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A French gilt brass grande and petite sonnerie engraved gorge case carriage clockBy Moser, Paris, No. 3671, circa 1870The case with bevelled glazed panels and large top panel, with inset push/repeat button, engraved all over with foliate scrolls, the white enamel dial with Roman chapters and blued steel moon hands, with seconds subsidiary, silvered platform lever escapement, the backplate signed to the lower right edge MOSER A PARIS and numbered 3671 to the lower left, with grande and petite sonnerie strike on twin blued steel gongs, with alarm, the underside of the base with strike selection lever17 cm. high. Illustrated
A French brass carriage clockCirca 1910In a corniche case with push/repeat, the white enamel dial inscribed GOLDSMITHS & SILVERSMITHS COMPANY 112 REGENT STREET/LONDON W. PARIS MADE, with alarm subsidiary below, the plinth engraved 'TO MISS BAGOT - DE LA BERE ... BUXTED OCTOBER 1908', the twin train movement No. 5542, with oval maker's stamp G. S & Co. with original platform lever escapement, push/repeat on a gong, and alarm train, with leather carrying case 18 cm. high, (one key and leather case). Illustrated
A French gilt brass carriage clockCirca 1910In a corniche case with push/repeat, with bevelled glass panels, the circular white enamel dial inscribed GOLDSMITHS & SILVERSMITHS COMPANY 112, REGENT STREET LONDON W PARIS MADE with alarm subsidiary below, within a giltmetal surround, the twin train movement No 5741, stamped with maker's mark G. S. & Co in an oval, with original platform lever escapement and striking on a gong18cm. high, (one key). Illustrated
An Edwardian silver-mounted tortoiseshell carriage clockLondon 1893The rectangular case with silver repouseé mounts, the twin train movement with push/repeat, circular white enamel dial, original platform lever escapement, the backplate stamped E G L in on oval and PARIS No 265515cm. high, (one key). Illustrated
A Modern giltmetal and enamel Clover Egg timepieceBy Theo Faberge, England, No. 187 of 750The egg-shaped case surmounted by a crown, above green enamel clover leaf decoration, including one four-leaf clover, with white enamel dial, inscribed, on a reeded base, signed to the underside with No. 187, in its presentation case13 cm. high. Illustrated
A Regency mahogany and brass line inlaid lancet-shaped mantel clockRetailed by John Grant, Fleet Street, London, the movement by Handley & Moore, No. 3781The lancet-shaped case with brass line inlaid decoration and convex glazed brass bezel, flanked to each side by a lion's mask carrying handle and brass grille panel, the 8 in. white enamel dial, with later brass hands, signed GRANT Fleet Street London, with Roman chapters, the lancet-shaped twin train gut fusée movement, with foliate engraved border to the backplate and signed in an oval GRANT Fleet Street LONDON, stamped to the front plate HANDLEY & MOORE 3781, with anchor escapement and hour strike on a bell 44 cm. high, (one pendulum and key). Illustrated John Grant (d. 1810), an eminent maker, is recorded as a member of the Clockmakers' Company in 1781.Handley & Moore, apprenticed to Thwaites, supplied high quality movements to the trade.
A George III ormolu-mounted ebonised quarter-striking automaton clock with moonphase, calendar and sweep centre seconds.The case surmounted by a man standing beneath a cupola, striking a bell with each hand, via a linked hammer to the movement, above a square shaped galleried platform with urn finials, above an arch with four further finials, the front with foliate mounts and a shaped hinged door, flanked by canted angles with foliate mounts, the sides each with a brass carrying handle and a grille panel (one lost), on scrolled bracket feet; the shaped arched brass dial plate with 5 ½ in. white enamel dial, Roman chapters and Arabic five-minute markers, pierced gilt brass hands and sweep centre seconds, the arch centred by a shallow concave recess with moon phase shown as a rotating sphere, flanked to each side by white enamel subsidiaries for STRIKE/SILENT and the date of the moon, the fine-quality twin-train chain fusée movement, wound from the back, with verge escapement, foliate-engraved backplate, five turned pillars, intermediate wheelwork behind the dial for the moon phase and two link arms for the automaton striking63 cm. high, (one key). Illustrated This fine quality clock, with unusual dial arrangement, with its sweep centre seconds, moon phase and age, together with the fine quality wheelwork, would suggest a skilled London workshop. The case can be compared with another automaton clock by Robert Philip, London. The cases are virtually identical, utilising the same shaped design for the door, caryatids and with a standing figure beneath the cupola, which was sold at Bonhams, London, 6 July 2016, lot 75.
