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Preisdatenbank abonnierenA George V 9ct gold Waltham full hunter pocket watch, the white enamel dial with Arabic numerals and subsidiary seconds dial to six 'o' clock, set to a plain polished 9ct gold case, marks for Birmingham 1919, 50mm diameter, weight 95.2gms CR; Currently not in working order. Your attention is drawn to our important notice regarding the Trevanion sale of watches found in our Terms & Conditions, please read this prior to bidding.
An 18ct gold open faced chronograph pocket watch, signed J. Hargreaves & Co Liverpool, the white enamel dial with roman numerals and outer fifths of seconds track, set to a plain polished 18ct gold case, movement and inside cover marked '50054', dated 1903 with later dust cover, 55mm diameter, weight 135.6gms Your attention is drawn to our important notice regarding the Trevanion sale of watches found in our Terms & Conditions, please read this prior to bidding. Currently not in working order.Duster cover is hallmarked for 18ct gold, date letter 'D' (possibly 1946). Cover marked for 'JH&CO' and '50054' but no other later inscriptions.
An unusual Victorian silver open face pocket watch, the white enamel dial with Roman and Arabic numerals and subsidiary seconds dial to six o'clock and outer minute chapter, plain polished silver case, inside cover marked for James Thickbroom, London 1854, movement numbered '5199', 48mm diameter, weight 90.6gms Your attention is drawn to our important notice regarding the Trevanion sale of watches found in our Terms & Conditions, please read this prior to bidding.This watch is currently ticking.
A silver open face pocket watch, white enamel dial with Arabic numerals and subsidiary dial to six o'clock, 'Rolex Lever' movement, cade marked for Dennison Watch Co, Birmingham 1945, numbered '397754', 50mm wide, together with a gold plated pocket watch, movement signed 'Omega', 50mm diameter, a Victorian silver pocket watch signed 'William Williams Dolgelley', dated 1877, 50mm diameter, and a silver plated pocket watch signed 'Thomas Russell & Son, Liverpool', 54mm diameter (4) Your attention is drawn to our important notice regarding the Trevanion sale of watches found in our Terms & Conditions, please read this prior to bidding.NOTE:William Williams: This watch ticks when wound.Rolex Lever example: This watch ticks when wound.Thomas Russell: This watch ticks when wound.Gold plated example: This watch ticks when wound.
A Victorian silver pocket watch signed 'Skarratt & Co Worcester', white enamel dial with Roman numerals, and subsidiary seconds dial to six o'clock, plain polished silver case dated 1895, 54mm diameter, together, together with an Edwardian silver pocket watch signed 'H. Samuel Manchester', case dated 1904, 55mm diameter, an Edwardian silver pocket watch signed 'A. Griffiths Fiveways Cradley Heath', case dated 1901, 57mm diameter, an Edwardian silver pocket watch with movement signed 'Max Cohen Ltd Manchester', case dated 1901, 57mm diameter, and a silver coloured railway pocket watch, 66mm diameter (5) Your attention is drawn to our important notice regarding the Trevanion sale of watches found in our Terms & Conditions, please read this prior to bidding. H.Samuel: This watch ticks when wound.Cohen example: This watch ticks when wound.Skarratt example: This watch is currently ticking, however wind mechanism is stiff.Railway watch: This watch ticks when wound.Fiveways: This watch ticks when wound.
A gentleman's Rolex Chronometre Scientific 9ct gold wristwatch, circular enamel dial with Arabic numerals to central hour track, outer minute and seconds tracks, blue steeled hands (lacking central seconds hand), set to a plain polished 9ct gold case, movement detailed 'Rolex Ultra Prima' and 'Timed 6 Positions', import marks for Glasgow 1937, numbered to reverse '30197 2942', 31mm diameter, upon a brown leather strap with buckle fastening Your attention is drawn to our important notice regarding the Trevanion sale of watches found in our Terms & Conditions, please read this prior to bidding.Condition Report;This watch is currently not in working order. Crown winds, but is slightly stiff. Crown pulls out to one position, hands complete a full 12 hour rotation. Dial shows hairline cracks throughout and several speckles of staining. Seconds hand is missing. Two cracks to the edge of the glass between 4 and six. Heavy scratching to the watch glass throughout. Several dents to the watch case, heavy scratching throughout, no splitting or signs of repair. Brown strap and buckle fastening appear to be later. Creasing to the strap around the buckle holes, fraying to the stitching. Heavy wear to the plating on the buckle.
