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396323 Los(e)/Seite
a Rare Chrome Plated Single Push Chronograph Wristwatch, circa 1945, nickel finished lever movement, white enamel dial with outer re tachymeter scale, Arabic numerals and subsidiary seconds, case with single button in the band to operate chronograph hand, snap-on back numbered "6457", 30mm See illustration
an 18ct Gold Full Hunting Cased Chronograph Quarter Repeating Pocket Watch, circa 1900, frosted gilt finished lever movement, bimetallic compensation balance with blued overcoil hairspring, white enamel dial with Roman numerals and outer fifths of seconds track, subsidiary seconds, centre chronograph hand operated by button in the band, plain polished case with repeating slide in the band, case numbered "6033", 51mm wide See illustration
an 18ct Gold Half Hunting Cased Keyless Lever Pocket Watch, 1919, nickel finished lever movement, bimetallic compensation balance with blued overcoil hairspring, white enamel dial with Roman numerals, subsidiary seconds, case with blue enamel Roman numeral front cover, case back with engraved monogram, cuvette with presentation inscription, case with maker's mark "MBS", Chester 1919 and numbered "5469", 50mm wide
an 18ct Gold Open Faced Pocket Watch, No.45776, 1876, frosted gilt finished lever movement, white enamel dial with Roman numerals, subsidiary seconds, case back with engine turning and vacant cartouche, case with maker's mark "MK", London 1876 and numbered "45776", 46mm wide, together with two colour gold chain, 15.2gms and 1911 sovereign
a Gold Full Hunting Cased Keyless Lever Pocket Watch, signed AWW Co, Waltham Mass, 1901-1902, frosted gilt finished lever movement, bimetallic compensation balance signed "Sterling American Waltham USA", white enamel dial with Roman numerals, subsidiary seconds, case with the covers with engraved decoration, engraved scroll and floral borders, 54mm wide, together with 9ct gold chain 15.2gms
an 18ct Gold Half Hunting Cased Keyless Lever Pocket Watch, signed William Sturrock, Edinburgh, 12 St Andrew Sq, No.26334, 1890, frosted gilt finished lever movement, bimetallic balance with blued overcoil hairspring, white enamel dial with Roman numerals, subsidiary seconds, case with blue enamel Roman numeral front, case with maker's mark "JW", London 1890 and numbered "334", 49mm wide
an 18ct Gold Open Faced Single Push Chronograph Pocket Watch, circa 1890, the frosted gilt finished lever movement "The Ascot patent 20th June 1887", white enamel dial with Roman numerals, fifths of seconds outer track, two subsidiary dials for seconds and 30-minute register, plain polished case with maker's mark "LW" and numbered "55871", 50mm wide
an 18ct Gold Open Faced Lever Pocket Watch with Power Reserve Indication, signed Charles Frodsham, 84 Strand, London, No.04897, ADFmsz, 1874, frosted gilt finished lever movement, bimetallic compensation balance with blued overcoil hairspring (balance staff broken), white enamel dial with Roman numerals, Up/Down sector dial at 12, subsidiary seconds, plain polished case, "later" bow, case with maker's mark "GAP", London 1874, 48mm wide
a 9ct Gold Full Hunting Cased Minute Repeating Chronograph Keyless Lever Pocket Watch, 1925, frosted gilt finished lever movement, bimetallic compensation balance with blued overcoil hairspring, hammers repeating on a outer steel coiled gong, white enamel dial with Roman numerals, two subsidiary dials for seconds and 30-minute register, plain polished case with chronograph and repeating buttons in the band, case with maker's mark "HEM", London 1925, and numbered "389", 52mm wide, together with 9ct gold watch chain, 27.6grms See illustration
