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396323 Los(e)/Seite
2nd-3rd century AD. A group of four seal boxes comprising: one lozengiform with knops to corners, small suspension loop on one hinge arm for suspension (unusual but not unknown), four holes to base, cord slots to the sides, two opposed Celtic style motifs to the lid, recessed for enamel, label reading 'Pub. Hattat [sic], 1989, no. from Lincoln T/PF LTE' with '1717' inked to one edge of the box; a piriform seal box decorated with a simple incised bird with dotted punch-marked eye, beak and legs, with similar border, three holes to base with incised line around each, cord slots to sides, label reading 'Pub Hattat [sic] 1989, No. Nr. Dover T/PF LTE', with '2161' inked to reverse of lid; a piriform box seal with punch-marked dotted border, quartered with lines composed of chevrons, three punched dots in each angle, three holes in base, cord slots to sides, label reading 'Pub Hattat [sic] 1989, no. Studland, Dorset, T/PF LTE' with inked '752' to reverse of lid; an ovoid box seal with terminal lug, three holes to base, moulded phallus to tinned lid, label reading 'Pub. Hattat [sic] 1989. P.VII no.150 T/PF ULE' with inked '2574' to reverse of lid. Hattatt, R., Ancient Brooches And Other Artefacts, Oxford, 1989, p.465, for these items: no.143, for the lozengiform example; no.148, for the bird example; no.152, for the geometric example; no.150, for the phallic example. 23.5 grams total, 21-31mm (1 - 1 1/4"). Ex Hattatt collection. Acquired circa 1990. Important North West London collection. [5] Fine condition.
1st-2nd century AD. An S-shaped brooch with scaphoid terminals formed as head and tail of the beast, decorated body on one side comprising a panel of polychrome enamel ornament and other geometric enamelled cells, mounted on a custom-made display base. See Hattatt, R., Ancient Brooches and Other Artefacts, Oxford, 1989, item 1655, for similar. 10.6 grams, 54mm high (2"). From the late Alison Barker collection, a retired London barrister; from her collection formed 1960s-1990s. The 'dragonesque' brooch, embodying Celtic tastes, is typically Romano-British, first appearing once the Roman conquest of southern England had commenced in 43 AD. Fine condition.
France, 16th century AD or later. A triptych of rectangular enamelled copper panels depicting: (left) Christ beneath an arch tied to a post with three soldiers beating and scourging him, a fourth kneeling before him with legend 'MAPEVE TROIT' in gold Lombardic capitals on his legs; (centre) crucifixion on a tau cross with two flanking criminals, three nobles on horseback at the foot of the cross alongside Mary and others weeping, one soldier offering a wine-soaked sponge and another piercing his side with a spear, skull at the foot of the cross; (right) deposition scene with Christ's body taken down and prepared for burial; richly coloured enamel surface in blue, violet, white and green with gold detailing, glass cabochons placed on the costumes and harness; later velvet-covered hinged frame with mounting ring. 1.25 kg, 48.5 x 26cm (19 x 10 1/4"). The Goldschmidt private European collection until 2019. Ex central London gallery. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate number no.11045-184131. [No Reserve] [A video of this lot is available to view on Timeline Auctions Website.] Fine condition; minor crack to central panel.
