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Preisdatenbank abonnierenA Victorian yellow metal blue and white enamel cultured pearl and diamond set mourning brooch of lozenge form, the central pearl within a border of six tiny old cut diamonds with enamelled border and pearls to the exterior, the reverse with glazed section presumably for hair, length 3.3cm, approx 7.4g.Additional InformationIn good condition, very minor surface wear but the enamel is in good order, unmarked as catalogued.
WALTHAM; a 14ct yellow gold full hunter pocket watch with engine turned detail to the front case centred with a vacant shield shaped cartouche, white enamel dial set with Roman numerals and subsidiary second hand, 14ct gold cuvette and movement signed 'P.J. Bartlett, Waltham, Mass No.23033385, diameter 55mm, approx 92.7g.Additional InformationSeconds dial is missing its hand, the dial is also rather dirty with rust to the hands and detritus to the surface. The outer case has a few light scratches and dents, ticks when wound but not currently working.The cuvette is not gold and any inscriptions would have been mentioned in the description. Diameter is 50mm
Four variously hallmarked silver key wind open face pocket watches each with Roman numerals and subsidiary seconds dial to the white enamel dial including examples by Waltham and by Ramsay of Felling-on-Tyne, diameter of largest 54mm.Additional InformationThere are issues with all four, not in working order, tarnishing and small dents, surface scratches to cases and damage to dials.
MILITARY INTEREST; SAMPSON MARKS & CO OF JOHANNESBURG; a plated military issued pocket watch with white enamel dial set with Roman numerals and subsidiary seconds hand and with fifteen jewel movement, the screw off back case with military crow's foot, diameter 51mm, a military issued Elgin timer No.1134/60, 6B4/117, 14/5SEC.T.P., diameter 50mm, and an unnamed military issued pocket watch with Arabic numerals to the dial and back of case inscribed 'GSTP' with military crow's foot.Additional InformationSurface scratches and wear throughout, the third watch has heavy tarnishing and discolouration to the back, also heavy staining to the dial. The timer is rather loose in the case, none are working, hairline cracks to the enamel dial.
Four variously hallmarked silver key wind open face pocket watches each set with Roman numerals and subsidiary seconds hands to the white enamel dial, one by Fattorini & Sons of Bradford, largest diameter 52mm.Additional InformationFaults to all four, tarnishing, small dents and damage to the dials. Not in working order.
A circa 1900 yellow metal crown wind open faced fob watch, the white enamelled dial set with Roman numerals and subsidiary seconds hand and with engraved case inscribed ‘M.E.S. Spratt’ on associated ribbon bow brooch attachment, diameter of watch 35mm.Additional InformationThe name on the back of the case would have originally been enamelled, the enamel is all but gone now. Some wear to the engraving. The watch is unmarked, it is not working at this present moment in time, it appears to have been overwound. There is some staining to the dial and a very fine hairline crack. Some surface scratches to the glass and light wear to the case.
RAILWAY INTEREST; a late Victorian hallmarked silver open face key wind pocket watch with white enamel dial set with Roman numerals, subsidiary seconds hand and original painted scene of a steam train, hallmarked for Chester 1890 and suspending a short silver fob chain, diameter 55mm, and a plated key wind open face pocket watch with white enamel dial set with Roman numerals inscribed 'Railway Timekeeper, J.L Goodrick, Thirsk', diameter 56mm (2).Additional InformationWe have no doubt that the decoration to the first pocket watch is contemporary to the watch, surface scratches throughout, there are a few dents to the silver bezel, not currently working. The short watch chain is stamped to each section but the T-bar is plated. The second watch has numerous faults to the dial including an area of damage and hairline cracks, scratches and heavy wear throughout, knife marks where people have tried to open the watch. Neither are working.
WALTHAM; a gold plated crown wind open face pocket watch with white enamel dial inscribed 'American Waltham Watch Co', set with Roman numerals and subsidiary seconds hand with foliate engraved case and movement No.5303078, in associated box, diameter 55mm.Additional InformationTicks intermittently when wound but not currently running, a few fine hairline cracks to the enamel dial and some tiny chips around the edges, some tarnishing to the case and some rubbing to the silver plate. General surface wear.
