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Preisdatenbank abonnierenA French brass miniature oval carriage timepiece, Unsigned, late 20th century The eight-day single train movement with platform lever escapement and white enamel Roman numeral dial inscribed 17 jewels 8 days, in bevel glazed oval case with arched hinged carrying handle and turned feet, 8.5cm high excluding handle.
A French brass carriage clock with push button repeat, probably by the Couaillet family, late 19th century The eight-day two-train gong-striking movement with nickel finish platform lever escapement and circular white Roman numeral enamel dial set into an engine-turned gilt mask, in a corniche type case with hinged carrying handle and shallow fluted friezes to apron and frieze, 14.5cm high excluding handle.
A French brass and cloisonne enamel carriage timepiece, Unsigned, late 19th century The eight-day movement probably by the Couaillet family with Roman numeral white enamel dial, in corniche type case with blue ground cloisonne enamel decorated front angles and hinged carrying handle, 11.5cm high excluding handle, with original leather case.
A French brass carriage timepiece, Retailed by J. Moore, London, early 20th century The eight-day movement with platform cylinder escapement and stamped R & Co, Made in Paris to backplate, with white enamel Roman numeral dial inscribed J. MOORE, 211 OXFORD ST. W. in corniche type case, 11.5cm high excluding handle.
A French brass calendar carriage timepiece in one-piece case H. Acier, late 19th century The eight-day movement with platform lever escapement and rectangular white enamel Roman numeral dial with subsidiary day of the week and date of the month dials, in one-piece caddy moulded case with hinged carrying handle, the base stamped BREVETE S.G.D.G. H.A., 11.5cm high excluding handle.
An early brass dashboard timepiece, Smith & Son, London, early 20th century With keyless lever movement and white Roman numeral enamel dial signed SMITH & SON, 179-185 GT. PORTLAND ST. LONDON W. 281-4056, in brass drum shaped case drilled for mounting and with knurled winding crown beneath 6 oclock, 8.5cm diameter; three other dashboard clocks in differing states of repair; and two desk timepeices, (7).
A French brass carriage clock with push button repeat, Drocourt, Paris, late 19th century The eight-day two-train gong-striking movement with platform lever escapement and Roman numeral white enamel dial, in corniche variant case with hinged carrying handle, 14.5cm high excluding handle, with original leather-covered case.
A French ebonised carriage timepiece, Unsigned, circa 1900 The eight-day movement with lever escapement regulated via a mono-metallic balance mounted on the backplate stamped V.A.P. BREVETE S.G.D.G. within an oval cartouche, with rectangular white enamel Roman numeral dial and gilt surround in rectangular ebonised case with brass carrying handle, on moulded plinth base, 19cm high including handle.
A French engraved gilt brass oval carriage clock, Drocourt, circa 1880 The incomplete eight-day movement with platform lever escapement, the circular white enamel Roman numeral dial above conforming subsidiary Arabic alarm dial within foliate engraved gilt rectangular mask, the oval case with serpentine hinged carrying handle above moulded cornice and foliate trail decorated glass surrounds, on conforming ogee moulded base, movement lacking striking, repeat and alarm mechanisms, 14cm high excluding handle.
A French brass carriage clock, with push button repeat Retailed by T.A. Jones, London, late 19th century The eight-day gong-striking movement with replaced platform lever escapement and white enamel Roman numeral dial inscribed EXAMINED BY T.A. JONES, LONDON, in corniche type case with hinged carrying handle, 15cm high excluding handle, with original leather-covered case, worn.
A French gilt metal and sang de boeuf porcelain small desk timepiece, Unsigned, circa 1900 The eight-day single train movement with platform lever escapement mounted on the backplate and blue on white enamel Roman numeral dial decorated with floral garlands, in cushion shaped porcelain case with gilt crest and lion mask side mounts, on scroll cast and chased gilt base, 14cm high.
A French lacquered brass four-glass mantel clock, Unsigned, early 20th century The eight-day gong-striking movement with white enamel Roman numeral dial and engine-turned bezel in rectangular bevel glazed case with shallow cavetto cornice and caddy moulded angles, on plinth base, pendulum lacking, 25.5cm high.
An early brass torsion timepiece, Attributed to Jahresuhren Fabrik, Germany, circa 1890 The four-pillar single train movement with torsion suspension for the rotating balance weight and anchor escapement, the white enamel Roman numeral circular dial inscribed R.L. PATENT 2182, US PATENT 269052, DR PATENT 2437 to centre, the movement front-plate with three turned finials to the shaped crest, on two brass pillars, on moulded brass base, 23.5cm high, with glass dome. An identical clock is illustrated and described in Shenton, Alan and Rita The Price Guide to Clocks, 1840-1940 on page 63.
