REUBEN WATTS (NEW ZEALAND, 18691940) a rare set of six hand hammered Arts and Crafts period silver and enamel teaspoons, the trefoil ends enamelled with peacock blue and turquoise around a red centre, stamped with a partly obscured Reuben Watts stamp and Sterling to the back, 12.5cm Provenance:- It is believed that these spoons were a gift from Ruben Watts to his brother Reginald Watts on the occasion of his wedding to his first wife, and thence by family decent to the current vendor.Reuben Watts is considered a pioneer of the Arts and Crafts movement in New Zealand. Having trained in the Arts and Crafts style in Birmingham, he arrived in New Zealand in 1899. Working for the commercial jewellers Littlejohn before moving to Auckland in 1906 where he worked for A. Kohn. Watts went on to became an independent jeweller exhibiting at the Auckland Arts and Crafts Club in 1912. Between 1930 and 1939 he taught at Elam School of Art. References: Karlin, Elyse Zorn. 1993. Jewellery & Metalwork in the Arts & Crafts Tradition. Atglen: Schiffer. Shepherd, Winsome. 1995. Gold & Silversmithing in Nineteenth & Twentieth Century New Zealand. Wellington: Museum of New Zealand.
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LUIGI MASONI(ITALIAN) for HARVEY GUZZINI, Brumbury table lamp, mushroom shade, on white enamel and chrome body, label to shade, 46cm highCondition Report: There are small paint spots to shadeLosses to chrome on shade and rustGeneral dirt wear and minor scratching. Wear to label and fadingElectrical work is probably original. Not tested for working. Not PAT tested at time of report. Will be tested by sale day. UK plug. Would assume the lamp needs re-wiring.Scorch marks on lamp base.Wear to enamelling and chrome base.More images online.
Adam Bridgland (British, born 1979)We Could Use A Miracle Now (Maradona '86); This Thing Of Beauty (Motorbike)(Two Unique Works) Enamel, acrylic and crayon, 2023, on various papers, each signed and numbered 1/1 verso to the frame, published by Jealous Gallery & Print Studio, London, the full sheets, framedSheet 105 x 148mm (4 1/8 x 5 7/8in)(and smaller)(2)This lot is subject to the following lot symbols: †† VAT at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com In addition to the catalogue entry:- float-mounted to the backing boards in several places verso, in the artist's specified frames- the extreme tips of corners slightly soft, with associated minor creasing, inherent to the supportOtherwise, in very good condition, colours are fresh and bright. Unexamined outside of the frames. The full sheets visible within the frames.
Adam Bridgland (British, born 1979)Every Morning I've Got A New Chance (Champion Cyclist); Help Me Escape The Days That Never Seem To End (Pink Panther); Only The Brave and The Bold (L'Aviation)(Three Unique Works) Enamel, acrylic and crayon, 2023, on various papers, each signed and numbered 1/1 recto and verso to the frame, published by Jealous Gallery & Print Studio, London, the full sheets, framedSheet 272 x 205mm (10 3/4 x 8 1/8in)(and smaller)(3)This lot is subject to the following lot symbols: †† VAT at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com In addition to the catalogue entry:- affixed to the backing boards in several places verso, in the artist's specified frames- some of the corners soft and creases in places, inherent to the supportsOtherwise, in very good condition, colours are fresh and bright. Unexamined outside of the frames. The full sheets visible within the frames.