WALTHAM; a 14ct white gold filled open face Art Deco pocket watch with Arabic numerals to the dial and with fifteen jewelled movement No.23813795, suspending a 9ct yellow gold and white metal chain terminating in a 9ct gold and enamel decorated pendant inscribed 'South Lancs Cricket League 2nd Div. Winners 1913, F. Pearson, Swinton. C.C., a lantern pendant and a propelling pencil, diameter of watch 45mm, length of chain 35cm.Additional InformationA few scratches to the glass of the watch and surface scratches noticeably around the edges of the dial, general surface wear to the case itself with initials engraved to the reverse. The chain in marked to the spring end and the T-bar, also marked is the fob, but the lantern which is damaged and the propelling pencil which is stiff in action are unmarked.
H WHITE MFG CO LTD OF MANCHESTER; a gold plated crown wind full hunter pocket watch, the white enamel dial set with Arabic numerals and subsidiary seconds hand, with cuvette inscribed 'Walter from Mother, July 24th 1929', and with seventeen jewel movement, diameter 50mm, presented in original box.Additional InformationTicks when wound, but no guarantee of working order. Case has some scratches throughout, the dial appears ok. Some surface scratches to the case.
A German white metal and enamel decorated erotic card case decorated with a semi-naked lady to the cover, stamped 'Alpaca', 9.25 x 8cm, approx 4.1ozt/128g.Additional InformationThere are surface scratches throughout - noticeably to the enamel decoration, but no signs of restoration or repair. A few small dents to the back of the case, the action still works well, strong clasp and it closes well.
A gentleman's white metal full hunter key wind pocket watch with enamel dial set with Roman numerals and subsidiary seconds dial, diameter 35mm, the case stamped fine silver, approx 87g.Additional InformationNumerous knocks and dents to the case, the watch is not working, no guarantee of working order, also a missing the glass face.
A 9ct yellow gold enamel and seed pearl brooch of open form with leaf decorated central panel (af), and a yellow metal entwined serpent stick pin, length 5.75cm, combined approx 4.6g (2).Additional InformationThe enamel brooch is sadly broken to the central section where it has snapped away from the stem, also losses to the enamel at the lower portion of the stem and also around the edges of the leaves. General surface wear throughout. The serpent pin is unmarked but in good order.
A group of silver fobs, many with enamel decoration including West Lancashire Charity Jewel, 1809 Lodge Benevolence, Masonic Institute for Boys etc.Additional InformationThere are losses to enamel on several pieces, some are damaged to the backs of missing the back fasteners. The largest one has heavy surface scratches and very heavy wear throughout. The largest one is 55mm in diameter.
Four gold plated crown wind full hunter pocket and fob watches, the first by Ramson with white enamel dial set with Arabic numerals and subsidiary seconds dial, and with fifteen jewel movement, diameter 50mm, the second by Bentima with white enamel dial set with Arabic numerals and subsidiary seconds hand and with seventeen jewel movement, and unnamed example, and a Thomas Russell & Son of Liverpool fob watch with white enamel dial set with Arabic numerals, diameter 37mm.Additional InformationThe Ramson has an area of damage to the enamel between the ten and eleven markers, ticks when wound but not guaranteed to be in working order, there is no subsidiary seconds hand, and there is a very fine hairline crack around this area, tarnishing to the case and knife marks where people have opened the case, the back case does not close properly. The Bentima example has heavy surface scratches and tarnishing to the case, does not currently function and will not wind on, fine hairline crack to the dial, general surface wear. The unnamed example has no hands, crack to the dial, heavily tarnished and not running. The fob example heavily tarnished, not working at all, spins freely when trying to wind on, rust to the hands and general surface wear.
A group of five vintage 9ct gold wristwatches including two Record examples set with Arabic numerals and subsidiary seconds hands, a white enamelled example and two others, diameter of largest Record example 30mm excluding winding crown (5).Additional InformationNone are working, the Waltham is badly damaged, the white enamel dial is missing glass, is damaged to the bezel and has surface cracks. Heavy staining to the small watch with two-piece dial. Heavy staining to the two dials of the Records. Surface scratches and dents throughout.
