A Pair of Japanese Cloisonne Enamel Vases, Meiji period, of baluster form with everted rims, decorated with birds perched amongst wisteria on a dark blue grounds16cm highA Similar Pair of Vases, decorated with birds amongst flowering prunus12.5cm high (4)Some surface scratches. No dents or losses to the enamel.
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396323 Los(e)/Seite
A Japanese Cloisonne Enamel Vase, Meiji/Taisho, of baluster form with everted rim, worked with a crane amongst bamboo on a yellow ground, stamped mark to white metal foot rim19cm highA Similar Pair of Baluster Vases, worked with kingfishers amongst peony on a green ground22cm highA Red Ginbari Enamel Baluster Vase12cm high (4)Yellow - good condition. No cracks, chips or losses.Pair - some fissures to the top rims. Metal ware oxidised in places.Ginbari - one slight horizontal crack under the top rim. No other condition issues,
A Pair of Chinese Porcelain Sleeve Vases, Kangxi reign marks but not of the period, painted in underglaze blue with the cracked ice and prunus pattern, bear four-character reign marks in underglaze blue 26cm high A Korean Porcelain Double Gourd Vase, painted in underglaze blue with precious objects 23cm high A Pair of Cloisonne Enamel Baluster Vases, decorated with prunus and stylised lotus on a blue ground, four-character marks 24cm high (5) Sleeve - no damage or repair. Gourd - crazed and slight staining. Cloisonne - one with a flatterned body dent with no loss to the enamel. Tiny enamel chip close by. No other issues.
This collection features ten artisan-crafted lidded boxes, each showcasing unique designs, materials, and techniques. The assortment includes handcrafted ceramic, wood, metal, and lacquered boxes with intricate embellishments such as crackle glazing, beading, carved reliefs, and painted details. Some pieces exhibit cultural and artistic influences, including Asian lacquerware, Raku pottery, and hand-painted enamel designs. A standout piece features a sculptural dragonfly lid atop a crackled crescent moon form. A diverse and visually striking collection, ideal for collectors of decorative art and functional craftsmanship. The tallest piece measures 4.5"H.Issued: 20th century Dimensions: See DescriptionCondition: Age related wear.
Revell, a renowned model manufacturer, presents the 1956 Thunderbird from its Scale Masterpieces series in 1:18 scale. This fully assembled die-cast metal model features exquisite detailing, including opening hood and doors, pivoting front wheels, and a meticulously crafted V8 engine. The 1956 Thunderbird was an evolution of Ford's iconic two-seat sports car, recognized for its refined styling and exceptional performance. The model captures the Thunderbird’s sleek lines and luxurious appointments that defined mid-century automotive elegance. Finished with a gleaming enamel paint, this collectible measures approximately 12.5"L x 7.25"W x 5.25"H and is ideal for collectors and enthusiasts aged eight and up.Issued: 20th century Dimensions: See DescriptionCondition: Age related wear.
A stunning Pickard China bowl from 1912-1918 featuring an elegant unknown floral and geometric pattern, beautifully accented with gold enamel trim. Measuring 4"H x 10" in diameter, this bowl exhibits the high-quality craftsmanship and design for which Pickard is renowned. The piece includes a partial Pickard gold backstamp, confirming its authenticity and production during this early period. A classic addition to any fine china collection, this bowl exemplifies the artistry of early 20th-century American ceramics.Dimensions: See DescriptionCountry of Origin: United StatesCondition: Age related wear.
