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Los 50

A Portuguese china ginger style jar and cover decorated with floral hand painted sprays no sign of damage chips or repairs H x 18cm, a Edwardian white ceramic chamber candlestick with C scroll handle and snuffer with traces of gilt decoration no signs of damage H x 7cm, a Gail Pittman of Mississippi china hand painted dish and cover signed verso H x 4cm, a Japanese antimony circular dish and cover D x 5cm and a Halcyon Days enamel oval box the Honorable Company Of Edinburgh Golfers 1744 with original gift box and card shows no signs of damage  H x 2.5cm L x 4cm (A lot)

Los 707

A gentleman's Oakley wrist watch with a black rubber strap and blue enamel face

Los 634

A beautiful pair of 18ct gold and blue enamel cuff links with an approximate total weight of 15g

Los 709

A 14ct gold ladies fob watch with engraved case, the central cartouche engraved with the letter M and an enamel dial with roman numerals

Los 630

Two pairs of hallmarked silver cuff links, one with an acorn theme, the other an with an enamel cross.

Los 631

A selection of three silver cuff links to include blue striped enamel pair.

Los 195

Edwardian Egyptian Revival enamelled butterfly or scarab by Charles Horner, silver, hallmarked for Chester 1911 (some enamel loss) and other silver jewellery

Los 217

Indo-Persian Niello enamel maughal silver miniature dagger or knife with handle in the form of a horse head

Los 243

Vintage costume jewellery, wrist watches, old spectacles, enamel badges etc

Los 512

Enamel and porcelain pill boxes. Makes include Royal Worcester, Limoges, Coalport, Bilston & Battersea, Royal Doulton kitten and a carved wooden Scandinavian? ring

Los 165

925 and lower grade silver and enamel spoons (combined weight approx. 83g), together with a silver plated Festival of Britian souvenir spoon

Los 168

Three Russian silver dessert spoons, with ornate niello enamel and engraved decoration. Maker's mark cyrillic MA, late 19th c. Combined weight approx. 108g.

Los 171

Two silver pill or trinket boxes with guilloche enamel lids, both hallmarked

Los 1

A vintage Corona portable typewriter in black enamel with case

Los 63

Seventeen Celtic and Romano-British bronze and silver brooches discs and plates,Including a La Tène III spring brooch,3.5cm;  a plate brooch with decorative recesses on the bow, with zoomorphic terminal, 4.5cm; a small silver Aucissa type brooch, 3.2cm; a Dolphin brooch with ridged bow, 4.3cm; a P-shaped or Aucissa variant brooch with deeply arched bow, the maker’s name ‘ACUTI’ stamped above the hinge, 5.3cm long;  a sawfish type brooch with red enamel remaining in the lozenge shaped cells on the bow, surmounted by a recumbent lion, probably not originally belonging, 4.2cm long, pin partially remains; a trumpet brooch, 6.2cm long, pin missing; a dolphin brooch, 3.2cm long, pin missing; a fantail brooch, 3.2cm long, pin missing, ink inscribed with the number ‘3318’; a small disc brooch, with dots around a central circle, some enamel remaining, 2.4cm maximum diam; a double lunular plate brooch, with dots in the crescents either side of a central knop, traces of enamel remaining, 3.6cm long, pin missing; a brooch with two opposing discs with radiate nodules and two opposing crescents around a central openwork rectangle, 4.9cm long, pin missing; an enamelled disc brooch with sunburst design, some red enamel remaining 2.4cm diam, pin missing; a plate brooch with two dolphins flanking an enamelled disc, 2.8cm maximum width, pin missing; a horse and rider brooch, with traces of enamel, 3.2cm wide, pin missing; a hare brooch with traces of enamel remaining, 2.5cm, pin missing, and an openwork ring flanked by ‘wings’, 3.4cm wide (17)Provenance: Mainly found in East Anglia; All private English collection, acquired on the UK market in the 1990s.

