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396323 Los(e)/Seite
Los 166
SIMON BENNEY: CITRINE, ENAMEL AND CULTURED PEARL NECKLACE AND EARRING SUITE, CIRCA 2000Three rows of 6.1mm cultured pearls, oval citrine cabochon and green enamel, earrings of matching design, mounted in 18 carat gold, maker's marks SFSB, London hallmarks, lengths: necklace 38.0cm, earrings 2.6cm, maker's case (2)For further information on this lot please visit Bonhams.com
Los 71
ENAMEL AND GEM-SET KNIGHT STICK PIN, CIRCA 1900Designed as a bust of medieval knight, with a moving visor, and a polychrome enamel dragon atop his head accented with cabochon-cut red gemstones, and engraved scrolling detail, French assay mark, enamel loss, length 7.2cmFor further information on this lot please visit Bonhams.com
![A George IV silver pair cased pocket watch, by Josh Slack, Ipstones [Staffordshire], 4.5cm cream enamel dial, bold Roman nume](https://cdn.globalauctionplatform.com/417b5fdd-632c-4ea9-8ad1-b04d006fac29/cb963065-8251-4de0-a412-b0d201289c91/468x382.jpg)
Los 443
A Flight, Barr and Barr Worcester cabinet cup and stand, circa 1825The cup with gilt high handles, bands of applied white 'pearls' around the neck and cavetto, the cup printed and hand-coloured with a portrait of 'Futteh Ali Shah, King of Persia', raised enamel highlighting the detail on his ornate reserved on a green ground within a raised gold border, cup 8.7cm high, cup with title and script mark, stand with printed mark, both referring to Coventry Street address (2)Footnotes:ProvenanceBonhams, 2 May 2018, lot 432Charles Dawson CollectionThe source for the portrait of Fath-Ali Shah Qajar was an engraving published in 1821, after the sketch made from life by Sir Robert Ker Porter.For further information on this lot please visit Bonhams.com
Los 295
A St James's (Charles Gouyn) seal and a Chelsea seal, circa 1755-60The St James's example modelled as William Shakespeare, leaning on papers stacked atop a pillar, left in the white, the carnelian intaglio with a sunflower growing towards the sun and the motto 'TIBI SOLI', mounted in gold, 3.3cm high, the Chelsea seal of Cupid standing with a spyglass to his eye, picked out in colours, 'REGARDEZ ET ...' in red enamel, the hardstone intaglio with a profile portrait of a rotund classical gentleman, with gold mounts, 3.5cm high including hanging loop (2)Footnotes:ProvenanceMavis Bimson CollectionThe figure of Shakespeare is copied in minute detail from the monument in Poets' Corner, Westminster Abbey, designed by William Kent and executed by Peter Scheemakers in 1740. Another example of this seal from the Lady Charlotte Schreiber Collection is in the Victoria & Albert Museum (inv. no.414:313-1885).See G E Bryant, The Chelsea Porcelain Toys (1925), pl.35, fig.2 for a similar Chelsea seal of cupid with a spyglass.For further information on this lot please visit Bonhams.com
Los 338
A Chelsea 'Blind Earl' sweetmeat dish, circa 1756Of lobed circular form, applied with a twig handle issuing two rosebuds, moulded in relief with sprays of rose leaves painted in a fresh palette of pale green and yellow, the delicate veins picked out in brown enamel, a gilt line at the scalloped rim, 14.6cm wide including handle, red anchor markFootnotes:Chelsea 'Blind Earl' dishes would appear to predate those more commonly made at Worcester. A Chelsea example from the Barbara Leake Collection was sold by Bonhams on 12 March 2008, lot 8.For further information on this lot please visit Bonhams.com
Los 448
A Barr, Flight and Barr Worcester punch bowl, circa 1805Painted with wide borders of bunches of grapes and vine leaves in brown enamel, on a ground of dense gilt tendrils, the interior with an elaborate monogram 'EW' in gold, 29.5cm diam, incised B mark, script BFB markFootnotes:ProvenanceCharles Dawson CollectionFor further information on this lot please visit Bonhams.com
Los 52
A rare gilded and enamelled 'Squat Cylinder' apothecary serving bottle, circa 1750Of olive-amber tint, the wide body with rounded shoulders and a short tapering neck with a pouring lip, applied with a loop handle, cold-painted below the terminal with a gilt label indistinctly inscribed 'S:HYSO(?)' in black enamel, surrounded by traces of a red enamel cartouche, with a deep basal 'kick-up', 22.5cm highFootnotes:ProvenanceStan Hooper CollectionGlass Works Auctions, 21 March 2011, lot 303A C Hubbard Jr CollectionThe label on this bottle probably reads 'S:HYSOP'. Hyssop is a shrub that was used to treat digestive, intestinal and respiratory problems.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 521
Two Derby teabowls and saucers by Zachariah Boreman, circa 1785Painted with pattern 86, the centres with figures in rural landscapes, the elaborate borders in dark blue enamel and gold, saucers 13.2cm diam, crown, crossed batons, D marks and 'No 86' in puce, 2 inside footrims for Joseph Stables (4)For further information on this lot please visit Bonhams.com
Los 444
A Flight, Barr and Barr Worcester egg cup stand and six egg cups, circa 1815The circular footed stand with a raised ring handle, six circular holes each accommodating a single matching egg cup, the white ground with a garland of red and blue stylised flowers, further sprigs in enamel and gold within gilt line borders, 22.2cm diam, egg cups 4.7cm high, impressed crowned FBB marks (7)Footnotes:ProvenanceCharles Dawson CollectionFor further information on this lot please visit Bonhams.com