EDWARD H STOCKWELL; a Victorian hallmarked silver and enamel cruet set in the form of birds' eggs with mottled enamel decoration comprising a detachable central mustard, three detachable pepperettes and salt sifters, London 1880, approx 7.36ozt/228g.Additional InformationA couple of the smaller pepperettes with minor chipping and old repairs to the enamel, light scratches and scuffs, tarnishing.
A George VI hallmarked silver and pale green/white enamel decorated six piece dressing table set comprising a hand mirror, a pair of clothes brushes, a pair of hair brushes and comb, Birmingham 1938, length of mirror 28cm.Additional InformationOn the mirror there is some detritus around the seem of the silver on the handle, light surface scratches to the enamel, there is a tiny dent to the top of the handle if are looking in to the mirror. The clothes brushes have a couple of light surface scratches and a few tiny dents, the pair of hair brushes also have light surface scratches and a few small dents, hallmarks clear. The comb is associated and not enamelled, makers mark is HCD.
A 9ct yellow gold crown wind full hunter pocket watch with white enamel dial set with Roman numerals, 9ct gold cuvette and movement No.94486 sold with a 9ct yellow gold watch chain with single spring loaded clip to one end and T-bar, length of chain 35cm, diameter of watch 53mm, weight of chain 34.1g, weight of watch 105.7g.Additional InformationThe watch ticks when wound but not guaranteed to be in working order. The case is quite heavily worn, there are many small dents throughout, there is a heavy dent to the side of the watch. There is no naming to either movement or dial, the chain is stamped and marked to each component link spring end and T-bar, shows signs of general surface wear.
WALKER & HALL; a hallmarked silver cased mantel clock, the circular enamel dial with Arabic numerals and subsidiary seconds dial, raised on four bun feet, Chester, height 10cm (marks rubbed)Additional InformationThe silver marks are heavily rubbed, scratches, scuffs, there is a crack to the dial, impact marks and dents to the body. The clock is not working, no guarantee of working order.
Three small pieces of jewellery comprising a mourning crucifix pendant with braided hair work wrap and central monogrammed plaque, a base metal black enamelled oval pendant, set with seed pearl crucifix, and a locket with fabric bow attachment (3).Additional InformationThe crucifix pendant used to be a brooch but now lacking pin. The hair is frayed and splitting in parts. The right hand side of the cross has dropped. The small locket with the bow attachment has a broken hinge and is in two parts. The back of the base metal and enamel oval pendant is heavily worn and scratched. The pearls are discoloured.
FRANCOIS BORGEL; a 14ct gold cased WWI trench watch, the white enamelled dial set with Arabic numerals, with later attached lugs and later strap, case stamped Electa, diameter excluding winding crown 34mm.Additional InformationThe watch is damaged and not working, there is also a chip to the enamel. Unable to see the exact hallmark and the winding crown is base metal.Gross weight 49.5g
YAPP & WOODWARD; a Victorian hallmarked silver Madeira leaf motif decanter label, Birmingham 1845, width 6cm, two further early 19th century Madeira and Sherry decanter labels, a silver handled pastry fork, a white metal half of a buckle, an Egyptian or Iraqi white metal and niello enamel compact, a small silver cased pocket watch (af) with silver chain suspending T-bar and holed coin and a set of silver plated souvenir spoons for U.S. states by William Rogers & Son, weighable hallmarked silver approx 2.8ozt/89g.Additional InformationWatch not running, feels overwound, dial with hairline cracks, general scratches, nicks, tarnish, etc, some knocks and dents to spoon bowls; compact mirror lost or has greatly suffered, not demonstrating reflection and heavily spotted, compact with scratches and nicks to metal and enamel.
