396325 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
396325 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
396325 Los(e)/Seite
Los 1318
Football interest - football ticket stubs, mostly Away for Chesterfield Fc; 4x Euro 2004 tickets including England, Latvia, Germany etc, Ac Milan etc; a signed Bobby Charlton photograph; George Best Soccer Annuals No 3 and 5; a photograph of George Best taken at Peter Gadsbys shop in Ashbourne; England enamel match badges (10) etc qty
Los 198
French Post WWII 'Nations Unies' shield badge, made in Paris (gilt and enamel) These were produced in support of the newly forming United Nations Organisation. This insignia is the first type made by Drago Paris Nice from 1950 till 1952. This insignia was designed to follow the US uniforms regulations and has to be worn on the Ike jacket or summer shirt instead of collar discs.
Los 1696
14th-15th century AD. A gilt cast heater shield harness pendant depicting diamonds inlaid with red enamel; with suspension loop. 11.03 grams, 42mm (1 3/4"). Property of a gentleman; acquired in the 1970s. See Clark, John, The Medieval Horse and its Equipment, Museum of London, 2004, pp.61-71 for information. Very fine condition.
Los 953
1st-2nd century AD. A mixed group of bronze brooches comprising: a sea-monster with raised head and second head to its tail, enamel panel to the flank, hinged pin and catchplate to the reverse; a bird with folded wings, enamel panels, hinged pin and catchplate to the reverse; a kräftig profilierte bow brooch with openwork catchplate, chord and pin. 77 grams total, 24-90mm (1 - 3 3/4"). From a private collection; formed 1965-1975. Cf. Hattatt, R. Brooches of Antiquity, Oxford, 1987, item 2761, 1153, 1417. Fine condition. [3]
Los 1690
14th-15th century AD. A gilded harness pendant in the form of an ornate fleur; with hinged rectangular suspender, diagonally divided with cross in each panel reserved against red enamel background. 17.16 grams, 67mm (2 3/4"). From an old North Country collection; found Norfolk, UK, 2001. Cf. Hammond, Brett M., Benet's Artefacts of England & the United Kingdom, Essex, 2014, no.M08-0242 for a very similar example. The arms of the Howard family are reported to have appeared in this format in the carved ornament to a window of Hever Castle, Kent, in The Gentleman's Magazine, vol.XI, 1839; John Howard was appointed Duke of Norfolk by Richard III in 1483 and the arms were later augmented by an escutcheon of the arms of Scotland with the lion rampant truncated, a reference to the family's leading role in the defence of England from Scottish invasion at the battle of Flodden Field in 1513. Subsequently, Catherine Howard became the fifth wife of King Henry VIII; the family's adherence to the Catholic faith led to loss of influence at the Reformation, although Queen Elizabeth I was descended from John Howard (great-great-granddaughter). Fine condition.
Los 3556
19th century AD. Early first type, with suspender bar with screwpost, round nut with raised ??????? ???? and ribbon. Obv: profile bust on central medallion with wreath below and ????????? ??????? legend with red enamel infill on five-pointed star background. Rev: plain with incised award number '147', with pin clip. 45.68 grams. Near extremely fine. Very rare and a very early issue number.
Los 2495
Mid-17th century AD. A gold band ring with black enamelled scrolling decoration to the shoulders; round bezel set with enamel portrait of Charles I facing forward, goatee beard and long hair to shoulders, rock crystal cover over portrait; underside of ring engraved with skull with C R to either side, above '30th Jan', and below '1648'. 6 grams, 23.40mm overall, 21.00mm internal diameter (approximate ring size British W 1/2, USA 11 1/4, Europe 25.97, Japan 25"). (1"). Ex Bunker collection, Hertfordshire, UK; acquired at an art fair in Oxford, 1970. Supplied with a positive X-Ray Fluorescence metal analysis certificate. Memorial jewellery, such as this ring, would have been produced shortly after the execution of Charles I so that the wearer could both mourn the death of the king and show allegiance to the crown, a considerably dangerous thing to do during the republic set up by Oliver Cromwell. Through the use of the black enamel on the shoulders, death is signified, and its mix of Baroque and Moresque design to create the floral elements is elegantly balanced and frames the raised bezel, which was typical for mid to late 17th century rings. The Moresque style derives from the term “Moorish” in English, and is applied to art styles of the 16th and 17th centuries, seen in jewels with the elaborate patterns which take on a floral nature. The blue background of the portrait denotes the royal connections of the subject, and the fact that Charles is looking up to heaven shows that he has become a martyr. Whilst history documents the monarch’s execution on the day of January 30, 1649, the date 1648 on this, and other known pieces, is based on the Julian calendar, which was used in England until the 18th century. Using the Julian calendar, the year did not commence until March, so many contemporaneous mourning pieces record the execution as having taken place in 1648. Utilising the memento mori skull with “CR” upon the reverse shows the piety towards Charles and also shows how the elements of mourning had become engrained within society. Black enamel was the primary identifier for death and the memento mori symbols were now appropriated for the basic sentiment of death. As a ring for a royalist, this memorial ring was made to show how the wearer connected their political sentiments back to the crown and that this was something they were proud to establish. Very fine condition. A large wearable size.
Loading...-
396325 Los(e)/Seite