement, silk suspension pendulum and chiming half hourly on a bell. 78cm high. Condition Report. To be used as a guide only. Sold with works key. Mechanism working. Case in fair condition with some expected splitting and shrinking to the tortoiseshell. Rear door cracked with a strap repair.
A George III bracket clock by Thomas Wagstaffe of London. With bronze mounted figured mahogany pagoda case with reeded canted corners, twin loop handles over fish scale arch brass fretwork panels and raised on bracket feet. Housing an eight day triple fusee movement with engraved back plate, verge escapement, pull repeater, and quarter striking on nine bells. Having enamel dial with Roman and Arabic markers signed Thos. Wagstaffe, London and with a subsidiary strike/silent dial both reserved on an arch topped gilded brass mask ornamented with scrollwork spandrels. 47cm high, 36cm wide, 22cm deep. Thomas Wagstaff is recorded in Britten's Old Clocks and Watches working at 33 Gracechurch Street 1766-94. Condition Report. To be used as a guide only. The mechanism is fully working. Sold with both keys. Case in good condition. Chip to the enamel near right winding hole. Pull repeater string replaced. Dated receipt from John Noott 23/8/79 details repair to the escapement and instillation of frets to the rear door.
An early nineteenth century French gilt bronze and porcelain mantel clock, probably Sèvres. Of ovoid form and ground in gros bleu. Surmounted with an urn of flowers, flanked by twin ram masks and supported on scrolling corbels and a socle united by a flower garland and raised over a breakfront plinth. With enamel dial signed W. C. Shaw, Paris and with Roman and Arabic markers. Housing an eight day movement with anchor escapement and chiming half hourly on a bell. 56cm high. Base 28cm x 18cm. Condition Report. To be used as a guide only. Very good condition and working. All mounts require tightening. No key.
A nineteenth century French brass cased carriage clock in fitted leather case and with enamel dial having Roman and Arabic markers. The thirty hour two train movement with platform escapement strikes on a coiled gong and has a repeater mechanism. 15.5cm. Condition Report. To be used as a guide only. Time barrel spring broken. Hair cracking to lower right of the dial. Balance spring intact repeater mechanism working. Leather case hinge broken.
A nineteenth century French bronze cased mantel clock. Housing an eight day movement striking half hourly on a bell. Decorated with figural mounts and set with Sèvres panels. Movement stamped and signed J. Silvani, Paris. 27cm. Condition Report. To be used as a guide only. Hair cracking to the enamel dial. Case otherwise in very good condition. Mechanism working.

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396323 Los(e)/Seite