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Preisdatenbank abonnierenA 1960s French enamel, diamond and ruby en tremblant flower brooch, the stamen set with brilliant cut diamonds and circular cut rubies, enclosed within retractable blue enamel petals, on a gold coloured stem with three petals, stamped with French poincon, maker's mark JL, 6cm long, 24g gross
An enamel and diamond zebra bangle, the zebra head in black and white striped enamel, set with brilliant cut diamonds, with a brilliant cut diamond set hoop in its mouth, to the body and tail in black and white enamel with brilliant cut diamonds, approximately 2.00 carats total, stamped 750 with Italian control marks, 5.5cm wide, 83.3g gross
A pair of 18 carat gold, enamel and diamond earrings by Leo De Vroomen for Amr Shaker, the tapered panels with blue, yellow and green enamel with two rows of brilliant cut diamonds, approximately 0.88 carats total, signed Shaker, stamped 750 with full London hallmarks for 1991, Leo De Vroomen sponsor's mark, with clip fittings, 3.1cm long, 34.8g gross, in an Amr Shaker box
A pair of 18 carat gold, enamel, sapphire and diamond cufflinks by Leo De Vroomen for Amr Shaker, the panels set with an oval cabochon sapphire collet set on a green enamel surround, to brilliant cut diamond set borders, approximately 0.50 carats total, signed Shaker, stamped 750 with full London hallmarks for 1992, Leo De Vroomen sponsor's mark, panels 2cm wide, 25.8g gross, in an Amr Shaker box
An Italian diamond and black enamel tiger bracelet/brooch, the articulated links pavé set with brilliant cut diamonds with black enamel detailing, pear shape emeralds to the eyes, detachable clip brooch fitting and tail tip, stamped 18k 750, Italian punzoni for Alessandria post 1968, manufacturer's no. 1832 with later French poincon, 22cm long, 127g gross, excluding fitments
John Forrest, London, an 18 carat gold open face pocket watch, no. 17726, hallmarked London 1867, lever fusee movement, three armed domed balance, flat balance spring, dust cover, white enamel dial, Roman numerals, spade hands, subsidiary constant seconds dial, three piece hinged case, the back cover engraved with foliate decoration, dial and dust cover signed, accompanied by a winding key, diameter 51mm
A gold, diamond and sapphire set keyless wind open face fob watch, no. 7600, cylinder escapement, three armed flat balance, flat balance spring, white enamel dial, Roman numerals, fancy hands, four piece hinged case, stamped with French owl import mark, the back cover set with diamonds and sapphires, diameter 24mm
A modern Jaipur Indian enamel and freshwater cultured pearl choker necklace (guluband), comprising a series of foliate sections set with green foiled stones bordered by a row of freshwater cultured pearl finials above and pear shape freshwater cultured pearl drops below, the reverse with green, blue, white and red enamel foliate decoration, 19cm long, on a thread necklace
HMS Empress Of India two medals one engraved 'Inter-part Football League 1925-26 and an enamel badge 'Life Glory Light' all decorated with Jainist swastika, HMS Empress of India was a pre-Dreadnought battlesship; Enamel on Mother of Pearl pin badge 'HMS Iron Duke'; Silver pin badge HMS Southampton; badge HMS Rvenge; and two anchor badges HMS Lance and HMS Repulse
Maritime Souvenirs (i) Life belt National Antarctic Expedition 1901-04 HMS Discovery Royal Research Ship composite with printed label (ii) Cowrie shell 'Souvenir from SS Reigate Manila 20 June 1905' (iii) Bowl end of clay pipe Manchester Ship Canal (iv) Shell hand painted 'R M Steamer' (v) Peninsular and Orient paper weight (vi) Wooden box bought at the bookstall on board SS Columba [sic] (vii) Holland America Line enamel plaque (viii) Card case from SS Rhodesia Star
A group of cigarette lighters with Royal Navy associations, to include a Deancut lighter with enamel badge for HMS Andrew submarine, a Penguin light with enamel badge for HMS Amphion with engraving to verso, a boxed Ronson lighter, a cigarette case with engraved map of Malaya and an AA car badge
A Silver-Gilt and Cloisonne Enamel Cigarette Case with a Gusli Player MOSCOW, 1908–1917, 84 STANDARD11 by 7.5 cm.Rectangular with rounded corners, surface decorated with shaded polychrome exotic foliage depicting fable character playing gusli, mythical women with stylised birch trees and river behind
An Art Nouveau silver and enamel pendant necklace, cast in low relief with simple foliage design, enamelled green and blue, with simple drop, an Egyptian Revival gilt metal scarab, and a continental pendant cast with pendulous flowers enamelled green, white and red, stamped sterling silver, 5.5cm. drop, (3)
A rare Newlyn Industrial Classes silver and enamel pendant necklace, shield shape, with pierced rim, the central panel enamelled pink, stamped Newlyn, 4cm. long Literature Daryll Bennett & Colin Pill, Newlyn Copper Arts and Crafts Copper Work in Newlyn, Sansom & Company, page 40 for comparable examples illustrated.
