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396323 Los(e)/Seite
Los 222
Continental porcelain desk stand of oval form with twin handles and four paw feet, decorated in polychrome and gilt enamel with serpent, dragon and flowers, the central section with removable inkwell. Unmarked. 29cm long. Condition Report. Good condition, no visible cracks or chips. Some wear to gilt on ink well rim and cover and gadrooned border, as images
Los 328
A gilt brass carriage clock with push button repeat, unsigned, early 20th century, the French eight-day gong striking movement with silvered platform lever escapement and 885 serial number to back plate, the white enamel Roman numeral dial with Arabic five minutes to the outer track, the gilt bevel-glazed case of architectural form with hinged carrying handle above columns to the angles and stepped plinth base, 18cm high excluding handle
Los 362
A French gilt brass carriage clock , early 20th century, the eight-day gong striking movement with push-button repeat regulated by a silvered platform lever escapement, with cream enamel Arabic numeral chapter ring within a foliate chased silvered mask, the case with sunflowers to the friezes and angles, 16cm high, excluding handle
Los 305
A French gilt metal mantel clock , Japy Freres, second half 19th century, the eight-day bell striking movement with outside countwheel stamped with Japy Freres & Cie, Gde Med D'Honneur roundel to backplate and numbered 212 FB, with white enamel dial with blue Roman numerals and black Arabic numerals to the outside track behind a bevelled convex bezel, the case with Êmeo' of a classical female surrmounting the drum flanked by foliage and with floral festoons, the break bowfront plinth with lion's mask above entwined laurel, on stylised feet, 32cm high overall
Los 385
A white marble and gilt metal mounted mantel timepiece, late 19th century, of small proportion, with pocketwatch type movement with vertical platform lever escapement mounted to the backplate and serial numbered 1282, the white enamel Arabic numeral dial with the quarters marked to the outside track behind a convex bezel, the case surmounted by a urn and with flanking columns, 22cm high
Los 267
A Chinoiserie mantel clock, unsigned, circa 1920, the eight-day bell striking movement stamped FRANCE and serial numbered 217 87 to backplate, the white enamel and blue Roman numeral dial with Arabic five minutes to the outer-track behind a glazed bezel, the case with typical exterior scenes surmounted by a ouroboros handle, 28cm high overall
Los 60
FLEETWOOD CHARLES VARLEY (1863-1942) FOR WILLIAM HAIR HASELER ARTS & CRAFTS GOLD AND ENAMEL PENDANT, 1904 the enamel panel by Varley depicting a path through a landscape, set within 9ct gold frame, the reverse with glazed locket containing a peacock feather, stamped maker's marks WHH/ 9/ .375, hallmarked Birmingham 1904 3.8cm diameter Note: The artist and enameller Fleetwood Varley was a friend and collaborator of C.R. Ashbee and worked at the Guild of Handicraft at Chipping Camden. His work for Haselers was generally sold through Liberty & Co. in London.
Los 256
JOHN EDNIE (1876-1934) FOR WYLIE & LOCHHEAD, GLASGOW GLASGOW STYLE OVERPAINTED BOOKCASE, CIRCA 1900 AND LATER the upper section with four panelled doors, each inlaid with specimen woods and mother of pearl, and having silvered and enamel handles, above later base of open shelves 198cm wide, 116cm high, 29cm deep
Los 237
JAMES CROMAR WATT (1862-1940) RARE GOLD AND TURQUOISE BROOCH, CIRCA 1905 with finely enamelled bands of iridescent green, with silver foiled backing, enclosing gold wirework scroll borders, the centre with large turquoise matrix and further turquoise bead drop 3cm wide Note. James Cromar Watt was born in Aberdeen. He worked in precious metals, developed particular skills in the ancient techniques of gold granulation and translucent foiled enamelling. His work was exhibited in Turin in 1902 and was illustrated in the Art Journal periodical of the time. Some of his pieces were strongly influenced by the enamel work of Phoebe Traquair and some of it was designed in association with the painter and stained glass artist, Douglas Strachan. His work was predominantly in the collection of the Aberdeen Art Gallery & Museum. A gold and enamel necklace by Cromar Watt was sold by Lyon & Turnbull, 6 April 2016, lot 237.