an Fine 18ct Gold Full Hunting Cased Single Push Chronograph Pocket Watch with Independent Quarter Flying Seconds, signed Auguste Saltzman, Chaux de Fonds, No.1287, circa 1860, the nickel plated two train lever movement with 30 ruby jewels, bimetallic compensation balance with blued overcoil hairspring, movement engraved "Patented June 1858 isochronal vibrations Auguste Saltzman Chaux de Fonds No 1287" and "Independent", quarter seconds lever escapement 30 ruby jewels compensated balance, white enamel dial with Roman numerals, outer fifths of seconds track, centre chronograph hand operated with button in the band, subsidiary dial above 6 for flying quarter seconds, moon shaped hands, case nicely engine turned to the covers, coin edge decorated band, cuvette signed "Auguste Saltzman, Chaux de Fonds", case numbered throughout "1287", 56mm wide See illustration
an 18ct Gold Half Hunting Cased Chronograph Keyless Lever Pocket Watch, retailed by B Danyiger & Co, Johannesburg, 1881, frosted gilt finished lever movement, bimetallic compensation balance, white enamel dial with Roman numerals, outer fifths of seconds track, blued centre chronograph hand, case with plain polished finish, blue enamel Roman numeral front cover, slide in band to operate chronograph, case with maker's mark "IJTN", London 1881, and numbered "106895", 51mm See illustration
an 18ct Gold Open Faced Lever Pocket Watch with Power Reserve Indication, signed Charles Frodsham, No.03398 ADFmsz, 1866, frosted gilt finished lever movement signed and numbered, bimetallic balance, diamond endstone, white enamel dial with Roman numerals, up/down power reserve at 12, subsidiary seconds, case with ribbed decorated band, case back with small engraved inscription, case with maker's mark "JWS CF", London 1866 and numbered "03398", 54mm wide See illustration
a Lady's 18ct Gold, Enamel and Diamond Set Fob Watch, circa 1900, frosted gilt finished lever movement, bimetallic balance, white enamel dial with Arabic numerals, case nicely decorated with green guilloche enamel and gilded with leaf work borders, case back with a spray of pearls and a central diamond set, 25mm wide, together with associated bow brooch See illustration
an Unusual Gold and Enamel Musical Fob Seal, circa 1820, gilded movement with pinned comb, oval shape case with small slide lever to the band to operate musical movement, movement wound by central stem decorated with pastes (one missing), within a ring with the sides decorated with multi-coloured floral enamel decoration, plain head with two securing screws to the sides (one screw missing), 40mm high See illustration
an Enamel Double Inkwell, South Staffordshire, circa 1765, of hourglass section, painted with four landscape cartouches within gilt scrolls against a duck egg blue ground, enclosing two semi-ovoid ink receptacles with ropetwist rims, the shallow domed covers with compressed sphere knops, 13cm wide See illustration
an Enamelled Stud Box, South Staffordshire, circa 1775, circular, with painted motto in black "MAY WE BE HAPPY", within a circle of white dots on a light pink ground, 2.1cm diameter; Another, "TRIFLES SHEW RESPECT", within a repeat blue leaf circle, the body of light blue colour, 3cm diameter; and An Enamel Pendant as a Sea Shell, circa 1775, of coiled circular form, with gilt metal mounts and ring for suspension, 1.7cm high (3) (damage)
an Enamel Patch Box, South Staffordshire, circa 1790, oval, the lid painted with a standing figure of Britannia supporting a blue shield inscribed in gilt "PEACE AND TRADE", ships beyond, within a white bead frame, against a blue ground, 4.5cm; An Enamel Snuffbox, oval, painted with a lawyer reading papers, a devil looking over his shoulder, and the motto "A LAWYER AND HIS AGENT", dark blue enamel to the base, 5.1cm; and A Circular Snuffbox, the lid printed and painted with a bust portrait of a young woman wearing a mob cap and blue dress, light blue enamel to the base, 4.3cm diameter (3) See illustration
an Enamel Patch Box, South Staffordshire, circa 1780, oval, the lid painted with a maid feeding poultry by a fence within a white dot repeat frame, light blue base, 5cm wide; A Patch Box, oval, the lid painted with a fox in a field and black painted motto "AN EMBLEM OF CRAFTINESS", within a repeat white dot frame against a light green ground; and A Snuffbox, oval, with inscription "IN MEMORY OF A FRIEND" on scroll by a vase, with canary yellow base, 4cm wide (3)