A cased set of six silver and enamel coffee spoons, Henry Clifford Davis, Birmingham 1953, each oval bowl with shell backs and polychrome enamel decoration, plain polished handle with coffee bean finials, each 9.8cm longCR; Four examples show chipping/loss to the enamel - see pictures for illustration. All examples show scratching and wear to the surface of the enamel commensurate with age and use. Bowls in good order, some light denting to some examples around the borders, but no other signs of thinning or splitting. Handles in good order, so show slight bending, no thinning, splitting, or signs of repair. Three examples show extensive crazing and cracking to the bean finials. Two examples are loose on the stems. Several show signs of glue residue around the beans. See pictures for illustration.
A FAMILIE ROSE ENAMELED PORCELAIN 'LOTUS' LIBATION CUP, DATED 1884China, Guangxu period (1875-1908), dated 1884. Molded in the shape of a lotus flower, the interior and exterior walls enameled in shades of rose. A small drainage hole in the well placed within a lime green reserve, connected to the hollow stem, finished with tiny black enameled dots, and inscribed in black enamel.Inscriptions: To the stem, Da Qing Guangxu jiu nian Anhui Taihu fujin qiu cao jinian bei (Cup commemorating the autumn military exercises held near Taihu in Anhui in the ninth year of Guangxu reign of the Great Qing).Provenance: British private collection.Condition: The cup with chips, a breakage and repair.Weight: 174.5 gDimensions: Length 18 cmAuction result comparison: Compare with a pair of closely related but slightly later libation cups at Bonhams San Francisco in Fine Chinese Works of Art and Paintings on 23 June 2015, lot 7292, sold for USD 15,000.
A PAIR OF CLOISONNE ENAMEL PERSIAN EQUESTRIANS, 20TH CENTURYChina. Each horse standing foursquare with an equestrian on its back, the Persians holding a wild cat in one hand, the other hand lifted in a fist, their faces with a menacing expression. The statues in polychrome colors with swastika symbols and meander. Provenance: German private collection.Condition: Very good condition with minor wear, few minuscule nicks, little wear to the enamels, and minor manufacturing flaws. Weight: 1,837 g and 1,817.2 gDimensions: Height 41.2 cm
A FINE CLOISONNE ENAMEL TRAY, 19th CENTURYChina, Qing Dynasty (1644-1912). Of rectangular form, the rim with rounded corners, the interior brightly decorated in multi-coloured enamels with vases filled with flowers, scholar's objects and flower springs, all on a bluish-turquoise ground with wire inlaid clouds. Condition: Overall good condition with some wear, light scratches and expected manufacturing flaws, such as pitting, the tray slightly warped and dented. Provenance: Austrian private collection. Weight: 1.2 kg
Albarelo "faixes i cintes". Catalonia, 18th century.Ceramic.Presents restorations.Measurements: 30 x 11 cm.Albarelo made of ceramic, decorated on the exterior face with a vegetal composition in blue enamel, placed on a white covering. This decoration reflects the technical skill and sensitivity of the craftsmen, the European and Eastern influences and the successive technical innovations that gave the work of the Catalan potters a unique character. As for the technique used, despite its monochrome nature, the use of cobalt blue applied in different gradations produces a large number of shades which, in turn, contrast with the white tonality used as the base of the piece. The series known as the "faixas i cintes" (bands and belts) was developed in Catalan ceramic workshops during the 18th century, and is a blue series that usually features motifs of boats, animals and landscapes.
Catalan albarello with French influence, 18th century.Ceramics.The polychromy is missing. With old restorations.Measurements: 30 x 12 cm.Albarelo or pharmacy jar made in ceramic and decorated with cobalt blue enamel on white tin engobe. It has a typical 18th-century shape, narrower towards the centre. It has a central cartouche with mitred curves, which houses the inscription indicating its contents, and a highly decorative vegetal background.
Liquor set; Bohemia, ca. 1850.Blown and carved glass.Measurements: 30.5 cm diameter of the tray; 40.5 cm height of the decanter; 16.5 cm height of the glasses.Set consisting of a circular tray, a decanter and six glasses, all made of enamelled and carved glass. The pieces are made of translucent blown red glass and then covered with an opaque white enamel. As is characteristic of Bohemian glass, the decoration is carved in a rough-cut manner, with the gallons combined with garlands of grape leaves, a motif often used in liqueur sets. When the decorations are carved, the white enamel is lifted, so that they are left in reserve; the motifs are in red on a white background, emphasised by the relief and also by the chromaticism.
