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Preisdatenbank abonnierenAn Art Deco miniature silver and lilac enamel pocket mirror, by Chrisford & Norris Ltd, diameter 4cm, and an early 20th century silver matchbook case, 6.5cm x 4.5cm (2)Mirror has 2 edge chips to enamel and hallmarks rubbed, case has 1 small dent on underside, hinge and catch working, hallmarks clear
GUCCI - a lady's gold plated quartz wristwatch, black dial with Roman numeral hour markers and black enamel monogram case, case width 35mm, working orderMovement – currently working Dial - a few light specks of surface dirtGlass - very light surface abrasionsHands - goodCase - some black enamel chipped and missing along with general wearCrown – hands adjust smoothlyBracelet - black lizard strap with Gucci bucket, near newNotes – no box or papers
An Art Deco George V silver and pink/black enamel 8-piece dressing table set, including hand mirror, manicure tools and glass jars, by Henry Matthews, hallmarks Birmingham 1925, mirror length 15cm (8)Enamel has a few minor chips mainly on black edge surround, smaller glass jar has 1 tiny base chip, hallmarks slightly rubbed
A Swiss silver-cased half hunter keyless pocket watch, white enamel dial with Roman numeral hour markers, blued steel hands and subsidiary seconds dial, examined by J W Benson, case no. 1179953, case width 48mm, not currently workingMovement – not currently working and in need of attentionDial - a few minor surface abrasionsGlass - noneHands - slightly rustedCase - light wearCrown – very stiff and not adjusting
TWO 18th CENTURY ENAMEL BOXES, comprising South Staffordshire rectangular snuff box, painted with rustic playing flute to a seated lady, other vignettes of lovers in arcadian landscapes, 8.5cm w; and oval patch box, the lid painted with grieving maiden with anchor, inset with mirror, 4.2cm w (2)Comments: both damaged with cracks & chips, one with old discoloured restoration.GROUP OF ASSORTED POTTERY, comprising Majolica jar and cover, the foot inscribed 'Theriaca', continental pineapple form majolica teapot, Staffordshire bone china ink stand and cover, Prattware pot lid, Copeland Spode Italian tyg inscribe 'Auld Lang Syne', and Edward VII commemorative porcelain plate (6)
ASSORTED JEWELLERY & COLLECTABLES comprising carved cameo brooch, yellow metal brooch frame, yellow metal dress brooch, wooden snuff box with plaque engraved 'Royal George Sunk 1782 Raised 1839', pill boxes, mother of pearl seal, enamel egg box (9)Provenance: private collection Carmarthenshire, consigned via our Carmarthen Office
ASSORTED RINGS, SCOTTISH & OTHER HARDSTONE JEWELLERY, includimg lava cameo bracelet and brooch, nephrite jade bar brooch, yellow metal double daisy brooch, yellow metal and gem set bar brooch, yellow metal seed pearl and turquoise set curblink brooch, silver & enamel Scottish crest brooch, 11 various 9ct and other rings, gold plated chains, silver cigarette case, simulated pearl necklaces, 1951 Festival of Britain silver crown, 1965 Churchill crown etc.
A Champleve enamel four glass striking mantel clock, circa 1890, multi-coloured scroll decorated champleve enamel borders, silvered Arabic numeral chapter ring, twin barrel movement, the backplate stamped with the trademark of the maker Mougin à Paris, enamelled twin tube mercury pendulum, height 27.5cm- slight chip to glass at reverse angle
A CLOISONNE ENAMEL INCENSE STICK-HOLDER IN THE FORM OF A TOAD, MID-QING DYNASTYChina, 1750-1850. The toad seated on its hind legs, the raised head with bulging eyes and the mouth agape with a small aperture for holding incense sticks, the body enameled in emerald-green with pale green spots, the chest of a pale turquoise color, the webbed feet and wide mouth are gilt, the base with a pierced coin-shaped design at the center.Provenance: Irish trade. Condition: Very good condition with minor wear and manufacturing flaws, minuscule losses to enamels at the base, light surface scratches, few small dents and nicks.Weight: 165.6 g Dimensions: Height 8 cm清代中期掐絲琺瑯蟾蜍形香插中國，1750-1850年。蟾蜍仰頭，大眼外凸，大嘴張開，内有小孔，用以盛香；身為翠綠色，有淡綠色斑點，胸部為淡青綠色，足蹼和寬口為鎏金，底座中央為鏤空硬幣形設計。 來源：愛爾蘭古玩交易市場。 品相：品相非常好，有輕微磨損和製造缺陷，底部琺瑯質損失微乎其微，表面輕微劃痕，少量小凹痕和刻痕。 重量：165.6 克 尺寸：高8 厘米
A RARE RED LACQUER 'MONGOL HUNT' BOWL, ATTRIBUTED TO ZHOU ZHUChina, 16th-17th century. The deep rounded sides rising from a short straight foot to an everted rim. Deeply carved with a continuous scene of four Mongolian hunters on horseback brandishing spears, one having just killed a wolf with his weapon, riding through a rocky landscape with grass and lingzhi as well as trees including paulownia, willow, and pine, against a floral diaper ground, the interior lacquered black. Provenance: Captain W. F. Collins (1865-1948), Beijing. Bluett & Sons, London, 26 May 1926. The Parry Collection of Chinese Art, London, acquired from the above and thence by descent. The base with an old collector's label, '341', partly obscuring a label from Bluett & Sons below. A copy of the original typed, stamped, and signed invoice from Bluett & Sons, dated 26 May 1926, addressed to “E. A. Parry, Esq.”, dating the present lot to the Ming dynasty, accompanies this lot. Captain Collins (1865-1948), was Bluett's main supplier in China from February 1925 to January 1928. He also sold pieces to John Sparks and other dealers in London and Paris between the 1920s and 1940s. The Parry Collection was an important English private collection of Imperial enamel, lacquer, porcelain, and jades, started by Edward Arthur Parry (1879-1946), a barrister by trade, and his wife Angela Parry (nee Scully, 1879-1977) from as early as 1919. The collection has passed down three generations of the Parry family, with many of the pieces having been acquired from the famous London dealers Spink and Bluett's.Condition: Good condition with old wear, natural age cracks and few minuscule losses to the red lacquer, the black lacquer with several shallow losses to the rim and associated old minor touchups.Weight: 119.0 gDimensions: Diameter 10.7 cmWith a finely carved hardwood stand dating to the Qing dynasty. (2)Lacquer bowls depicting hunting are extremely rare. Although hunting was extolled by early Ming Emperors who had inherited the tradition from the Mongol Yuan as a sign of military prowess and state authority, by the mid and late Ming period it was seen by the literati as a distraction from grave matters of state. The role of hunting became a charged area of contestation, where Ming Emperors and senior court ministers staked claims about rulership, ruler-minister relations, and the role of the military in the polity. The heirless Zhengde Emperor (1505-1521) was particularly passionate about hunting, much to the consternation of his ministers, see D. M. Robinson, Martial Spectacles of the Ming Court, Cambridge MA, 2013, pp. 214-220.Expert's note: Research conducted by Hugh M. Moss of the Water, Pine and Stone Retreat, concerning a red lacquer box and cover carved with a closely related scene of five Mongolian hunters (see Auction result comparison), has found that box “to be a lacquer version of inlaid wooden boxes decorated with a hunting scene and attributed to the 16th-century artist