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396325 Los(e)/Seite
Los 1299
A George III gold mourning ring, the octagonal centre section set with an oval locket compartment containing fine plaited hair within a gold collet, with further white and black enamel borders, the enamel decoration repeated to the shank with the memorial inscription 'Ann Knight ob 21 May 1805 Ae 18', obscured maker's mark (possibly IP), size T
Los 1303
A George IV seed pearl and enamel gold mourning ring, the rectangular centre section set with seed pearls on black enamel ground, with openwork bifurcated scroll carved shoulders with further enamel decoration, with inner inscription 'Anne Scholefield ob Sepr 1826 Ae 73' London marks for 18ct 1826, size P 1/2
Los 1325
A gold Stuart crystal romantic ring, late 17th century, the faceted crystal covers two winged putti, both clasping a heart with red enamel decoration and the putti in white, gold wire scrolling border on finely plaited hair ground, undulating decoration to the border and with blue enamel decoration to the carved border, lobed to the reverse and matching enamel decoration to the carved shoulders, size M
Los 1337
A Queen Anne gold memento mori ring, centred with an oval locket compartment containing a skull and cross bones between the gold wire letters EJ on hair ground, glazed with faceted crystal, with black enamel decoration exposing a gold skeleton with crossed bones above the skull and a crossed pick and shovel below the feet, engraved to the interior 'ET : obt 29 Aug : 1712 aet 45', maker's initals WN, size P
Los 1377
A late 19th century carved opal cameo pendant, probably by Wilhelm Schmidt, depicting Arion and Delphinus with neoclassical scroll surround decorated with polychrome enamel, rose-cut diamonds and pearls, suspending from three pearl-set chains and an emerald-mounted scrolling upper section in yellow gold, 11cm long, fitted case "In reply to your wish to be informed when opal cameos were first cut in Europe, I may mention the date of 1874, when I invented the new process of cutting opal cameos in such a manner as to utilise the matrix of rough opal for the ground... Mr John Brogden exhibited the first one, which I cut, amongst his other exhibits at the Paris Exhibition, 1878..." - Wilhelm Schmidt, (1845-1938), to gem collector, Abraham Booth, who owned numerous fine examples carved by the talented Schmidt. Schmidt was born in Idar Oberstein. At the age of 15, he was sent to Paris as an apprentice to Arsène, who trained him in the neo-classical tradition. However, by the time he graduated in the 1860s, the French fashion for stone cameos was waning. Eventually, Schmidt settled in London, where he set up an engraving business in Hatton Garden, trading alongside his gem-dealing brother Louis, who imported numerous unusual and rare specimens with which he could work. Schmidt carved cameos for John Brogden, Guiliano and Child & Child, and attracted several prestigious patrons including the Museum of Practical Geology, to whom he sold cameos engraved from quartz, sardonyx, jasper, labradorite, moonstone and opal, which was to become his trademark. "Opal cameos, if rare, were not unknown (in the 19th century) but Schmidt had invented a novel technique: instead of carving the whole cameo from precious opal, he used blanks with a thin layer of precious opal overlaying the matrix, in the same way in which the contrasted layers of agates were traditionally used to set off the background." Gertrud Seidmann, a connoisseur of Schmidt's work. Schmidt never signed his work and the cameos he produced for jewellery shops and dealers were never credited to him. Examples, attributed by Seidmann, are in the collections of the Natural History Museum, London, the British Museum and the Fitzwilliam Museum, Cambridge. Literature: SEIDMANN, G., Wilhelm Schmidt: The Last Neo-Classical Gem-Engraver, (London: Source Title: Apollo CXXVIII No. 317: July-1988)
Los 1381
A 19th century Renaissance revival gold pendant brooch, depicting Porphyrion, King of the Greek Gigantes, with the arrow of Apollo in his hand, wearing laurels of Delphi, the lower body formed from one pearl, the serpent legs decorated with enamel, within polychrome enamel gold scrolling surround, set with pearls, with a ruby sash and enamel armour, suspended from a fine-link gold chain, with brooch fitting to reverse, 10cm high For a similar example see The Canning Jewel, V&A exhibit no. M.2697-1931. Originally thought to be a Renaissance jewel, further research now dates it to being a 19th century pastiche, as with lot 1381.
Los 1445
An Art Deco gem-set open foliate bar brooch, c1925, centred with a sugarloaf emerald and millegrain-set with small circular-cut diamonds, cabochon sapphires and further emeralds, in platinum, the rectangular frame with black enamel decoration and with two square-shaped diamonds to each terminal, white gold pin, stamped with multiple marks including French control marks and initials ST, 5.5cm wide
Los 1450
Fabergé - A silver-gilt and gold strawberry red enamel box, workmaster August Holmstrom, of rectangular form with guilloche enamel decoration overall, hinged cover and two gold laurel bands, thumbpiece set with rose-cut diamonds, 8.5cm wide, 1.0 cm deep, original fitted wood case with signed silk lining, signed ФАБЕРЖЕ, workmaster's initials, 88 with kokoshnik, all repeated to the cover with scratched inventory number 9590 Provenance: Purchased by the current owner from Wartski in 1975. With a copy of the purchase valuation signed by Kenneth Snowman.
Los 1452
Fabergé - A pink enamel and gold brooch, workmaster August Hollming, of elongated octagonal design decorated with pink guilloche enamel and a central diamond, maker's mark for August Hollming, St Petersburg mark and 72 zolotnik, 3.4cm wide, Wartski case Provenance: Purchased by the current owner from Wartski in 1968. Accompanied by the original purchase valuation dated 10 December 1968 from Wartski.
