Omega. A 14k gold open face pocket watch with ribbon fob Case No.6490892, Movement No.6216570, made in the 1920s Mechanical movement with metal dust cover, white enamel dial with Breguet style numerals, subsidiary seconds, gilt hands, hinged gold case with engine-turned reverse. Case, dial, movement and dust cover signed. With associated box. Diameter 48mm, approx. total weight 71g.
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An 18k gold key-wind hunting cased pocket watch No.20406, hallmarked Chester 1842 Three-quarter plate numbered movement with engraved balance cock, off-white enamel dial, Roan numerals, subsidiary seconds, blued steel hands, gold hinged case opening through the front with coin edge band, engine-turned cover and reverse. Diameter 50mm, approx. total weight 81g.
IWC. An 18k gold half-hunter cased pocket watch Movement No.69767, Case No.89274, made circa 1930 Rhodium plated movement jewelled to the centre with screwed chatons, white enamel dial with Roman numerals, hinged 18k gold case with hand-set slide the inner bezel, engine-turned monogrammed reverse. Movement signed. Diameter 50mm, approx. total weight 91.8g.
Two gold fob watches. An 18k gold half-hunter case and a 14k gold open face Circa 1900 and 1920 A. Mackay & Chisholm, Edinburgh, three-quarter plate movement, enamel dial, hinged 18k gold case, keyless winding. B. Unsigned, bar-movement, decorative white enamel dial, hinged 14k gold case, metal cuvette, keyless winding. A. Diameter 38mm, approx. total weight 46.8g. B. 40mm, approx. total weight 47.5g.
A fine 18k gold and enamel half-hunter keyless fob watch No. 197673, Case No.600, made circa 1900 Gilt three-quarter movement, white enamel dial with Roman numerals, blued steel hands, hinged half-hunter case with translucent pink enamel with blue Roman numerals to the cover, time setting pin to the band, plain cuvette, case stamped JR within diamond shape cartouche. With purple presentation box. Diameter 36mm, total approx. weight 51g.
Elgin. A fine 18k gold fob watch with presentation box and chain No.19498424, case with Chester 18k import mark dated 1909 Gilt 7 jewel movement, white enamel dial with painted luminescent numerals and hands, hinged Keystone decorated case. With a plain presentation case, a long-guard chain and another chain. Diameter 35mm, approx. total weight 40g.
Rolex. A gold-plated hunting case pocket watch Movement No.1016, Case No.232016, made circa 1935 Mechanical 15 jewel movement timed to 3 positions for all climates, enamel dial with fancy numerals, outer minutes, subsidiary seconds, blued steel hands, Dennison gold plated ‘Moon’ case with presentation description to the cuvette dated August 10, 1935. Dial and movement signed. Diameter 51mm.
Waltham, USA. A 9k gold open-face keyless pocket watch with 9k gold chain Traveler, No.23525295, Dennison case hallmarked Birmingham 1923 Mechanical movement, white enamel dial with subsidiary seconds, hinged 9k gold Dennison case with plain cuvette. With 9k gold graduated curb-link chain, each link stamped, T-Bar stamped B&S;, 9k gold Masonic fob. Diameter 50mm, total approx. watch weight 89g, total chain length 37.5cm, total chain and fob approx. weight 49.5g.
A hunting cased keyless winding 9k gold pocket watch Movement No.1108, hallmarked Glasgow 1918 Three-quarter plate movement, white enamel dial with Roman numerals, subsidiary seconds, hinged hunting case numbered 1925, hallmarked and stamped W.E, plain cuvette. Diameter 49mm, approx. total weight 94g.
Cuervo Y Sobrinos, Havana. A stainless steel rectangular quartz wristwatch with red enamel dial 'Prominents' Ref.A 1010, No.18117, circa 2010 Quartz movement, translucent red enamel dial over engine-turned base, steel rectangular flared case, red strap with steel double-folding locking buckle. With original wooden presentation box. Dim. 31mm (widest) x 43.5mm. Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit https://www.defra.gov.uk/ahvla-en/imports-exports/cites/
Rolex. A 9k gold keyless winding hunting cased pocket watch Case No.251178, hallmarked Birmingham 1922 Decorated Swiss lever movement, white enamel dial with heavy Roman numerals, outer minute track, subsidiary seconds, blued steel hands, hinged Dennison hunter case with plain cuvette. Mainspring barrel wheel signed Rolex, case signed Dennison & ALD. Diameter 50mm, approx. total weight 88g.