Zhou Zhu.” For this reason, we do attribute the present bowl, identical in quality to the aforementioned box, to Zhou Zhu as well.Zhou Zhu is recorded in the writings of the Ming and Qing literati as having worked in Yangzhou in Jiangsu province during the reign of the Jiajing Emperor. He was famous for his perfection of the technique of inlaying a wide variety of precious stones and other materials onto wood and lacquer. What distinguishes Zhou's works from others is his use of a much broader range of material and the complexity of the inlay itself. By skillfully utilizing kaleidoscopic materials to depict extraordinarily vivid scenes adorning precious woods, Zhou pioneered a range of beautifully inlaid works of art distinctive for their three-dimensional quality with eye-catching effects. His work provided inspiration for numerous subsequent interpretations. Literature comparison: Compare a hardstone-inlaid box and cover, attributed to Zhou Zhu and depicting a Mongolian hunting scene, dated by inscription to 1537, at Sotheby's Hong Kong in Water, Pine and Stone Retreat Collection – Scholarly Art on 7 October 2010, lot 2192. See also two related hardstone-inlaid zitan boxes and covers, early Qing dynasty, decorated with equestrian hunting figures, illustrated in The Complete Collection of Treasures of the Palace Museum: Bamboo, Wood, Ivory and Rhinoceros Horn, Hong Kong, 2002, nos. 230-231. A similar hunting scene can be found on a two-colored lacquer tray in the Tokugawa Art Museum, Nagoya, illustrated in Karamono. Imported Lacquerwork – Chinese, Korean and Ryukyuan, Selections from the Tokugawa Art Museum, no. 2, Nagoya, 1997, pl. 95, attributed to the Yuan or Ming period.Auction result comparison:Type: RelatedAuction: Sotheby's Hong Kong, 7 October 2010, lot 2213Price: HKD 860,000 or approx. EUR 155,000 converted and adjusted for inflation at the time of writingDescription: A cinnabar lacquer box and cover attributed to Zhou Zhu Ming dynasty, 16th / 17th centuryExpert remark: Compare the related Mongolian hunting scene, and also attributed to Zhou Zhu.周柱風格罕見剔紅狩獵圖碗中國，十六至十七世紀。 來源：北京W. F. Collins (1865-1948) 上尉。倫敦Bluett & Sons 藝廊，1926年5月26日。倫敦Parry Collection中國藝術收藏，購於上述藝廊並保存至今。底部可見收藏老標籤“341”，Bluett & Sons 的標籤局部被遮蓋。隨附Bluett & Sons藝廊出具的蓋章發票副本，時間爲1926年5月26日，收件人地址爲 “E. A. Parry, Esq.”。發票上注明此拍品為明代。 品相：狀況良好，有舊磨損、自然老化裂縫，紅漆和黑漆的邊緣有幾處輕微的缺失，存在相關的輕微修補。 重量：119.0 克 尺寸：直徑10.7 厘米 清代硬木底座。 (2) 由於字數限制，完整中文敘述請至www.zacke.at查看。
A SMALL CLOISONNE ENAMEL 'SHOU' BOX AND COVER, QIANLONGChina, 1736-1795. Of domed circular form, supported on a short foot, finely enameled with a central stylized shou character encircled by lotus blossoms and foliate scroll against a turquoise ground, the rims and base gilt.Provenance: British trade. Condition: Overall good condition with some old wear and traces of use, mostly to the edges, as well as expected manufacturing flaws, such as scattered pitting, and few minuscule nicks and light scratches to the rims. Weight: 95.8 g Dimensions: Diameter 5.5 cmAuction result comparison:Type: Closely relatedAuction: Bonhams London, 6 November 2014, lot 277Price: GBP 6,875 or approx. EUR 9,500 converted and adjusted for inflation at the time of writingDescription: A cloisonne enamel turquoise-ground circular box and cover, Qianlong periodExpert remark: Compare the closely related form and decoration. Note the slightly larger size (6.7 cm).乾隆時期小型纏枝蓮捧壽掐絲琺瑯蓋盒中國，1736-1795年。圓蓋，短足，綠松石色地上，精美琺瑯，上下左右一隻纏枝蓮，中央有一個壽字，邊緣和底部鎏金。 來源：英國古玩交易市場。 品相：整體狀況良好，主要是邊緣有一些磨損和使用痕跡，以及製造缺陷，例如分散的黑點，以及邊沿上輕微的劃痕。 重量：95.8克 尺寸：直徑5.5厘米 拍賣結果比較： 形制：非常相近 拍賣：倫敦邦瀚斯，2014年11月6日，lot 277 價格：GBP 6,875（相當於今日EUR 9,500） 描述：清乾隆掐絲琺瑯福壽夔龍紋圓蓋小盒 專家評論：比較非常相似的外型和裝飾。請注意尺寸稍大(6.7厘米)。
A CLOISONNE 'LANDSCAPE' VASE, CONG, LATE QING TO REPUBLICChina, 1850-1950 or earlier. The square-sectioned body rising from a splayed foot and surmounted by a tapered neck, each facet brightly enameled with a landscape scene, variously depicting tiered pavilions nestled amongst jagged cliffs and trees below vaporous clouds, the foot and neck similarly decorated with stylized lotus scrolls against a turquoise ground, the borders covered in gilt. The base with a neatly incised four-character mark Qianlong nianzhi within an inlaid and gilt square reserve.Provenance: From the private collection of Michael B. Weisbrod, New York, USA. Michael B. Weisbrod is a noted scholar of Chinese art, who has published extensively on the subject over a time span of more than 50 years. In 1972, Michael joined his father Dr. Gerald Weisbrod's Asian art gallery in Toronto, Canada. The father-and-son team opened their New York location on Madison Avenue in 1977, and during the next 45 years the gallery held a significant number of exhibitions, selling to museums and private collectors across the globe, eventually adding further locations in Shanghai and Hong Kong. Condition: Very good condition with some old wear, shallow surface scratches overall, firing flaws including extensive pitting, few minor nicks and microscopic hairline cracks here and there.Weight: 3 kg Dimensions: Height 32.2 cmLiterature comparison:Compare a closely related cloisonne enamel 'landscape' cong, but dated to the Qianlong period (1736-1795), at Christie's Hong Kong, 29 May 2013, lot 2075.13% VAT will be added to the hammer price additional to the buyer's premium – only for buyers within the EU.清末民初山水紋掐絲琺瑯瓶中國，1850-1950 年或更早。沿襲了玉琮基本形制，上下口足為圓形，短頸，方柱形長身。瓶口足、邊緣棱角均鎏金，瓶身四面開光內以藍色琺瑯釉為地，以紅、白、藍、黑等色繪製軒榭庭宇、遠山近水等紋飾，頸、足處掐絲裝飾四朵纏枝蓮花紋，色彩繽紛艷麗，工藝精湛。圈足内“乾隆年製”款。 來源：美國紐約Michael B. Weisbrod私人收藏。Michael B. Weisbrod是一位著名的中國藝術學者，他在 50 多年的時間裡就該主題發表了大量著作。 1972 年，Michael加入了他父親 Gerald Weisbrod 博士在加拿大多倫多的亞洲藝術藝廊。 這對父子團隊於 1977 年在麥迪遜大道開設了他們的紐約分館，在接下來的 45 年裡，藝廊舉辦了大量展覽，向全球的博物館和私人收藏家出售作品，最終還在上海和香港開辦分店。 品相：狀況極好，有一些舊磨損，整體表面劃痕較淺，燒製缺陷包括大範圍的點蝕，很少有輕微的劃痕和細微的細線裂紋。 重量：3 公斤 尺寸：高32.2 厘米 文獻比較： 比較一件非常相近的清乾隆山水圖掐絲琺瑯琮式瓶，見香港佳士得，2013年5月29日，lot 2075。
A CLOISONNE ENAMEL MINIATURE MOONFLASK, BIANHU, LATE MING DYNASTYChina, 16th-17th century. The flattened globular body supported on a tall spreading foot and rising to a short cylindrical neck. Finely decorated in bright enamels with a central roundel to each side enclosing a shou character encircled by chilong against a turquoise ground, the short sides with kui dragons against a lime-green ground, the neck and foot with different ruyi-head bands. The shoulder neatly applied with a gilt bronze handle and spout, for the vessel to function as a water dropper.Provenance: From an old private collection in Berlin, Germany, assembled before 2007 and thence by descent.Condition: Good condition with extensive old wear, some manufacturing flaws, including expected pitting, small losses to enamel with associated old fills, few nicks and light scratches. Handle and spout are possibly of a later date. Fine patina overall.Weight: 183.7 gDimensions: Height 9.2 cmLiterature comparison: See a larger example of the same type but decorated with chilong at the center from the Clague collection, published in Ronald D. Hickman and Claudia Brown, Chinese Cloisonne, the Clague Collection, Phoenix, 1980, pl. 12. Compare also a related example of larger size, included in The Minor Arts of China III, Spink & Son Ltd, London, 1987, cat. no. 89.Auction result comparison:Type: RelatedAuction: Sotheby's New York, 16 March 2016, lot 329Price: USD 15,000 or approx. EUR 17,500 converted and adjusted for inflation at the time of writingDescription: A small cloisonne enamel moon flask, Ming dynasty, 16th centuryExpert remark: Compare the related form and decoration, though with a short foot and larger neck, and with a taiji diagram instead of a shou character. Note the slightly larger size (12.1 cm).明末掐絲琺瑯雙龍捧壽小扁壺中國，十六至十七世紀。扁壺，直頸，高足外撇。壺身開光内藍地雙龍捧壽。四周青綠色地夔龍紋。肩部鎏金執柄和流，可做硯滴。 來源：德國私人收藏，購於2007年前，保存至今。 品相：狀況良好，有大量磨損，一些製造瑕疵，琺瑯輕微缺損以及相應的舊填充物，少量劃痕。柄和流可能是較晚時候拼接。 整體光澤細膩。 重量：183.7 克 尺寸：高9.2 厘米 文獻比較：見一件較大的例子，相似形制、但飾有螭龍，收藏於Clague collection，出版於Ronald D. Hickman and Claudia Brown，《Chinese Cloisonne, the Clague Collection》，鳳凰城，1980年，圖12。比較一件也相近的例子，但尺寸較大，見《The Minor Arts of China III, Spink & Son Ltd》，倫敦， 1987年，圖錄編號89。 拍賣結果比較： 形制：相近 拍賣：紐約蘇富比，2016年3月16日，lot 329 價格：USD 15,000（相當於今日EUR 17,500） 描述：十六世紀明代掐絲琺瑯扁壺 專家評論：比較相近的外型和裝飾，但此扁壺短足和粗頸，以及飾有太極圖示。請注意尺寸稍大(12.1 厘米)。
