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396323 Los(e)/Seite
*A circa 1993 Mercian Gentleman's Lightweight Bicycle. A 22 1/2-inch frame finished in black and grey enamel and possessing Campagnolo fittings, to include 16-speed gearing and controls, their 'Mountain Bike Fittings' range, Wolber rims with quick release hubs, Brooks Colt saddle, water carrier mounted on the seat tube, centre-pull brakes, dynamo lighting, rear rack, pump, etcetera. A complete, useable bicycle, albeit the front tyre and tube are missing (1)
*A circa 1931 Raleigh Record. A forerunner of the Record Ace, a lower frame model with a number of 16761, having a black enamel finish and decals, the 22-inch frame includes a chain wheel dated 'S' (1931), driving a double fixed hub, Endrick rims with wingnuts back and front, a Bowden cable operated contracting brake to the front wheel, North Road handlebars mounted on a single tube extension, Raleigh pneumatic pump, rat-trap pedals with toe clips and a Lucas 'Calcia Cadet' acetylene gas lamp fitted to the nearside fork with a bell and a B17 saddle (1)
*Four oil-powered lamps. A Premier Lamp and Engineering Co. miner's safety lamp, having a threaded oil reservoir, hand controls and etched glass shade, a Duntaffell cart lamp with its correct oil illuminant, a square pattern oil side lamp and a British Rail, clear, red and green guards hand lamp with a near perfect black enamel finish, all in good, sound condition (4)
*John Williams of Neath semi-lightweight tricycle. A 22 inch frame finished in red enamel and retaining aluminium tubeless rims, 'Touring' tyres, aluminium mudguards, 17 inch handlebars, double brakes on the front wheel (Weinmann & Mavac), Brooks B17 saddle and saddle bag, 14 speed Suntour gearing, a bottle carrier and handlebars mounted mirrors (1)
*Brooklands Automobile Racing Club. A full member's motor-car badge, numbered 745 verso, with good enamels, depicting two racing cars at high speed beneath the members' bridge, the image designed by F. Gordon-Crosby, although the surface is a little scratched, the enamel is in remarkably good order, save for a small chip to the top right corner, the chromium-plating has oxidised (1)
*Northampton Aero Club. A rare member's enamel badge, circa 1930s, chrome and enamel finish depicting a bi-plane flying over the clubhouse flanked by wings, 13.2cm wide Founded in 1928, the original Northamptonshire Aero Club went through some remodelling in the 1930s becoming part of Brooklands, an exclusive Art Deco club house in which members could make full use of the bar and catering facilities. (1)
*A circa 1948 Bates 'Best All Rounder' Lightweight Bicycle. Having a 23-inch cream enamel Cantiflex 531 tubed frame with box lining and Bates decals, albeit with two Westcliff on Sea transfers, this delightful bicycle features Bates Diadrant front forks, a Chater-Lea chain set and fluted 7-inch cranks driving a fixed-wheel Sturmey Archer ASC three-speed hub gear dated February 1950, with an alloy shell, also, a pair of Resillion brakes, the front being lockable, Reynolds handlebar extension with a 'Coloral' water bottle and quick release carrier fitted, correct gear lever, aluminium pump, Bluemels 'Lightweight' mudguards supported by Rigida eyes, rat-trap pedals and toe clips. Coming with this lot is also a spare Chater-Lea chain ring and a large flange front hub (3)
*A circa 1903 Dursley Pedersen Gentleman's Bicycle. A size 3 (?) machine numbered 4114, the size number being indistinct, restored to a high standard a few years ago, it possesses cow-horn handlebars, three-speed DP gearing with a down tube control of the correct type, front stirrup brake operated by Bowden cable, but an auxiliary back-pedalling brake fitted to the bottom bracket, together with a Lucas bell and nicely rewoven saddle, the correct style nickel-plating is in excellent order, as are the green enamel finish and the stainless Westwood rims (1)
*W. H. Tilley Floodlight. An impressive and large free-standing paraffin-powered lamp from the renowned Tilley Company, this lamp appears complete with a wooden handle pressure pump, mantle (still available) carrying handle, stand and patented crack-free front glass, retaining its original black enamel finish, it stands 66cm high, possesses instructions for use and appears to be in working order The name Tilley became a generic word for a kerosene lamp during the Great War. (1)