Alex Dickie, Edinburgh. A fine 18k gold pair-case pocket watch No.232, hallmarked London 1781 Pierced & engraved single footed balance cock with diamond endstone, plain pillars, fusée chain barrel, lever escapement, signed and numbered dust cover, white enamel dial, Roman numerals, gilt beetle & poker hands, hinged inner case stamped IL and hallmarked, hinged outer case stamped IL and hallmarked. Outer case diameter 51mm, approx. total weight 133g.
Barraud & Lunds. A fine & rare 18k gold key/keyless wind hunting cased pocket watch with up/down indicator, Cornhill, London. No.4172, hallmarked London 1892 Frosted gilt three-quarter plate movement with decorated raised barrel, overcoil hairspring, cut & compensated balance, lever escapement, white enamel dial with Roman numerals, subsidiary seconds, up/down power reserve indicator, hinged gold hunting case with time-setting and keyless-winding activators to the band, case hallmarked and stamped JW within oval cartouche, plain cuvette with key-wind apertures. Diameter 55mm, approx. total weight 166g.
A Louis XV ormolu cartel clock, by Jean Moisy, Paris, third quarter 18th century, the rococo case surmounted by a putto sitting beneath a floral hung trellis, above flowering rose branches and scrolling acanthus leaves, the domed sides with pierced floral trellis, the base with a winged cherub holding a wreath the white enamel dial with Roman and Arabic numerals, signed MOISY A PARIS, with silvered pierced foliate hands, the twin train eight day movement with silk suspension and outside countwheel striking on a bell, signed to backplate Moisy A Paris and numbered No. 353, 84cm highLiterature: The present lot was illustrated in Connoisseur, 1965, in an article 'Some eighteen-century French Furniture in the Mr & Mrs George Farrow Collection'.Provenance: The George Farrow Collection.Please note that Roseberys do not guarantee the working order or time keeping of any timepiece offered for sale. Footnotes: Note: Jean Moisy is recorded as working in Paris in 1753 - Loomes, Brian, Watchmakers and Clockmakers of the World, Complete 21st Century Edition, London: N.A.G. Press, 2022, p.544. Condition Report: Case: in good overall condition with small spots of tarnishing and general surface wear. The figure surmounting the case is lacking an attribute to her raised right hand and two of her fingers have been ground down. The winged putto beneath the dial is holding a wreath which is loosely attached and there is verdi gris around the screw. The pierced fretwork panels with some slight misshaping. The trellis fretwork to the lower section is missing a small section.Dial: chips around the winding holes and at 12 o'clock. Otherwise, minor surface scratches. Two screws missing at 25 and 55. Tarnishing to hands. The hinge to the cover is a little loose but secure when shut. The glass with minor abrasions. Two screws beneath bezel to front are replacements and sit slightly proud.Movement: Tarnishing to backplate and bell. The crutch rod is bent and with break to crutch fork. Pendulum and key missing.
A French marble figural mantel clock, first half 19th century, with a Classical lady in mourning stood in flowing robes leaning against an urn, on a stepped grey marble base, the circular white enamel dial with black Arabic hour numerals and red date numerals, marked A PARIS, the twin train movement with outside countwheel striking a bell on the hour and half hour, with silk suspension, 66.5cm highPlease note that Roseberys do not guarantee the working order or time keeping of any timepiece.
A Louis XV style ormolu-mounted and tôle peinte clock garniture, second half 19th century, the clock with white enamel dial with Arabic numerals, signed to dial Balthazar a Paris, the twin train movement with outside countwheel striking on a bell, the backplate stamped 603, with sunburst pendulum, the German porcelain figures and groups, second half 19th century, depicting a seated couple flanked by a young man and lady, with cherubs to the surrounding foliage, the flowers 19th century and possibly earlier, on pierced rococo style scrolling foliate base, flanked by candlestick garniture with figures amongst flowering branches, clock - 76.5cm high, 59cm wide; garniture - 33cm highPlease note that Roseberys do not guarantee the working order or time keeping of any timepiece.
A French gilt and patinated bronze mounted marble figural mantel clock, of Empire style, after a model by Claude Galle, late 19th century, with Eros standing with his lyre next to the milestone-shaped case mounted with stiff-leaf border and winged Classical female figure holding her arms aloft, on stepped rectangular plinth base with foliate mounts on winged lion paw feet, the white enamel dial with Roman and Arabic numerals, indistinctly signed to dial, the twin train movement with outside countwheel striking on a bell, the backplate with cachet stamped HORS CONCOURE BESANCOR 1893 LS. BONAME (DOUBS) SELONCOURT, and numbered 8055 9 2, with pendulum, 61cm high, 42cm wide, 21cm deepPlease note that Roseberys do not guarantee the working order or time keeping of any timepiece.