A GILT COPPER ALLOY AND CLOISONNE ENAMEL 'LOTUS' BOWL, QING DYNASTYChina, 1780-1860. The deep rounded sides supported on a short and slightly tapered food, the rims gilt, the exterior finely decorated in bright enamels with stylized lotus flowerheads and scrolling vines against a turquoise ground, a band of pendent ruyi heads below the rim, the foot with a band of foliate scroll against a blue ground below a blue lappet border.Provenance: The Mobile Museum of Art, Alabama, USA, sold to benefit their Collections, Care and Acquisitions Fund. British trade, acquired from the above. Since its founding in 1963 as a public-private entity then known as the Mobile Art Gallery, the museum has a collection of over 6,400 artworks comprised of painting, sculpture, and decorative arts. The Asian Collection contains selections of works ranging from ancient Chinese bronzes and ceramics to early 20th-century works and includes the David and Inger Duberman Collection of Chinese Cloisonne from the 16th to the 19th centuries. Condition: Very good condition with some wear, particularly to gilt, and expected manufacturing flaws, such as pitting. Minor nicks, losses, crackling and light scratches.Weight: 660 g Dimensions: Diameter 17.3 cmAuction result comparison:Type: RelatedAuction: Christie's London, 5 November 2013, lot 278Price: GBP 6,250 or approx. EUR 9,500 converted and adjusted for inflation at the time of writingDescription: A cloisonne enamel bowl, 18th centuryExpert remark: Compare the related form and motif. Note the smaller size (12.1 cm).清代掐絲琺瑯纏枝蓮紋碗中國，1780-1860年。碗收腹，圈足。內壁施藍色琺瑯釉為地；外壁口沿下一周如意紋帶，腹部四朵纏枝蓮紋，佈局規矩對稱，紋飾絢美富麗。 來源：美國阿拉巴馬州莫比爾市美術館義賣；英國古玩交易，購於上述美術館。自 1963 年作為公私合營實體成立以來，該美術館被稱為莫比爾美術館，收藏了 6,400 多件藝術品，包括繪畫、雕塑和裝飾藝術，亞洲藏品包含從中國古代青銅器和陶瓷到二十世紀初的精選作品，其中包括十六世紀至十九世紀David 與 Inger Duberman的中國景泰藍藏品。 品相：狀況非常好，有一些磨損，尤其是鎏金，以及製造缺陷，例如點蝕、輕微劃痕、缺損和開片。 重量：660 克 尺寸：直徑 17.3 厘米 拍賣結果比較： 形制：相近 拍賣：倫敦佳士得，2013年11月5日，lot 278 價格：GBP 6,250（相當於今日EUR 9,500） 描述：十八世紀掐絲琺瑯碗 專家評論：比較相近的外型和主題。請注意尺寸較小(12.1厘米)。
A GILT-BRONZE AND CLOISONNE ENAMEL 'CRICKET' VASE, HU, JIAQING PERIODChina, 1796-1820. The globular body rising from a splayed foot to a waisted neck, flanked by two Buddhist lion mask handles suspending loose cloisonne rings, decorated with a wide band depicting lotus, peony, and chrysanthemums sprouting amid rockwork, and a cricket perched on leaves, all on a dusky-pink wan-diaper ground that is characteristic of the period.Provenance: Austrian trade. The base with an old inscription in black ink '…800…'. The inset similarly inscribed 'c 966'. Condition: Good condition with old wear, minor encrustations and verdigris, and manufacturing irregularities including expected pitting, minuscule nicks to enamels, few minor dents to the body, a hole drilled through the base and inset. The wood base with a loss to one foot and a fine, golden-brown patina overall.Weight: 2,182 g Dimensions: Height 29.5 cm (excl. base) and 39 cm (incl. base)With a finely carved wood base dated to the later Qing dynasty. The vase with a European gilt-metal inset for flowers. (3)The foot with a band of key-fret and blossoms above the lozenge border. The neck decorated with a triangular border, and floral bands framing two rows of stylized Shou characters. Auction result comparison:Type: RelatedAuction: Sotheby's New York, 19 March 2007, lot 559Price: USD 54,000 or approx. EUR 70,000 converted and adjusted for inflation at the time of writingDescription: An impressive pair of large cloisonne enamel bottle vases, (tianqiuping) Qing dynasty, Jiaqing periodExpert remark: Compare the similar wan-diaper ground and related floral motifs. Note the lot comprises two vases of different form and significantly larger size (56 cm).Auction result comparison:Type: RelatedAuction: Sotheby's Paris, 15 December 2011, lot 146Estimate: EUR 15,000-20,000 or approx. EUR 18,000-24,500 adjusted for inflation at the time of writingDescription: Gilt bronze and cloisonne enamel basin China, Qing Dynasty, Jiaqing Period (1796-1820)Expert remark: Compare the similar wan-diaper background. Note that this vessel is significantly large than the present vase.嘉慶鎏金銅胎掐絲琺瑯蟋蟀花卉紋雙耳壺中國, 1796-1820年。壼銅胎質，盤口，束頸溜肩，垂腹，下承外撇盤口，高圈足。口沿、圈足及雙耳鎏金，頸部兩側各飾一組獅首活環耳，鏨刻工藝極為精巧。壺身朱紅地掐絲表現菊花、牡丹等花卉，花朵造型古樸典雅，枝葉線條俐落，掐絲工藝繁而不亂，鮮豔而絢麗。一隻大蟋蟀停留在花上，自然生動。 來源：奧地利古玩交易市場。底部有黑墨書寫的 '…800…'字樣，壺内有相似的字樣 'c 966'。 品相：品相良好，磨損、輕微的結殼和包漿，以及製造不規則之處，包括預期的點蝕、琺瑯上的微小刻痕和壺身上的一些輕微凹痕、底座穿孔。木質底座缺一隻腳，整體呈金棕色光澤。 重量：2,182 克 尺寸：高29.5 厘米 (不含底座) 和 39 厘米 (含底座) 木底座應來自晚清。歐洲鎏金内膽可放置花卉。 頸部黃地芭蕉紋，景泰藍地兩道壽字紋。拍賣結果比較： 形制：相近 拍賣：紐約蘇富比, 2007年3月19日, lot 559 價格：USD 54,000 （相當於今日EUR 70,000） 描述：嘉慶一對大型銅胎掐絲琺瑯天球瓶 專家評論：比較類似的萬字地和相關的花紋圖案。請注意本拍品包括兩個不同形式的花瓶，而且尺寸明顯較大 (56 厘米)。 拍賣結果比較： 形制：相近 拍賣：巴黎蘇富比， 2011年12月15日, lot 146 估價：EUR 15,000-20,000（相當於今日EUR 18,000-24,500） 描述：嘉慶(1796-1820) 銅胎掐絲琺瑯盆 專家評論：比較相似的萬字地。請注意此盆明顯大於現拍品。
A CLOISONNE ENAMEL 'EIGHT HORSES OF MUWANG' BOWL, QING DYNASTYChina, 19th century. The steep rounded sides rising from a splayed foot to a flaring rim, the interior enameled with four horses leaping through crashing waves backed by ruyi shaped clouds, the center with a leaping carp. The exterior mirroring the same motif.Inscriptions: A bronze plaque to the base, incised 'Fang Ming' (in Ming style).Provenance: UK trade. Condition: Fine condition with extensive wear, mostly to the inside, and minor losses to the enamels, small nicks, and light scratches.Weight: 683.4 g Dimensions: Diameter 22.7 cmExpert's note: The plaque on the base of this lot depicts a Mandarin's hat with finial and peacock feather, the most obvious sign of official rank at the Qing court, indicating that this bowl may have been intended as a gift to an official during the later Qing dynasty. Pierre Uldry notes that “The Kangxi works of “Ming style” became synonymous with cloisonne style in general, for significantly, it was again enamel pieces of this type that were copied in the second half of the nineteenth century and to which the revealing, ubiquitous 'Fang Ming' mark was added.”清代掐絲琺瑯《穆王八駿》碗中國，十九世紀。口微外撇，圓腹，圈足。碗內壁雲紋地上繪有四匹奔跑的駿馬，碗中央開光繪有一條躍起的紅鯉魚。外璧同樣可見駿馬圖。 款識：碗底可見“彷明”二字。 來源：英國古玩交易市場 品相：狀況良好，嚴重磨損，主要是碗內有磨損，琺瑯質磕損、小刻痕和輕微劃痕。 重量：683.4 克 尺寸：直徑22.7 厘米 專家注釋：此拍品底部的印款處可見一孔雀翎冠，是清廷官銜的標誌，表明此碗可能是晚清時期贈予官員的。Pierre Uldry 指出，“The Kangxi works of “Ming style” became synonymous with cloisonne style in general，for significantly，it was again enamel pieces of this type that were copied in the second half of the nineteenth century and to which the revealing，ubiquitous 'Fang Ming' mark was added.” （'明式'康熙作品已成為一般景泰藍風格的代名詞，這種類型的景泰藍器皿在十九世紀下半葉再次被複製，可從“彷明“ 款看出。）