WALTHAM; a 9ct yellow gold half hunter pocket watch with circular enamel dial with Arabic numerals and subsidiary seconds dial, diameter excluding winding crown 47mm, approx 97.4g.Additional InformationLight scratches and minimal dents to the case, the watch is currently functioning but no guarantee of working order.Some knife marks where previously people have tried to open the cuvette and case.Serial number is 24610589.
Four gold plated crown wind open face pocket watches, two by Waltham and two by Hamilton, the larger Waltham example with movement No.8247643, diameter 55mm, the smaller Waltham being a slimline example with silver dial set with Roman numerals, with pierced movement No.19033038, diameter 45mm, the first Hamilton with white enamel dial set with Arabic numerals, engraved initials to the case and with nineteen jewel movement, diameter 48mm, the second Hamilton is a slimline example with silver dial set with Arabic numerals and with seventeen jewel movement, diameter 45mm.Additional InformationThe larger Waltham is quite heavily tarnished to the case, the perspex has gone yellow, there are cracks to the dial and it ticks intermittently when wound, surface scratches and scratched initials to the back of the case. The slimline Waltham has minor surface scratches but quite heavy staining to the silver dial, does not tick when wound. The Hamilton with white enamel dial has a hairline crack running between the seven and eight to the dial, ticks when wound, general surface wear and scratches. The slimline Hamilton ticks when wound, has staining to the subsidiary seconds dial, general surface wear.
L SPIERS (probably); a Victorian hallmarked silver scissors case with repousse foliate detail and twin blank cartouches and attached chain, Birmingham 1889, length 6cm, and an enamelled thimble by J. Swan (2).Additional InformationScissors case in good condition; thimble with a semicircular surface abrasion to enamel to lower section, light pitting, marks and tarnish.
ADIE BROS LTD; a George V hallmarked silver and guilloche enamel compact of octagonal form with sunburst decoration, diameter 4cm, a further white metal compact with engine turned decoration, a three piece hallmarked silver dressing table set, etc (6).Additional InformationThe mirror on the dressing table set has been broken, tarnishing throughout, general wear, heavy wear to the body of the small compact, the circular enamel panel looks to part of something as is unmarked, it does not appear to be silver.
A George III hallmarked silver pair cased pocket watch with half hunter style cover, white enamel dial set with Arabic numerals and movement signed 'FRA. Arkinstall, Drayton', with chain driven fusee movement, hallmark for London 1812, outer case diameter 55mm, a Fattorini & Sons of Bradford hallmarked silver open face pocket watch, and a Waltham hallmarked silver open face pocket watch, Chester 1879 (3).Additional InformationThe pair cased watch has several dents to the outer case, the half hunter style cover is damaged on the hinge and is loose and also has a dent. A few marks to the dial with an area of touch up around the central pivot, balance wheel does not really move, all parts are heavily tarnished, the ring loop is an obvious later addition, it is missing the button release to the side of the watch and is heavily tarnished. The Fattorini has a repair to the case, surface dents and scratches throughout, not running. The Chester example is in better order with hairline cracks to the dial, surface scratches, also not running. All three with general surface wear.
A Japanese enamel and white metal three piece smoking set, comprising cigarette holder of tapering form, ashtray and table lighter, each with marks to the base (3).Additional InformationThe white metal rim at the bottom of the ashtray is loose, general wear, light scratches throughout. Cracks to the lighter.
RAILWAY INTEREST (G.W.R); a plated crown wind open face pocket watch with white enamel dials set with Roman numerals and subsidiary seconds hand, the dial inscribed 'G.W.R.' and with non inscribed screw back, diameter 58mm, and a record pocket watch with white enamel dial set with Roman numerals and with screw back case inscribed 'G.W.R. No.0.1278, diameter 58mm (2).Additional InformationThe first watch has a small compression to the back, heavy surface scratches, heavy tarnishing throughout, a hairline crack running between the four and five on the enamel dial, not in working order. The record watch has tarnishing throughout, the inscription on the screw back is quite heavily worn but the main concern is the damage to the dial as can clearly be seen, a large area between nine and the eleven, the damage spurning hairline cracks through the twelve, surface scratches to the glass and further marks throughout. Not in working order.