A gold-mounted dip pen, 19th century, with chalcedony engraved monogram seal top above gold and blue enamel striped shaft between later scrolling foliate gold collars, with Bramah style nib with slide action locking system, in fitted velvet case, 17.2cm long Please note that Roseberys do not guarantee working order of any pen or writing implement. Condition Report: Good overall condition with only minor wear to the nib to be expected with age and use. The mounts at either end of the shaft are probably associated. The shaft is slightly loose to the top mount. One small area of loss to the enamel. The matrix with very light ingrained dirt. The case in good order and with printed retailer's for C.F. Hancock.
A group of seven Swiss enamel plaques with views of St Petersburg, mid-19th century, each mounted in gilt-bronze frames with oval panel for LUNDI - Kazan cathedral, MARDI - Saint Alexander Nevsky Monastery, MERCREDI - The Narva Triumphal Arch, JEUDI - The Academy of Sciences, VENDREDI - Saint Alexander Nevsky Monastery, SAMDI - View of Neva River and DIMANCHE - Mariniiskaya Hospital, further mounted on later walnut panels, the plaques - 4.2 x 7.6cm; 13 x 16.5cm overall (7)Condition Report: The plaque for LUNDI with two visible cracks to the surface, one going through the plaque from top edge to bottom left corner, and further crazing to the corners. The plaque for MARDI with cracks to all edges. The plaque for MERCREDI with a crack through the top left corner. The plaque for JEUDI with cracks to the top left corner and edge and restored sections to the bottom right corner. The plaque for VENDREDI with a small repaired section to top left corner and small cracks to the bottom edge. The plaque for SAMEDI with repair to top right corner. The plaque for DIMANCHE with repairs and losses to each corner. The plaque for DIMANCHE is loose in the frame. Each wood frame has a small picture hanging hook attached to the verso.
A set of six Victorian mahogany dining chairs, by Thomas Edwards and Sons, third quarter 19th century, the spindle and button velour backs to overstuffed seats, on turned tapering legs, each with enamel button manufactured by Edwards & Sons, (staff), Newcastle (6)Condition Report: all with scratches, knocks, stains and old gouges throughout, all structurally sound with no signs of repairs or restoration.
A French gilt-bronze mantel clock, late 19th century, with foliate finial above pierced top with scrolling foliage and mask, above twin handles, on scrolling foliate base, the dial white enamel plaques with Roman numerals, the twin train movement striking on a bell the backplate numbered 719 48, with pendulum, 42cm high, 22cm wide, 19.5cm deep Please note that Roseberys do not guarantee the working order or time keeping of any timepiece. Condition Report: Case - With surface scratches, knocks to edges, and minor tarnishing. Minor scratching to glass. Dial - Minor scratching to enamel.Movement - Scratching and tarnishing to backplate and bell. No key. Movement currently seized.
A French gilt-bronze mounted marble mantel clock, of Louis XVI style, early 20th century, the case surmounted with a seated child holding a branch above trophies including musical instruments and a plumed helmet on a breakfront marble base with foliate mounts on five toupie feet, the white enamel dial with Roman and Arabic numerals, bearing marks Gavelle Le Jne AParis, the twin train movement striking on a bell, the backplate with indistinct marks, with pendulum, 27cm high, 19cm wide, 10cm deep Please note that Roseberys do not guarantee the working order or time keeping of any timepiece. Condition Report: Case - with some rubbing to gilt and general surface scratches to bronze. Minor chips and nibbles to edges and corners of marble base. The hinge of the reverse door is loose but attached. Tarnishing to reverse door. The tip of the branch held by the boy to surmount is missing. There are minor nibbles to edges of glass panel below the dial. Dial - Possibly associated, the winding holes are slightly out of alignment and there are nibbles to edges. Minor surface scratches, particularly around winding holes. Minor spot between 1 and 2. Minor rubbing to numerals. Movement - Some tarnishing and scratches to backplate. The two cachets have been erased so marks are no longer legible. Tarnishing to bell. The rod of the hammer is slightly bent so will not strike the bell properly.