A GILT-COPPER CLOISONNE QUADRILOBED CUP STAND, 18TH CENTURYChina. Finely decorated in bright enamels to the interior and exterior with stylized lotus surrounded by archaistic and foliate scroll, the long sides each with a bat in flight. The overall form, and especially that of the gilt base, is reminiscent of the crabapple (haitang), further adding to the auspicious nature of this piece.Provenance: French trade.Condition: Very good condition with some wear, particularly to gilt, and expected manufacturing flaws, such as pitting. Minor nicks, small dents, and light scratches.Weight: 140.3 cm Dimensions: Length 15.1 cmAuction result comparison:Type: RelatedAuction: Sotheby's London, 11 May 2011, lot 209APrice: GBP 6,875 or approx. EUR 11,000 converted and adjusted for inflation at the time of writingDescription: A gilt-bronze cloisonne enamel dish, Qing dynasty, Qianlong periodExpert remark: Compare the related form, and size (15.4 cm) 十八世紀銅胎掐絲琺琅盞托中國，海棠式口盞托，材質厚重，底部鎏金。上下飾以纏枝蓮紋與紅蝠紋，寓意福壽連年。托外壁同樣裝飾雙蝠纏枝蓮紋兩組。全器裝飾風格華麗，製作規整。來源: 法國古玩市場。 品相: 狀況極好，一些磨損，特別是鎏金，以及預期的製造瑕疵，如麻點。小刻痕、輕微劃痕和小凹痕。 重量: 140.3 厘米 尺寸: 長 15.1 厘米 拍賣結果比較：形制：相近拍賣：倫敦蘇富比，2011年5月11日，lot 209A價格：GBP 6,875（相當於今日EUR 11,000）描述：乾隆時期銅胎掐絲琺琅盞托專家評論：比較相近外型和尺寸(15.4厘米) 。
AN ETCHED AND ENAMELED GLASS 'WINTER LANDSCAPE' SNUFF BOTTLE, BY DAUM NANCY, EARLY 20TH CENTURYOpinion: The present lot, with its classic round form and short everted neck, is without a doubt a snuff bottle, as opposed to the more common perfume bottles which are always larger in size, typically varying between 12 and 18 cm. This means that the present lot was specifically designed as an export article for the Chinese market and thus must be considered extremely rare.France, circa 1910. Of flattened globular form, superbly painted in bright enamels to depict a winter landscape with bare trees and bushes against a reddish-orange ground suggestive of the evening sky. The swirled opaque glass with orange and yellow streaks, edged, cut, and finely polished. The base with an enameled mark Daum Nancy with the cross of Lorraine.Provenance: From the private collection of Tuyet Nguyet and Stephen Markbreiter. The base inscribed 'Daum & Nancy'. Tuyet Nguyet was the founder and chief editor of Arts of Asia. She married Stephen Markbreiter, an English architect, in 1959 and moved to Hong Kong to work as a journalist. Arts of Asia's first regular edition appeared in 1971. In the magazine, Nguyet sought to combine authoritative content from major experts with detailed coverage of the Asian art market. Tuyet Nguyet was an early member of The International Chinese Snuff Bottle Society, attending her first convention in 1973, and was later elected as an honorary member. Condition: Very good condition with minor old wear and possibly very light retouching to the mouth rim.Stopper: Pearl stopper with silver mountingWeight: 23.4 g Dimensions: Height 52 mm. Diameter neck 11 mm and mouth 6 mmDaum was created in 1892 by Auguste Daum (1853-1909) and Antonin Daum (1864-1930) in the French town Nancy. They developed the Art Nouveau style for which they received the 'Grand Prix' medal at the world exhibition in 1900. Daum glass works are known for their motifs of scenery and nature with mostly plants or flowers. Daum formed the Ecole de Nancy (Nancy School) together with other glass and furniture factories operating in the French city of Nancy. Acid etching was often combined with carving, enameling, and engraving on a single piece of glass to produce creative glass masterpieces. Auction result comparison:Type: RelatedAuction: Christie's New York, 23 July 2010, lot 217Price: USD 20,000 or approx. EUR 25,500 converted and adjusted for inflation at the time of writingDescription: A French etched and enameled glass 'winter landscape' vase, signed in enamel 'Daum Nancy' and with cross of Lorraine, circa 1910Expert remark: Compare the closely related decoration, the color, and the signature. Note the size of the vase (8 cm). 二十世紀初DAUM NANCY派蝕刻琺琅彩冬景鼻烟壺法國，約1910年。扁平圓形，明亮的琺瑯，描繪了一幅秀麗的冬日夕陽圖，夕陽下掉光了樹葉的樹和灌木叢以及雪地。帶有橙色和黃色條紋的漩渦狀不透明玻璃，經過磨邊、切割和精細拋光。帶有洛林十字架的琺瑯標記和 Daum Nancy款的底座。 專家注釋：本拍品具有經典的圓形、短頸和弦唇，毫無疑問是一個鼻烟壺，而不是香水瓶，後者的尺寸總是更大，通常在 12 到 18 厘米之間變化。這意味著本拍品是專門為中國市場設計的外銷商品，極為罕見。 來源：Tuyet Nguyet 和 Stephen Markbreiter 的私人收藏。底座上標注 'Daum & Nancy'。Tuyet Nguyet 是《Arts of Asia》的創始人和主編。1959 年，她與英國建築師Stephen Markbreiter結婚，並移居香港擔任記者。《Arts of Asia》第一期普通版於 1971 年問世。在該雜誌中，Nguyet 致力於將專家的權威內容與亞洲藝術市場的詳細報導相結合。Tuyet Nguyet 是國際中國鼻烟壺協會的早期會員，1973 年參加了協會的第一次大會，後來當選爲名譽會員。 品相：品相極好，有輕微的磨損，壺口有輕微修飾。 壺蓋：珍珠，鑲銀 重量：23.4 克 尺寸：高 52 毫米，頸部直徑11 毫米 及瓶口直徑6 毫米 Daum 於 1892 年由 Auguste Daum (1853-1909) 和 Antonin Daum (1864-1930) 在法國小鎮Nancy創建。他們創立了新藝術運動風格，並因此在 1900 年世界博覽會上獲得大獎。Daum 玻璃作品以其風景和自然的主題而聞名，主要是植物花卉。Daum 與在法國Nancy市運營的其他玻璃和家具工坊一起成立了 Ecole de Nancy（Nancy派）。酸蝕通常與在一塊玻璃上的雕刻和上釉相結合，以製作出富有創意的玻璃作品。
A PAIR OF CLOISONNE ENAMEL 'LOTUS POND' JARS, JIAQING PERIODChina, 1796-1820. Of lobed form, rising from an oval foot to a short straight neck, decorated in polychrome enamels depicting a lotus pond with butterflies and miniature cranes above a border of stylized crashing waves, the neck with a band of bats interspersed with lingzhi clouds, bordered by a band of ruyi, all above a deep coral red ground with a wan-symbol pattern. (2)Provenance: From an old Croatian private collection and thence by descent. One vase with a collector's number '62' to the base. Condition: Fine condition with some old wear, manufacturing imperfections, small nicks and losses to enamels. One jar with a ding to the shoulder, the other with an ancient repair to the interior.Weight: 1,154 g and 1,124 g Dimensions: Width 28 cm (each) Auction result comparison:Type: RelatedAuction: Bonhams London, 17 May 2020, lot 145Price: GBP 5,000 or approx. EUR 6,400 converted and adjusted for inflation at the time of writingDescription: A pair of cloisonne enamel and gilt-bronze baluster trumpet-necked vases, late Qianlong/JiaqingExpert remark: Compare the related wan-symbol ground and lotus pond decoration. Note the different form and larger size (44.5 cm).嘉慶一對掐絲琺瑯《荷塘鴨戲》罐中國，1796-1820年。橢圓形罐口，直頸，罐身呈四瓣，圈足。頸部蝙蝠如意紋帶；罐身紅地掐絲萬字紋，琺瑯荷塘鴨戲，荷花荷葉搖曳，蝴蝶飛舞，場景生動。 來源：克羅地亞私人收藏，保存至今，一個罐子底部有藏家編號“62”。 品相：狀況良好，有磨損、製造缺陷、小劃痕和琺瑯缺損。一個罐子的肩膀上有一個凹痕，另一個罐子的內部有修復。 重量：分別爲1,154 克與 1,124 克 尺寸：分別寬 28 厘米 拍賣結果比較： 形制：相近 拍賣：倫敦邦瀚斯，2020年5月 17日，lot 145 價格：GBP 5,000（相當於今日EUR 6,400） 描述：清乾隆晚期嘉慶一對掐絲琺瑯蓮紋瓶 專家評論：比較相近的萬字地荷葉裝飾。請注意外型不同，且尺寸較大(44.5 厘米)。