A late 19th century Cantonese charger, decorated with panels of figures, birds and flowers. Diameter 38 cm. CONDITION REPORT: There is a small firing flaw to the green enamel beneath the red flower to the centre. There is a small 1 cm patch to the rim (+/- 4 o'clock on a clock face) where the wire mount has rubbed and eroded the rim. The faces on the figures are rather faded. The colours are vibrant and bright generally although the ground colours beneath the figures are slightly faded. There is very little evidence of any enamel losses. There is a ground patch to the centre of the underside. The charger appears to be free of any obvious chips or restorations. The gilding around the rim is erased.
A Japanese cloisonne hexagonal vase, Meiji period, decorated with a bird amongst blossoming chrysanthemums and flowers against a midnight black ground, on wood stand. Height including stand 33.5 cm. CONDITION REPORT: This vase has been drilled through the underside to accommodate an electric cable. There appear to be no major or minor losses to the enamel. There is a cluster of chrysanthemums of which the uppermost is missing +/- 2 mm x 1 mm of cloisonné. Other than that there appear to be no obvious losses or major cracks. The wood stand upon which it sits has a 3 cm x 1 cm slither repair on the rim.
A French satin glass oil lamp, late 19th century, with satin glass and honeycomb moulded shade and reservoir on an alabaster and champleve enamel stem and base. Height excluding chimney 47 cm (see illustration). CONDITION REPORT: The rim of the chimney has lots of small nibbles. The shade appears to be in good order and free from any obvious faults. The reservoir appears to be in good order and free from any obvious faults. There is a small nick to one top edge of the column platform but this is very minor. The column itself and the cloisonné base all appear to be in good order with no obvious faults.
A 19th century French green glass oil lamp, with wavy frill shade with enamel floral decoration with gilt ribbons above the facet cut reservoir in turn above a polished marble stem with brass capital and square foot. Height excluding chimney 43 cm. CONDITION REPORT: The gilding to the rim of the green glass shade shows signs of rubbing but the majority of it is still there. The enamelling on the shade is still intact. The shade appears to be free from any obvious faults. The interior diameter of the base of the shade is 4 cm. The base of the chimney has a couple of small flea bite chips on the rim. The green glass shade has no obvious post production chips or cracks visible. There are a dozen or so vertical lines on the mount holding directly beneath the green glass reservoir this maybe caused by pliers to loosen this part? The metals are dull in colour but there are no obvious faults visible. The column looks to have a small fingernail size repair patch in the middle however this could be contemporary with the piece.
An early 19th century Regency mahogany and brass inlaid bracket clock, the enamel dial with Roman numerals inscribed Jackson, Brompton, with double fusee movement chiming on a bell, with repeating action, with brass ring handles to the sides above pierced brass grilles and all supported on brass ball feet. Width 29.5 cm, height 44.5 cm (see illustration). CONDITION REPORT: The dial has had some attention at some point in its life and there are signs of chips being painted over. There is a 5 cm strip of bare metal just above the letters 1 and 2 which is almost concealed by the brass framing the glass. The mechanism is very clean. The pendulum is held firmly in place by a turned nut. It chimes on a single bell. The rear door has some small slithers of wood missing on the left-hand side. There is no key for the lock. Looking directly at the clock face there is a horizontal crack running from approx. 4 o'clock across to the edge of the clock. Similar at 8 o'clock. There is a patch of varnish discolouration to the right of the hinge and a similar but larger patch of discolouration to the left of the right-hand side grille approximately 11 cm x 2 cm. At the base of this patch there is a diagonal 3 cm fine crack. There are further diagonal cracks around the brass nut that holds the clock movement brackets. The repeating action works. Like most clocks of this age it will have been subject to some wear, tear & repairs in its lifetime. Overall it is a good looking attractive clock.