A Russian icon of Christ Pantocrator with silver oklad, 1899-1908, maker's Cyrillic IM, possibly Isaac Minikes, St Petersburg, traditionally painted in half-length, the oklad with chased foliate decoration and cloisonné enamel halo, 26.7 x 22.3cmCondition Report: As can be seen from the online photograph, the face has crackleture. Also crackleture to the left hand. The painted areas are varnished overall. The silver oklad is heavily tarnished. There are two vacant pins above the Bible and a pin not attached to any okald to the right shoulder. The Bible has a vertical split to the left of the spine and is lifting on the right side. Splits around the border edge of the oklad. The enamel halo with some small losses. The edges and back with some painted lines.
Ten Paris porcelain blue-ground topographical cabinet-plates, five Darte plates c.1803, stencilled red DARTE / Pal. Royal / No 21 marks and two with underglaze blue script L.D. marks, the decoration c.1820, three plates second quarter of the 19th century, a pair of plates c.1840, the plates painted with various views, the views on the Darte plates named in gilt script on the reverse 'Montagne Francaises’, ‘Maison Royale de St. Cyr’, ‘Nouvelle Course’, ‘Palais des Beaux arts’, and ‘Porte St. denis, the views on two of the other plates named in green enamel script on the reverse ‘Chapelle de Guillaume Tell pres de Küssnacht’ and ‘Francfort', the pair of plates with unnamed views, the blue borders gilt with various designs including anthemion palmettes, scrolls and husks, the pair of plates with flowers and panels enclosing various ornamental grounds, ten plates approx 23cm diameter; the pair 23.9cm and 23.5cm diameter (10)Footnotes: Note: Operating three manufactures and numerous stores, the Darte brothers were among the most talented Parisian porcelain makers and decorators of the late 18th and early 19th centuries. On 1 August 1803, after eight years of working together, they declared that they wanted to each set up their own establishment and in 1808 a hard-paste porcelain factory was established at 90 rue de la Roquette by brothers Louis Joseph (1766-1843) and Jean François (1768-1834). The firm's retail outlet was at the Palais Royal, no. 21. Of particular interest amongst the named views is ‘Montagne Francaises’ (French Mountains), which depicts the officially recognised world’s first wooden roller-coaster. Named the ‘Promenades Aeriennes’ and built in the French banker Nicolas Beaujon’s amusement park on the Champs-Elysees, ‘Jardin Beaujon’, the roller-coaster was the first to use cars running on rails, as opposed to its precursors originating from eighteenth century St. Petersburg, Russia (‘Les Montagnes Russes’), which had snow-covered constructions designed for sledding. Condition Report: Overall these ten plates present well together despite some defects. Like the previous lot, each plate has some wear to the painted surface where patches of white porcelain are visible, and otherwise some scratching and wear to the gilding. Some plates have minor firing flaws and evidence of colour bleeding where spots and patches of blue are visible from the underside. The plate ‘Nouvelle Course’ has crazing to the blue rim visible under UV light, the underside and under-rim have different textures indicating the underside may have been sprayed with a restorative glaze. The plate ‘palais des beau arts’ has two large restored losses to the rim with visible crack lines and yellow restoration. The plates ‘Port st Denis’ and ‘Maison Royale de St. Cyr’ have crazing to the blue rim visible under UV light. Please see additional images illustrating details and defects here: https://we.tl/t-SnS2IthCu8
A French gilt-bronze and cloisonné enamel brûle-parfum, by Maison Alphonse Giroux, third quarter 19th century, decorated overall with scrolling foliage, the cover surmounted with berried finial above pierced frieze and baluster vase held aloft by a pair of putti, on four ram's head monopodia and a shaped quarte-foil base, the underside of the cover engraved MON ALPH GIROUX PARIS, 30cm high Footnotes: Note: Alphonse Giroux, "the merchant of the princes", was a eminent Parisian manufacturer of luxury furniture and accessories, in operation between 1799 and 1867, whose products were intended for an aristocratic and bourgeois clientele. Founded in 1799 by François-Simon-Alphonse Giroux under the name A. Giroux a Paris, his son Alphonse-Gustave took over the business in 1834 and renamed it Alphonse Giroux et Cie. They won a silver medal at the1839 Exposition des Produits de L’industrie Française. The business was taken over by Duvinage and Harinckouk in 1867.Condition Report: In overall good condition and presents well. With wear consistent with age and use. Some surface scratching, dirt and minor tarnishing to bronze, including scratching to bronze rim of cover. The enamel with some surface dirt, discolouration and minor chips and losses, particularly to the cream ground and blue floral motifs to top border. Three drilled holes visible to underside of base. Main body sits very slightly loose in base. Interior with scratches and also tarnishing to interior seam.