WILLIAM COMYNS & SONS LTD; a George V hallmarked silver five piece dressing table set, London 1926, fitted in original case, a further hallmarked silver five piece dressing table set with engine turned decoration, a hallmarked silver and pink guilloche enamel hairbrush and two further chrome examples.Additional InformationThe cased set with minor denting, remaining items with losses to the brushes, scratches and wear.
W G SOTHERS LTD; a George V hallmarked silver and lilac guilloché enamelled three piece dressing table set comprising mirror, clothes and hair brush, Birmingham 1927 (mirror af), a cased silver plated and blue enamel two piece set and a matched nail file.Additional InformationThe silver mounted mirror with bad damage to the enamel, the main two pieces in the group have scratches and light nibbles, wear and fraying to the brushes and scratches to the mirror glass and with damage to the silver backing aswell. The silver plated example the enamel mostly intact, some small nibbles to the edges and further light general wear.
DAVID ANDERSEN; a suite of sterling silver gilt and yellow/orange enamel decorated jewellery comprising leaf shaped brooch, smaller double leaf brooch and pair of clip-on earrings, length of larger 7cm.Additional InformationThe two brooches are both stamped for David Anderson Norway Sterling. The enamel is good to all four pieces. Some tarnishing and surface toning to the metalware but this would be eradicated from a light polish. General surface wear but overall in good condition.
FOUR SMALL ASSORTED LOCKETS comprising oval 9ct gold back and front examples and one small yellow metal heart Condition Report : good, blue enamel with losses to one Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Große Limoges-Plakette 35 x 28 cm. Limoges, um 1550. Emailmalerei auf Kupfergrund. Mit reich begrüntem Hintergrund mit nach hinten abschließendem Prospekt der Stadt Jerusalem und darüber liegendem Himmel, dessen Blau durch goldene Sterne durchbrochen wird, die zentrale Figur des Christus. Neben seinem Kreuz, welches von Wolken mit Cherubim gesäumt wird, die Kreuze der beiden neben ihm gekreuzigten Schächer. Links unten Maria, Maria Magdalena und Johannes. Ein ähnlicher Kalvarienberg ebenfalls mit oben rundem Abschluss wird im Kunstgewerbemuseum Berlin, Inv. Nr. K 5044, verwahrt. Das Email partiell transluzid vor Goldfolie gesetzt. Grünes Contre-Email. Minimal besch. Provenienz: Auktion Drouot Rive Gauche, 15. Juni 1979. Literatur: Katalog der Biennale Paris, 1980, S. 78. (12504012) LARGE LIMOGES PLAQUE 35 x 28 cm. Limoges, ca. 1550. Enamel painting on copper ground. A similar depiction of a calvary scene surmounted by a round arch is held at the Kunstgewerbemuseum Berlin, inv. no. K 5044. Partially translucent enamel over gold foil and green counter enamel. With minimal damage. Provenance: Auction Drouot Rive Gauche, 15 June 1979. Literature: Biennale Paris catalogue, 1980, p. 78.
Frühe Limoges-Schale mit türkisem und blauem Email Höhe: 4 cm. Durchmesser: 22,5 cm. Limoges, 13./ 14. Jahrhundert. In Zellschmelz-Technik mit figürlichen Darstellugen. Kräftige Bronzewandung mit rundem Spiegel, zum Rand hochgeschweift mit umziehendem Randprofil mit Zackenmuster. Im Zentrum thronende Bischofsfigur mit Mitra sowie einer stehenden weiblichen Gestalt, dazwischen stilisierters Ranken- und Palmettenwerk. In der Wölbung vier Halbkreis-bogige Kartuschen, ebenfalls figürlich gestaltet. Jeweils mit Wiedergabe eines Paares, etwa einer Frauengestalt, die einem Mann eine Frucht reicht. Die Bildszenen blau emailiert, die Zwickelfelder dazwischen in Türkis, darin jeweils eine geflügelte Fantasiefigur, die wohl einen Basilisken darstellt. Die Unterseite graviert mit zentraler Rosette, mit achtstrahligem Stern, umzogen von sich überschneidenden Rippenbögen mit Lilienabschluss. Die Schale von äußerster Seltenheit, in guter Erhaltung, in die Mitte des 13. Jahrhunderts zu datieren. (12506439) EARLY LIMOGES BOWL WITH TURQUOISE AND BLUE ENAMEL Height: 4 cm. Diameter: 22,5 cm. Limoges, 13th/ 14th century. The bowl is very rare and in good condition, dating to mid-13th century.