JEAN COCTEAU (1889-1963)Couple enlacé signé Jean Cocteau; inscrit original (au revers)plat en terre blanche et engobe gris partiellement émaillédiamètre 35.5 cm. (14 in.)Exécuté en 1961. Cette œuvre est le modèle original réalisé par Cocteau pour l'édition de 15. signed Jean Cocteau; inscribed original (underneath)partially glazed white earthenware plate with engobeConceived in 1961.This work is the original model made by Cocteau for the subsequent edition of 15.Footnotes:BibliographieA. Guédras, Jean Cocteau céramiques, Paris, 1989, n° 115«Monsieur Cocteau utilise beaucoup la terre, son parti pris est de laisser un maximum de terre et il l'a très bien exprimé en disant qu'il voulait que l'émail soit un tatouage sur une peau... et la couleur de la terre qui est rouge... nous utilisons beaucoup ces couleurs rouge et rose dans nos régions... lui rappelle la peau et il cherche à tatouer avec ses dessins, qui sont magnifiques... alors cela nous a posé des problèmes assez difficiles pour réaliser des terres qui puissent convenir... nous sommes arrivés à obtenir des grains de terre qui rappellent également des fonds de papier...»'Mr. Cocteau uses clay a lot, his approach is to leave as much clay as possible and he expressed this very well by saying that he wanted the enamel to be a tattoo on skin... and the color of the earth which is red...we use those red and pink colors a lot in our local area... it reminds him of skin and he is aiming to tattoo with his designs, which are truly beautiful...so it was really quite difficult for us to create clays to suit this purpose... we managed to make a grainy clay that also evokes the texture of paper...'Philippe MadelineThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
1930's cut glass dressing table jar, of squat circular form decorated with flower heads, with yellow guilloche enamel topped silver cover, hallmarked Charles S Green & Co Ltd, Birmingham 1934, H6cm D9.5cm, together with a small Edwardian embossed and pierced dish, hallmarked M Bros, Birmingham 1901, D8.4cm, (2)Condition Report:General wear commensurate with age and use, including surface scratches and nicks. Enamel to cover with some slight wear to edges. Small surface loss to rim of glass jar. Small dish with a number of knocks and indentations throughout. Hallmarks to cover clear and legible, some wear to hallmarks to dish.
1920's three piece silver mounted cut glass dressing table set, comprising two jars of squat circular form with silver covers, and a globular bottle with silver collar, glass stopper and silver cover, each cover inset with hand painted enamel panels depicting the bay of Naples with Mount Vesuvius in the background, each signed App, hallmarked Daniel Manufacturing Company, Birmingham 1929, largest example H10.5cm smallest H4.5cmCondition Report:General wear commensurate with age and use, including surface scratches, nicks and small indentations.Hallmarks with some wear, particularly to makers marks, but generally still legible.Some slight wear to edges of enamel panels.Glass bodies with some surface scratches and nicks.Cut decoration to smallest bottle does not match other two examples.
1920's silver mounted cut glass dressing table bottle and stopper, the silver collar with pink guilloche enamel rim, hallmarked Charles S Green & Co Ltd, Birmingham 1928, also stamped Sterling Silver, H14.5cm, together with an early 20th century cut glass hair tidy jar with silver and tortoiseshell cover, hallmarked London 1916, makers mark C&A, H7cmCondition Report:General wear commensurate with age and use, predominantly in the form of surface scratches and nicks.Hallmarks with some wear, but generally legible.Stopper not known if original.
Set of six early 20th century Norwegian silver gilt and enamel coffee spoons, the stems with guilloche enamel in red, green, white, yellow and blue, marked 925 and bearing marks for David Andersen, Oslo, also hallmarked Chester import 1924, makers mark W.C.G, possibly Wilfred Chidlaw Griffiths, L9.5cm, in fitted case, approximate gross silver weight 1.52 ozt (47.4 grams)Condition Report:General wear commensurate with age, including surface scratches and nicks.Some wear to gilt bowls.Hallmarks clear and legible.Case with general wear to exterior, and some discolouration to interior lining.
Set of three modern silver and enamel napkin rings, with 'ribbon' decoration in blue, green, and yellow, hallmarked Carr's of Sheffield Ltd, Sheffield 2013, together with a set of four 20th century silver gilt and enamel coffee spoons, marked Denmark Sterling 925, a Norwegian silver coffee spoon with enamel foliate terminal, hallmarked Birmingham 1901, also marked with F import mark, and makers mark for David-Andersen, and a 1920's silver gilt and enamel coffee spoon, hallmarked London import 1901Condition Report:General wear commensurate with age and use, including surface scratches and nicks.Spoons all with wear or damage to enamel, and wear to gilding.Hallmarks with some wear, but still legible.
1920's silver pocket watch stand, of circular form with blue guilloche enamel detailed front, upon a spreading stem and rectangular base, hallmarked Birmingham 1923, makers mark indistinct, possibly E. H & Co, H7cmCondition Report:General light wear commensurate with age and use, predominantly in the form of surface scratches and nicks. Hallmarks with some wear.
1930's silver compact, of circular form with engine turned decoration to exterior, and enamel pennant for the Royal Thames Yacht Club to cover, opening to reveal an inset mirror, hallmarked John William Barrett, Birmingham 1933, D7.5cmCondition Report:General wear commensurate with age and use, including surface scratches and nicks. Hallmarks generally clear and legible.
Thirteen silver fobs form, mostly Victorian and Edwardian examples, to include two gold facing examples, and seven double sided examples, various hallmarks, dates ranging 1894 to 1948, approximate total weight 5.50 ozt (171 grams)Condition Report:General wear commensurate with age and use, including surface scratches, nicks, and some wear to gold plating.Example with blue enamel detail with wear and losses to enamel.Hallmarks with some wear, but generally legible.
Fourteen silver fobs of various form, mostly early 20th century examples to include a fold faced example detailed with a figure kicking a ball, within a border detailed with orange enamel panels, hallmarked Birmingham 1928, a number of other gold facing examples, and four double sided examples, various hallmarks, dates ranging 1892 to 1950, approximate total weight 4.05 ozt (126 grams)Condition Report:General wear commensurate with age and use, including surface scratches, nicks, and some wear to gold plating.Hallmarks with some wear, but generally legible.
An Enamel Buckle, of open work foliate design a small collection of Cameo jewellery including to similar brooches, a pendant on chain, and matching clip earrings, a hallmarked silver Victorian style mourning brooch "ADA", other brooches, two pair of decorative open work earrings, etc:- One Tray.
A Hallmarked Silver Medallion Pendant, together with a 'West Riding of Yorkshire The British Red Cross Society' enamel badge, miniature metal bound booklet "Universitas Fordhamensis 1841" one inside page "Junior Prom January twenty-second Nineteen hundred and thirteen Hotel Knickerbocker", etc.
A Highly Decorative Enamel Ladies Fob Watch, the gilt highlighted dial with blue Roman numerals, within floral bezel, hand painted in pinks and blues (damage), the pop off case back detailed in colours with courting couple in period dress, suspended from an stylised bow brooch, highlighted in blue and green.