16th-17th century AD. A gold D-section annular band with plain exterior, the interior with French inscription ' . . PRENES . EN . GREI .', The Anglo-Norman Dictionary glosses the phrasal verb 'prendre en gre' as 'to accept as a favour'; here we may translate 'graciously accept [this]', the phrase is conventional, part of the idiom of amour courtois, and found inscribed on various types of love-gift, often continuing, 'ce petit don' [this little gift]. Cf. Joan, E., English Posies and Posy Rings, OUP, London, p.43, for this inscription, minus the final 'I'; cf. The British Museum, museum number 2002,0501.1, for a ring with a very similar inscription and script dated 16th-17th century AD; cf. The Portable Antiquities Scheme Database, id. KENT-B71606, and PAS-3785E3, for rings with very similar inscriptions, dated 16th-17th century AD. 2.00 grams, 19.24mm overall, 17.40mm internal diameter (approximate size British N 1/2, USA 6 3/4, Europe 14.35, Japan 13) (3/4"). UK antiques market between 1974-1985. From the Albert Ward collection (part 2), Essex, UK. The miscellaneous love-token uses of the phrase include a late 15th century boxwood comb in the BM, another formerly in the Londesborough Collection, a medieval ivory mirror case in the Metropolitan Museum, New York, an early 16th century enamelled plaque now in the Historisches Museum, Basel, a pair of salt-cellars enamel-painted by Pierre Reymond c.1550, and a 15th century brass knife-handle now in the Victoria & Albert Museum. A manuscript of The Erle of Tolous written in the 1520s [Oxford, Bodleian, MS Ashmole 45 Part 1, f.2r.] includes a full-page presentation frontispiece depicting a well-dressed young man near a speech scroll that bears the phrase as PRENES: ENGRE, as he proffers a book (the manuscript itself) to a young woman. The fashion for using the phrase in amatory inscriptions seems not to have survived the 16th century, making that century the best estimate for dating this ring. In the medieval period many rings bore posy inscriptions in Latin or French, the languages frequently spoken by the affluent elites. Later, inscriptions in English became more usual, although the lack of standardisation in spelling might surprise the modern reader. The inscription is generally found on the interior of the ring, hidden to everyone except the wearer and most of the sentimental mottoes were taken from the popular literature of the time. In fact, love inscriptions often repeat each other, which suggests that goldsmiths used stock phrases. In the later 16th century, ‘posy’ specifically meant a short inscription. A posy is described in contemporary literature as a short ‘epigram’ of less than one verse. George Puttenham (1589) explained that these phrases were not only inscribed on finger rings, but also applied to arms and trenchers. The practice of giving rings engraved with mottoes at betrothals or weddings was common in England from the 16th century onwards, and continued until the late 18th century. Sources suggest that rings could be acquired ready- engraved, or alternatively engraved sometime after their initial production, by a hand other than the goldsmith’s. Joan Evans assumed that posy rings were principally used by/between lovers and distinguished four contexts for the giving of posy rings by one lover to another: betrothals, weddings, St Valentine’s Day and occasions of mourning. Samuel Pepys’ diary makes clear that posy rings might also mark the marriage of a family member, when bearers could even commission their own rings and chose their own mottoes from books. The rings could also function as tokens of friendship or loyalty. [No Reserve] [A video of this lot is available to view on Timeline Auctions Website.] Very fine condition.
17th-18th century AD. A gold D-section annular band, the outer face engraved with a frieze of floral and foliate forms and a stylised skull, highlighted in niello, the inner hoop inscribed: 'A true frends remembrance', and a capital letter 'R' in a shield. Cf. The Portable Antiquities Scheme Database, id. KENT-6C2FB6 and NMGW-4AB918, for comparable inscriptions and styles; cf. id. GLO-82D866, for a ring with similar inscription and stamped 'R', dated 1650-1750, and GLO-5321BC, dated 1650-1700; cf. The British Museum, museum number AF.1342, for this mark on a 17th-18th century ring, the mark believed unidentifiable in standard works of reference. 1.93 grams, 19.10mm overall, 16.95mm internal diameter (approximate size British M 1/2, USA 6 1/4, Europe 13.09, Japan 12) (3/4"). UK antiques market between 1974-1985. From the Albert Ward collection (part 2), Essex, UK. The traditional practice of bequeathing rings belonging to the deceased to the family and friends they left behind was gradually replaced in the 16th and 17th centuries, when it became preferable for the deceased to leave a sum of money with which memorial, commemorative or mourning rings could be purchased. In the later part of the 17th century, such rings were distributed at funeral services, where they were worn in memory of the deceased. Memento mori inscriptions and popular devices such as skulls, crossbones and hourglasses became fashionable on jewellery and in print, prompting the reader or viewer to ponder the brevity of life and the necessity of preparing the soul for death. [No Reserve] Fine condition, with remains of enamel.