an Enamel Spaniel Bonbonniere, circa 1775, the lid moulded in relief with a curled-up spaniel, on a pink ground with white scroll edge, the sides of the base painted with sprigs, 4.3cm diameter; A Patch Box, perhaps Bilsdon, circa 1770, the lid painted with a young woman seated in thought, her pet spaniel at her side, by the edge of a wood, the white base with encircling husk and ribbon motif, 4.3cm wide; and A Snuffbox, circular, the lid painted with men o'war in battle, with pink coloured base, 5.2cm (3) See illustration
two Enamel Snuff Boxes, 19th century, rectangular, each painted to the lid with floral sprays within raised gilt scrolls, one against a blue ground (with white base), the other on a pink ground, 5.5cm wide; and A Patch Box, 19th century, rectangular, the lid painted with a tulip and rose on white, within green spandrels, 3.5cm wide (3)
an Enamel Snuffbox, octagonal shape, the lid painted a horse race, with three horses coming in, flanked by a crowd, an inscription "RACING", with apple green base, 6.1cm; and Another, pentagonal, the lid painted with two gentlemen on cycles, inscribed "THE HOBBY HORSE", with apple green base, 4.2cm (2) See illustration
an Enamel Snuffbox, South Staffordshire, 19th century, oval, the lid painted with a spray of flowers within raised white scrolls against a blue ground, two further scroll reserves enclosing flowers to the base, 5.9cm wide; A Somewhat Similar Box, circa 1800, painted with a pair of billing doves, and inscription "REMEMBER THE GIVER", against a blue ground, 4.3cm wide; and An Enamel Stud Box, circular, the pull-off lid painted with a spray of flowers, yellow base, 2.2cm diameter (3)
an Enamel Snuffbox, probably Bilsdon, circa 1775, circular, with fluted sides, painted with sprays of rose and other summer flowers, 4.1cm diameter; An Enamel Patch Box, probably Bilsdon, circa 1775, circular, with fluted sides, painted with panels of rose and other flower sprays, 4.8cm diameter; and Another Similar, 19th century, circular, painted with sprays of summer flowers, 4cm diameter (3)
an Enamel Patch Box, South Staffordshire, circa 1770, rectangular, the lid painted with a ruined port scene with two figures, within a frame of raised white scrolls and apple green ground, the body with sprays of flowers in colours, 6cm wide; An Enamel Snuffbox, oval, the lid painted with an altar in a landscape, within raised white scrolls against a green ground, the body painted with flower sprays, 5.8cm wide; and An Enamel Snuffbox, circa 1770, rectangular, the slightly domed lid painted centrally with a classical urn within spandrels enclosing flowers against a green ground, 3.6cm wide (3)
an Arts & Crafts Copper, Enamel and Mother-of-Pearl Mounted Box and Cover, circa 1900, rectangular, a rectangular pull-off cover with slightly angled side panels to a flat inset enamel plaque depicting a knight and a damsel standing beside apple trees against a fence, with a sea beyond, in coloured enamels and foil, the lower body decorated with vertical copper wire ribs punctuated by applied spheres and punctuated by mother-of-pearl raised bosses, the front applied with an hexagonal enamel plaque depicting a monarch's head, the reverse with a damsel, 14.5cm wide, 11.5cm deep, 6.6cm high See illustration
a Brass Striking and Repeating Carriage Clock, circa 1890, the corniche case with carrying handle and repeat button to the top, bevelled glass panels, white enamel dial with Roman numerals, twin barrel movement with silvered platform lever escapement and bimetallic balance, striking on a coiled gong, movement backplate stamped "R&C" and numbered "53", 17cm high, together with fitted travelling case (worn) See illustration
a Four Glass Striking Mantel Clock, circa 1890, the gilt brass case with four bevelled panels, 4-inch white enamel chapter ring with Roman numerals, recessed centre with visible jewelled brocot escapement, moon shaped hands, twin barrel movement with striking on a bell, movement backplate stamped "Marti" and numbered "7383", twin tubed mercury pendulum, 32cm high