Rare bol à thé et sa soucoupe en porcelaine de Meissen au décor Hausmaler de Preissler, vers 1720-30A rare Meissen Preissler Hausmaler teabowl and saucer, circa 1720-30Decorated in the workshop of Ignaz Preissler, Kronstadt (Bohemia), each with a harbour scene with the ships, figures, land and buildings in iron-red and the water and sky in black, the details sketched in a sgraffito technique through the enamel, the saucer: 12.5cm diam.; the teabowl: 4.5cm high (tiny chip to saucer footrim) (2)Footnotes:Provenance:Private Collection, Switzerland (sold at Christie's London, 11 December 2007, lot 80);Private German Collection of Meissen PorcelainSimilar scenes, including the same fortified tower and arch-bridge, are on a series of faience plates decorated in black monochrome with harbour scenes and armorials in the Germanisches Nationalmuseum, Nuremberg (A. Müller-Hofstede, Der schlesisch-böhmische Hausmaler Ignaz Preißler, in Keramos 100 (1983), ill. 54, attributed to Preissler). A teapot decorated with a view of Paris in the same technique using iron-red and black is in the Victoria & Albert Museum (C.75&A-1939, published by A. Müller-Hofstede, Der schlesisch-bömische Hausmaler Ignaz Preissler, in Keramos 100 (1983), ill. 49), and a bowl is in the Prague Museum of Decorative Arts (published by H. Brozkova (ed.), Daniel a Ignac Preisslerové (2009), no. 77).For further information on this lot please visit Bonhams.com
Grande tabatière émaillée à décor de gravures d'après Callot, XVIIIe siècleA large enamel snuff box after Callot engravings, 18th centuryDecorated in polychrome colours with finely rendered scenes after Jacques Callot Il Callotto Resuscitato or Neu eingerichtes Zwerchen Cabinet (Amsterdam, 1716), each side with a scene including the dwarves in various pursuits, the base with similar scenes in puce camaieu, 10.5cm wide x 6cm deep, 5.5cm high (some damage)Footnotes:There are several cracks in the enamel decoration on the cover, and there are areas of chipping to the edges in keeping with the age of the object, there is some damage in places where a little nail was applied securing the mount, and there is some more rubbing to the base, where the face of one figure is rubbed out.For further information on this lot please visit Bonhams.com
Tabatière en or et émail, possiblement Hanau, vers 1785A gold and enamel snuffbox, possibly Hanau, circa 1785Decorated all-over with lattice paillons; unidentified maker's mark, G(?)R, a crown above, a star below, French eagle head control mark, 1847-1919, struck twice, Moscow Soviet control (750), unidentified later gold control, 7cm wideFor further information on this lot please visit Bonhams.com
Figure Meissen d'un gentilhomme assis à un bureau, écrivant un mot, vers 1745A Meissen figure of a cavalier seated at a writing desk, circa 1745Modelled by J.J. Kaendler, wearing an iron-red patterned coat, blue waistcoat and black breeches, the Baroque desk embellished in gilding and blue enamel, the letter inscribed 'Monsieur/ Il foudroit ne vous a/ voir jamais vu', flanked by writing implements and a watch on the top of the desk, the base applied with leaves and flowers, 13.8cm high (some restoration)Footnotes:Provenance:Private German Collection of Meissen PorcelainThe model is listed in Kaendler's Taxa of overtime work: '1. Figur, einen Monsieur, der einen Liebes-Brieff schreibt, vorstellend, mit der Feder in der Hand am Tische sizend' [1 figure, depicting a monsieur writing a love-letter, seated at a desk with a feather in the hand]; see U. Pietsch/C. Banz, Triumph der blauen Schwerter (2010), no. 341, for the example in the Porzellansammlung Dresden.For further information on this lot please visit Bonhams.com
DIAMOND, EMERALD AND ONYX LION BROOCHDesigned as a lion with textured head and body, polished mane, tail and whiskers, the head highlighted by single and old brilliant-cut diamonds, a black enamel nose and circular-cut emerald eyes, length 5.4cmFor further information on this lot please visit Bonhams.com
GEM-SET PENDANTSet throughout with table-cut emeralds and table and rose-cut diamonds, some foil backed, the reverse decorated with green enamel and floral engraving, suspending clusters of ruby beads and a 5.5mm pearl drop, length 5.0cmFootnotes:Please note this lot has VAT at the prevailing rate on both Hammer Price and Buyer's Premium.This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
GEM-SET AND ENAMEL NECKLACE, CIRCA 1890-1900The oval-cut purple spinel and octagonal-cut peridot within scrolls decorated with yellow/pink, blue/green and white and black enamel, accented with cushion-shaped diamonds and seed pearls, suspending swags, and two pear-shaped peridot and seed pearl tassels, length 40.0cm, cased by Hall & Co, Diamond Merchants, King St ManchesterFor further information on this lot please visit Bonhams.com