Los 90
FREDERIC JAMES SHIELDS (1833-1911) ARTS & CRAFTS COPPER AND ENAMEL CASKET, CIRCA 1890 of rectangular form, the hinged lid inset with enamelled panel depicting a faun playing pipes whilst sheep graze, the hinged clasp set with enamel cabochon and worked with interwoven leafy tendrils, the whole opening to reveal a wood lined interior, the angles with applied tapered brackets and riveted decoration, with an ashtray drawer to the front, stamped monogram to lid and clasp 16cm wide, 8.5cm high Note: Ferderic Shields, born in Hartlepool, was brought up in extreme poverty and as a young man managed to eke out a living as a commercial engraver. He studied at evening classes in London and then in Manchester, where he settled in 1848. He was greatly impressed by the works of the Pre-Raphaelite Brotherhood, which he saw at the Manchester Art Treasures Exhibition in 1857. The quality of his illustrations for Defoe's History of the Plague (1862) and Bunyan's Pilgrim's Progress (1864) brought him to the attention of Ruskin and Rossetti, who invited him to visit him in London. He became a close friend of Rossetti and Madox Brown and settled in London in 1876. Rossetti offered him space in his own studio and helped and encouraged him with his work. A close friend of the whole Rossetti family, he was commissioned by Rossetti's mother to design two windows in memory of her son in All Saints' Church, Birchington. He was also a fine illustrator, mural decorator and stained glass designer and enamellist.
Los 172
ARCHIBALD KNOX FOR (1864-1933) FOR WILLIAM H. HASELER, BIRMINGHAM SILVER & ENAMEL BROOCH, CIRCA 1900 worked as stylised plant forms, stamped maker's mark W.H.H./ STERLING 3cm across Literature; Martin, Stephen A. 'Archibald Knox', pub. London 2001, page 265 where two similar examples are illustrated.
Los 535
BRITISH SCHOOL COLLECTION OF CONTEMPORARY JEWELLERY, CIRCA 1970-1996 comprising TWO NORMAN GRANT SILVER & ENAMEL BROOCHES, one worked as a daisy, the other with abstract design, both with maker's marks NG/ SILVER, 3.8cm and 5.2cm across; an OLA GONIE SILVER BROOCH, bears maker's marks, 4.2cm across; a VAN PETERSON BROOCH AND MATCHING EARRINGS, set with moonstone and garnet cabochons, hallmarked to brooch London 1995, brooch 4.5cm across; and another contemporary brooch (7)
Los 326
JULES SARLANDIE (1874-1936) LIMOGES ENAMEL VASE, EARLY 20TH CENTURY enamel on copper, depicting animals in a forest landscape, painted maker's mark to body J. SARLANDIE/ LIMOGES, 19.5cm high; and a LIMOGES ART NOUVEAU JEWELLED VASE, marked to the base EMAUX D'ART DE LIMOGES, 13cm high (2) Note: Sarlandie was a celebrated ceramicist known for his technical skills in Limoges enamel - creating works both in the Art Nouveau and then later in the Art Deco style. He settled in Limoges at the end of the nineteenth century and was constantly pioneering new and innovative techniques, staying away from classical means of production.
Los 56
ATTRIBUTED TO WILLIAM SNELLING HADAWAY FOR LOUIS CHARLES DETTMER ARTS & CRAFTS SILVER AND ENAMEL BONBON DISH, HALLMARKED 1908 the hand-beaten bowl set with four red enamel stylised heart motifs, on four pointed oval supports, maker's marks LD 13cm wide Note. Louis Charles Dettmer's mark has been noted on fourteen silver and enamel bowls, thirteen of which were also struck with the mark of Willing Snelling Hadaway, London, 1910 (see Sotheby's, 7th April 1977, lots 36 and 37)
Los 50
JOHN WILLIAMS FOR FIVEMILETOWN, CO. TYRONE ARTS & CRAFTS SILVER & ENAMEL POT POURRI CASKET & COVER, 1910 possibly worked by Patrick Roche, the cover centred by an enamelled rose enclosed by pierced, chased and repoussé entwined briars and the inscription GATHER YE ROSEBUDS WHILE YE MAY, the planished bowl raised on circular section stem with corresponding pierced decoration set with four further enamel roundels, on shaped spreading base, stamped marks to cover and base W.T., hallmarked Sheffield 1910 16cm diameter, 18.5cm high Literature: The Studio, February 1907, illustrated Larmour, Paul 'The Arts and Crafts Movement in Ireland' Friar's Bush Press, 1992, p. 44, where this example is illustrated. Note: John Williams was one of the founders and principal metalworkers at the Guild of Handicraft and later tutored and worked at Fivemiletown in Ireland.
Los 361
DUGDALE AND JOHN STEVENS, this is the first of Stevens additional two volumes (this is 722) which followed Dugdale's Monasticon Anglicanum, 18 engravings, four folding (upper hinge cracked but internally the leaves are crisp), an 1791 leather bound edition of BIRCHS VIEWS (W.Birch, enamel painter, Hampstead Heath) fixed, upper board detached and sundry British topographical volumes. £60-£100
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396323 Los(e)/Seite