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- Galerie
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396325 Los(e)/Seite
FRY'S COCOA SMALL ENAMEL SIGN. 14 ins by 10 ins, black & white pictorial enamel showing schoolboy wearing top hat delving into his pocket looking into sweetshop window. 'SO NEAR AND YET SO FAR' with 'FRYS PURE CONCENTRATED COCOA 300 GOLD MEDALS' under shop window. Some surface bubbles & outer edge rusting/ chips. Still rare.
A mahogany and boxwood strung longcase clock, Scottish, mid 19th century, the broken scroll pediment above an arched glazed door flanked by brass capped pilasters enclosing 13" arched white painted enamel dial marked Jaz Young, Dundee, with Roman numerals, subsidiary seconds dial and date dial, the arch painted with Highland lad and lass and their dog and the corners painted with maidens representing the seasons, with glazed side apertures, eight day movement striking on a bell above a rectangular bevelled trunk door flanked by fluted quarter pilasters over an ogive moulding and plain boxwood strung base board and raised on shaped, 84" high
An oak and mahogany crossbanded cottage longcase clock, early 19th century, Shropshire, the broken scroll pediment above a boxwood strung frieze over a square door flanked by inlaid square columns enclosing a 12" white painted enamel dial with Roman numerals and date aperture and painted with a bird in branches, florally painted corners, 30 hour movement striking on a bell, above a chequer strung frieze and shaped top, three quarter length crossbanded trunk door centred by a boxwood and harewood oval conch shell motif over an ogive moulding and crossbanded base board, distressed, 77" high
An oak and mahogany crossbanded boxwood and ebony strung longcase clock, second quarter 19th century, the broken scroll pediment with gilt brass terminals above an arched glazed door, between fluted brasss capped pilasters enclosing a 13" white painted arched enamel dial with Roman numerals, subsidiary seconds dial and date aperture and marked R Matthews, Oswestry, painted with a hare coursing scene, the corners painted with fruit cornucopiae, eight day movement striking on a bell above a boxwood and ebony inlaid mahogany frieze over a three quarter length crossbanded trunk door with concave top corners flanked by fluted brass capped quarter pilasters and plain based board on bracket feet, 87" high
An oak and mahogany crossbanded and inlaid longcase clock, first half 19th century, the broken scroll pediment with pressed brass thistle roundels and ball and spire finial above a boxwood and ebony inlaid arched glazed door flanked by fluted brass capped Corinthian columns enclosing a 12" white painted arched enamel dial with Arabic numerals, date aperture and marked Palmer, Loughborough, painted with a bird and rose painted corners and the figure of Ceres in the arch, 30 hour movement striking on a bell above a chequer strung mahogany frieze and ogee arch top crossbanded three quarter length trunk door centred by an oval inlaid Britannia motif between canted angles over a conforming strung base board and plinth, 87" high
An oak and mahogany crossbanded and boxwood strung cottage longcase clock, early 19th century, the ogive cornice above a square glazed door flanked by square columns enclosing a 12" white painted enamel dial with Roman numerals and marked D D Humphreys, Presteigne, above a date aperture, the corners painted with strawberries, 30 hour movement striking on a bell, above a mahogany frieze and ogee arch top crossbanded three quarter length trunk door over an ogive moulding and crossbanded base board, distressed, 76" high
A French ormolu Empire style mantel clock, 19th century, three 3" enamel dial with blue Roman numerals and painted with floral swags, within a case fashioned as a swan carriage holding a maiden offering up a ring to a performing poodle, and raised on a variegated marble plinth applied with classical motifs and on toupie feet, eight day movement striking on a bell, dial cracked, 13" high, 11" long
A creamware Dutch-decorated oval butter dish, painted in iron-red with a rectangular panel of a river landscape, the reverse painted in iron-red and black enamel with floral sprigs, moulded with two leaf terminals to either end, 15cm wide; and a creamware plate with a pierced border, 24cm diameter, last quarter 18th century
A Liverpool delft blue and white plate, painted with two cockerels in an oriental landscape, within diaper band borders, 21.5cm diameter, circa 1745 (rim chips); and a bianco-sopra-bianco plate, possibly Bristol, the centre painted in shades of blue, green and manganese with a basket issuing flowers, within a white enamel scrolling foliate border, 22cm diameter, circa 1760 (small restored rim chips)
A 'Royal Stone China' covered vase by Ralph Stevenson & Williams, of tapered hexagonal shape with dog handles, the domed cover with seated dog finial, decorated with a typical Japan pattern, overall height 40.7cm, red-printed royal arms mark with maker's initials, circa 1825 (some enamel flaking on body, cover holed and chipped)
A FINE QUALITY LATE 19TH CENTURY AUSTRIAN WHITE METAL AND ENAMEL RELIQUARY CASKET, glazed with faux rock crystal panels, each engraved with a mask head and scroll-work, the overlaid polychrome enamel with animal and mask head designs, figure form pillars to the corners, raised on claw feet, stamped AA, approximately 5 1/4 ins x 4 1/4 ins.

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396325 Los(e)/Seite