Maja Djordjevic I am always different person, 2025 Ink and watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Maja Djordjevic's faux-naïf, doodle-like figurative paintings explore the language of computer art on a grand scale. Djordjevic has become widely known for her pixelated renderings, which reference the simplistic visual style of Microsoft Paint and engage with net art aesthetics. These paintings grew from sketches she made in MS Paint as a student at the University of Arts in Belgrade, where she received both her bachelor's and master's degree. She has exhibited widely in Serbia, including at the Museum of Contemporary Art Vojvodina. Executed with oil and enamel paint, her images often feature nude characters navigating whimsical, wildly colored and often absurd scenarios that evoke the chaos of the internet. Djordjevic also produces sculptures that further extend her screen-inspired characters into the real world. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Maja Djordjevic Life Goals, 2025 Ink and watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Maja Djordjevic's faux-naïf, doodle-like figurative paintings explore the language of computer art on a grand scale. Djordjevic has become widely known for her pixelated renderings, which reference the simplistic visual style of Microsoft Paint and engage with net art aesthetics. These paintings grew from sketches she made in MS Paint as a student at the University of Arts in Belgrade, where she received both her bachelor's and master's degree. She has exhibited widely in Serbia, including at the Museum of Contemporary Art Vojvodina. Executed with oil and enamel paint, her images often feature nude characters navigating whimsical, wildly colored and often absurd scenarios that evoke the chaos of the internet. Djordjevic also produces sculptures that further extend her screen-inspired characters into the real world. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
THE TOOTH OF A TYRANNOSAURUS-REX HELL CREEK FORMATION, SOUTH DAKOTA, LATE CRETACEOUS, C. 67–66 MILLION B.P. a well preserved tooth of a Tyrannosaurus rex, with fine serration, Hell Creek Formation, Maastrichtian, late Cretaceous, c. 67 - 66 million years b.p., raised on a bespoke mount 9cm tall This impressive Tyrannosaurus rex tooth was discovered in Perkins County, located in the north-western region of South Dakota. A sparsely populated area of semi-arid rolling hills, it offers a stark contrast to the prehistoric world in which this tooth once belonged.The fossil originates from the renowned Hell Creek Formation, a geological treasure trove dating back 68–66 million years, right at the end of the Cretaceous period, just before the mass extinction of the dinosaurs. During this time, the landscape was a lush, subtropical floodplain teeming with life. Fossil discoveries from these beds include a diverse array of dinosaurs, reptiles, mammals, and even marine creatures, painting a vivid picture of a once-thriving prehistoric ecosystem. Tyrannosaurus rex had proportionally massive teeth, with thick, robust crowns covered in heavy enamel and serrations on both edges. Its 60 teeth, reaching up to 20 cm (8 inches) long, combined with an immensely powerful bite, around three times stronger than a lion’s, made it a dominant apex predator. Fossil evidence, including bite marks on Triceratops and Edmontosaurus bones, reveals its ability to crush through bone.This particular tooth was found within an ancient river channel, among a jumble of animal remains that had been carried downstream by powerful currents and deposited in river bends. It was likely shed naturally as the T. rex replaced its teeth throughout its lifetime.
Vincenti & Cie, Paris - 19th century French brass and champleve enamel clock garniture, the 3.5-inch cream Arabic chapter ring with enamel centre, the two-train movement outside countwheel-striking on a bell, with Vincenti & Cie, 1855, Medaille d'Argent stamp of the Exposition Universelle, additionally stamped 'Comptoir General H. Riondet 9 Boul'd Poissonniere Paris', the waisted case with enamelled flambeau urn and swag finial over female terms, axe-form enamel panel over scroll apron, 44.5cm high, sold with pendulum, together with a matching pair of four branch (five light) candelabra, 46cm high (3)
Gloucestershire Football Association 9ct gold and enamel 1928 - 1929 Senior Cup Competition medal awarded to William 'Billy' Coggins of Bristol City, the obverse inscribed 'GLOUCESTERSHIRE FOOTBALL ASSOCIATION', the reverse inscribed 'SENIOR CUP COMPN, 1928-29, WINNERS' with ring suspension, sponsor's mark of Vaughton & Sons, Birmingham 1928, 26mm diameter (ex.suspension hoop), 18.1gram gross approxWilliam 'Billy' Herbert Coggins (September 1901 – July 1958) was an English footballer who played as a goalkeeper. He played for Bristol City FC (1925-1930), Everton FC (1930-1935) in the 1931 FA Cup semi-final, Queens Park Rangers FC (1935-1936), and Bath City FC. After retiring from the sport he became the landlord of the Rising Sun pub in Backwell, North Somerset. By family decent.
Stuart Devlin - Royal Commemorative limited edition 'Surprise' egg, silver-gilt, silver and enamel, commemorating the Wedding of HRH Prince Charles and Lady Diana Spencer, 1981, the textured body opening to silver gilt Prince of Wales feathers and enamel flowers, 6.2cm high, 90g gross approx, in original box of issue and sold with handwritten compliments slip dated 28.9.81 and inscribed "Your Commemorative Royal Wedding Egg 'Prince of Wales Feathers' No. 53 is now ready and awaits collection"
Early 20th century German white metal and enamel cigarette case, of rounded rectangular form, the hinged cover enamelled with the heads of four dogs - a Bloodhound, Foxhound, Spaniel and a Jack Russell Terrier respectively, engraved initials above and below, Danish dedication inscription within, 'Erindring fra Mor og Far' ('A memento from Mother and Father'), stamped to edge with Crown mark and '900', 7cm x 9cm, 129g gross approx
A BOXED HALCYON DAYS ENAMEL 'THE ROYAL ALBERT HALL' MUSIC BOX, 'The English may not like music but they absolutely love the noise it makes' Sir Thomas Beecham 1967, the music playing is 'Rule Britannia', traditionally played at the Last Night of the Proms. The Royal Albert Hall was opened by Queen Victoria in 1871. Since 1941 it has been the home of the Promenade Concerts which were founded by Sir Henry Wood, Dia. 8 cm

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