Los 1453
Fabergé - A gold and enamel parasol handle in the Louis XVI manner, workmaster Michael Perchin, of tapered cylindrical form with three trellis panels set with rose-cut diamonds on oyster coloured enamel ground, each centred with cabochon rubies within green enamel laurels and futher rose-cut diamond borders, the panels separated with green and red enamel foliate lines and six pearls, centred at the top with a cabochon ruby within rose cut diamond border on a pink guilloche enamel ground, the base with a band of similar coloured enamel between rose-cut diamond bands, with a later added circular chalcedony mounted gold seal section, signed ФАБЕРЖЕ to base and 56 Zolotnik, totally rubbed mark possibly for Michael Perchin, scratched inventory number 6362, 8cm long in total, associated fitted box.
Los 1010
A collection of jewellery, including a pair of 19th century green and white paste-set drop earrings, reputed to have been owned by Joan Evans, two sections of 19th century green paste-set gilt metal necklace, an Indian gold Pertabghar brooch depicting animals with a tree, a hardstone compass pendant, various items of green paste and malachite-set jewellery, a gold South-African coin pendant, a 9ct gold bowling medallion pendant, a gold T-bar etc, together with a 14ct gold open-faced dress pocket watch with black enamel decoration, the dial signed Asprey and with subsidiary seconds dial, movement signed Tissot, and a gold-plated dress pocket watch
Los 1013
A collection of jewellery items, including a 19th century blue enamel and seed pearl ring (one seed pearl missing), size L, an opal five stone ring (one opal loose from mount), size M 1/2, an amethyst and seed pearl gold pendant, a gold kitten pendant, a gold spherical watch key, and a gilt metal pendant, together with an Arts and Crafts gem-set gold ring, of foliate design and set with peridots, a ruby and a garnet in silver and gold, size M, a rectangular gold ring set with a blister pearl, size M, a small regency gold brooch, a gold plaque ring, a lady's gold wristwatch and a gold scarf ring set with a diamond
Los 1043
A group of three early 19th century mourning rings, including a seed pearl and black enamel mourning ring, with glazed locket compartment containing hair, with inscription for 1817, size M, with another similar ring with inscription for 1831, size U, and an oval locket ring containing plaited hair and seed pearl initials WG, size S
Los 1044
A 19th century coral and seed pearl gold ring, the row of square-shaped coral cabochons set within a surround of seed pearls, size O, a 19th century garnet-set gold ring with white enamel decoration to the pierced scroll shoulders, size M, A George III gold ring set with a rectangular-shaped garnet within a surround of seed pearls and further seed pearls and circular-cut black onyx to the shoulders, size M and a George III reverse-carved crystal brooch, depicting a dog within rectangular gold mount
Los 1045
A group of five George III gold mourning brooches, including a lozenge-shaped locket brooch with blue and white enamel dated 1785, containing hair and gold initials WR on plaited hair, three other seed pearl and hair mourning brooches and a painted mourning scene on ivory in yellow gold frame, dated 1788 to reverse
Los 1219
A silver and enamel pendant attributed to Jessie M King, for Liberty, c1900, enamelled in blue and green #(damaged) on an embossed frame, decorated with flowerheads and similarly enamelled quatrefoil finials, with a baroque pearl drop, green counter enamel, on fine-link silver chain, pendant 6.5cm wide, chain 43cm long Literature: for a similar pendant, see ARWAS, V., Art Nouveau in Britain: From Mackintosh to Liberty, The Birth of a Style, p.22 A similar example is illustrated: KARLIN,E.Z., Jewelry & Metalwork in the Arts & Crafts Tradition(1993), p140
Los 473
Two 9ct gold signet rings set with bloodstone, one monogrammed a/f, sizes L1/2 and P, combined total gross weight approx 11.7gms, a unmarked yellow metal puzzle ring, probably 18ct gold, total gross weight approx 3.4gms, size M1/2, a diamond set unmarked yellow metal/enamel brooch, a 9ct gold and pearl ring, size L and a 9ct gold cameo size G, combined total gross weight approx 3gms and three unmarked yellow metal pins
Los 514
A Victorian black enamel and yellow metal oval mourning brooch, 'In Memory Of' hair compartment to centre; together with a Victorian large yellow metal and blue enamelled swivel brooch, hair compartment to reverse; an early Victorian hardstone cameo mourning brooch, dated 1840; and a late 19th century carved ivory brooch; and another (5)
Los 3073
A collection of British & World Fire Brigade cap badges mounted on two wooden shields with Derbyshire Fire Service Coat of Arms and another Crest. 44 badges in total. Includes Leicester City, Leicester & Rutland, Metropolitan Fire Brigade in enamel x 2 , Jackson Fire Dept, Driver NYFD, Edmonton Fire Dept, London Fire Brigade, BC Ltd x 2, Santander, French, Hong Kong, Huddersfield, City of Hamilton, Dorset, Waterford Fire Service, rank pips, etc.
Los 3265
Royal Antediluvian Order of Buffaloes: three Silver Gilt and enamel medallions (Approx 2.2oz) all to Brother Denis W Hutchins of the Peace & Unity and Capricorn Lodges: Sash to the Sir Charles Napier Lodge, neck badge to the Capricorn Lodge, award certificates all 1960's dated and manuals of instruction. Along with a "Silver Saddles Country & Western Club" Membership badge.
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396325 Los(e)/Seite