A Hays of Worcester silver open faced pocket watch, Birmingham 1913, signed white enamel dial with black Roman numerals, gilt hands, sunken subsidiary seconds dial, the three piece hinged Dennison case housing a signed key wound movement, numbered 50242, overall diameter 5.3cm, weight 133g, together with a heavy silver watch chain of solid graduated curb links, length 45cm, weight 108g gross
Militaria, Badges, including World War One and later, Port of London war service; Birmingham Battalion; City of London Police Reserve, City of London N.G.V.; National A.R.P. Animals-Animal Guard; India Royal Army Temperance Association 1911 Coronation medal; Friendly Society of Iron Founders; others including sentimental, sweethearts, schools etc in silver and enamel and base metal
A FINE GOLD OPEN-FACED KEY-WIND POCKET WATCH, probably Swiss, second half of the 18th century, the white enamel dial with inner Roman numerals and outer Arabic seconds chapter, with gilt hands and centre-sweep seconds hand, the fusee movement with filigree and engraved cock plate, the interior back cover inscribed "The Emperor Watch, Loot from the Summer Palace of the Emperor of China, Pekin, October 1860, Frank W. Cheney", the interior of the inner case with a coronet mark and numbered 10824, the dial 5cm diameter, the watch 8cm high overall Provenance: Almost certainly taken from the Summer Palace (Yuanmingyuan) in 1860 by Sergeant William Murphy (1833-1885) of the (King's) 1st Dragoon Guards and acquired from him shortly after by Frank Woodbridge Cheney (1832-1909), and thence by descent. F. W. Cheney was descended from the pioneering American clockmaker Benjamin Cheney. In 1855 he was made a director of the historic Cheney Brothers Silk Company, co-founded by his father. Frank later became the firm's general manager and under his guidance it became an international leader in the silk manufacturing business. Between 1859 and 1861 F.W. Cheney was sent by the company to buy raw silk in the Orient and to study the Chinese silk industry. It was during this period that he acquired what the Cheney family have always referred to as 'The Emperor Watch'. This period in his life is recorded in 'Frank Woodbridge Cheney: Two Years in China and Japan' by Antoinette Cheney Crocker, 1970. On page 13 the author specifically refers to Cheney acquiring the watch from soldiers involved in action at the Summer Palace in 1860. The vendor's family have understood by tradition that the soldier in question was a British Cavalry Sergeant called William Murphy. K J Asplin's 'China Medal Roll 1856-60', 2004 vol. 2 only includes one person who could possibly fit that description - Sergeant William Murphy (1833-1885) of the (King's) 1st Dragoon Guards. This unit was heavily involved in the action in Peking in 1860 and in the lamentable sacking of the Summer Palace. For an account of Murphy's life and military career see the Journal of the Orders and Medals Society of America, vol. 60, no. 3, May-June 2009. Interestingly, a hand-written family note about the watch, states that it was given to Cheney by 'his sergeant'. It seems clear from this that Cheney was well-acquainted with Murphy. Given the dangerous conditions in China at the time, it may well be that the British army provided some protection to the American businessman during his activity there. After returning to the United States in 1861, F.W. Cheney became a lieutenant colonel of the 16th Connecticut Volunteers. In September 1862 he led his men in the Battle of Antietam, the first battle of the American Civil War and the bloodiest single-day battle in US history. He was severely wounded in combat and following his recovery he returned to the family silk business. Chinese Imperial taste for European watches, particularly by the Qianlong Emperor, is well-documented. Given the 18th century date of this watch it seems likely that it entered the Palace complex during Qianlong's reign.
A PAIR OF CHINESE CANTON ENAMEL SQUARE DISHES with canted corners, decorated with butterflies above baskets of flowers, the bases seal marks Zhuju (Bamboo House), Yongzheng - Qianlong, 12cm from corner to corner (2). Provenance: An Important Private Collection of Chinese and other East Asian Art.