A Hallmarked Silver Bangle, with part scroll engraving, to snap clasp (safety chain broken), a child's expanding bangle, stamped "Sterling Silver", two locket pendants, both stamped "Silver", a flat curb link chain stamped "925", other fine chains (knotted), a hallmarked silver enamel Yorkshire Rose style pendant, on fine chain, and four dress rings, including a hallmarked silver marcasite style cluster (finger size q), a cluster ring, stamped silver (finger size M), and two half eternity style rings one hallmarked silver, other gilt coloured, stamped "925" (finger sizes No O), (total weight 75 grams).
A Hallmarked Silver Gilt RAOB Medallion Pendant, highlighted in enamel "NEMO MORTALIUM OMNIBUS HORIS SAPIT", engraved to the reverse "Presented to Bro K Rowlands CP for Services Rendered 1st Feb 1961", suspended on ribbon with pin and decorative bars ""Bolsterstone" "Lodge No.8892"; Together with Another Hallmarked Silver Gilt Medallion Pendant, "Founder", engraved to the reverse "Presented to Bro K Rowlands CP for services as Founder 9th Jan 1957, suspended on RAOB ribbon and bar "Bolsterstone Lodge 8892, a nurse's buckle on green fabric belt, lighter, keyring etc :- One Tray
Butlin's 1957 Brighton Enamel Pin, and another, other enamel pins including Pontin's Brean Sands, National Association of Women's Clubs etc, ornate brooches, a small collection of ladies and gent's wristwatches, including Rotary, Oris, Lorus, Pulsar etc, a hallmarked silver circular pendant on chain, including boxes :- One Tray
A SLIP-DECORATED AND ENAMELED 'DOVES AND PEKINGESE DOG' SNUFF BOTTLE, YIXING, 1820-1850Published:Hugh Moss, Chinese Snuff Bottles Four: A Magazine for the collector and student of Chinese Snuff-Bottles, London, 1966, p. 45, fig. 11Arts of Asia, September-October 1973, p. 45, fig. 11Bob C. Stevens, The Collector's Book of Snuff Bottles, New York, 1976, no. 336JICSBS, December 1979 and March 1980, p. 13, fig. 4Rachelle Holden, Rivers and Mountains Far From the World - The Rachelle R. Holden Collection, A Personal Commentary, New York, 1994, pp. 126-127, no. 50Exhibited:Tokyo, Mikimoto Hall, An Exhibition of Chinese Snuff Bottles From The Bob C. Stevens Collection, 22-31 October 1978, cat. no. 92.China. The stoneware bottle of rounded rectangular form, with a cylindrical neck, and tapering to a recessed oval foot, enameled in blue and reserved on each side with a recessed panel, finely carved and decorated in opaque colored slips, one side depicting a pair of Pekinese dogs, and on the other a pair of doves. The coral stopper finely carved with a bat.Provenance: From the collection of Bob C. Stevens, no. 336. Sotheby's Honolulu, Fine and Important Chinese Snuff Bottles from the Collection of Bob C. Stevens, Part I, 7 November 1981, lot 69. Rachelle R. Holden, New York, acquired from the above. Bob C. Stevens was an enthusiastic collector of Chinese snuff bottles who published an important book on the subject, The Collector's Book of Snuff Bottles, in 1976. In 1978, a part of his collection was exhibited in Tokyo at Mikimoto Hall. Rachelle R. Holden (1934-2020) was a famous collector of Chinese snuff bottles. She purchased her first bottle in 1974, finding the subject fascinating as it combined all the classic forms of Chinese art, and would continue to passionately collect them for the rest of her life.Condition: Magnificent condition with minor old wear, light surface scratches, very few touched-up glaze flakes and microscopic pits.Stopper: Carved coral (minuscule age cracks and chips to stopper)Weight: 44.1 gDimensions: Height including stopper 71 mm. Diameter neck 16 mm and mouth 6 mm.The Daoguang Emperor and his consort were fond of doves and small dogs, respectively, as subjects of paired doves and Pekingese dogs became popular during this period. The symbolism imbued in the pairs of dogs and doves implies a wish for happy marriage.The dove-and-dog Yixing bottles were made in sets and in several different series. One of the finest versions of all is seen in the present lot, with its rounded rectangular shape, blue surround and multi-colored slip decoration. The slip is both painted with a brush and plastered on and carved, or at least manipulated with a blade of some sort. This is the same technique as that of the Slip Master (see for example Moss, Treasury 6, lots 1448-1451), but it is a quite different, more evolved style, with a number of different colors of slip used almost like enamels. This is typical of artistic evolution in the snuff-bottle arts, where a simple idea, drawn initially from the painting style of the literati with its predominance of monochrome ink painting, evolves to a more complex style as the possibilities of the medium are explored. These bottles with their more intriguing designs and multiple colors may be the later wares by the Slip Master, perhaps with a son taking over, or they may be from a different workshop, although we are inclined towards the first option. The bulk of the known examples probably date from the earlier part of the Daoguang reign, although the type may have remained popular throughout the reign. As a rule, however, it is not likely that an Imperial type remained fashionable for thirty years without noticeable changes in style.The dogs and doves on this series are always extremely well depicted, full of life, and the limited range of colors of slip available to the carvers are very thoughtfully and effectively used. While the form remains reasonably constant, and the subject matter is always the same, there are several different compositions within the series. Either each was made as an individual composition of the same theme, or each series was redesigned. Two more are illustrated in Stevens 1976, as nos. 334 and 336, both equally well worked. Between them, however, is a rare example (no. 335) with an enameled design of the same subject, still with the blue surround, that is quite poorly painted, even by the decorative standards of Yixing. The painted version may come from a time later in the reign when the enamel workshop responsible for so many earlier bottles was beginning to show signs of decline.Yixing in Jiangsu province gives its name to this distinctive stoneware. In production for nearly a thousand years in the same place, Yixing ware only came into artistic prominence in the later Ming dynasty, when it was adopted by the literati class as a suitable material for teapots and thence for other items for the scholar's studio. Slip-decorated snuff bottles constitute a considerable portion of the known output. Slip is simply liquid clay which can be applied like a thick paint or used for gluing segments together.Literature comparison: Compare a Yixing bottle decorated with landscape scenes set within a blue-enameled surround, and impressed with a cyclical date, jiyu (1849) is illustrated in An Imperial Qing Tradition, Chinese Snuff Bottles from the Collections of Humphrey K. F. Hui and Christopher C. H. Sin, no. 46. Others of the slip-decorated versions with a blue surround are in Sotheby Parke Bernet, New York, 17 March 1977, lot 44, and Jutheau 1980, p. 94, no. 4, and Robert Kleiner & Co. Ltd. 1994, no. 75 (the designs as a mirror image of the present example), and Parke-Bernet Galleries, New York, 2 December 1969, lot 43 (from the Claar Collection).Auction result comparison:Type: Near identicalAuction: Christie's New York, 22 March 2007, lot 38Price: USD 33,600 or approx. EUR 45,000 converted and adjusted for inflation at the time of writingDescription: An unusual slip-decorated stoneware snuff bottle, Yixing, 1820-1850Auction result comparison:Type: Closely relatedAuction: Bonhams New York, 16 March 2015, lot 1028Price: USD 37,500 or approx. EUR 44,000 converted and adjusted for inflation at the time of writingDescription: An enameled and slip-decorated, Yixing snuff bottle, 1800-1880 1820-1850年宜興紫砂掛釉加彩雙犬鼻烟壺 由於字數限制，完整中文敘述請至www.zacke.at查看。