ARTS & CRAFTS OPAL AND ENAMEL NECKLACE, EARLY 20TH CENTURYThe pendant set with an oval opal cabochon within a frame of grape vine design, suspended from a trace-link chain interspersed with open work plaques decorated with blue/green enamel, mounted in gold, lengths: pendant 5.0cm, chain 41.0cmFootnotes:By family repute, this necklace was originally owned by Lady Hildegarde Syfret, née Warner, wife of Admiral Sir Neville Syfret and daughter of Herbert Warner, a wealthy iron merchant. Before her marriage in 1913, Hildegarde studied at the Dresden Academy of Fine Arts and was a keen artist with a particular interest in the Arts and Crafts movement. The opal in the necklace is understood to have been a gift to Hildegarde from her brothers, Alfred and Harold, who had made their fortunes in Australia.For further information on this lot please visit Bonhams.com
ENAMEL AND GEM-SET BUTTERFLYThe blue/green/yellow plique-à-jour enamel wings accented by single-cut diamonds, the thorax set with a cushion-shaped diamond and pear-shaped opal cabochon abdomen, with circular-cut ruby eyes, detachable brooch fitting, length 5.3cmFor further information on this lot please visit Bonhams.com
ENAMEL, PEARL AND DIAMOND EARRINGS, 19TH CENTURY; SYNTHETIC SAPPHIRE AND DIAMOND RING1st: Each earring decorated with blue enamel, the drop in laid with a half pearl and rose-cut diamonds, 2nd: The oval-cut synthetic sapphire, between cushion-shaped diamonds, pearls untested, lengths: earrings 4.2cm, ring size approx. P, earrings cased by J.Turner, 58 & 59 New Bond StreetFor further information on this lot please visit Bonhams.com
CULTURED PEARL AND ENAMEL SNAKE PENDANT, EARLY 20TH CENTURYThe two serpents, set with old brilliant and rose-cut diamonds, decorated with green enamel and ruby cabochon eyes, intertwined around the baroque pearl, of grey tint, suspended from a row of old brilliant-cut diamonds, suspended from a trace-link chain, lengths: pendant 2.8cm, chain 41.0cmFor further information on this lot please visit Bonhams.com
ENAMEL ROYAL PRESENTATION CUFFLINKSDouble-sided, each oval plaque with the cypher of George V, encircled by the Order of the Garter 'Honi Soit Qui Mal y Pense', decorated with polychrome enamel, length of plaque 1.9cm, cased by Carrington & Co., 130 Regent Street, LondonFootnotes:By family repute, these cufflinks were presented by George V to Walter Maries MVO as a Christmas gift.Walter Maries MVO is recorded as Superintendent at the Sandringham Constabulary in 1922. The Sandringham Estate in Norfolk was a 21st birthday gift from Queen Victoria to her eldest son and heir, Albert Edward, Prince of Wales (later Edward VII), in 1862 and remains a much-loved private residence and country retreat of the British Royal Family to this day. Along with two Constables, Maries would served to protect the monarch, other family members and their guests, whilst in residence.For further information on this lot please visit Bonhams.com
TWO 'STUART CRYSTAL' SLIDES, 17TH-18TH CENTURY1st: The white enamel skull between the threadwork initials, EH, over strands of blonde hair, beneath a rock crystal cover, in a piecrust mount, 2nd: The winged putti holding a heart above a flaming heart, decorated in polychrome enamel, within a surround of gilt-wire decoration over a blue enamel ground, beneath a faceted rock crystal cover, in a piecrust mount, lengths: 1st 1.6cm, 2nd 1.8cm (2)Footnotes:The genre of jewels popularly known as 'Stuart Crystal' were exchanged in England as sentiments of love, loyalty and commemoration from the mid 17th and until the early 18th century. Initially created to commemorate the death of King Charles I – and therefore the Stuart monarchy – panels of woven hair, monograms, crowns and initials in gold thread were set in gold or gilt beneath faceted 'crystals' of rock crystal or paste to wear as rings or slides around the neck or wrist. Some of the most elaborate examples were embellished with coronets, hearts, skulls, skeletons and winged putti decorated in polychrome enamel.For further information on this lot please visit Bonhams.com
RUBY AND ENAMEL RING, LATE 17TH - EARLY 18TH CENTURYThe table-cut ruby cluster in closed back settings, within a scalloped mount, between black enamel shoulders decorated with floral engraving, ring size approx. O1⁄2Footnotes:For examples of gem-set rings dating to the late 17th-early 18th centuries, with similar scalloped galleries of Flemish and Spanish origin see, Chadour, Anna Beatriz, 'Rings: The Alice and Louis Koch Collection: Forty Centuries Seen by Four Generations', London, 1994, ill.p.236, no. 769 and p.240, nos. 780-781.Please note this lot has VAT at a preferential rate of 5% on the Hammer Price and VAT at the prevailing rate on Buyer's Premium.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
IBERIAN EMERALD AND ENAMEL RING, LATE 17TH - EARLY 18TH CENTURYThe cluster of table-cut emeralds, in closed back settings with piecrust detail, the gallery decorated with black enamel, later ring mount, ring size approx. O½Footnotes:Please note, this lot has VAT at a preferential rate of 5% on the Hammer Price and VAT at the prevailing rate on Buyer's Premium.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