a Sienna Marble Striking Mantel Clock, circa 1890, the drum shaped top with sweeping sides and upon a stepped rectangular base with turned gilt metal feet, 3-1/2-inch white enamel Roman chapter ring, engine turned centre, steel moon shaped hands, twin barrel movement with outside countwheel striking on a bell, movement backplate stamped "AD Mougin" and numbered "1596 52", 31cm high
a Marble Four Glass Striking Mantel Clock with Garniture, circa 1890, the case with marble top and four bevelled glass panels, rectangular shaped marble plinth, 3-3/4-inch enamel dial with Arabic numerals and floral swag decoration, gilt metal pierced hands, twin barrel movement with striking on a gong, movement backplate stamped "AD Mougin" and numbered "508 411", twin tubed mercury pendulum, 28cm high, together with matching marble gilt metal twin-handled garniture See illustration
a Black Slate Striking Mantel Clock, circa 1870, the case with drum shaped top, front triangular bevelled pendulum window flanked by sweeping sides, rectangular plinth with gilt scroll decoration, 4-3/4-inch white enamel dial with Roman numerals, recessed dial centre with visible Brocot escapement, steel moon shaped hands, twin barrel movement with outside countwheel striking on a bell, movement backplate stamped "Marti" and numbered "4262 77", gridiron type pendulum with circular brass bob, 41cm high
a Black Slate Striking Mantel Clock, circa 1880, the case with a flat top, gilt metal classical relief panel to the front, gilded Corinthian columns upon a rectangular plinth, 6-inch white enamel dial with Roman numerals, recessed dial centre with visible jewelled Brocot escapement, twin barrel movement with striking on a gong, movement backplate stamped "Hry Marc Paris" and "Marti", numbered "88880", 49cm high
a Mahogany Rack Gravity Timepiece, French, circa 1900, the case with arched top supported with four slender turned columns upon a stepped rectangular base, 3-1/4-inch white enamel dial with Roman numerals, platform escapement movement in a wood drum descending a rack fixed to the base, 42cm high
a Black Slate Mantel Clock combined with Aneroid Barometer and Local Interest, circa 1870, the case with flat top pediment, green marble sides, the base with a brass plaque with a presentation inscription "This clock is presented by the ladies together with a purse of £130 from the gentlemen of the Hurworth Hunt to George Dodds, in recognition of his valued services as Whip & Huntsman for 28 years 1877", 4-3/4-inch white enamel dial with Roman numerals, recessed dial centre with visible jewelled brocot escapement, below is an aneroid barometer dial, twin barrel movement with striking on a bell, movement backplate numbered "1808", 41cm high
a Painted Metal Striking Tole Clock, the circular green and gilt painted case with acorn and leaf decoration, large suspension loop to the top, 6-1/4-inch white enamel dial with Roman numerals, blued steel hands, twin barrel movement with outside countwheel striking on a bell, silk suspension, movement backplate numbered "813", 32cm wide
a "Vienna" Wall Timepiece, circa 1890, the walnut veneered case with architectural top, front glazed door flanked by fluted side columns, waisted plinth, 7-inch white enamel dial with Roman numerals, triangular shaped single weight driven movement with adjustable pallets and deadbeat escapement, movement backplate stamped "Lenzkirch 1 million" and numbered "111949", 125cm high
a Large Walnut "Vienna" Centre Seconds Wall Clock, circa 1890, the case with nicely figured walnut veneers, carved floral pediment, fluted columns with carved Corinthian capitals, glazed front door and sides upon waisted plinth, 7-1/2-inch enamel dial with Roman numerals, centre seconds hand, single weight driven eight day movement with deadbeat escapement, 173cm high See illustration