A CLOISONNE ENAMEL AND GILT BRONZE 'LOTUS' CENSER, JINGTAI MARK, MING DYNASTYChina, 15th-16th century. The deep rounded sides supported on three gilt-bronze feet in the form of elephant heads and flanked by similarly cast Buddhist lion handles, the rims and interior gilt, the exterior finely decorated in bright enamels with stylized lotus blossoms amid foliate scroll and auspicious symbols. The base cast with a four-character mark Jingtai nianzhi within a square reserve.Provenance: Swiss trade.Condition: Very good condition, commensurate with half a millennium of age. Some old wear and expected manufacturing flaws, such as pitting, few minor nicks and associated small loss to enamels, few tiny fills.Weight: 324.3 gDimensions: Width 10.5 cmLiterature comparison: The decoration and the elephant mounts are a direct continuation from the preceding Yuan dynasty, see an incense burner with elephant trunk handles, Yuan dynasty, in the Palace Museum, Beijing, illustrated in Compendium of Collections in the Palace Museum, Enamels 1, Cloisonne in the Yuan and Ming Dynasties, Beijing, 2011, page 60, pl. 7.Auction result comparison: Type: Related Auction: Bonhams London, 8 November 2012, lot 232 Price: GBP 49,250 or approx. EUR 76,500 converted and adjusted for inflation at the time of writing Description: A very rare cloisonne enamel two-handled bowl, cast Jingtai mark, the cloisonne enamel early to mid-15th centuryExpert remark: Compare the similar Jingtai mark, lotus decoration, and bronze mounts, though with dragon handles (instead of lion handles and elephant feet as on the present lot). Note the size (13.7 cm).Auction result comparison: Type: Related Auction: Sotheby's Paris, 16 December 2010, lot 54 Price: EUR 30,750 or approx. EUR 39,000 adjusted for inflation at the time of writingDescription: Brûle-parfum en bronze et emaux cloisonnes, Chine, dynastie Ming, XVIE siècleExpert remark: Compare the related lotus decoration and bronze mounts, though with elephant handles (instead of lion handles and elephant feet as on the present lot). Note the size (18 cm).Auction result comparison: Type: Related Auction: Bonhams Hong Kong, 27 November 2018, lot 61Price: HKD 187,500 or approx. EUR 25,500 converted and adjusted for inflation at the time of writing Description: A gilt-bronze and cloisonne enamel tripod incense burner, Jingtai four-character mark, mid-Ming dynasty Expert remark: Compare the related Jingtai mark, lotus decoration, and bronze mounts, though with elephant handles (instead of lion handles as on the present lot). Note the size (22.2 cm).明代景泰款掐絲琺瑯纏枝蓮花鎏金三足爐中國，十五至十六世紀。掐絲琺瑯纏枝蓮花紋，鎏金獅形耳與象頭三足。底座内“景泰年製”四字款。 來源：瑞士古玩市場。 品相：品相極好。一些磨損和製造缺陷，麻點、輕微刻痕以及琺瑯磨損，與搪瓷相關的少量損失、很少的微小填充。 重量：324.3 克 尺寸：寬 10.5 厘米 文獻比較： 此裝飾和象頭足延續了元代的特色。一件元代象頭把手的香爐，收藏於北京故宮博物院，見《故宮博物院藏品大系‧琺瑯器編‧元明掐絲琺瑯》，北京，2011年，頁60，編號7。 拍賣結果比較： 形制：相近 拍賣：倫敦邦瀚斯，2012年11月8日，lot 232 價格：GBP 49,250（相當於今日EUR 76,500） 描述：十五世紀早期到中期掐絲琺瑯纏枝蓮紋雙龍耳爐 陽文「景泰年製」楷書款 專家評論：比較相近的「景泰」款識、纏枝蓮紋，但把手為龍形。請注意尺寸(13.7 厘米)。 拍賣結果比較： 形制：相近 拍賣：巴黎蘇富比，2010年12月16日，lot 54 價格：EUR 30,750（相當於今日EUR 39,000） 描述：十五世纪明代掐絲琺瑯纏枝蓮紋雙象耳爐 專家評論：比較相近的纏枝蓮紋，但把手為象形。請注意尺寸(18 厘米)。 拍賣結果比較： 形制：相近 拍賣：香港邦瀚斯，2018年11月27日，lot 61 價格：HKD 187,500（相當於今日EUR 25,500） 描述：明中期銅胎掐絲琺瑯纏枝蓮紋三足爐「景泰年製」楷書款 專家評論：比較相近的「景泰」款識、纏枝蓮紋，但把手為象形。請注意尺寸(22.2 厘米)。
A CLOISONNE ENAMEL 'TAOTIE' ARCHAISTIC BEAKER VASE, GU, 17TH-18TH CENTURYChina. The vase is enameled on the mid-section with a pair of taotie masks divided by gilt flanges, framed by gilt bowstrings enclosing key-fret and diaper bands, between upright petals on the trumpet neck with further taotie as well as archaistic scroll, surrounded by lotus blossoms and scrolling vines, and further taotie masks and archaistic scroll on the spreading foot.Provenance: Sotheby's London, 16 May 2007, lot 389. The MacLean Collection of Asian Art Museum, acquired from the above, and deaccessioned in 2022. The MacLean Collection has been formed over the last fifty years by Barry MacLean, a businessman from Chicago, who began to collect in the early 1970s. Over time, he made many trips to Asia for business, and began to narrow his focus to ancient bronzes from China and their archaistic counterparts from later dynasties. The MacLean Collection of Asian Art is housed in a museum which was designed by Larry Booth and completed in 2003. Since 2004, the museum has published seven books, held thirteen exhibitions, lent objects to many other museums, and awarded a dozen fellowships to train future specialists and enthusiasts.Condition: Excellent condition with old wear and small manufacturing flaws, as well as minor nicks and losses and associated old fills (inspected under strong blue light). The base with small structural fissures. All exactly as expected from authentic 18th-century cloisonne wares of this size. For a detailed video of the vase taken under strong blue light, please refer to the department.Weight: 1,059 gDimensions: Height 25 cmExpert's note: The present cloisonne gu is exceptional for its refined design of taotie masks, which are highly expressive and comparable to some of the most valuable cloisonne wares of the 18th century ever to come up for auction. Compare a cloisonne zun, with a Qianlong mark and of the period, at Sotheby's Hong Kong, 2 April 2019, lot 3517, sold for HKD 4,495,000; a cloisonne hu, dated Yongzheng to Qianlong period, at Christie's Hong Kong, 30 November 2020, lot 2905, sold for HKD 8,650,000; and a cloisonne fang gu, dated Yongzheng to Qianlong period, sold in these rooms, 15 October 2021, lot 4, sold for EUR 48,000.Auction result comparison: Type: Closely related Auction: Christie's Hong Kong, 6 April 2015, lot 176Price: HKD 250,000 or approx. EUR 35,000 converted and adjusted for inflation at the time of writingDescription: A cloisonne enamel vase, gu, Qing dynasty, 18th century Expert remark: Compare the near identical form and closely related decoration with taotie masks, archaistic and lotus scroll as well as gilt flanges and bowstrings. Note the size (34 cm). Auction result comparison: Type: Closely related Auction: Bonhams London, 7 June 2021, lot 671 Price: GBP 16,500 or approx. EUR 19,500 converted and adjusted for inflation at the time of writing Description: A cloisonne enamel and gilt-bronze archaistic beaker vase, gu, Qianlong Expert remark: Compare the related form and decoration with taotie and archaistic scroll, as well as the similar size (24.7 cm). Note the absence of bowstrings and flanges.十七至十八世紀掐絲琺瑯饕餮紋觚中國。銅胎鍍金，圓觚，弧腹，口及底外撇。通體藍釉地，圖案層次分明，繁密工細。頸部飾仰覆蕉葉紋，蕉葉紋内飾獸面紋，腹部與底邊飾獸面紋，紋飾對稱分佈。口沿外裝飾勾蓮紋。口內鎏金無紋飾。造型渾厚凝重，裝飾富麗堂皇。 來源：2007年5月16日倫敦蘇富比，lot 389。The MacLean Collection of Asian Art Museum收藏，購於上述拍賣，2022年出售。The MacLean Collection由來自芝加哥的商人 Barry MacLean 在50 年前創立，他於 1970 年代初開始收藏。 他曾多次前往亞洲從商，並開始將注意力集中在來自中國的古代青銅器和後世的仿古青銅器上。The MacLean Collection由Larry Booth設計並於 2003 年完工。自 2004 年以來，該博物館已出版了七本書，舉辦了十三次展覽，將藏品借給許多其他博物館，並用十幾個獎學金來培訓未來的專家和愛好者。 品相：狀況極好，有磨損和小的製造缺陷，以及輕微的劃痕和缺損以及相應的填補（在強藍光下檢查）。底部有小結構裂隙。與這種尺寸的十八世紀景泰藍器皿完全一致。有關在強藍光下拍攝的花瓶的詳細視頻，歡迎聯係我們。 重量：1,059 克 尺寸：高25 厘米由於字數限制，完整中文敘述請至www.zacke.at查看。