A 19th century cloisonne censer and wood cover, two lug handles raised above the polished circular rim, the turquoise blue ground body scrolled with lotus and supported on three legs with white petal lappets around the metal feet, 12cm (4.75 in) diameter (2) There is a bruise to one side with minor loss of enamel
A 19th century Canton enamel quatrefoil box, a tray and later vase, the box with a yellow ground and the tray pink, both painted with figure reserves, 10cm (4 in) and 11cm (4.25 in) wide respectively, the baluster shaped vase with a red ground, 14cm (5.5 in) high (4) The box cover has lost a chip of enamel from one side
Two 18th century quart mugs, both of slender bell shape and famille rose enamel elements, one predominately blue and white with a fenced garden and the other with two gilt crabs within a fenced flower and blue rock garden, 15cm (6 in) high (2) (D) The blue has nibbled and bruised handle and rim. The famille rose mug has a chip to both the rim and foot
An enamel ruyi sceptre, the quatrefoil head painted with a European mother and child in a garden, the flowers on a yellow ground broken by central and basal vignettes of lotus, chrysanthemums and peonies on a white ground within blue frames, four character mark of Qianlong, 36cm (14.25 in) long Good
Two pairs of 19th century Canton enamel bowls and stands, the larger pair with iron red shou characters alternating with flowers on a turquoise ground. the apple green stands 11cm (4.25 in) diameter, the yellow ground pair with flared rim and panelled cylindrical feet, the petal edged stands 12cm (4.75 in) diameter (4) One of the first bowls has four losses of enamel. One of their stands has a large loss from the underside and a smaller one from the top. One of the yellow ground cups has some restoration to the rim interior. One of the stands has a loss from its top and three losses from beneath
A 20th century bamboo and a cloisonne brush pot, the straw yellow cylindrical exterior of the first carved through to the underlying red wood with Noh masks of Okame amongst male characters, 15cm (6 in) high, the cloisonne worked with ghoulish beasts on a midnight ground, 15.5cm (6 in) high (2) The bamboo has two cracks on the exterior which do not penetrate the interior. the enamel has a bruise below the yellow headed scoop held by one of the beasts
Two late 19th/early 20th century champleve enamelled bronze vases, the baluster shape of the taller with two bands of daodieh and with mask and ring handles. 30cm (11.75 in) high. the ovoid shape of the smaller also with mask and ring handles and with two bands of archaic taste birds, four character seal mark, 23.5cm (9.25 in) high (2) The larger has a small area of enamel loss
French 19th Century Fine Gilt Bronze & Champagne Enamel Mantle Clock & Garniture Circa 1860/70. Marked G.H.L.S - M.T. Number 19753 to movement with 8 day striking on a bell movement. Clock size 16'' in height, 8.25'' in width, 5.25'' in depth. The condition is excellent all pieces & in fine working order.
Pink and White Crystal Corsage Style Bangle, a hinged bangle with a pink enamel, graduated pink crystal and white crystal lily to the centre front, and Art Nouveau leaf and bud designs to the sides, in green, pink and lilac enamel, studded with pink and AB crystals; hinged to the back, the closure, to one side of the lily, is completely hidden
Large Early Victorian Mahogany Cased Grandfather Clock with an arched decorated enamel face depicting county with an eight day movement. Makers name on dial 'Jas.Bowes. Bradford. The case with scroll arched top with side spindles to the trunk of the case. Terminating on shaped bracket feet. 26'' in width, 92'' in height. Circa 1830/40
Art Deco Enamelled Travelling Strut Clock, Barrel Shaped Silver Case With Guilloche Enamel Border, Silvered Dial With Arabic Numerals And Mercedes Hands, Top Wind Crown, Brass Back, Strut And Screw Down Case, 8 Day Movement Marked Octava Watch Company Switzerland, 15 Jewels Unadjusted, USAP 816321, Movement Ticking But Not Tested For Accuracy. Height 88x70mm
A French gilt metal and Alabaster figural mantlel clock With an 8cm enamel dial with Roman numerals the two train movement with outside countwheel striking on a saucer bell the fluted drum case surmounted with a vase of blooms, grapes and vine flanked by a figure holding a basket of grapes raised upon a shaped Onyx plinth applied with gilt metal mounts raised upon shaped feet with a purple beige lined serpentine plinth and a ebonised stand with pendulum under a glazed dome, overall height 41cms.
A nineteenth century gilt brass and bronze bell shape table clock. With a 9cm dial with white enamel cartouches with Roman numerals, the two-train movement striking on a coiled gong contained within an unusual bell shape case with leaf, fruit and figure cast borders and Latin inscriptions including Spiritu Tuo, raised upon tupi feet the shaped top with a classical sphere supported at either side with crossed spears, each with winged bird terminals and crosses raised upon a shaped octagonal ebonised plinth. The clock measures 35cm with a key and pendulum.