Catalan albarello of French influence, 19th century.Blue glazed ceramic.The base is chipped. Slight lack of polychromy.Measurements: 27.5 (height) x 12 cm (diameter).Albarelo made of ceramic, decorated on the outside with a vegetal composition in blue enamel, on a white setting. This decoration reflects the technical skill and sensitivity of the craftsmen, the European and Eastern influences and the successive technical innovations that gave the work of Spanish potters a unique character. As for the technique used, despite its monochrome nature, the use of cobalt blue applied in different gradations produces a large number of shades which, in turn, contrast with the white shade used as the base of the piece.
Albarelo de Talavera from the 19th century.Ceramics.It has some slight chipping and very slight flaws in the polychromy.Measurements: 24,5 x 11 cm.Albarelo or pharmacy jar made in Talavera ceramics and decorated with cobalt blue enamel on white tin engobe. It has a typical 18th-century shape, narrowing towards the centre. Its front includes a heraldic motif topped by a crowned double-headed eagle.Of Muslim origin, Talavera de la Reina ceramics acquired industrial importance from the 16th century onwards. Mentioned by Cervantes, Lope de Vega and Tirso de Molina, Talavera earthenware can also be documented in much of Spanish Baroque painting. Used by nobles and the humble, its commercial monopoly was in constant conflict with Sevillian earthenware. One of the architects of the recovery of Spanish Talavera ceramics was Juan Niveiro with the founding of the "El Carmen" factory; the incorporation of workers brought from Manises meant another important change in its decorative series. Changes that would reinforce the tricolour series produced by another emerging pottery factory in the mid-19th century: "La Menora". The earthenware and tiles produced in Talavera de la Reina (Castilla La Mancha, Spain) throughout its five centuries of recognised ceramic tradition have generated such a rich and varied typology that a classification into series proposed since the end of the 19th century by different specialists has been necessary in order to facilitate their study and cataloguing.
Vase; Manises, 19th century.Ceramic.Measurements: 50 x 28 x 28 cm; With base: 112 x 40 x 40 cm.Ceramic vase with different ornamental motifs, dominated by the presence of Arabic motifs in silver and blue. The piece has the classic colours used by the Manises factory, such as cobalt blue. This colour scheme, introduced by Islamic potters in medieval Spain together with the metallic lustre and the green and manganese style, appeared in Paterna at the end of the Middle Ages, and would be the most characteristic throughout Europe until the first half of the 18th century, when the secret of porcelain was discovered. The blue and white decoration was an attempt to imitate Chinese porcelain, which the Arabs were familiar with and used to make. Paterna was, along with Manises, the great centre of Islamic-influenced Hispanic ceramics, so it is not unusual for this new style to have its beginnings here. The blue glaze used by the Chinese is cobalt, a high-temperature glaze, which is why it is always applied under the glaze. In Islamic and Hispano-Muslim ceramics it will be called 'alsafra', a word derived from the Arabic word for cobalt. In the last quarter of the 14th century it began to be used in Paterna, and gradually replaced the green and manganese decorated series in these potteries. From this time onwards, the source of inspiration was no longer Muslim ceramics, but Chinese porcelain, with three firings: one for the paste, another for the white slip and finally the third for the enamel, the colours and the glaze. The decoration, on the other hand, becomes more abstract, and in the case of pieces with figurative decoration, this will only have half-length figures, with less defined backgrounds and a lesser spatial sense. They will be objects decorated with very linear lines.
Henry Pierce BoneBildnis Karl Ludwig I., Kurfürst von der Pfalz (1617-1680)1837Emaille-Malerei auf Metall21 x 16,8 cmRückseitig handschriftlich datiert und bezeichnet: Prince Rupert / London Oct. 1837. Painted for J. S. Ord. Esq. by / Henry Pierce Bone Enamel Painter of the Queen / Dowager & her R.H. the Duchess of Kent. From the / Original by Vandyck in the Collection of the Earl of / Craven, Combe Abbey / Warwickshire. / P. M. / L. B.Rückseitig auf Etikett handschriftlich (tls. unleserlich) bezeichnet: Prince Maurice / not Prince Rupert as stated by Bone... vom Künstler gemalt für J. S. Ord. Esq.;wohl Versteigerung seiner Sammlung "Catalogue of the superb library, valuable collection of pictures and enamels, elegant plate and choice wines of J. P. Ord, Esq.", durch B. Payne, Leicester, 26. - 28. Juni 1843;Privatsammlung, DeutschlandDas vorliegende Dreiviertelporträt präsentiert Karl I. Ludwig von der Pfalz (1617-1680) als jungen, stattlichen Mann. Die Komposition entspricht jener bekannten ganzfigurigen Darstellung des Kurfürsten von Anthonies van Dyck, welche sich in New Yorker Privatbesitz befindet (vgl. Susan J. Barnes u.a., Van Dyck. A complete catalogue of the paintings, New Haven/London 2004, S. 487, Nr. IV.71) und in mehreren Wiederholungen von der Van Dycker Werkstatt verbildlicht wurde (siehe National Gallery, London, Inv.-Nr. NG6364). Sowohl das vorliegende Gemälde als auch das ganzfigurige Original Van Dycks wurden noch im 19. Jahrhundert irrig als Bildnisse seines, knapp zwei Jahre jüngeren Bruders Rupert (1619-1682) identifiziert. Van Dyck hat von diesem ebenfalls ein Standporträt gefertigt (vgl. National Gallery, London, Inv.-Nr. NG6363).
