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396325 Los(e)/Seite
Los 258
CLOISONNE ENAMEL ARCHAISTIC 'WHEELED' PHOENIX-FORM VASE, ZUN, QING DYNASTY, 19TH CENTURY, modelled as a phoenix perched on an axle between two spoked cart wheels, the body is decorated with archaistic scrolls and with scales, the wings further archaic scroll decoration, a taotie mask on its breast, the trumpet vase rising from the beast back decorated with lion dogs, scrolls and lotus flowers, 34cm high
Los 274
FINE YELLOW-ENAMEL WINE POT, QIANLONG SEAL MARK BUT LATER, of bombé form the sides painted with scenes of scholars, in one, three scholars sit on stools as they examine a painting, and in the other, two scholars sit on the ground beside an attendant and a large wine jar, bordered by blue dragon-scroll and reserved on a foliate scroll-decorated yellow ground repeated on the narrow sides, handle, spout, and cover below a rectangular, green hardstone finial, 9cm high
Los 277
FAMILLE ROSE ENAMEL WATER DROPPER. QING DYNASTY, 19TH CENTURY, formed as a leaf, 17cm wide; together with a PAIR OF YELLOW-GROUND ENAMEL WINE EWERS, LATE QING, painted with boys and scrolling lotus, 27cm high; a PAIR OF ENAMEL DISHES, decorated with figures, 18cm wide; a SMALL CIRCULAR YELLOW-GROUND ENAMEL BOX, 11cm diam; an ENAMEL BRUSH WASHER AND AN ENAMEL BASIN, washer, 13cm high, basin, 19cm diam (8)
Los 530
A QUANTITY OF SILVER AND SILVER PLATED WARES to include a Georgian silver snuff box (with damages), two silver pin dishes, a hobnail cut glass dressing table requisite with blue guilloche enamel decoration and mirror inset into the handle, a pair of silver plated bottle coasters, a glass butter dish with silver mounts, tea strainer, table condiments, five silver spoons in unassociated case etc., (a quantity)
Los 542
A LATE GEORGIAN SILVER CASED HUNTER POCKET WATCH the movement with pierced balance cock by Rupert Fletcher of Chester, the case with assay mark for Chester 4.8cm diameter together with a Georgian small size pocket watch movement with enamel dial signed L. Samson of Maldon, 3.2cm diameter (both AF)
Los 805
A LATE 19TH CENTURY BLACK SLATE MANTLE CLOCK with marble inset panels to the front and white enamel dial with black Roman numerals 22cm x 13cm deep x 28cm high and a Victorian burr walnut and ebonised mantle clock with white enamel dial and black Roman numerals 29cm wide x 14cm deep x 22cm high
Los 158
CESAR PATERNOSTO (ARGENTINIAN B. 1931) Bagual, 1962 oil, enamel and sand on board 81.5 x 121.5 cm (32 1/8 x 47 7/8 in.) signed upper right; signed and dated on verso EXHIBITEDLa Casa del Arte, Puerto Rico, 1963PROVENANCEAcquired at the above by the previous ownerWe are grateful to Cesar Paternosto for confirming the authenticity and provenance of the work
Los 168
A RUSSIAN ICON OF THE MANDYLION (SPAS NERUKOTVORNY) WITH GILT SILVER AND CLOISONNE ENAMEL OKLAD, MOSCOW, 1891-1896 depicting the Holy Visage, egg tempera and gesso on wood panel, overlaid with gilt silver oklad finely chased to simulate an embroidered cloth lifted by two angels in the upper corners against floral arrangements, the raised halo and spandrels with stylised floral and foliate patterns, with conforming enamelled border and corner plates, marked with 84 standard, Moscow town mark, workmaster's mark A.Ch in Cyrillic, set in custom-made wooden kiot; dimensions of icon: 31 x 26.7 cm (12 1/4 x 10 1/2 in.)
Los 169
A RUSSIAN TRAVELING ICON OF ST. GEORGE WITH GILT SILVER, CLOISONNE AND CHAMPLEVE ENAMEL OKLAD, WORKMASTER ALEKSANDR OVCHINNIKOV, MOSCOW, 1891-1894 depicting St. George, egg tempera and gesso on wood panel, overlaid with gilt silver and cloisonne enamel oklad, the vestments applied overall with seed pearls, the raised halo and spandrels with stylised floral patterns against a filigree foliate ground with conforming border and corner plates, the title plaques of champleve enamel, marked with 84 standard, Moscow town mark, assayer's mark V.S. in Cyrillic, likely for VIktor Vasilyevich Savinsky and workmaster's mark A. OVCHINNIKOV in Cyrillic for Aleksandr Ovchinnikov; dimensions of icon: 13.5 x 11.3 cm (5 1/4 x 4 1/2 in.)
Los 170
A FABERGE SILVER AND SHADED CLOISONNE ENAMEL ICON OF SAINT NINO, WORKMASTER FEODOR RUCKERT, MOSCOW, 1908-1917 depicting Saint Nino holding a cross, her other hand the Bible, egg tempera and gesso on wood panel, overlaid with oklad, applied overall with stylized flowerheads and foliage against a shaded moss green ground, the halo with conforming decoration against a deep blue ground, marked with 88 standard and Faberge mark with Imperial warrant; dimensions of icon: 10.5 x 7.8 cm (4 1/8 x 3 1/8 in.)
Los 171
A RUSSIAN ICON OF ST. NICHOLAS THE WONDERWORKER WITH GILT SILVER AND SHADED CLOISONNE AND CHAMPLEVE ENAMEL OKLAD, 1908-1917 depicting St. Nicholas the Wonderworker holding a Gospel in one hand and raising the other in a gesture of benediction, surrounded by Christ and the Virgin Mary in roundels to his left and right, egg tempera and gesso on wood panel, overlaid with chased gilt silver oklad decorated overall with floral designs, the raised halo and spandrels with stylised floral and foliate patterns in shaded cloisonne enamel, the Gospel text and title plate of champleve enamel, with strigilated raised borders, marked twice with kokoshnik mark and workmaster's mark Theta.S in Cyrillic, set in gilt wooden kiot, carved and painted with Pan-Slavic decoration, mounted with a silver plate bearing a dedication in Russian: Ot prihozhan / uvazhaemomu pastyryu / o. Dmitriyu Modestovu / v pamyat' 10-letnego sluzheniya / v Vilenskoy Snipishskoy tserkvi [From parishioners / to the honored pastor / Father Dmitry Modestov / in remembrance of 10-year service / in the Vilensk Snipishskaya Church / 1906. February 2], the plate marked with kokoshnik and workmaster's mark O. Fugalevich? in Cyrillic; dimensions of icon: 31.3 x 26.7 cm (12 1/4 x 10 1/2 in.)
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396325 Los(e)/Seite