A group of four porcelain and enamel boxes, 19th century, comprising: a Paris gilt-metal-mounted rectangular box painted with rural genre scenes to the lid and sides, within gilt and stamped borders, the interior with a landscape scene, crossed arrows mark possibly for La Courtille to underside, 5.7 x 8.5 x 6.5cm; a gilt-metal-mounted rectangular box painted in coloured enamels with floral sprays and a bird perched on a tree stump, with raised white enamel floral decoration, 3.8 x 9.4 x 5cm; a gilt-metal-mounted Continental elongated oval box, painted to all sides with rural seascape genre scenes, with raised scrollwork decoration to the lid, 4.5 x 15 x 6cm; and a Continental circular box and lid decorated in Viennese style, of dark blue ground with elaborate gilt borders, the lid with a painted mythological scene of three ladies with a cherub, crowned D mark possibly for Helena Wolfsohn to underside, 8.2cm high, 15cm diameter (4)Condition Report: Each of these are in overall poor condition with various damage and defects. The Paris box lid is loose from the mounts, which are heavily tarnished and have verdigris throughout, the porcelain is also scratched and dirty. The rectangular enamel box base is loose from the mounts, which are tarnished, and there are various hairline cracks and minor losses of enamel to base and lid as well as surface wear and dirt. The oval box base is loose from the mounts, which have mild tarnishing, and the porcelain has light wear including marks, scratches and surface dirt. The circular box has been broken and repaired with a large crack through the middle and small holes from missing porcelain, the lid also has two chips to the rim.
A fine Victorian John Manger silver singing bird box. The top decorated with green enamel, the sides with engraved dianthus pattern, beaded edge raided on lion paw feet. In original red leather case with key. The mechanism winds and the bird moves but no sound is produced. London 1893, 4.5cm x 10.5cm x 6.5 cm
A gilt metal scent flask. With enamel roundels and glass beads, height 7cm together with two other scent flasks, a Continental silver and glass swan salt, a silver tape measure case, a cast metal fox and hound, cold painted lead model of cats under an umbrella, resin pipe and a bone patent orange peeler.
A French gilt bronze mantel clock, by Charles Frodsham. Late 19th century, the circular white dial with enamelled floral swags, address 115 New Bond Street, London, and numbered 20425, the case with cast decoration, the movement, number 55640, striking on a gong, height 24.5cm.The movement was fully wound and when the pendulum was set moving, it has worked for at least half an hour. We can't be sure how accurate the time keeping is and would recommend a service or being looked at by a specialist. There are a few enamel chips around the winding holes.Additional photos have been added to show the gilding loss.
ANTIQUE SILVER POCKET WATCHES open face and hunter type, all with white enamel dials, one signed E.Girardin Geneve and one ladies with gilded decoration to dial. Variously hallmarked. Sold as seen. Total weight 326.5 grams. Condition Report : Hunter has a broken cover. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
SELECTION OF SILVER ITEMSconsisting of machine turned napkin ring with monogram, Chester 1930; souvenir spoon from Falmouth with enamel crest, Birmingham 1906; olive/oyster trident spoon with mother of pearl finial, Chester 1934; and small American sterling spoon with shamrock, total weight 68g/2.4oz (4)
INTERESTING SELECTION OF VINTAGE COLLECTABLEScomprising five compacts including three by Stratton and another shagreen example; an enamel decorated cigarette case with British coat of arms decoration; a large tortoiseshell effect hair slide; a bird decorated bag cantle; a travel clock and a small framed embroidery of a cottage
SELECTION OF SILVER AND SILVER MOUNTED JEWELLERYincluding an enamel decorated souvenir charm bracelet; a jade pedant in silver gilt mount and set with opal and small gemstones, a silver and marcasite cluster ring, two silver stone set brooches, a silver mounted butterfly wing brooch and two silver neck chains
SELECTION OF SILVER AND SILVER MOUNTED JEWELLERYincluding a green agate set dress ring, other rings, a turquoise set bracelet, a turquoise enamel set cross pendant, a pearl Star of David pendant, a clear gem set bar brooch, a blue crystal set necklace, a pair of silver gilt ball earrings, an amber bead set bracelet, etc.
INTERESTING SELECTION OF SILVER AND OTHER JEWELLERYincluding a silver Claddagh brooch, a red cabochon set silver pendant on chain, a cameo brooch in silver mount, a pair of dice cufflinks, an enamel decorated Eastern Star brooch by Mizpah, a faceted amethyst coloured glass set fob, a stone set pendant in unmarked silver, etc.

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396325 Los(e)/Seite