A Henry Crouch/Smith Beck & Beck monocular/binocular compound microscope, English, circa 1865,signed on the foot Henry Crouch, London 2002 and on the binocular tube Smith, Beck and Beck 31 Cornhill London 3749, the Lister-limb construction with rack and pinion and lever and screw focusing, mechanical stage, plano/concave reflector, in fitted mahogany case with two bench condensers, three oculars, seven objectives, a Ross Kellner's Orthoscopic ocular, a Ross lever compressor, a Collins Graduating Diaphragm, a micropeter with enamel dial and fusee chain and two parabolic reflectors, 15 in (38cm) high For further information on this lot please visit Bonhams.com
Brosche in Form eine Wildrosenzweiges mit Diamant und Fensteremail Brosche in Form eine Wildrosenzweiges mit Diamant und Fensteremail Frankreich, um 1900 Gelbgold 750/-, getestet. Garantiestempel für Exportgegenstände aus Gold seit 1879. Nr. 2930. 1 Altschliffbrillant von ca. 0,10 ct. Rosafarbenes Fensteremail, schwarze Farbe. Restaurierungen. Ca. 1,2 x 1,5 cm. Ca. 13,57 g. SvP Brosche in Form eine Wildrosenzweiges mit Diamant und Fensteremail A brooch in the shape of a wild rose branch with diamond and plique-à-jour enamel France, circa 1900 Yellow gold 750/-, hallmarked. Guarantee stamp for export items made of gold since 1879. Number 2930. 1 old brilliant cut diamond of approx. 0.10 ct. Pink plique-à-jour enamel, black colour. Restorations. Approx. 1.2 x 1.5 cm. Ca. 13.57 g.
Carteluhr Carteluhr Paris, Louis-XV-Stil, Chambon Bronze, vergoldet. Geschwungenes Gehäuse mit Rosenranken, schnäbelnden Tauben und Putto als Bekrönung. Weißes Emailzifferblatt mit römischen und arabischen Ziffern bez. "Chambon A PARIS". Rückplatine bez. "Chambon A Paris". Pendel mit Fadenaufhängung. 1/2-Stunden-Schlossscheibenschlagwerk auf Glocke. 76 x 46 x 18 cm. Provenienz: Privatsammlung, München. Carteluhr A cartel clock Paris, Louis XV style, Chambon Bronze, gilt. White enamel dial with Roman and Arabic numerals inscribed "Chambon A PARIS". Back plate inscribed "Chambon A Paris". Pendulum with thread suspension. 1/2 hourly count wheel striking mechanism on bell. 76 x 46 x 18 cm. Provenance: private collection, Munich.
Carteluhr Carteluhr Salzburg, letztes Drittel 18. Jh., Johann Bentele (Pentele) Holz, geschnitzt, vergoldet. Louis-XVI-Gehäuse mit Lorbeergirlandendekor und Vasenaufsatz. Emailzifferblatt mit römischen und arabischen Ziffern, bez. "Johann Bentele a Salzburg". Rückplatine bez. "Johannes Bentele a Salzburg". Pendel mit Fadenaufhängung. 4/4-Schlagwerk auf zwei Glocken. Repetition. Schlüssel. 101 x 50 x 20 cm. Vgl. Abeler, Jürgen, Meister der Uhrmacherkunst. Wuppertal 1977, S. 475. Carteluhr A cartel clock Salzburg, last third of the 18th century, Johann Bentele (Pentele) Wood, carved, gilt. Enamel dial with Roman and Arabic numerals, inscribed "Johann Bentele a Salzburg". Back plate inscribed "Johannes Bentele a Salzburg". Pendulum with thread suspension. 4/4 striking mechanism on two bells. Repeater. Key included. 101 x 50 x 20 cm. Cf. Abeler, Jürgen, Meister der Uhrmacherkunst. Wuppertal 1977, p. 475.