Los 468
Two Flight, Barr and Barr Worcester plates, circa 1820-30Painted with panels of colourful flowers and insects on cream-coloured grounds, the panels edged in raised gold, one of circular form and reserved on a green ground, probably painted by Samuel Astles, 24cm diam, impressed crowned FBB mark, printed circular red mark, the other with a shaped gadrooned rim, enamel 'jewels' further enriching the deep blue ground, 25.4cm wide, printed red mark (2)Footnotes:ProvenanceCharles Dawson CollectionThe flower and insect painting on the green-ground plate is reminiscent of the Princess Charlotte breakfast service, painted by Astles.For further information on this lot please visit Bonhams.com
Los 270
A good Chelsea double scent bottle and stoppers, circa 1758Modelled as a fine greyhound curled around the foot of a classical vase, the dog's coat and face carefully picked out in brown and black enamel, its head forming one stopper with a gold collar mount, the cover of the vase forming the second stopper, with a brightly coloured bird perched on top, the vase and mound base painted with colourful flowers, a similar spray to the concave underside, 7.3cm highFootnotes:A similar example is illustrated by Yvonne Hackenbroch, Chelsea and Other English Porcelain, Pottery and Enamel in The Irwin Untermyer Collection(1957), pl.67., fig.88.For further information on this lot please visit Bonhams.com
Los 258
A fascinating pattern book from a British earthenware manufactory, circa 1805-15Manuscript notebook containing circa 150 hand-painted designs for teaware, showing patterns for full plates and borders, numbered and coded for use within a factory, some with further annotations, manuscript list of prices at rear, 53 leaves, circa 19 blank, pen and watercolour, partial watermarks for Ruse & Turners 1805, reused marbled endpapers, original calf, 8vo (18mm x 120mm)Footnotes:This charming yet tantalising pattern book will have been used within a British pottery manufactory at the start of the 19th century. It records tableware patterns, drawn by hand either as a section of the border of a plate, or as the complete design used on a plate or saucer. These are identified by a sequence of pattern numbers ranging from 6 to 154 with some gaps. Some of the earlier patterns have been re-numbered, indicating perhaps a new partnership or change of factory ownership. This might have coincided with the decision to record the factory's patterns within this book. A watermark of 1805 within its pages gives us the earliest possible date for when this illustrated record was compiled, although the first patterns are incomplete and may have been copied from an earlier volume or unbound sheets of individual patterns.The earliest patterns suggest this began as a manufactory of creamware at the turn of the 19th century. Many appear to be copies of patterns used by major manufactories such as Wedgwood, Spode and Davenport. Subsequently pearlware or 'whiteware' was probably made, with a slight possibility that some patterns were intended for bone china. Stylistically, all of the patterns would appear to predate 1815. Two sections within the book bear the headings 'Painted Tea Ware' and 'Enamelled Tea Ware'. The former probably refers to underglaze painting (now known as Pratt Ware), while the latter indicates the use of overglaze enamel colours. Significantly, many patterns refer to the use of 'luster', which will have been painted in silver (or Platinum) lustre.This small pattern book begins with a few drawings showing pottery shapes that were popular in the period around 1800-10. Tables at the end of the book link some of the pattern numbers with a cost price per dozen, presumably to be used when pricing a complete tea service. Alongside each drawn pattern, a letter and number code gives a different price in shillings and pence. This code probably helped the pottery determine the wages paid to the decorating departments responsible for completing each pattern.The lustreware patterns that appear within the pages of the present lot may provide clues to the maker responsible. The future study of this pattern book may benefit from comparison with the Leeds Pottery pattern books which have been published almost in their entirety by John Griffin in 2005. Leeds was a creamware manufactory that subsequently made other ceramic bodies and some painted decoration included the use of lustre. Many other lustre-decorated tablewares and their makers are discussed by Geoffrey Godden and Michael Gibson in their book Collecting Lustreware (1991). On page 42 the authors note '...The Stoke-on-Trent City Museum contains several hundred lustred articles closely packed on twenty-two deep shelves, yet, we believe, only six of these pieces bear a maker's mark.' Little wonder that the maker of this pattern book has so far proved elusive.There are presently two mystery groups known to British porcelain collectors as 'The Pattern Book Factory' or 'Pattern Book class'. A pattern book by an unknown china maker working in Staffordshire in the period 1800-09 is preserved in the Victoria & Albert Museum and interestingly, this maker used 'metalic' decoration (or in other words platinum lustre) on some of its porcelains. See Godden's Encyclopaedia of British Porcelain Manufacturers (1988), pp.579-585. This fascinating notebook maybe gives us a new Pattern Book Factory and its discovery starts a search for missing links to any of the numbered patterns within its pages.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 144