Los 357

A Mamluk-style glass flask, Josef Lobmeyr (1792-1855) designed by architects Jan Machytka and Franz Schmoranz, Austria, circa 1878, The squat globular form with tapering neck and collar, over a high conical foot, painted with three large medallions enclosing a stylised flower flanked by panels of gilt leaf scroll above a band of bold naskh inscriptions in gilding divided by rosettes, the neck with a Kufic inscription in white enamel, with inscription to base in German and Lobmeyr's maker's mark,31cm. high.  Footnotes: An almost identical flask is in the MAK Austrian Museum of Applied Arts, Vienna (Inv. GL 2573)The inscriptions translate as 'The realm belongs to God, the One and Eternal, the Truthful', 'Oh thou, who passest this clear water, drink.'Originally established in Bohemia in 1822/23, the glasshouse of Josef Lobmeyr (1792-1855) produced glass of a high standard in the second quarter of the 19th century but also sold the products of different manufacturers. The firm was later entitled  J.& L.Lobmeyr and was run principally from 1855 by his two sons Josef and Ludwig. By this time they no longer operated their own glassworks but commissioned glass to their own designs from Haida and elsewhere in Bohemia.The first major exhibition in which Lobmeyr participated was that of  London in 1862. Here they were awarded a gold medal "for excellence in the making of crystal glass, tableware, and candelabra". Ludwig Lobmeyr, who took over the firm after the premature death of his brother Joseph, contacted Rudolf von Eitelberger, the founder of the Austrian Museum of Art and Industry, during the period of the exhibition. The two men's objective was the promotion of good taste in design. Ludwig Lobmeyr used the museum's exhibits as inspirational models for his glassware and regularly exhibited his new creations at the museum and at the World Fairs.Supplied by manufacturers of glass in Bohemia both for home consumption and export, Lobmeyr became one of the leading glass sellers of the second half of the 19th century and their new glass took the exhibitions by storm. At the Vienna Exhibition of 1873 Lobmeyr was singled out for the highest praise.The architects Johann Machytka and Franz Schmoranz (1845-1892) travelled extensively in Palestine. For Lobmeyr, they designed a considerable number of vessels in 'Arabian style' between 1876 and 1878, drawing their inspiration from original pieces in museums in Cairo and elsewhere. These new designs were much sought after when they were displayed in Paris in the 1878 Exposition. Lobmeyr continued to exhibit at all the major international fairs in the last quarter of the 19th century.The present lot is based on an extremely rare 13th century Egyptian or Syrian Mamluk form, an example of which was mentioned by G. Schmoranz in his publication Old Oriental gilt and enamelled glass vessels, 1899, p.33. See the example from the Collection of the Late Baroness Batsheva de Rothschild, sold Christie's London, 14th December 2000, lot 48 and that in the Victoria and Albert Museum, London (Inv. 328-1900). Gustav Scmoranz's drawings in the 1870s provided the designs for several of the Islamic styles introduced by Lobmeyr. See W.Neuwirth, Orientalisierende Gläser, 1981, p.51, pl.18Condition Report: This lot presents as clean overall with strong enamels. The gilding although strong overall, shows some scattered minimal losses noticeable only under close inspection. Under U. V the rendering is homogenous. Only one area renders a bright pink reflection : a minute spot above the medial letter Ù‚ of the inscription applied to the flaring neck. An inspection with a loupe reveals some superficial dark matter, perhaps a misfiring to the enamel or a later deposit, now dried. No attempts were made to remove it. The foot shows a chip and a flake right above it affecting the gilt band. Opposite the chip, to the foot, the lot shows a large loss on approximately 3cm. leading to a series of flakes above interrupting the same gilt band.

Los 216

A Mughal-style enamelled and gilded glass flaskProbably a design from the Jodhpur collection by Fritz Heckert, Petersdorf, Germany, circa 1883,Of globular form with a tall narrow neck widening to a ribbed neck with neck ring, the stopper of domed form with bud finial, the decoration cut and moulded and decorated with blue, green and red enamel and gold, the body with flowers highlighted with gold and silver, the shoulder and neck with bands of repeating leafs, the domed stopper with a vine on a green ground with pink glass finial, the base with collection inventory label,22.6cm. high.Footnotes: The distinctive combination of silver and gilt floral sprays around the circumference of the flask echoes the rosettes and drooping feathered leaves of a 17th century bidri flask in the British Museum. The blues, green and yellow of the enamelled surface decoration are paralleled in the 17th century enamelled pieces from the Nadir Shah booty. A very similar, though slightly smaller, flask sold at Sotheby's Arts of the Islamic world, 13 October 2004, Lot 122.Condition Report: This lot presents as clean overall. The pigments, silver and gilt are strong overall showing very to no minimal losses. Under U. V the bottle shows extensive repaints to its flaring mouth and lid. It would account to approximately over 70% of the total area of those tow parts. The repaints may suggest skillful repairs and restoration and/or replacement of losses as those two parts of the bottle are the most handled. This lot remains otherwise very attractive with its vivid decoration.