A George III ormolu, Geneva enamel and paste set automaton timepiece For the Chinese market, attributed to William Carpenter, circa 1800 with later movementsThe case surmounted by a twin-handled urn issuing rotating tri-form gilt flower heads with stiff-leaf below, the paste-set body with blue, green, red and clear stones, and with six hexagonal-shaped rotating 'florets', raised on a quadruped bacchic pedestal, supported on splayed cloven feet between wreaths, the rectangular case with four vase-shaped finials, above a paste set pediment, the sides each with a polychrome enamel blue-ground panel designed with a foliate spray, and housing the later musical movement, No. 33702, with a 41-toothed steel comb, tripped by a small lever on the right hand side, which when activated turns the automata on the vase, the front inset with a later white enamel dial and later Swiss gilt lever movement, with hinged back door, on a stepped plinth, with paste set border, on foliate cast ball feet29.3 cm. high. Illustrated William Carpenter produced many complex automata clocks for the Chinese market. He was a member of the Clockmakers' Company from 1770-1817, gaining his Freedom in 1781. He worked at various addresses in Soho, London; 45 Frith Street 1778-1784; 15 Frith Street 1790-95; 10 St Martin's Court, St Martin's Lane 1798-1812 and in 1817, at the age of about 77 years old, retired to 5 Haberdashers Walk, Hoxton. He worked with James Cox on the production of his complex automata clocks; was a frequent customer of the clockmakers Thwaites and Reed, with 50 'jobs' noted in their account books. A number of these were for clockwork drive motors, rather than clocks, which were presumably for automata work.The attribution of this clock to Carpenter can be confidently made, as four other clocks are known with the same case design decorated with Geneva enamel plaques, two of which are signed for William Carpenter.[1] 1] Sold by Arne Bruun Rasmussen, International Auctions, Copenhagen, 29-30 April, 1980 is signed C. Penter 4794, which is an abbreviation of Carpenter. This clock is similar in all external respects to this lot, including a very similar surmounting vase. 2] Sotheby's, London, Fine Clocks and Watches, 10 May 1954, lot 68. This clock again has the same case design, is surmounted by a variant vase design, topped with a running figure; is signed William Carpenter London, the dial, with Roman numerals and centre seconds hand is signed Payne & Co., 163 New Bond Street London (31.7cm high)3] With Jeremy Ltd., London. Again the same case design, but surmounted by a vase of a different design; the white enamel dial with separate subsidiaries for the hours, minutes and seconds; no details are available of the movement, musical or automaton features (30cm high).4] Sotheby's, London Good Clocks Watches, Barometers and Horological Books, 20 July 1989, lot 507. This clock again has the same body design, but is surmounted by a cupola decorated with paste stones with finial; the two train fusée chain movement, signed William Carpenter, London, with verge escapement and chiming on eight bells (26cm high).It was the Emperor Kangxi (d. 1722) who developed a strong interest in watches and clocks, building a large collection. However, his grandson, Qianlong, whose reign spanned most of the 18th Century (1735-1795), with a huge budget, collected throughout his 60-year reign. This resulted in a substantial expansion for English merchants and makers. An observation by the missionary Valentine Chalier in 1736 ' As for clocks, the Imperial palace is stuffed with them…..there must be more than 4000 from the best masters of Paris and London…'. As Dr. White notes in his extensive book English Clocks for the Eastern Markets, Qianlong was simply the greatest collector of Western clockwork there has ever been. [1] Ian White, English Clocks for the Eastern Markets (Ticehurst, UK: Antiquarian Horological Society, 2012), pp 233, 236-238.We are grateful to Dr. Ian White for his assistance in cataloguing this lot.