Brosche in Form eines vierblättrigen Kleeblattes Brosche in Form eines vierblättrigen Kleeblattes Newark, New Jersey,USA, um 1900, KREMENTZ & CO Gelbgold 585/-, getestet. Juwelierpunze. Gelbgrünes und gelbes opakes Email. D. ca. 4,3 cm. Ca. 11,7 g. Die Firma Krementz war 131 Jahre das Aushängeschild für die Schmuckherstellung in Newark, New Jersey. Georg Krementz, 1840 in Deutschland geboren, gründete 1866 mit seinem Cousin Julius Lebcheucher dort ein Schmuckgeschäft. Bald wurden Krementz & Co. die Pioniere in der Herstellung von Knöpfen aus massiven Gold, die es aber auch in einer vergoldeten Version gab. Neben Knöpfen spezialisierte sich das Haus auf Manschettenknöpfe und Krawattennadeln. Um 1900 war die Firma weltweit führend in der Kategorie Herrenschmuck. Zu dieser Zeit begann das Unternehmen auch Schmuck für Damen herzustellen. Designs wie das Kleeblatt wurden bei Schmuckstücken für die Dame wie auch für den Herren angeboten. So findet sich dieses bei der vorliegenden Brosche und auch als Zierkopf bei der angebotenen Krawattennadel. SvP Brosche in Form eines vierblättrigen Kleeblattes A four-leaf clover brooch Newark, New Jersey, USA, circa 1900, KREMENTZ & CO Yellow gold 585/-, assayed. Jeweller's hallmark. Yellow green and yellow opaque enamel. Diameter approx. 4.3 cm. Ca. 11.7 g.
Flakon und Schale 'Nemours' Flakon und Schale 'Nemours' René Lalique, Paris Farbloses Glas, formgeblasen. Tlw. mattiert, schwarze Emailpunkte. Am Boden bez. Lalique France. H. 15,5 cm und 10,5 cm. Flakon und Schale 'Nemours' A 'Nemours' bottle and bowl René Lalique, Paris Colourless glass, mould-blown. Partly frosted, black enamel dots. Inscribed Lalique France on the bottom. Height 15.5 cm and 10.5 cm.
Zwei Krawattennadeln mit vierblättrigem Kleeblatt und Marienkäfer Zwei Krawattennadeln mit vierblättrigem Kleeblatt und Marienkäfer USA, Anfang 20. Jahrhundert KREMENTZ Gelbgold 14 K (585/-), gestempelt, Juwelierpunze. Eingravierte Nummer 3709. 1 Saatperle. Grüngelbes, gelbes, schwarzes, rotes und weißes opakes Email. An der Käfernadel kleine Lötstelle. Email min. best. L. ca. 6 cm bzw. 5,6 cm. Ca. 3,05 g. Als Glücksbringer für das Neue Jahr wurden Schmuckstücke mit diesen Motiven in den Vereinigten Staaten von Amerika gerne in der Sylvesternacht verschenkt. SvP Zwei Krawattennadeln mit vierblättrigem Kleeblatt und Marienkäfer Two tie-pins with four-leaf clover and ladybird USA, early 20th century KREMENTZ Yellow gold 14 K (585/-), hallmarked. Jeweller's mark. Engraved number 3709. 1 seed pearl. Green yellow, yellow, black, red and white opaque enamel. Small solder joint on the needle of the ladybird. Minor damage to enamel. Length approx. 6 cm / 5.6 cm. Approx. 3.05 g.