Los 56

AN ENAMEL BUTTERFLY AND STONE SET SILVER HINGED BANGLE, A MEXICAN SILVER BANGLE AND ONE OTHER SILVER HINGED BANGLE. ALL UNHALLMARKED, ASSESSED AS SILVER. GROSS WEIGHT

Los 320

A CHROME CASED STOP WATCH WITH THE CIRCULAR ENAMEL DIAL CALIBRATED IN SECONDS AND WITH SUBSIDIARY MINUTES. Dia. 6cms.

Los 748

A LATE 19th C. FRENCH CLEAR CUT GLASS AND CHAMPLEVE ENAMEL OIL LAMP SUPPORTED BY THREE BRASS CUPIDS

Los 725

A VICTORIAN MAHOGANY CAMPAIGN TWO DRAWER WASHSTAND, THE LID STAMPED FOR HILL AND MILLARD, TRAFALGAR SQUARE, THE INTERIOR FITTED WITH AN ENAMEL BOWL, FURTHER ENAMEL WARES IN ONE OF THE DRAWERS ABOVE THE BALUSTER LEGS ON CERAMIC CASTER FEET.   W 98 x D 53.5 x H 86cms.

Los 316

A TERRACOTTA PINK MARBLE AND BRONZE CASED TIMEPIECE WITH A PLATFORM ESCAPEMENT, CUPID DRINKING WINE AND SEATED ABOVE THE FLORAL SWAGGED ENAMEL DIAL. H 26cms.

Los 312

A LEATHER CASED PAIR OF OPERA GLASSES WITH JEWELLED AND FLOWER PAINTED BLUE GROUND ENAMEL BARRELS AND MOTHER OF PEARL FRAMED EYEPIECES

Los 1233

A VINTAGE BUDWEISER ENAMEL ADVERTISING SIGN.

Los 17

AN ANTIQUE SUFFRAGETTE PENDANT / BROOCH IN A FITTED CASE. THE PENDANT SET WITH AN OVAL CUT CENTRAL AMETHYST SURROUNDED BY SWAGS OF WHITE ENAMEL AND INTERSPERSED WITH OLD CUT DIAMONDS AND A FURTHER BORDER OF GREEN AND WHITE ENAMEL FLORAL PANELS AND FOUR CULTURED PEARLS. UNHALLMARKED, ASSESSED AS 14-18ct GOLD. MEASUREMENTS EXCLUDING BAIL 3.6 X 3.0mm. GROSS WEIGHT 12.67grms.

Los 318

A LATE 19th C. GILT SPELTER AND WHITE ONYX CASED MANTEL CLOCK AND WOOD STAND, THE ENAMEL DIAL CRESTED BY AN ARMOUR TROPHY, A CROSSBOW MAN STANDING TO ONE SIDE, THE BACK OF THE CASE STAMPED MOUREY, THE JAPY FRERES MOVEMENT COUNTWHEEL STRIKING ON A BELL

Los 326

A George III silver cased open face pocket watch, the gilded movement with pierced balance cock signed John Smith Wrexham and numbered 4*89, white enamel dial with Arabic numerals, the case of Birmingham assay 1808, sponsors mark for William Ryley, 4.5 cm (d) case, with later 37 cm (l) silver watch chain and T-bar. [W]Condition Report: Dial appears in good condition overall, no significant cracks or hairlines, there are light surface scratches throughout and flea bites / nibbles to the dial edge and face but these are quite minor, the largest of which can be seen at 5 o'clock in the images.