A French giltmetal mantel clockcirca 1870The case surmounted by a floral spray above the glazed bezel, the white enamel dial with visible Brocot escapement and blued steel moon hands, the twin train movement by Japy with countwheel strike on a bell and stamped E. GAILLOT PARIS, above the shaped base with glazed panel for the bi-metallic compensated pendulum50 cm. high, (one pendulum and key). Illustrated
A French porcelain mantel clockIn the style of Jacob Petit, circa 1860 Modelled with an equestrian figure of an arab hunter, on a naturalistic base, on a stepped plinth, the front decorated with a reserve of flowers, between scrolled feet, the 2 ½ in. white enamel dial, with twin-train drum shaped movement, silk suspension and countwheel strike on a bell39 cm. high, (one pendulum). Illustrated
A French giltbrass, enamel and green onyx four glass mantel clock garniturecirca 1910The clock, with a stepped pediment above a glazed front and back door, with glazed sides, on stepped plinth, the 3 ½ in. white enamel dial with Arabic numerals and foliate festoons, the drum-shaped movement No. 3831, with mercury compensated pendulum, and striking on a gong; ensuite with a pair of candlesticks, each with a turned nozzle above square tapering uprights on a spreading foot (3) The clock 29.5 cm. highThe sticks 22 cm. high, (one pendulum and key). Illustrated
A French Orientalist ormolu and champleve clock garniturecirca 1880Comprising a clock and a pair of four-light candelabra, the clock surmounted by a finial above the broken arched case, inset with enamel panels to the arch, front and sides, the twin train movement with hourly strike, the candelabra each with scrolled arms and twin elephant heads to each baseThe clock 43 cm. high, the candelabra 42 cm. high. Illustrated
A French ormolu, champleve enamel and onyx clock garnitureIn the Grecian style, circa 1890The clock surmounted by an urn with scrolled handles, the base with bearded masks, centred with a blue ground dial with raised numerals, with a drum-shaped movement with hourly strike, ensuite with a pair of four-light candelabra, on a baluster stem and spreading footThe clock 38 cm. high; the candelabra 50 cm high. Illustrated
A French 'Japonisme' ormolu, bronze and cloisonne enamel clock garniturecirca 1890Comprising the clock and a pair of three-light figural candelabra; the clock modelled as a seated figure of Budha holding the timepiece, and on a shaped rectangular base, the timepiece movement No 20176, with cylinder escapement; ensuite with a pair of three-light candelabra, each modelled as figures holding branches aloft, on conforming baseThe clock 40cm. high, the candelabra 39 cm. high. Illustrated
A French ormolu, cloisonne enamel black marble mantel clockIn the Grecian style, retailed by Maison Marnynac, Rue de la Paix, Paris, circa 1890Surmounted by an urn, above a stepped rectangular block, with giltmetal turquoise mounted dial, with twin train drum-shaped movement striking on a bell, on leaf cast scrolled bracket feet43 cm. high. Illustrated
A Napoleon III ormolu cartel clockIn the Louis XV style, circa 1865The case of shaped outline, surmounted by a seated cheub and cast with vine ornment above a mask cast terminal, the 4in. white enamel dial inscribed Tourneux A Paris, with blued steel moon hands, the twin train drum-shaped movement striking on a bell52 cm. high, (one pendulum). Illustrated
A Louis XV tortoisehell and cut-brass inlaid bracket clock and bracketBy Tortin, ParisSurmounted by a cherub holding a flaming torch, above the waisted case with glazed doorwith twin-cherub mount, on scrolled shaped feet, flanked by glazed side panels, on a waisted shaped bracket, the 9 in. cast brass dial with twelve enamel numerals with blue chapters, the twin train rectangular movement with signed backplate and external countwheel strike, now with anchor escapement and strike on a bellThe clock 77 cm. highThe bracket 34 cm. high, (one pendulum and key). Illustrated
A French giltmetal and marble garnitureIn the Louis XVI style, circa 1900Surmounted by an urn with ribbon tied foliage above the white enamel dial with arabic numerals and foliate swags, the drum-shaped movement, stamped Samuel Marti, Medaille d'or 1900 Paris in a roundel, with countwheel strike on a bell, on a bow-fronted plinth base; ensuite with a pair of twin-light candelabraThe clock 27 cm. high; the candelabra 19 cm. high. Illustrated
An unusual early Victorian giltmetal carriage timepieceRetailed by Ross, ExeterThe case decorated with Gothic tracery, surmounted by a shaped handle and four finials (one broken), with pierced roundel and yellow glass below, above a glazed dial, surround with engine-turned and raised architectural decoration, the sides each with an elaborate raised architectural design of arches centred by a roundel, with similarly decorated back door, the interior with a plaque engraved with the Royal Coat of Arms and PATENT below within a foliate border, on a stepped plinth, the movement signed to the backplate Ross EXETER, with white enamel dial and Roman numerals with gilt hands, English platform lever escapement, with plain steel three-armed balance, engraved cock and jewelled endpiece18.5 cm. high. Illustrated Ross is recorded as working in the early 19th century in Exeter.