a Fine and Rare Napoleon III Gilt Brass Table Regulator with Perpetual Calendar and Equation of Time, stamped Achille Brocot, No.2778, Retailed by J W Benson, the arched case with bevelled glasses to the front and rear, the dial with enamelled Roman numeral chapter ring and central recess with visible Brocot jewelled escapement, enamel rolling moonphase for lunar scale and signed "J W Benson", blued steel moon hands and centre seconds, subsidiary enamel dials below indicating day of the week, date, month with combined Zodiac signs, time of sunrise and of sunset and the equation of time in a sector aperture, the whole arrangement with a gilt mask finely engraved with scroll foliate decoration, twin barrel movement striking on a bell, four back pinned pillars, movement backplate numbered "2778", below the movement connected with lever to the calendar movement similarly numbered "2778" and stamped within a star shaped cartouche "AB" for "Achille Brocot", gridiron pendulum with bevelled glass within the circular bob, 45cm high See illustration achille Brocot is recorded between (1817-1878) as a mathematician and famous clockmaker. in his career he was awarded a first class medal at the 1855 Paris Exhibition. after that he went on to invent the Brocot escapement in 1860, another important invention he devised was the perpetual calendar. His famous trademark was advertised in the 1864 Almanach Artistique as he stamped the movement backplate AB within a star.
a Royal Worcester Porcelain Scroll Handled Vase and Cover, William Powell, 1909, of globular form, painted with two storks wading in a pond in a desert oasis with cactus and rocks in the foreground, palm trees in the middle distance and mountains beyond within green shot enamel decorated strapwork moulded and pierced borders, signed, printed mark in puce, year mark, shape number "1515", numbered "145.74" in green, 21cm high See illustration
a Pair of Royal Crown Derby Bone China Figures of the Mansion House Dwarfs, 20th century, the pot-bellied characters in their traditional garb, in bright enamel colours and gilt, red printed crown and interlaced "D" marks and "XLV" and "XLVI", each signed "S Kinsey", 17.5cm and 16cm high respectively, in the original protective boxes
a German Portrait Painted Cabinet Plate, signed Dittrich, late 19th century, the central reserve painted with a bust length portrait of Mrs Bridgewater after George Romney (titled in red script on the reverse), signed, within triple banded border worked with repeat stylised leaf motifs and with white enamel repeat dot rim, beehive mark in underglaze blue, also impressed "MR" (within a circle), 24.2cm diameter
a Sevres Porcelain Teacup and Saucer, circa 1765, the teacup of ogee shape, with entwined naturalistic twig handle with leafy terminals picked out in blue and gilt, painted with four sprigs and sprays of flowers in vivid enamel colours within parallel blue lines, with gilt dentil rim, and a matching cinque-foil saucer, the teacup with overglaze blue interlaced "L" mark enclosing the letter "N", indistinct incised mark, the saucer with incised initials to foot rim, teacup 5.7cm high, saucer 13.4cm diameter; A Similarly Decorated Conical Sugar Bowl, interlaced "L" mark in blue enclosing date letter "J", 9.3cm diameter, 7.1cm high, bearing label of Klaber & Klaber, inscribed "Sevres 1764" See illustration
a Chinese Blue and White and Polychrome Enamelled Bowl, bearing the mark of Jiajing, of subtly ogee sided circular shape, internally decorated in underglaze blue with a central basket brimming with flowers and flanked by a kite motif, within a double concentric circle and four outer flowering and fruiting blossoms, including prunus, pomegranate and peony (amongst fungus), externally with four circular reserves enclosing floral and fruit sprays, against a pink enamel ground incised with repeat fronded curls and enamelled with stylised lotus and tendrils, bearing underglaze blue seal mark of Emperor Jiajing, 15.1cm diameter See illustration

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396323 Los(e)/Seite