Los 335

A 9ct gold cased wrist watch, the signed white enamel dial with Arabic numerals and subsidiary seconds dial. [W]

Los 461

Ivar T Holth - A pair of gilt metal and enamel ear clips, stamped 925S Sterling Norway, 2.5 cm (l)Condition Report: Rubbing to the gilding in areas, one clip is loose, scratching to the enamel and minor losses.

Los 475

A yellow metal and enamel bar brooch, stamped 9ct and a crucifix pendant also stamped 9ct, approximately 5.8 grams. [W]

Los 380

Mixed collectables comprising cigarette lighters to include a Zippo Playboy example, Manchester Docks enamel badge, Egyptian style figure and other. [W]

Los 325

A gold plated open face pocket watch, white enamel dial with Arabic numerals, subsidiary seconds dial, signed Waltham, approximately 5 cm (d). [W]

Los 344

A Victorian silver cased, open face pocket watch, the case of Birmingham assay 1892, sponsors mark for Fattorini & Sons Ltd, Roman numerals to a white enamel dial, subsidiary seconds dial, approximately 55 mm (d) case. [W]

Los 322

A nickel plated Goliath 8 day pocket watch, Roman numerals to a white enamel dial, subsidiary seconds dial, housed in a velvet lined, silver mounted travel case, hallmarks rubbed. [W]

Los 407

A group of silver mounted dressing table items comprising scent bottle with silver and enamel lid, Birmingham assay (date letter rubbed), silver lidded jar, Birmingham assay (date letter rubbed), perfume atomiser, the white metal mechanism stamped Sterling Silver and other. [W]

Los 112

Two vintage enamel badges, a rare factory pin badge for Blackburn Aircraft Ltd and British Railways North Eastern Region

Los 19

Selection of Norwegian Silver items.  To include a Rare David Anderson Sterling Silver square shaped tray/dish with the suit of cards emblems enamelled on the corners of the tray/dish. The age of this dates to pre-1925.  It measures approx. 9cm x 9cm and approx. 1.3cm in height.  There is also two "830" stamped Napkin rings and a David Anderson Sterling Silver Engraved Napkin ring.  Total gross weight of the Sterling Silver is approx. 75.87 grams.  Total gross weight of the 830 Grade Silver is approx. 44.31 grams.  Conditon: The Enamelled David Anderson tray/dish is in very good condition. No visible dents or damage. Enamel all good.  One of the "830" stamped Napkin rings, the floral one has some dents to it. 

Los 36

Christian Dior Brooch (missing two stones), a Ruskin Style Pewter Brooch, a Kigu of London Compact Set and Ten Vintage French? Enamelled Menu Place holders of Ladies. (Some have damaged enamel). 

Los 51

Selection of Sterling Silver Jewellery.  To include Silver Brooches consisting of a Thomas L Mott Art Deco Silver and Guilloche Enamel Butterfly Brooch and a Modernist Hematite Brooch.  There is also a Silver St.Christopher Pendant and Chain and a Silver Red Stone Set and Marcasite Ring.  There is also a Ladies "935" Silver Pocket Watch with two watch keys.  Total gross weight of the Silver Jewellery is approx. 83.66 grams.  Total gross weight of the Silver Pocket Watch is approx. 46.25 grams. 

Los 1

"Christ alive". Chased and gilded copper figure, with champlevé enamel. Limoges. France. Romanesque. 13th century.21,3 x 17,4 cm.Due to its dimensions, it must have been the central figure affixed to a large processional cross. First of all, we must highlight the wonderful state of conservation, with special emphasis on the fact that most of the gilding has been preserved to this day.Christ alive, crucified, covered with a large loin cloth in white and ultramarine blue, with a crowned, slightly tilted head and blue glass eyes. On one side, this is still a Romanesque depiction of Christ, who appears glorious and triumphant before death, with open eyes. On the other side, the knees are bent and the naturalness of the torso augers the beginning of what would be the gothic model of the suffering Christ.There is a comparable example kept in the Musée d'Art et d’Archéologie in Senlis, in France, which is still affixed to its original cross. (https://musees.ville-senlis.fr/Collections/Explorer-les-collections/Rechercher-une-oeuvre/Musee-d-Art-et-d-Archeologie/Christ-en-croix)As the museum mentions in the index card, both Christs show the characteristics of Limoges craftsmanship "opus emovicense", according to the expression used in the Middle Ages to define the objects made in enamelled champlevé copper in the Limoges workshops: the use of champlevé enamel in ultramarine blue on the loincloth, the fine chasing on the torso, and the presence of the suppedaneum, the shelf on which Christ’s feet rest. In the museum’s example, the enamel in ultramarine blue is preserved.