A pair of Italian Neo-Classical giltwood corner candelabra, circa 1820, each with four branch surmount over a foliate carved column with two anthropomorphic supports supporting two further sconces on scroll carved feet with enamel numeral oval plaques to rear '342, 325', on linen bound wooden supports, 180cm high (2). Illustrated
A small panel cut glass bottle with silver and guilloche enamel screw lid, 8.5cm high, a square section glass bottle with silver screw lid, 9cm high and a glass snuff bottle with silver plated lid, collar and spoon, 7.5cm high CONDITION REPORT: Silver and enamel topped bottle - Enamel with chip to rim. A small dent and a larger dent to the side of the lid. Hallmarks rubbed. Bottle with small chip to one panel otherwise slight wear. Square bottle - Dents to top of silver lid. Interior with cork seal. Engraved shield with initials. Very small chips to corners and facet edges. Snuff bottle - Silver plate almost entirely worn away. Minor scratches and wear to sides of bottle with wear to foot rim.
A Victorian hollow gold and black enamel oval mourning brooch, with hair panel and inscription to the verso dated 1853, 56mm x 45mm, and another Victorian brooch, the oval revolving double sided glazed keepsake panel within scroll surround, 65mm x 58mm CONDITION REPORT: If you require further images of this lot or a condition report please contact us with your request as condition reports have not been included in the description
A 9 carat gold and enamelled medal presented by the North Wales Paper Co. Ltd, for long service (50 years), 12.9g, and a matching silver medal (30 years), a gold and enamel bar 'Inns of Court' brooch, stamped '15ct', 3.9g, a silver 'Inns of Court Brooch', and a brass enamelled badge CONDITION REPORT: If you require further images of this lot or a condition report please contact us with your request as condition reports have not been included in the description
A silver and enamel circular pendant by Charles Horner, Chester 1908, 23mm diameter, a brooch and two pendants (one at fault) in the manner of Gustav Hellstrom, with guilloche enamel scenes, stamped '925S', and a butterfly wing ring CONDITION REPORT: If you require further images of this lot or a condition report please contact us with your request as condition reports have not been included in the description
A nine carat gold cultured pearl and diamond set brooch, 4.5cm long, a 9 carat gold gem-set dress ring, combined weight 8.4g, and an 18 carat gold and enamel cased ladies bracelet watch, the circular dial with Arabic numerals, with gold plated strap CONDITION REPORT: If you require further images of this lot or a condition report please contact us with your request as condition reports have not been included in the description
A George III gold, black enamel and seed pearl set mourning ring, with hair panel, the inscription running around the outside of the shank reads; 'Ann Apletree OB 17 APR 1801 AE 47', 5.6g gross, finger size O CONDITION REPORT: Plaited hair panel looks in good order although there are tiny areas of green on the underside of the clear panel. Some wear to the surface of the clear panel (scratches and knocks). Enamel has knocks and wear.