SEED PEARL, DIAMOND AND ENAMEL PENDANT, CIRCA 1850The centre of starburst design, set with seed pearls and rose-cut diamonds, with blue enamel decoration, and ropetwist, twisted strip and beaded wirework decoration, with glazed compartment to the reverse, suspending snake-link tassels on a hinged frame, mounted in gold, length 9.3cmFor further information on this lot please visit Bonhams.com
AUDEMARS PIGUET: ENAMEL NECKLACE AND EARCLIP SUITEThe articulated collar, with scintillating midnight blue enamel links graduating in size towards the centre with applied fluted ribbon bows, accented throughout by reeded spacers, the half-hoop earclips of matching design, mounted in 18 carat gold, maker's marks AP, numbered 0183/1 and 0185/1, necklace with additional maker's mark AP&Co, Swiss assay mark, European convention mark, lengths: necklace inner circumference approx. 38.5cm, earclips 2.5cm (2)For further information on this lot please visit Bonhams.com
ENAMEL AND DIAMOND SNAKE NECKLACE, MID 19TH CENTURYThe serpents head decorated with green enamel and cushion-shaped diamonds, suspending from its mouth a heart shaped enamel and diamond drop, with glazed compartment to the reverse, on a gold snake-link chain, diamonds approx. 0.55cts total, length 38.0cm some enamel loss, fitted case For further information on this lot please visit Bonhams.com
ENAMEL AND SAPPHIRE-SET BROOCHDesigned as a horse and carriage, each passenger's head decorated with red and yellow enamel, the carriage lights accented by step-cut sapphires, French assay mark, enamel loss to female passenger, length 6.0cmFor further information on this lot please visit Bonhams.com
ENAMEL AND DIAMOND CADUCEUS BROOCH, LATE 19TH CENTURYThe two entwined serpents set with cushion-shaped and rose-cut diamonds and circular ruby cabochon eyes, the wings decorated with red enamel, each end terminated with a seed pearl, length 3.8cmFor further information on this lot please visit Bonhams.com
TWO DIAMOND-SET PENDANTS, EARLY-MID 19TH CENTURY1st: The rose-cut diamond bird, with a cabochon emerald eye, perched in a similarly-cut diamond tree, a top a blue enamel ground, beneath a rose-cut diamond bow, mounted in silver and gold, 2nd: The cluster of rose-cut diamonds within a scalloped, similarly-cut diamond border, mounted in silver and gold, lengths: 1st 4.2cm, 2nd 2.0cm (2)Footnotes:Please note this lot has VAT at a preferential rate of 5% on the Hammer Price and VAT at the prevailing rate on Buyer's Premium.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
RUBY AND ENAMEL-SET MEMORIAL RING, CIRCA 1770The glazed compartment with hairwork depicting a tree, within a surround of table-cut rubies, the outer hoop inscribed 'S.CARPENTER·OB:23::NOV·1772·Æ:58' with black enamel decoration, ring size approx. F½ For further information on this lot please visit Bonhams.com
COLLECTION OF FOBS AND FOB SEALS, EARLY 19TH CENTURY1st: The polychrome enamel amphora fob, set with white hardstone depicting a dove in flight above water, beneath 'FIDELLE' (faithful), 2nd: The fob engraved with scrolling decoration, set with carnelian depicting a griffin rampant beneath 'INSTAURATOR RUINÆ' (A repairer of ruin), 3rd: The engraved krater vase fob seal, inscribed CG, 4th: The polished amphora fob set with carnelian, 5th: The covered kantharos vase fob set with pink paste, and a bloodstone, 5th: some missing pink paste, various sizes (5)For further information on this lot please visit Bonhams.com
ELIZABETH GAGE: 'LIBRA' ENAMEL RINGThe red guilloche enamel with applied Libra, sun, moon and planet motifs, accented by a brilliant-cut diamond, decorated with a ropework border, mounted in 18 carat gold, signed GAGE, maker's mark EG, UK hallmark, ring size approx. O, maker's pouchFor further information on this lot please visit Bonhams.com
A collection of nine antique and vintage ladies evening, cocktail and tango bags dating from 1920s-1960s. Chinese style silver beaded with Bakelite framed cocktail bag * black doeskin with silver marcasite frame and clasp clutch bag * two 1930s petit-point with enamel work frame and clasp cocktail bags * faux pearl beaded with china miniature lid cocktail bag * black velvet with faux pearl frame cocktail bag * black grosgrain with brass frame tango bag * black textured leather with silver hallmarked marcasite clasp evening purse * a 1920s small coloured chain-work framed flapper tango bag (Some damage but blue glass-inlaid fame in good condition suitable for reuse.)Condition Report: Good condition commensurate with age and use
An 18th century style quatrefoil gilt metal mounted domed box, the cover decorated with a serenade within a summer landscape with gilt and puce border, gilded interior, 8.5cm wide, 5.5cm high, faux Sevres marks; An 18th century rectangular Battersea enamel box, decorated with panels of flowering foliage within colourful scroll borders, 6cm wide, 3cm high; etc (3)
A late 20th century cloisonné and brass mantle clock, the case of architectural design a domed top with turned finial, the four cylinder pillars flanking two Indian painted panels of a female, the enamel dial painted with floral swags and black Roman numerals, the 8 day movement striking on a gong, 46cm high x 21.5cm wide
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