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396325 Los(e)/Seite
Los 1
Good pair of nineteenth century cut glass and polychrome enamelled lustres with floral reserves and prismatic drops on hollow foot, 36cm high CONDITION REPORT Both lustres have chips to the top rim/edge, one prismatic drop is missing and two drops are badly damaged. The remaining drops are in fairly good condition, a few inevitable chips. Gilding to rim is very worn. Enamel flowers in very good condition
Los 111
Nineteenth century mahogany Scottish longcase clock, the circular enamel dial signed W. Douglas, Holytown, with twin chain movement striking on a bell, 220cm high CONDITION REPORT Very good condition - the clock appears to have been recently restored. The carved cresting has been broken and re-glued and the dial has been re-painted. The case has been restored. The movement appears original and also fairly recently restored. We cannot guarantee if it works. The weights, key and pendulum are present
Los 116
Fine quality nineteenth century French bronze and ormolu mantel clock, the circular enamel dial signed Raingo Freres Paris, with classical female surmount and cylinder movement, on cast classical relief frieze, 57cm high overall CONDITION REPORT Key and pendulum present. Case in very good condition. No cover to the back of the movement. Dial also in very good condition with a faint scratch but no cracks or chips. We cannot guarantee whether or not the clock works but it does tick. Clock is approximately 36cm wide x 15.5cm deep. Overall clock is in very good condition
Los 141
Late nineteenth / early twentieth century French mantel clock in ornate champlevé enamel case on powder blue ground, with painted and enamel dial, on scroll feet, 18.5cm high CONDITION REPORT Enamel dial is perfect and enamel decoration is in very good condition. The middle scroll on the top of the case is slightly bent. The movement ticks for a few seconds when given a gentle shake but we do not have a key for the clock so are unable to wind it. The platform has been replaced. Overall clock is in very good condition
Los 3
Pair of Victorian milk glass and enamelled lustres decorated with polychrome garlands with prismatic drops, 33cm high, together with a pair of pink glass lustres (4) CONDITION REPORT Milk glass pair - one has pieces broken out of the body and re-stuck, other ok. Both have minor chips and losses to prismatic drops and overall wear / losses to gilding and enamel decoration. Other pair - both have large pieces broken and re-glued, minor chips and losses to prismatic drops, wear to gilding and minor losses to enamel decoration
Los 6
Pair of Victorian cranberry glass lustres with applied white enamel ornament, 36cm high, together with a fine quality Victorian cranberry glass and enamelled lustre CONDITION REPORT The pair of lustres have minor chips / nicks around rims and bases. Prismatic drops have some minor chips, and also a few larger ones. Overall wear to gilding (heavily worn around rims). Single lustre has one drop detached and overall wear to gilding and decoration, some minor nicks / chips around rim and base
Los 210
Mid 19th century fabric fixed-frame evening bag with jewelled blue enamel and gilt fastening, a vintage evening bag, faux-tortoiseshell fixed-frame handle, embroidered blue and brown flowers, a 1930's evening bag with original mirror, faux jet fastening with diamante satin handle and lining, another 1930's evening bag, diamante and satin, hexagon-shaped and four other evening bags (1 box)
Los 261
A CLOISONNE ENAMEL SPARROW VASE, C.1910, Stamped with the mark of Namikawa Yasuyuki , Kyotothe elongated body with narrow cylindrical neck and flat-flared rim, cover in midnight blue enamel and decorated with a singing sparrow perched atop a flower plum tree, with gold wire divisions, the flowerheads brightly enamelled in various shades of pink tones over slightly spreading foot, the signature stamped directly to silvered base plate, 15.2cm highA very similar vase is in the Edwin Davies Cloisonné Collection at the Victoria & Albert Museum, London and illustrated in the V&A publication Japanese Cloisonné by Gregory Irvine (2006), p. 136 where further comparisons are referenced :For a vase with an autumnal scene of a bird on maple which could be a pair to this vase, see Coben and Ferster, Japanese Cloisonné (1982), plate 92. For vases with similar designs, see also Impey and Fairley, The Dragon King of the Sea (1991), no. 19, and Barry Davies Oriental Art, London, Japanese Enamels of the Golden Age (1990), no. 10
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396325 Los(e)/Seite