WESSELMANN, TOM WESSELMANN, TOM 1931 Cincinnati, OH/USA - 2004 New York Titel: Steel Drawing/Sitting Nude Edition. Datierung: 1986/87. Technik: Emaille auf mit Laser geschnittenem Stahl. Maße: 61 x 73 x 0,5cm. Bezeichnung: Signiert, nummeriert und datiert verso: Wesselmann 17/25 87. Zudem Werk- und Installationsangaben. Herausgeber: Sidney Janis Gallery, New York (Hrsg.). Exemplar: 17/25. Rahmen: Im Plexiglaskastenrahmen (75 x 85 x 6cm). Provenienz: - Privatsammlung Nordrhein-Westfalen Tom Wesselmann findet erst auf Umwegen zur Kunst. Nachdem er zunächst Psychologie in Ohio studiert, leistet Wesselmann, während dem zu Beginn der 1950er Jahre ausgebrochenen Koreakrieg, seinen Militärdienst ab. Nach dem Krieg absolviert er ein Kunststudium in seiner Heimatstadt Cincinnati sowie in New York. Zu Beginn seiner Karriere arbeitete er noch expressionistisch, gibt dies jedoch früh auf und wendet sich dem Stil zu, der es heute unter dem Begriff Pop-Art zu Weltruhm gebracht hat. Tom Wesselmann zählt zu den Pop-Art Künstlern der ersten Generation und steht so auf Augenhöhe mit international verehrten Künstlern wie Roy Lichtenstein und Andy Warhol. Doch es gibt signifikante Unterschiede zu dem Werk seiner Künstlerkollegen. Während viele herausragende Vertreter der Pop-Art ihren Fokus auf eine kritisch-ironische Besprechung der modernen Konsum- und Warenwelt richten, konzentriert sich Wesselmann in seinen Arbeiten eher darauf, einen ästhetischen Blick in die Dinge des Alltags zu ermöglichen. Im Jahr 1983 wird der Grundstein für die uns vorliegende Arbeit "Sitting Nude" gelegt. In diesem Jahr überträgt der Künstler seine Zeichnungen erstmals auf Metall. Bei Wesselmann besteht zwar schon zuvor großes Interesse an den Formen des weiblichen Körpers, das Aufbringen der Zeichnung auf Metall und besonders das anschließende Ausschneiden mittels Laserstrahl sind aber neue Entwicklungen in seiner Arbeitstechnik. Bei unserer Arbeit aus dem Jahr 1987 hat Tom Wesselmann diese Technik bereits weitestgehend erprobt. Doch nicht nur aus diesem Grund stellt "Sitting Nude" eine charakteristische Arbeit des Künstlers dar. Um seine weiblichen Akte klar von der Porträt-Gattung abzugrenzen verzichtet Wesselmann bewusst auf jegliche Gesichtszüge. Lediglich weibliche Attribute wie Lippen, Haare und Brüste arbeitet der Künstler heraus. So provoziert er den Betrachter indem er bewusst Frauen auf ihre Körper reduziert, lässt gleichzeitig aber genug Raum für eigene Interpretationen des Betrachters. Tom Wesselmann hat sich als Mitbegründer der Pop-Art in die Kunstgeschichte einzementiert. "Sitting Nude" steht hier nicht nur exemplarisch für die technischen Innovationen, sondern auch für den neuen ästhetischen Ansatz den Wesselmann als einer der ersten der Weltöffentlichkeit präsentiert. Erläuterungen zum Katalog Tom Wesselmann USA Pop Art Nachkriegskunst Objekte 1980er Figur / Figuren Zeichnung Stahl Akte WESSELMANN, TOM WESSELMANN, TOM 1931 Cincinnati, OH/USA - 2004 New York Title: Steel Drawing/Sitting Nude Edition. Date: 1986/87. Techinque: Enamel on steel cut with a laser. Measurements: 61 x 73 x 0,5cm. Notation: Signed, numbered, and dated verso: Wesselmann 17/25 87. Additionally information on work and installation. Publisher: Sidney Janis Gallery, New York (publisher). Number: 17/25. Frame: In plexiglass box frame (75 x 85 x 6cm). Provenance: - Private collection North Rhine-Westphalia. Explanations to the Catalogue Tom Wesselmann USA Pop Art Post-War Art Sculptures 1980s Figure / Figures Drawing Steel Nudes
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