A large Victorian black slate mantle clock, of architectural form, with inset malachite panels, the enamelled dial with brocot escapement and with eight day movement chiming on a bell. CONDITION REPORT: The clock is 50 cm wide, 42.5 cm high. The movement works when prompted. There is a small chip to the centre of the arch top. There are small nibbles to the left and right scrolls flanking the arch, more so on the left-hand side. There is a further small nick to the left-hand scroll at the base. There are two small chips to the front of the base. The left and right-hand side edges of the base both have small nibbles. The left-hand corner of the base has a small chip. Being black marble, a lot of these chips aren't instantly obvious but do become obvious once you run your finger over them. There is a 4 cm horizontal scratch to the upper right-hand side of the glass. The enamel dial appears to be free from any obvious chips, cracks or restorations. The chips to the case in my opinion are not overly significant but exist all the same.
A Mason's patent ironstone china part dinner service, early 19th century, comprising 14 dinner plates, 4 side plates, 2 large meat plates, 4 rectangular graduated plates, sauce tureen and cover, tureen stand, 2 square bowls and a hydra jug, factory impressed and printed marks, largest meat plate 52 cm wide x 42.5 cm. CONDITION REPORT: The jug has a rim chip and most of the enamel is missing from the handle. The octagonal stand has rim chips and a hairline crack. The square bowl has chips to the foot rim and the interior decoration is very faded. The small square tureen is in good order. The sauce tureen lid has a 7 cm crack issuing from the spoon aperture. The sauce tureen base is extremely stained on the interior and exterior, it has a fingernail size rim chip and gives of a dull sound when lightly tapped. The sauce boat stand has a 5 cm x 1.5 cm D shape break to the rim which has been glued and there is a further large X shape hairline crack to the underside. The remaining 5 rectangular graduated meat plates are all free from any obvious chips, cracks or restorations and any flaws are purely manufactory flaws. Of the fourteen dinner plates all but one ring out nicely when lightly tapped. One does have a very small 1 cm graze chip to the rim. The dull sounding dish is extremely crazed and stained but with no obvious chips. Of the four small side plates one has been broken in half and glued leaving large hairline cracks and a rim chip, the other plates are in good order however the colouring has drained from them. Other than the faults mentioned this lot is generally in good order, any further faults and loss of colour being commensurate with age.
A Victorian Harrach glass and enamel vase, decorated with a bird amongst leafy branches against a salmon pink ground supported upon three gilt legs with anthemion decoration. Height 30 cm. CONDITION REPORT: The gilding around the rim and the beaded border is partially erased. Each of the four legs has rubbed gilding, more excessively so on the left and right legs. When looking at the front there is a small 2 cm x 4 mm blemish above the right hand leg, this is in the body of the glass. The enamels all appear to be intact and in good order. Looking at the front the anthemion decoration on the central leg looks to be missing some enamel, this has been done in its manufacture. There looks to be a small chip on the extreme left side foot which should be visible from the additional images. The pink ground is not a uniform pink but darker in some patches. There are no signs of any further chips, cracks or restorations.
A New Hall attributed spiral fluted teapot, circa 1800, with hand painted floral spray decoration, a pearl ware bullet shaped teapot with hand painted floral spray decoration (lacking lid), and a 19th century transfer printed teapot depicting a shepherdess with sheep and cattle and a musician reclining against a tree. CONDITION REPORT: One teapot is missing a lid and the spout has two large chips. There are small chips to the enamel floral decoration. The spiral fluted teapot has four firing cracks on the interior rim approximately 5 mm in length. There is a further firing crack on the shoulder where it joins the body approximately 9 cm long. The rim of the teapot has a fine hairline crack which issues 7 cm into the body. There is a further 6 cm hairline crack 3 cm to the left of the previous crack and these two are united by a very fine crack running across the body (approximately 3 cm). The blue and white teapot has a 1.5 cm firing crack to the interior rim of the lid. There are two small chips to the exterior rim edge. The teapot spout has three small chips. The glazing is crazed to the interior. All items are unmarked with no signs of any manufacturers or pattern numbers.
A pair of Victorian cranberry glass vases, decorated with stems and butterflies. Height 18 cm. CONDITION REPORT: The gilding around the rim to both is almost completely erased. There is further gilding around the neck and on both it is partially erased and similarly on the foot rim. Both vases appear to have no obvious chips or cracks or signs of restoration. The enamel decoration appears to be complete and in good order. Both vases ring out nicely when lightly tapped. Both vases have an enamel painted mark on the underside.
A Chinese inverted baluster vase and cover, 20th century, decorated with deer by a river and monkeys beside rock work and a peach tree all underneath a pine tree canopy, with cracked ice neck, diaper shoulder, false gadroons to the base, together with a late 19th century famille verte vase and cover depicting warring figures. 23 cm and 33 cm respectively. CONDITION REPORT: The smaller of the two vases appears to be in good order throughout with no obvious chips, cracks or signs of restoration. The enamel decoration appears to be in good order with no obvious losses. On the taller of the two vases the lid has a small rim chip but is otherwise in good order. The rim of the vase has one small chip and two small glaze chips. The remainder of the vase appears to be in good order throughout with no further obvious chips, cracks or signs of restoration. The enamels all appear to be intact and in good order with no obvious losses.