Los 2533

1930s silver and blue guilloche enamel cigarette case, opening to reveal a gilt interior with personal engraving, hallmarked Beddoes & Co, Birmingham 1935, H8cmCondition Report: Approx 3.6 ozt (112 grams)General wear commensurate with age and use, in the form of surface scratches, nicks and small knocks. Some scratches to enamel but no losses. Hallmarks clear. Closes flush.

Los 2535

Set of six 1920s silver-gilt and harlequin enamel coffee spoons, each decorated in pastel guilloche enamel, hallmarked William Suckling Ltd, Birmingham 1929, contained within fitted caseCondition Report: Approx 2.55 ozt (78.7 grams)General wear commensurate with age and use, in the form of surface scratches and small knocks. Some fading in parts to enamel particularly to tip of purple spoon, but no losses. Hallmarks with small amount of wear but generally legible.

Los 96

CARTIER: COLLIER OR, 'MAILLON PANTHÈRE', CIRCA 1980Formant une panthère stylisée, les yeux sertis d'émeraudes de forme ronde et le museau d'émail noir, le tout retenu par une chaine souple à maillons rectangulaires articulés, signé Cartier, numéroté, poinçon français pour l'or jaune 18K (750°/00), longueur 40.50 cm, poids brut 103.74 g, accompagné d'un écrin signé et d'un certificat d'authenticité de la maison Cartier daté du 9.9.1988.Footnotes:CARTIER: GOLD 'MAILLON PANTHÈRE' NECKLACE, 1980sCentring on a stylised panther, the eyes set with circular-cut emeralds and the nose with black enamel, to a necklace composed of supple rectangular links, signed Cartier, numbered, French assay marks for 18 carat yellow gold, length 40.50 cm, gross weight 103.74 grams, accompanied by a stamped box and a certificate of authenticity from Cartier dated 9.9.1988.For further information on this lot please visit Bonhams.com

Los 102

BRACELET 'BAMBOO' EMAILComposé d'une monture semi-articulée et émaillée, poinçon français pour l'or 18K (750°/00), poinçon de maître, longueur 20.50 cm, poids brut 85.96 g.Footnotes:'BAMBOO' ENAMEL BRACELETDesigned as a series of articulated links of stylised bamboo design, decorated with green enamel, French assay mark for 18 carat gold, maker's mark, length 20.50 cm, gross weight 85.96 grams.For further information on this lot please visit Bonhams.com

Los 139

EPINGLE PERLE DE CULTURE, ONYX ET DIAMANTSOrnée de franges de perles de culture et de billes d'onyx soutenues par un élément en or blanc et onyx, pavé de diamants taille brillant et de taille 8/8, le tout retenu par un mécanisme en cristal de roche et émail noir, numérotée, poinçons français pour le platine (850°/00), longueur 5.50 cm, poids brut 14.16 g.Footnotes:CULTURED PEARL, ONYX AND DIAMOND PINDecorated with fringes of cultured pearls and onyx beads, to a white gold and onyx element pavé-set with old brilliant-, single-cut diamonds and onyx, on a rock crystal and black enamel mount, numbered, French assay marks for platinum, length 5.50 cm, gross weight 14.16 grams.For further information on this lot please visit Bonhams.com