A Victorian 18 carat gold black enamel 'In Memory Of' mourning ring, London 1867, the inside inscribed 'My dear Father Obt Apr 23 1868 at 69' and 'My dear Brother Obt Nov 8 1867 at 40', 4.2g gross, finger size O CONDITION REPORT: Under a 10 x lens there are small knocks and scratches visible to areas of the enamel. There is a larger chip beneath the letter 'E' and second 'M' and above the letter 'R'. These are only noticeable under extreme close inspection. Generally in very good order with clear engraving and hallmarks. No damage or wear to the gold.
A Royal Signals yellow metal and enamel sweet heart brooch, stamped '9ct', 4cm high, A yellow metal fresh water pearl set openwork brooch stamped '9c', 2.7cm wide, a 9 carat gold abstract leaf brooch, 4.8cm across, and a gold, diamond and opal set stick pin, 6.5cm long, combined weight 10g CONDITION REPORT: Royal Signals brooch - In good order. No damage or repairs. Pin - Opal with good play of colour. Stick with signs of wear and slightly bent. Abstract brooch - Tip of leaf slightly bent. Fresh water pearl brooch - One pearl lacking with pin remaining.
An open faced key wind pocket watch, the Continental case stamped '.935', the face with subsidiary seconds dial, glass lacking, and a silver watch chain with graduated links each individually hallmarked, a silver medal for cards, Birmingham 1927, and steel 'T' bar, 1.92ozt, 57.7g gross CONDITION REPORT: In working order. Crack to enamel face running from centre to II. Case with a few minor knocks to the front. The back in good order with crisp decoration. Scratches around winding hole. Chain and medal in good order.
A 1936 Berlin Olympics badge, a Woman's Institute (WI) enamel badge 'For Home and Country', a 1930's Cadburys Bournville badge 'I am a Cococub', an 1887 pendant, a six sided seal, a few costume jewellery items and a collection of nursing related medals, bars and badges including a Service medal of the Order of St. John CONDITION REPORT: If you require further images of this lot or a condition report please contact us with your request as condition reports have not been included in the description
A collection of small items comprised of a Tartanware dice shaker, 7.5cm high, a shell snuff box with silver mounts and gilt interior, a pair of cloisonne brass and enamel salt spoons, a pair of gold plated spectacles and case, two folding penknives including a souvenir from the 'Vega' of the Bergen Steamship Co. and a miniature Kibro microscope, CONDITION REPORT: If you require further images of this lot or a condition report please contact us with your request as condition reports have not been included in the description
A 1960s and 70's Royal Antediluvian Order of Buffaloes Role of Honour and Past Grand Primo regalia including seven silver gilt and enamel medals, with accompanying documentation CONDITION REPORT: If you require further images of this lot or a condition report please contact us with your request as condition reports have not been included in the description
Five small Chinese famille rose 19th century footed porcelain dishes, the largest 10.25cm diameter, the smallest 8.25cm diameter CONDITION REPORT: Small dish with sides decorated with figures - Wear to enamel decoration and gilding. 8.25cm diameter. Small dish with six sides decorated with fish - Chip to foot rim. Two chips to rim. One with hairline crack running down from it. 8.3cm diameter. Dish with 5 lobes decorated with insects amongst flowers - Wear in raised areas of enamel. Large chip to inside of foot. Chip to underside of rim. Hairline crack running from rim, 10.25cm diameter. Quatre-lobed dish decorated with flowers - Chip and hairline crack to rim. Firing crack to foot rim,. Wear to enamel decoration to raised areas. 10.25cm diameter. Quatre-lobed dish decorated with pink flowers - Pitting to glaze. 9.9cm diameter
A 19th century Meissen porcelain figure, possibly Medea, blue crossed swords mark to base, some losses, 14.5cm high CONDITION REPORT: Handle to pot lacking. Handle to jug lacking. Repair to base of brazier. Top of back floral encrusted pillar broken with damage to some of the flowers. Chip to knee (where jug handle would have been). Gilding worn in places. Some wear to burgundy enamel of cloak. Needs a good clean.

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396325 Los(e)/Seite