An Edwardian inlaid mahogany mantel timepiece and matching barometer, Both unsigned, early 20th century The clock with platform cylinder escapement and white enamel Arabic numeral dial, the barometer with aneroid mechanism and white enamel register calibrated in inches, each in drum-head case with line inlaid apron and on cavetto moulded base with brass button feet, each 18.5cm high.
A French Louis XV style gilt metal mounted tortoiseshell mantel clock, Unsigned, late 19th century The eight-day gong-striking movement with circular cream enamel panelled Roman numeral dial with Arabic five minutes, the waisted case with gilt dragon surmounts and foliate chased mounts to angles incorporating scroll feet with shaped apron between, 30.5cm high.
A French belge noir marble drum-head mantel clock, Henry Marc, Paris, late 19th century The eight-day outside countwheel bell-striking movement stamped H.Y. MARC PARIS to backplate with similarly signed two-piece white enamel Roman numeral dial with visible brocot escapement to the recessed centre, in a fluted drum case with mottled red marble bezel flanked by supporting scrolls, on panel fronted plinth base with turned feet, 32cm high.
A Continental giltwood cartel timepiece, Unsigned, late 19th century The French eight-day single train movement with platform lever escapement and circular Roman numeral white enamel dial with Arabic five minutes, in 18th century style case with swept scroll and floral carved crest above rocaille surround with open scrollwork foot to base, 58cm high overall.
A German Vienna style walnut wall regulator, Unsigned, circa 1870 The four-pillar single train eight-day movement with deadbeat escapement, Harrisons maintaining power and wood rod pendulum, the two-piece white enamel Roman numeral dial with subsidiary seconds dial, in glazed-front case with shaped crest and turned ebonised finials above fluted cylindrical corbels to the canted angles, with ogee moulded foot and conforming pendant finials to base, 118cm high.
A German Vienna style walnut wall regulator, Unsigned, late 19th century The four-pillar single train movement with deadbeat escapement and maintaining power, the two-piece white enamel Roman numeral dial with subsidiary seconds dial at 6 oclock in arch glazed front case with eagle surmount to the female mask applied shaped crest above pilasters flanking front door and ogee moulded foot with pendant finials, 129cm high.
A gilt metal and faux blue enamel pendant, the reverse engraved "Pure Water The Best Beverage", a victorian design yellow metal, diamond & pearl set oval dome brooch with turquoise blue background; a three piece tooth and silver mounted gents cufflink's and tie pin; a victorian design yellow metal hand shaped pendant;a pink paste set bar brooch & a tie pin.
Barry Sack b.1948- "Quarried Elements"; coloured vitreous jewellery enamel on zero carbon steel, seven of the eight cubic forms, originally commissioned during 2000 for the new headquarters of the Dresdner Kleinwort Benson Bank in Swan Lane, City of London, 60x60x30cm., ea., one 60x60x5cm., (7) (may be subject to Droit de Suite)
A 19th century French white marble and ormolu mounted mantel clock, the eight day movement with an outside count wheel, the backplate stamped 'Planchon ˆ Paris, 01578' to a circular white enamel dial inscribed, within a fluted column case with ribbon-tied fruiting swags surmounted by a cherub sitting on a cloud in the night sky, 16.5in (42cm) high, with a later ebonised plinth.
Aircraft: blue and gold enamel 1935 'National League of Gentlemen' lapel badge, 29mm wing-span; Modelcraft 'Micromodels' - Series G. Set No.1 Boeing Fortress II/ Short Stirling 1 and Series F. Set No.1 Whirlwind/ Beaufighter/ Mosquito in original paper sleeves; Edito-Service colour aircraft recognition cards; British Airways 'The History of Passenger Flight' playing cards in original un-opened packet (5)
A late 19th Century Lobmeyr Rock crystal pedestal bowl designed by Ludwig Lobmeyr circa 1880, the swept foot rising to a shallow rimmed bowl decorated with polished intaglio rococo style acanthus leaf scrolls within a black, white and gilded enamel border, width 25cm, height 8.5cm, engraved and gilded signature to the base.
A 19th Century Sowerby Blanc de Lait cream jug circa 1879 relief moulded with prunus blossom picked out with enamel stain and raised to fluted feet, together with a similar period Blanc de Lait cream and sugar relief moulded with classical style flaming torches and swags over a stippled ground, relief moulded marks.
An early 20th Century Continental Art Nouveau drinking glass by Theresienthal, the plain circular foot rising to a tall slender baluster stem with shallow bowl decorated to the exterior with a stylised enamel crocus in red with gilded highlights, height 16cm together with a similar example decorated with a pale pink poppy.
A small early 20th Century Daum cameo glass vase of footed and shouldered ovoid form, the body cased with a mottled tonal orange, yellow and green enamel over the pale blue ground and cut back with a running landscape pattern of autumnal trees before a mountain backdrop, bears full painted signature to the base, height 8cm.
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