Dated 1768 AD. A gold ring with inverted D-section hoop, rounded on the internal face, the outer face formed as five scrolled banners, inscription on black enamel: 'Eliz Inman OB: 13 Feb 1768 ET: 96', goldsmith's mark 'EP' in Roman capitals in double-lobed cartouche, probably those of Edmund Price. 4.90 grams, 19.72mm overall, 15.80mm internal diameter (approximate size British J 3/4, USA 5, Europe 9.32, Japan 9) (3/4"). Found Norfolk, UK, before 2001. Private collection of Mr M.H., Norfolk, UK. [No Reserve] Fine condition, some enamel remaining.
Collection of various 00/HO Gauge Railway and Model Road Spares and Accessories mainly relating to GWR, grey storage box containing white metal, hoses, lamps, steps, buffers, whistles, wheels, Buhler and Hong Kong Motors, worms and gears, coach and wagon fittings, nuts and bots, box of wheel sets, small storage box containing bogie, wheel sets, fish plates, fuses, springs, gates, Clear display case containg Hornby Spares, X03 Motors (2), XO4 (2), all four wrapped and two used motors, bogie and metal wire strip, 009 Wagons (4), H&M H703 3-Core Cable, Tiny Signs 7mm 'Enamel ' Signs sheets (4, some used), small hammer, very large qty of Mabex, Lorry and Van Transfers, Replica wagons transfers, Langley, Roadscale and others, majority Mabex, mostly Road Transport Vehicles, very few used, majority Mabex (150+ ), generally VG (large qty)
Railway Collectibles and Memorabilia, various items, seven small brass locomotive name plates (each 5" long), S E Rly emblem shield plaque, three cased Coalport plates Seaside Specials, Battle of Britain, Southern Railway, ABC Railway Guide 1919 (poor), enamelled billy can, four modern metal railway notices and reproduction enamel Huntley & Palmers sign 8" square, P-E, (Qty)
Wooden 0 Gauge Stations and Various Figures, two wooden stations by Hailey Models, another called 'Southgate' (possibly by Beatties?) and a cattle dock in the Bassett-Lowke style, with 10 boxed Dinky Toys No 787 lighting units, a quantity of figures by Dinky and others, plastic signs and other platform accessories, a photo-sheet of enamel signs, and a selection of boxed Merit 00 gauge accessories, mostly G-VG (qty)
Small Derby porcelain covered custard cup with gilt and floral sprig borders, 9cm high; a small cup with green floral sprays, 6cm high; a pearl ware small covered pot with lion mask handles and blue and pink lustre decoration, 8.5cm high; an ovoid white and gilt caddy, 12cm high and a lobed oval pin tray decorated with sprays of roses, 24cm long. (5).Condition:Derby custard cup and cover - Good condition.Cup, green sprays - Glaze impurities, especially to rim and base. Small scratches to enamels.Pearl ware lustre - Chipped cover, firing cracks , wear and discolouration to base.Caddy - Four rim cups and crack to cover. Knop on caddy original and unrepaired. Jar generally ok, some glaze impurities, wear to body and very tiny chip or air bubble to inner rim.Lobed dish - Some scratches, wear to enamel and gilt.
Late 18th / early 19th century Derby porcelain jardinière of twin handled flared form, in two parts, the removeable upper flared bowl with polychrome enamel painted oval panel depicting seashells, coral and seaweed, on profusely decorated blue and gilt ground with foliate scrolling etc., on low blue and gilt twin handled circular base, faint painted crown mark in gilt c.1782 -1825, 19cm high.Condition:Small repair to rim of bowl, worn gilding to rims. Cracks to twin handled base and both handles restored. Some discoloured crazing as images.
18th century Chelsea porcelain saucer of circular form with moulded fish scale ground and polychrome enamel hand painted decoration of fruit, radishes, hazelnuts and insects, 13.5cm diam., stilt marks and gold anchor mark, damage to foot rim. Condition:Wear to enamels and chipped footrim, as images.
18th century Chelsea porcelain sweetmeat dish of oval form with twin rope twist handles, moulded basket weave effect ground and hand painted polychrome enamel floral spray decoration, appears unmarked, 17cm long.Condition:Surface stained and painted decoration rubbed. Chipping to rim and glaze impurities throughout.