Los 90

BOUCHERON: BROCHE EMAIL, ONYX, TURQUOISES ET CHRYSOPRASE, CIRCA 1960Formant un chien stylisé retenant une fleur, le corps en or jaune texturé, les yeux en émail blanc et orange, la truffe sertie d'un cabochon d'onyx et la fleur sertie d'un cabochon de chrysoprase dans un entourage de cabochons de turquoises, signée Boucheron, numérotée, poinçons français pour l'or jaune 18K (750°/00), dimensions 4.00 x 3.20 cm, poids brut 17.05 g.Footnotes:BOUCHERON: ENAMEL, ONYX, TURQUOISE AND CHRYSOPRASE BROOCH, CIRCA 1960Designed as a cartoonish dog with a flower clasped in their mouth, the eyes decorated with white and orange enamel, the nose set with an onyx cabochon and the flower set with a chrysoprase cabochon within a surround of turquoise cabochons, to a textured yellow gold mount, signed Boucheron, numbered, French assay marks for 18 carat yellow gold, measurements 4.00 x 3.20 cm, gross weight 17.05 grams.For further information on this lot please visit Bonhams.com

Los 44

BRACELET BRELOQUES OR ET EMAILOrné de vingt-six breloques en or jaune, certaines soulignées d'émaux colorés et de pierres de couleur, sur une chaine à maille gourmette, poinçons français d'import pour l'or 18K (750°/00), 14K (585°/00) et 9K (375°/00), longueur 17.00 cm, poids brut 122.38 g.Footnotes:ENAMEL AND GOLD CHARM BRACELETDesigned as a succession of twenty-six gold pendant charms, highlighted by coloured enamel and coloured gemstones, to a curb link chain, French import marks for 18, 14 and 9 carat gold, length 17.00 cm, gross weight 122.38 grams.For further information on this lot please visit Bonhams.com

Los 27

CARLO GIULIANO: COLLIER PERLES DE SEMENCE, EMAIL, PERIDOT ET DIAMANTS, CIRCA 1880Le collier formé de quatre rangs de perles de rocaille et d'une chaine à maille colonne, terminé par un décor émaillé monochrome, retenant un pendentif détachable ajouré décoré d'émail, serti d'une tourmaline de taille coussin et de diamants de taille ancienne, longueur du collier 39.00 cm, hauteur du pendentif 5.00 cm, poinçons de maitre 'C.G', pendentif non signé, poinçons français d'import pour l'or 18K (750°/00), poids brut 22.64 g.Footnotes:Pour des exemples similaires, voir Evans, Joan, 'A History of Jewellery 1100-1870', Faber and Faber, Londres, 1953, planche 191 ; voir également Bennett, David, et Mascetti, Daniela, 'Understanding Jewellery', Antiques Collectors Club, édition 2006, page 220, planche 297.CARLO GIULIANO: SEED PEARL, ENAMEL, TOURMALINE AND DIAMOND NECKLACE, CIRCA 1880The necklace formed of four seed pearl strands and one ropetwist strand, each terminal as a delicate openwork foliate plaque decorated with monochrome enamel, suspending a pendant designed as a scrolling openwork cartouche decorated in monochrome enamel and set with a cushion-cut tourmaline and old round brilliant-cut diamonds, terminating in a pearl drop, necklace length 39.00 cm, pendant length 5.00 cm, maker's marks 'C.G.', pendant unsigned, French import marks for 18 carat gold, gross weight 22.64 grams.For similar examples see Evans, Joan, 'A History of Jewellery 1100-1870', Faber and Faber, London, 1953, plate 191, also see Bennett, David, and Mascetti, Daniela, 'Understanding Jewellery', Antiques Collectors Club, 2006 edition, page 220, plate 297.For further information on this lot please visit Bonhams.com

Los 85

BOUCHERON: BROCHE ÉMAIL ET TURQUOISE, FIN DES ANNÉES 1960Formant un poisson exotique, les écailles décorées d'émail noir et blanc et l'Å“il serti d'un cabochon de turquoise, signée Boucheron Paris, numérotée, poinçon français pour l'or jaune 18K (750°/00), poinçon de maître partiellement effacé, dimensions 4.30 x 3.50 cm, poids brut 16.37 g.Footnotes:BOUCHERON: ENAMEL AND TURQUOISE BROOCH, LATE 1960sDesigned as an exotic fish, the scales decorated with black and white enamel and the eye set with a turquoise cabochon, signed Boucheron Paris, numbered, French assay marks for 18 carat yellow gold, maker's mark partially illegible, measurements 4.30 x 3.50 cm, gross weight 16.37 grams.For further information on this lot please visit Bonhams.com