Victorian oval mourning locket, the front applied with black enamel 'In memory of Cross', 25 x 20mm, a black enamel mourning locket (small enamel losses), 20 x 15mm, together with a Victorian gold filled memorial glazed brooch with vacant hair panel, verso with 'In memory of S Tibbets, died April 1837, aged 19' (a/f) (3)
A Georgian split pearl and enamel circle brooch,with an offset crescent. A row of graduated split pearls in cut down collets, to a royal blue guilloché enamel border, with a line of white enamel, 25mm diameter, 3.90g,together with a Georgian split pearl rectangular cluster brooch, 17 x 19mm, 5.27g,an Edwardian green paste and split pearl oval cluster brooch, 20 x 16mm, marked 15ct, 4.50g, anda gold cased amethyst brooch, c.1830, with a chased flame, 21 x 17mm (4)Hollow circle brooch - x1 split pearl deficient. Scratches and marks commensurate with its age. Later patches and brooch fittings. Soft solder where a pendant bale would have been.Some damage to the enamel.Split pearl cluster - later back and brooch fittings, clasp or ring head. There may have been rose cut diamonds between the pearls at some stage. Paste brooch - pin a little bent. Amethyst brooch - later brooch fittings.
An Edwardian commemorative bracelet for the Coronation of Edward VII, c.1902,with two rows of trace chain with inserted block capital Roman numerals to form the date 1902, with an enamelled union jack on a flagpole, and a concealed box clasp and safety chain with a hook end. Tested as approximately 15ct gold. 177mm long, 16.44gCondition ReportLight surface marks commensurate with its age. Minor marks to the enamel.Clasp secure.Safety chain unhooks when necessary.No repairs or alterations. See additional images.
A Swiss gold fob watch,29.50mm diameter, with a white enamel dial, with black Roman numerals and gold pierced hands. An engine turned and hand engraved case, with an Austro-Hungarian import mark for 1891-1901, suspended on a filed trace and trombone link guard chain, with a swivel clip and bolt ring clasp. Austro-Hungarian mark for 0.580 standard, Vienna. Case no. 129438. 1059mm long, 19.66g, 27.33gMakes a clunk sound when wound.Replacement perspex glass - very yellow.Winds and ticking but no guarantee as to continue running or time keeping.Glass scratched.
A late Victorian split pearl pendant/brooch, c.1900,with a pierced quatrefoil, to an offset square framework. A cluster of graduated split pearls in cut down collets at the centre, with blade edge bars to each open quatrefoil, with a split pearl terminal. The framework grain set with graduated split pearls to an articulated split pearl bale, suspended on a curb chain. Pendant marked 15ct. Chain tested as approximately 9ct gold. Pendant 5.50g, chain 2.51gTarnish to the reverse.Some losses to the enamel.Two small split pearls deficient.Slight kink to the pin.
A Chinese silver gilt filigree, jade and enamel bracelet,carved jade discs bezel set to the centre of filigree panel links, with applied floral and scroll decoration with blue cloisonné enamel, to concealed box clasp and safety chain. 183mm long, 53.47gNatural fissures to some of the jade discs.Surface marks/scratches/tarnish to silver, and wear to gilding in places.Safety chain is later, and is only attached to one side of the bracelet.Minor chips to the enamel in a couple of places, no apparent losses.The second jade plaque from the tongue end has cracks in it.
A Chinese silver gilt filigree, jade and enamel bracelet,carved and cabochon jade bezel set to the centre of rectangular curved filigree links, with applied wire and scroll decoration with blue and purple cloisonné enamel, to concealed box clasp. 179mm long, 24.95gMinor surface marks/scratches/tarnish to silver, and wear to gilding in places.The end links very slighlty dented.Safety chain deficient.