A FAMILLE ROSE 'HUNDRED DEER' HU-FORM VASE, GUANGXU MARK AND PERIODOpinion: While hu-form vases with the 'hundred deer' motif that date from the 19th century frequently appear on the market, they almost always have apocryphal Qianlong reign marks. The present lot, however, with its fine enameling and large deer-head handles, belongs to the extremely rare group of Guangxu mark and period vases with this motif.China, 1875-1908. The vase of pear shape is finely decorated with a continuous scene of the 'hundred deer' motif depicting a gathering of deer amidst various trees including pine and peach, in a landscape of blue-green rocks and mountains, and a river fed by a waterfall on one side. The neck is flanked by a pair of handles in the form of deer heads with black antlers. The base with a neatly painted iron-red six-character mark da Qing Guangxu nianzhi and of the period.Provenance: From an old European private collection, assembled before 1965. Thence by descent to the last owner.Condition: Very good condition with minor old wear, glaze flaking, shallow surface scratches and firing irregularities, a single hairline (approx. 14 cm long) above the foot, possibly original to the firing process.Weight: 10.3 kg Dimensions: Height 45.3 cmThe 'hundred deer' motif was very popular, as the landscape depicted contains important symbolic references. The subject of deer has a long history in Chinese art, as it refers to the rebus where the Chinese word for 'deer' is a homophone for 'emolument' or 'civil service salary'. The 'hundred deer' motif therefore represents the ultimate success, a career in government service in Imperial China.Literature comparison: A Qianlong-marked vase of closely related size (45 cm) in the Beijing Palace Museum is illustrated in The Complete Collection of Treasures of the Palace Museum - 39 - Porcelains with Cloisonne Enamel Decoration and Famille Rose Decoration, Hong Kong, 1999, pl. 85. Other examples include a pair in the Shanghai Museum, illustrated in Selected Ceramics from the Collection of Mr. and Mrs. J. M. Hu, Shanghai, 1989, pl. 67; one in the Nanjing Museum, included in the joint exhibition with The Chinese University of Hong Kong, Qing Imperial Porcelain, 1995, no. 86; and another from the Grandidier Collection in the Musee Guimet, Paris, illustrated in Oriental Ceramics, The World's Great Collections, Tokyo, 1981, vol. 7, pl. 190.Auction result comparison: Type: Closely related Auction: Christie's New York, 23 March 2018, lot 834 Price: USD 47,500 or approx. EUR 52,500 converted and adjusted for inflation at the time of writing Description: An unusual famille rose 'hundred deer' hu-form vase, Guangxu six-character mark in iron-red and of the periodExpert remark: Compare the near identical form and decoration. Note the similar size (37.4 cm) and that this example also bears the rare Guangxu mark. 光緒款及年代粉彩百鹿尊中國，1875-1908年。圓口，垂腹，圈足。通體施白釉，肩部飾鹿首耳。器身繪粉彩山水苑百鹿圖。畫面中山石、樹葉多以綠彩繪成，施彩濃厚;群鹿、枝幹以赭、黑等彩作畫，群鹿活現，枝幹蒼勁，筆繪生動細膩。底書“大清光緒年製”六字篆書款。專家注釋：十九世紀的粉彩百鹿尊雖然經常出現，但大多都是杜撰乾隆款。此拍品琺瑯精美，鹿首耳，極爲稀有。 來源：歐洲私人舊藏，購於1965年，保存到現任藏家。 品相：品相極好，有輕微磨損、釉料剝落、表面淺劃痕和燒製不規則，足部上方有一條冲線（約 14 厘米長），可能是燒製過程中產生的。 重量：10.3 公斤 尺寸：高45.3 厘米 以鹿為紋飾在中國藝術中有著悠久的歷史，鹿是長壽的仙獸，自然也受到歷代帝王的青睞，這在皇宮常見的百鹿尊上可見一斑。 文獻比較： 一件尺寸非常相近乾隆時期的花瓶(45 厘米)，收藏於北京故宮博物院，見《故宮博物院藏文物珍品全集‧琺瑯彩‧粉彩》，香港，1999年，圖85。其他例子包括上海博物館的一對花瓶，見《胡惠春先生,王華雲女士捐贈瓷器精品選》，上海，1989年，頁67；另一件收藏於南京博物院，見香港中文大學的聯合展覽《淸瓷萃珍 : 淸代康雍乾官窯瓷器》，1995年，編號86；還有一件來自吉美國立亞洲藝術博物館的Grandidier收藏，見《Oriental Ceramics, The World's Great Collections》，東京，1981，卷7，頁190。由於字數限制，完整中文敘述請至www.zacke.at查看。
A FALANGCAI 'PEONIES AND WUFU' CORAL-GROUND DISH, QIANLONG MARK AND PERIODThe falangcai color palette of the present dish first appeared on Kangxi period yuzhi bowls, such as an example in the Palace Museum, Beijing, illustrated in The Complete Collection of Treasures of the Palace Museum: Porcelains with Cloisonne Enamel Decoration and Famille Rose Decoration, Hong Kong, 1999, page 4, number 2.China, 1736-1795. Delicately potted, the shallow sides supported on a short tapered foot and rising to an everted rim. The exterior finely painted against a coral ground in rich and vibrant enamels to depict four different peony blossoms interlinked by leafy scrolls and divided by dots and flowerheads. The interior glazed white and neatly decorated in shades of iron-red above the glaze with five bats (wufu), each painted in a slightly different manner and position. The recessed base with an underglaze-blue six-character seal mark da Qing Qianlong nianzhi and of the period.Provenance: From the collection of Captain Charles Oswald Liddell, acquired in China before 1914 and thence by descent. Born in Edinburgh, Scotland, Captain Charles Oswald Liddell (1854-1941) worked in China from 1877 to 1913. He married Elizabeth Birt in 1880 in Shanghai and thereby inherited Birt's Wharf there, expanding the business to Hangzhou, Tianjin, and Harbin. Liddell collaborated with A. W. Bahr in an exhibition in Shanghai in 1908, as Chairman of the North China branch of the Royal Asiatic Society and in writing descriptions for it, which were printed by A. W. Bahr in “Old Chinese Porcelain and Works of Art in China” in 1911. Charles Liddell had formed his collection, except for three pieces, while trading in China for nearly forty years. He purchased a number of them from two significant sources: Prince Chun, the last Regent of the Qing Dynasty, and the private secretary and adviser to Li Hong Zhang. In May 1929, Bluett offered a part of the collection, publishing a catalog of “The Liddell Collection of Old Chinese Porcelain” with 229 entries. One of two Guyuexuan bowls in this exhibition was sold to the Hon. Mountstuart Elphinstone for GBP 150 and was part of the Elphinstone gift to the Percival David Foundation. The second of the two bowls was acquired by Charles Russell, and was subsequently in the collections of Barbara Hutton and Robert Chang, eventually selling in Hong Kong in 2006 for GBP 10,000,000. Condition: Good condition with minor old wear and minimal firing irregularities, the exterior rim with four small and shallow glaze chips and associated touchups. No hidden damages whatsoever (inspected under strong blue light). For a detailed video of the dish taken under blue light, please refer department.Weight: 161.9 g Dimensions: Diameter 15.9 cmAuction result comparison: Type: Related Auction: Christie's Hong Kong, 1 June 2011, lot 4014 Price: HKD 400,000 or approx. EUR 68,500 converted and adjusted for inflation at the time of writing Description: A rare famille rose ruby-ground 'bats' dish, Qianlong iron-red six-character seal mark and of the period Expert remark: Compare the similar bat decoration to the interior of the dish, also painted in iron-red, the five bats however more formalized than on the present dish and encircling a shou character. Note the ruby ground, iron-red mark, and smaller size (10.6 cm).Auction result comparison: Type: Closely related Auction: Christie's Hong Kong, 30 May 2022, lot 2727 Price: HKD 2,016,000 or approx. EUR 252,500 converted at the time of writing Description: A fine and very rare enameled coral-ground famille rose 'peony' bowl, Qianlong six-character seal mark in underglaze blue and of the period Expert remark: Compare the closely related coral ground and falangcai enamels, more specifically the near-identical leaves, also neatly painted in two distinct shades of green. Compare also the related peony blossoms and the underglaze-blue six-character seal mark. Note the different form and smaller size (11.1 cm).乾隆款與年代珊瑚紅地粉彩牡丹五福紋盤中國，1736-1795年。盤敞口，弧壁，淺腹，圈足。盤內施白釉。外壁珊瑚紅地，粉彩描繪纏枝盛開的牡丹四朵，色澤不一。盤内珊瑚紅色釉蝙蝠五隻。足內施白釉，青花書“大清乾隆年製”篆書款。 本盤的琺瑯彩最早運用在康熙時期的御製碗上，如北京故宮博物院收藏的一個例子，《故宮博物院藏文物珍品全集‧琺瑯彩‧粉彩》，香港，1999年，頁4，編號2。由於字數限制，完整中文敘述請至www.zacke.at查看。
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