18th century enamel patch box of rectangular form, with polychrome painted decoration depicting ships at anchor and figures on the shore, figures in a continuous rural landscape, and butterfly to base, the interior with similar butterfly and landscape with castle to underside of hinged lid, 10cm wide.
Small 18th century oval enamel patch box of lobed oval form, the hinged lid with floral panel surrounded by decorative polychrome scroll borders, with mirror to interior lid, 5.5cm wide; also an enamel trinket or jewellery box of rectangular form decorated with floral sprays and sprigging, the interior with separate small lidded compartment, 7cm wide. (2).
Three pieces of 18th century Worcester porcelain decorated in the Imari palette, comprising: twin handled chocolate cup in "Queen's" pattern of fluted ogee form, 7cm high; fluted saucer, 14cm diam. and another saucer or small plate, 18.5cm diam. All with underglaze blue square or fret mark; also Imari tea bowl and saucer and teacup and saucer. (7).Condition - Staining should come off - Nicotine.Twin handled cup - 3" and 4" cracks and 1/4" above handle.Small saucer - Small loss to enamel on edge of central panel, slight rubbing to gilt, but generally ok.Large saucer - Generally good, slight wear. Tea bowl - Small chips to footrim, ribbed gilt.Saucer has small rim chip, worn gilt.Tea cup - Large repair/cracks. Saucer good.
18th century Chinese porcelain blue and white globular teapot with pine tree, rock and peony decoration, replacement cane bound metal handle and non-matching lid, 12cm high; also another Chinese teapot with polychrome floral enamel decoration and replacement metal handle, lacking cover. (2).
Mid 18th century English porcelain coffee pot of baluster form with polychrome enamel and gilt floral swag decoration, blue scratch cross mark, 24cm high, a.f.; small globular teapot with floral decoration in the famille rose palette, lacking cover, 10cm high and a baluster chocolate pot with mask spout, landscape panel and floral sprigging in puce (lacking cover), 14.5cm high. All a.f. (3).
18th century Chinese porcelain punch bowl of circular footed form, the exterior with polychrome enamel painted panels depicting figures in interiors, with smaller panels of floral sprays, unmarked, a.f. with metal band to rim, 26.5cm diam.; also 18th century Chinese armorial octagonal ashet with central panel depicting figures in a garden with floral sprigging to rim and crest and motto "Spes Nostra Deus", a.f. with stapled repairs, 33cm wide. (2).
18th century Chinese porcelain mug of large baluster form, the polychrome enamel and gilt painted panel depicting a deer and storks in a landscape with trees and flowers, with further floral sprigs and butterflies, the white ground with iron red lattice border and decoration to handle, a.f., unmarked, 15.5cm high; also three 18th century Chinese porcelain plates, 2 x 23cm, 1 x 22cm diam.Condition report:No further images availableMug - Stapled repairs and rim chip (1,1/2"), crack to base.Plate, Peony - Large repair approx 9". 1" and 3" hair cracks, small rim chips, rubbed enamels.Plate, Birds - Rubbed enamels but no cracks or chips.Plate, Landscape - Several rim chips, 3x3" haircracks, worn enamels.
Chinese Qing Dynasty Famille Rose lobed footed bowl, the exterior with continuous panel of figures in various employ, with blue scroll banding to foot and turquoise glaze to interior and underside with painted red seal mark, 17cm diam.Condition report: 2" haircrack, very worn and discoloured interior, small rim chips and loss of enamel to rim. Worn enamels and gilt to exterior.
An assortment of commemorative ceramics and metalware, including 1837-1897 Queen Victoria enamel beaker, Doulton Lambeth 1837-1887 stoneware jug and more Condition Report: The mug with heavy crazing and a crack to the handle. Beakers have light pitting, all have rubbing to the gilt. The Victoria jug has light pitting and a crack to the handle. The Saltglaze jug has a chip to the base. The bust and plaque are in good condition. All items have some light scratches and marks consistent with age.

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396323 Los(e)/Seite