A very rare wash-enamelled airtwist ale flute, circa 1750The tall round funnel bowl painted in a pale grey enamel with four crossed ears of barley filling the entire bowl, the details picked out in darker grey, the double-series stem with a gauze column encircled by a pair of mercurial air threads, over a conical foot, 19.4cm highFootnotes:ProvenanceLeuba CollectionAn ale glass of different form from the same distinctive group was sold by Bonhams on 14 November 2018, lot 112. See also that from the Lazarus Collection in Bristol Museum and Art Gallery (inv. no.Na830). For a wine glass wash-enamelled with fruiting vine, see that sold by Bonhams on 1 December 2021, lot 143.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 881
The handle of this unusual cane is a brass highly decorated miniature enamelled matchbox holder, or as they are sometimes called, "a matchbox safe. “This contains a miniature matchbox.(1 3/4" 1 1/8". 5/8") complete with matches. The label has the inscriptions, "LA PETITE", "SAFETY MATCHES", and "MADE IN SWEDEN" on a blue background, surrounded by a decorated border. The matchbox retains what are assumed to be the matches that it originally housed.These were produced 1914--1918 (see Pritzker Military Museum and Library website). Such holders were called "matchbox safes" as it was claimed they guarded against accidental ignition whilst in pocket/ handbag. However the real purpose was probably decoration. Majority of these items were for normal size matchboxes where holders were quite the fashion in the mid 1910/20. The miniatures are rare, especially when complete with box and matches.The holder top enamel is in excellent condition, red and gold scrollwork (Japanese ? ) set in black and white background. The sides show scorches where matches were struck. The matchbox is in surprisingly good condition although web search showed these are still available from very old stock. Directly below the holder is an aged collar -- material? The cane is an attractive polished hardwood wood with thin black collar between the shaft and the metal ferrule which appears original. Overall length is 35”/890mm
Los 6382
A brass repeating carriage clock with allover engraved detail and Roman numerals to the rectangular white enamel dial with subsidiary dial beneath, with key, height 15.5cm with handle lowered.Condition Report: When wound the clock appears to run although we offer no guarantee of working order, hands move freely.
Los 5411
A late 19th century German porcelain figural mantel clock representing a maiden leaning towards a cherub over the arched shaped top, the enamel dial set with Arabic and Roman numerals with floral encrusted decoration, blue painted marks to the underside, height 38cm.Condition Report: Minor chipping to the floral encrusted decoration, we offer no guarantee of working order, chipping to the floral detail, no major faults.
Los 693
East of Scotland Football Association 9ct gold and enamel medal fob, the obverse with circular plaque depicting a footballer, having thistle supporters, the reverse engraved 'ESFA QC R Davidson PAFC 1932', maker Duncan of Edinburgh, 5g gross. [PAFC are likely to by Penicuik Athletic Football Club]. Also, a parcel gilt silver medal fob 'Ford League'. (2)
Los 741
9ct gold Masonic jewel of Lodge No 1283 St Leonards of Edinburgh in the form of a compass inset with a small diamond to the centre of the star, inscribed verso 'Presented to Bro J D D Maguire RWM of Lodge Sty Leonards 2009-10 as a token of appreciation and esteem from the Brethern of the lodge No1283', the ribbon with applied 9ct and enamel badge, 38g gross.No case present.
Los 697
9ct gold and enamel House of Haig badge, issued for 40 year service with John Haig and Co of Markinch, maker Fattorini and Sons, Birmingham 1993, 11.1g gross, a similar silver award for 35 years of service, Birmingham 1989, a House of Haig three star white metal and enamel badge and a gents Roidor wristwatch with stainless steel bezel, the back plated inscribed 'John Haig & Company Limited 25 Years Service W Simpson DCL'.
Los 692
9ct gold medal fob, the obverse with lawn bowler, two shields, one dated 1928, a lawn bowl or jack and ribbon banner 'EWBA', the reverse engraved 'Edinburgh Winter Bowling Association Championship 1928 Won By C M Stewart', maker JMCM, 9.6g, also a gilt metal and enamel Scottish Bowling Association Hamilton Trophy badge won by C M Stewart, by H W Miller of Birmingham, and a white metal and enamel Edinburgh Winter Bowling Association Presidents badge.(3)
Los 167
Japanese porcelain Kutani polychrome charger depicting a woman on a boat playing a flute in a landscape, painted in predominately green enamel, all within a floral diaper border. Four character Kutani mark to the base and impressed seal mark. 47cm diameter approx. In wooden box. (B.P. 21% + VAT) No obvious damage, in good condition.
Los 425
19th century 18ct gold open faced key wind pocket watch with white enamel face having Roman numerals. The movement marked 'French, Royal Exchange London'. Hallmarked for Chester 1890. Face dimeter 37mm approx. Overall 58g approx. (B.P. 21% + VAT) General wear commensurate with age, but overall appearing good. (B.P. 21% + VAT)
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396323 Los(e)/Seite