An Austro-Hungarian gem set oval hinged locket, c.1930,on a watch chain, c.1930. The locket with an oval blister pearl in a crimped collet at the centre, with smaller blister pearls and oval mixed cut foiled sapphires and topaz, all in matching collets and scattered square cut foil backed emeralds and split pearls, in matching collets, to an enamelled ground. An articulated enamel bow surmount, set with matching gemstones, to a hand engraved foil back cover and suspended on an Arts & Crafts chain, set with simulated pearls and faceted pink paste beads. Austro-Hungarian mark for 0.800 standard silver. Maker's mark unidentified HB. Locket 65 x 37mm including surmount, 36.72gLosses to the enamel.Foil back deterioration.Tarnished - dirty.
An Austro-Hungarian silver gilt gemstone and enamel brooch, c.1900,with foiled quartz cabochon rub set to the centre of a white enamel quatrefoil with black dot decoration. Dispersed foiled cabochon emerald and foiled rubies and pearls to a pierced ground. 44 x 32mm, 17.65g, together with an Austro-Hungarian silver gilt brooch, set with foiled backed emeralds and baroque pearls with pendant drop, and purple and white enamel, 46 x 54mm, 16.89g (2) Later brooch fittings to both.Soft solder present.Scratches and marks consistent with their age. Visible inclusions to the naked eye.Surface reaching inclusion.Nacre damage.
An Austrian silver gilt desk enamelled seal c.1900, in the form of a bacchant figure sitting on a keg or barrel. The figure decorated with polychrome enamel with enamelled leaves in his hair, with a gilt metal base with the initial F. 55mm tallWear to the gilding.Tarnished and dirty.Small losses to the enamel, not obvious.The "F" seal base is detached, the two screws or pins are deficient.
A Russian silver gilt cloisonné enamel belt buckle,later converted to a brooch. The shield form buckle with polychrome cloisonné enamel, to a textured ground, with a dagger form lock. 84 zolotnik mark. Maker's mark unknown, similar to that of G. Komarnitsky. 70 x 58mm, 44.24A later brooch fitting to the reverse.Wear to the gilding.
A French Art Nouveau silver freshwater pearl and plique-à-jour enamel necklace, c.1905,with an oval faceted blue paste, milligrain set to the centre with pierced wing shapes at each side. Green and lilac matt plique-à-jour enamel decoration, with matching flower head garlands to each side. A pierced geometric centrepiece with a freshwater pearl pendant drop, suspended from a fetter link chain. French weevil mark. Pendant 44mm, 8.97gNo damage to the plique a jour enamel.The freshwater pearl may be a later cultured freshwater pearl replacement.
An Arts & Crafts silver Newlyn enamel and labradorite necklace, c.1900,with a circular cabochon labradorite, rub set to the centre. Two rows of fetter links to each side, with graduated curved rectangular plaques with shaded green and blue enamel decoration. Pairs of sea scroll and bead links between, with further labradorite cabochons, a 'T' bar and hoop clasp, with bead and wire decoration. Signed NEWLYN ENAMEL to each enamel plaque. 435mm long, 27.12gSome tarnish.Some surface scratches to the enamel under 10x magnfication, but no chips, cracks, wear or losses.Pendant drop deficient.
A Georgian gold memorial ring,woven hair to a glazed panel, with a border of split pearls in clawed collets, to a black enamel surround. The underside of the head engraved 'In memory of Sir R D'Arcy Hildyard Br', to a tapered reeded shank. Tested as approximately 15ct gold, 4.54g.Finger size NSir Robert D'Arcy Hildyard was the 4th Baronet of Patrington, in the County of York. He was High Sheriff of Yorkshire in 1783, and died in 1814 without male issue, at which time the baronetcy became extinct. The first Baronet, Sir Robert Hildyard, served as Gentleman to the Bedchamber of King Charles I, and as a colonel in the royal army during the Civil War. He was raised to baronetcy by Charles II following the Restoration of the Monarchy. The Hildyard family is an ancient line, with the earliest name on the pedigree being Robert Hildeyard, or Hildheard, of Normanby, c.1200. Small chips/nicks to the enamel.A chip to glazed panel.Minor surface marks/scratches to mount.
A French amethyst, diamond and enamel bracelet, c.1915,with a series of target style roundels, each one with a circular, sugar loaf cabochon amethyst, milligrain set in yellow to a border of white champlevé enamel. A border of old brilliant cut diamonds, milligrain set to an outer ring of white enamel, with an open gallery and diamond set ring fittings. Scrolling 'S' shaped links between, milligrain set with graduated old cut diamonds to a concealed box clasp. French poinçon for platinum. 205mm long, 30.22gCondition ReportLight surface marks commensurate with its age. Minor marks to the table or crown facet edges under 10x magnification to the amethyst.Under 10x magnification areas of slight flaking to the enamel.
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