A French gilt brass mantel clock With a 8cm dial inset with white enamel cartouches, Roman numerals, the two train key wound movement No: 14357 striking on a saucer bell, the case surmounted with a spirally fluted urn with a fruit finial and pendant leaves above a panel cast with pendant leaves and flowers embraced by four fluted columns raised upon a plinth base with outset angles, terminating in toupee feet, the rear door with a gilt bevelled glass door. 34.5x22x13cms.
A French gilt brass striking carriage clock. With a 5.5cm white enamel dial, signed Goldsmiths & Silversmiths, 12 Regent Street, London with Roman numerals, blued steel hands, the eight-day two-train movement with platform lever escapement striking on a coiled gong, the back plate stamped Made in France no.463, the bevelled glazed corniche case with an oval viewing aperture to the top, fluted columns raised upon a plinth base and bracket feet with red morocco leather covered travelling case with aperture cover, glazed panel, original handle and key (illustrated). 12cm high excluding handle (2).
A late 19th Century gilt metal carriage timepiece with travelling case With a 5cm white enamel dial with Arabic numerals painted with brightly coloured festoons of flowers and leaves, blued hands with a platform lever escapement, the ornate gilt metal case with a rope work frieze, bevelled glass viewing aperture with a Morocco leather carrying case, lacking handle with key.15cms high, extended handle.
An attractive French white marble and gilt metal clock garniture Early 20th Century the clock with a 10cm convex enamel dial with Arabic numerals painted with festoons, foliate pierced hands enclosed by gilt metal beaded glazed bezel the two train Samuel Marti movement, "Medaille D'Or), (1900-1931) with an outside countwheel striking on a bell, the case with a bell shape top surmounted with a flaming torch, quiver and a laurel wreath, the slender upright case applied with ribbon tied leaves raised upon a plinth base, raised upon leaf cast bell shape feet. 32x16.5x12cms, and a pair of conforming two branch candelabra each with flambeau finials raised upon square plinths and conforming feet. (2) (illustrated)
An early 19th Century Oak longcase clock, signed R. Griffith, Denbigh With a 35.5cm white enamel dial, with subsidiary seconds dial lacking hand above a date aperture, Roman and Arabic numerals, the two train eight day movement with outside countwheel, rack striking on a bell, the case with a swan neck cresting above turned hood columns, the long trunk door flanked by reeded quarter columns raised on a plinth base,. 213x49cms.
An early 19th Century inlaid mahogany longcase clock, signed Richardson Brampton With a 35cm white arched dial with subsidiary seconds and date dials, Roman numerals, the spandrels painted with flower heads and leaves, the arch decorated with a pastoral of a shepherdess, the two train eight day movement with anchor escapement, rack striking on a bell, the case with a swan neck cresting above baluster hood columns, the trunk with a panelled door with well figured wood, raised on a plinth base and bracket feet, overall with rosewood crossbanding, with two weights and a pendulum, 225 x 54cm. (illustrated) CONDITION REPORT: Lot 2161 The case, restoration to the the right hand swan neck, half way down, possibly lacking rosettes to the roundels at the tips of the swan neck, minor piece of veneer missing left hand side of frieze above left hand baluster column 1.5 x 1cm , some bruising to the left hand baluster column, possible old breaks to each baluster column, just above the vase shaped baluster where it joins the long slender baluster, traces of old glue and restoration on the left hand side of the top baluster, re veneering to the right hand angle of the arched glazed door where the hinge is attached, minor slither of veneer right hand side to the right of the column 1 x 1.5cm, trunk door well figured no warp, good feather figuring to the panel above the door, lower panel possibly replaced veneer inside of the cross banding small section left hand side 3 x 1cm, original back board with blocks, the arched dial some crackling to the white enamel, some rubbing to the gilt decoration to the spandrels, movement complete with pendulum.
A pair of Victorian pink glass lustres. Each of tulip shape painted with blooms and leaves in enamel colours, vase shape stems, stepped circular bases, damage to one lustre. 27cm. CONDITION REPORT: Lot: 1786 The first chip to outer white enamel rim 0.5cms at the extremity tapering, some minor rubbing to outer rim, gilt work rubbed to the outer frieze, gilt work rubbed beneath the white, yellow and blue enamel flowers, gilt rubbed between the enamel flowers the red roundels gilt band extensively rubbed above the clear glass pendent, clear glass lustres good condition, The second of the pair extensive rubbing to the gilt, one clear glass lustre broken and part missing.

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396323 Los(e)/Seite