Los 140

BRACELET EMAIL, CHRYSOPRASES ET DIAMANTSFormant un jonc semi-rigide décoré d'émail noir, terminant par deux cabochons de chrysoprase, souligné aux extrémités de diamants de taille ancienne, de taille 8/8 et de taille rose, dispense accordée pour l'or 18K (750°/00) et le platine (850°/00), diamètre intérieur 14.00 cm, poids brut 39.98 g.Footnotes:ENAMEL, CHRYSOPRASE AND DIAMOND TWIST BANGLE-BRACELETDesigned as an open bangle, set with two chrysoprase cabochons terminals, highlighted by old brilliant-, single- and rose- cut diamonds, to a twisted mount decorated with black enamel, exempt from hallmarking for 18 carat gold and platinum, inner circumference 14.00 cm, gross weight 39.98 grams.For further information on this lot please visit Bonhams.com

Los 2067

Pair of 9ct gold enamel Masonic cufflinks, Birmingham 1973Condition Report:Approx 8.6gm, some light scratches to enamel

Los 2023

Early 20th century rose gold mother of pearl cufflink and shirt stud set, stamped 9ct, two gold black enamel and seed pearl studs stamped 18ct & Pt, both boxed, and two other 9ct gold studsCondition Report:9ct approx 13.1gm, 18ct approx 2.75gm

Los 2177

Edwardian 18ct gold open face ladies fob watch, white enamel dial with Roman numerals, blue enamel case, with applied platinum diamond openwork decoration to the reverse, case by Cornelius Desormeaux Saunders & James Francis Hollings (Frank) Shepherd, London import mark 1910Condition Report:Approx 17.45gm, no inner dust cover, movement funcitioning intermittingly - wheel moving freely- moves but then does stop, clean movement, dial good, hands moving freely, loss of enamel to case at front and back, case diameter = 25mm

Los 2175

Victorian 18ct gold full hunter keyless lever pocket watch by Walters & George, London, No. 11151, white enamel dial with Roman numerals and subsidiary seconds dial, case by George Henry Hornby, London 1888Condition Report:Approx 120.3gm, inner dust cover, bow and pendant also hallmarked 18ct, movement functioning and clean, dial good, case with some light scratches and a few heavier marks around case opening otherwise good, closes tight, hands moving freely, case diameter = 48mm

Los 518

A George V silver, enamel and rock crystal writing set, mark of Asprey & Company, London 1910, comprising a dip pen and propelling pencil each with facetted rock crystal barrels and green guilloché enamel grips, together with a paper knife with (originally) silver gilt blade and pen rest of similar construction, presented in the original gilt tooled fitted case lined in cream satin and velvetDip pen - A very minor nick to the handle. Evidence of a minor repair to the enamelling, more visible under reflected light, but not obvious. Some staining to the nib, holder and collar.Pencil - Evidence of a minor repair to the enamelling, more visible under reflected light, but not obvious. Some staining to the holder and collar.Paper knife - Extensive wear to the gilding on the blade. Hallmark clear. Some evidence of repair and staining to the enamelling.Rest - Wear and staining to the gilding on the terminals. Some evidence of repair and staining to the enamelling.Case - Exterior in good condition, Interior in fair to good condition, with some intends to the satin in the cover, the velvet a bit dirty.

Los 329

Unsigned - An early 19th century French metalwares 18ct gold slim cased open faced pocket watch, circa 1825, silvered dial with engine turned inner, black Roman numerals and blued hands, mechanical key wind movement, case, 42mm diameter, 7mm thick, bezel, bow and verso decorated with polychrome enamel scrolls and foliage, interior with unidentified case maker's mark (FIM lozenge cartouche), and French 'Departments' mark for 18ct gold (1819-1835), along with personal engraving, the cuvette similarly marked, 40.5g gross, along with an enamelled winding key and supported on a 'belcher' link chain, 2mm diameter, stamped 9C, with bolt ring fastening, 30cm long,12g, all presented in a wooden travelling case with Boulle style decoration (2)

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