A 14 ct gold cased ladies fob watch, late 19th century, with enamel floral decoration, the dial with Roman numerals and further floral and gilt decoration, housed within a French porcelain and gilt metal watch stand (see illustration). CONDITION REPORT: Height 12 cm, width 5.5 cm. The watch case operates as it should. The spring lever on the knob opens both sides as it should. The porcelain panels are both in good order with no cracks or repairs. There are some minor blemishes to the paintwork and the odd small paint loss but nothing of any significance. The brass framing is in good condition all round. The fob watch itself is fully wound and is not currently ticking. It all seems to be present. The dial is in good order, the winding crown does not operate and does in fact detach. The outer case is in generally good condition with no significant dents or blemishes but there are some losses to the enamel.
A pair of Japanese Satsuma porcelain garlic neck vases, circa 1900, each with a floral diaper neck and shoulder heightened with gilding above the body depicting Samurai by Lake Biwa, Mount Fuji to the background, nine inscribed red character mark to underside "Dai Nippon ...". 14.5 cm high (see illustration). CONDITION REPORT: One vase has a tiny 2 mm x 2 mm enamel chip on the brown ground around the garlic mouth. Other than this both appear to be in good order with no obvious further chips, cracks or signs of restoration. Both ring out nicely when lightly tapped.
AN ITALIAN GILTMETAL AND ENAMEL TRINKET BOX, THE LID INSET WITH A ROMAN MICROMOSAIC OF THE COLOSSEUM BY C ROCCHEGGIANI, 19TH C lined the original silk plush, 8cm diamMosaic in good condition, no loss other damage or repair, encrusted with old dirt. Enamel trailing foliage slightly chipped, the side with one or two shallow dents, the hinge intact but slightly strained
AN OVAL PALAIS ROYAL GILTMETAL MOUNTED PINK ENAMEL BOMBE JEWEL CASKET AND AN ENAMELLED COMPACT, LATE 19TH AND EARLY 20TH C painted with flowers, the first retaining the buttoned silk lining, 6cm h and 5.8cm diamCasket with tiny chip on lower edge at one end, lining stained and frayed. Compact in good condition
A FRENCH SILVER MOUNTED EBONISED GADGET CANE, EARLY 19TH C the spirally reeded ogee pommel inset with a verge watch with bridge balance and enamel dial beneath turned ebony and convex ivory inset top, brass tip, silver/ivory 6cm h, 92.5cm overallIvory with old ring hairlines. The enamel dial with one or two slight marks and scratches but not cracked or chipped, the movement apparently complete but untried, one hand a replacement. The black paint of the stick rubbed and scratched more so towards the bottom
A FRENCH GILTMETAL AND ENAMEL BOX, LATE 19TH C of round cushion shape, the lid painted with an 18th c couple, the underside decorated in translucent turquoise enamel with stylised foliage and gilt, 7.5cm diam and a similar miniature oval pedestal table or stand, the dished top painted with flowers (2)Box with small old black overpainted chips on edge of lid. Blue counter enamel on the underside of the table repair, the top with several fine hairline cracks
A CONTINENTAL PORCELAIN SCENT BOTTLE AND SILVER CAP, LATE 19TH C 5.5cm h, the bottle painted with lovers in a continuous landscape and a French brass and enamel vesta box, the lid painted with a young woman in her underwear, c1890 (2)Silver bottle cap slightly dented, porcelain/painting in good condition. Enamel vesta case - hairline crack lower right hand corner
A GEORGE III SOUTH STAFFORDSHIRE ENAMEL BONBONNIERE, C1780 the lid transfer printed and painted with a youth on the shore, the sides with flowers on a light blue ground, 6cm l and a Dutch silver commode shaped cashew box, import marked, Sheffield 1901 (2)Enamel box chip on lid and old scratches and wear. Another chip on the underside of the base. Silver box - the underside formerly engraved with a name, now scored through
AN ENAMEL AND OLD CUT DIAMOND ROYAL PRESENTATION BROOCH, C1900 with central initials of Princess Victoria of the United Kingdom (1868-1935), surmounted by a crown set with emeralds and red guilloche enamel, in gold and silver, 3 x 2.8 cm, 6g Princess Victoria was the second daughter of King Edward VII and Queen Alexandra.In good condition with appropriate tarnish
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