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396325 Los(e)/Seite
A reproduction Robertsons Golden Shred 'Golly it's Good' enamel advertising sign by Garnier & Co Ltd, London:, circa 1970s signed as per title to the reverse, 37 x 16.5cm. This item is listed on the basis it is illustrative of a bygone culture in which there were different social norms. We understand the potential controversy surrounding this type of item but believe that providing transparent information about historical context fosters greater understanding of our complex cultural history.
Early 19th century 14ct gold, enamel and seed pearl mourning brooch, in memory of H. Styleman March 1819, approx 23 x 17mm approx 5.3 gms. -Provenance: consigned from the private collection of Dr Michael Bishop. A geologist by training who specialised in the search for evidence of early human settlements in Britain, Dr Bishop spent his career working as a curator at a number of museums across the country. He later set up a business which aimed to place letters, manuscripts and other personal memorabilia in specialist private and public collections all over the world.
Miscellaneous pocket watches including a silver Patent Lever chronometer Greenwich Meantime Keeper, Birmingham hallmark dated 1886 approx 180 gms; silver Lancashire Watch Co open faced pocket watch, Chester hallmark dated 1903, movemnent nr 636898 94 gms. This lot includes another silver pocket watch, Birmingham hallmark dated 1896; together with three small ladies pocket watches, total weight for the three 130 gms. This lot includes a further silver pocket watch 'Improved Patent' having a 48mm white enamel face with Roman dial, Chester hallmark dated 1892, total weight with movement approx 166 gms; Victorian silver pocket watch, makers mark A, Chester hallmark dated 1882, fusee movement, approx 166 gms and a Continental silver pocket watch, approx 79 gms. Condition Report Not moving forward at time of testing with enamel loss to dial(ii) moving forward at time of testing, some enamel loss to the dial.(iii) not moving forward at time of testing.(iv) one of the ladies watches has no glass.
Chinese cloisonne vases, the first of baluster form, yellow enamel ground with prunus and chrysanthemum decoration, approx 26 cms. The second of tapering form, black ground decorated with tree peony, approx 44 cms h (af) together with Chinese silk tapestry, approx 29 x 27 cms, depicting a bird in flight amongst cloud scroll with ocean waves beneath, framed and glazed. (3)
CARLO GIULIANO: ENAMEL PENDENT EARRINGS, CIRCA 1870Each delicate latticework panel with monochrome enamel decoration, with bead and scroll detail, suspended from a pale blue enamel and half pearl floral surmount, issuing a fringe of seed pearls, mounted in gold, maker's mark CG, length 3.8cmFootnotes:ProvenanceProperty from the Ralph and Inge Ehrman collection (Lots 1, 3-7, 11, 13, 14, 48)For a pair of earrings of similar design by Carlo Giuliano, dated circa 1870, see Bennett, D. and Mascetti, D. 'Understanding Jewellery', 2014, ill.193, p.155For further information on this lot please visit Bonhams.com
CARLO GIULIANO: PAIR OF ARCHAEOLOGICAL REVIVAL LAPIS LAZULI, ENAMEL AND GEM-SET BROOCHES, CIRCA 1870Each lapis lazuli cabochon in a ropetwist and gold beadwork frame, within a fine lattice surround of monochrome enamel, set with cabochon rubies and 3.5mm half pearls, the reverse with similar lattice and beaded detail, mounted in gold, maker's mark CG, later pin fittings, length 4.3cm each, fitted case by C. Giuliano, 115 Piccadilly, London (2)For further information on this lot please visit Bonhams.com
CARLO AND ARTHUR GIULIANO: ENAMEL AND GEM-SET PENDANT, CIRCA 1895The pear-shaped garnet carbuncle, within a border of green guilloché enamel, the fine latticework surround set with cushion-shaped and old brilliant-cut diamonds, suspending a 5.0mm pearl drop, maker's mark C&AG, pearl untested, length 6.5cmFootnotes:ProvenanceProperty from the Ralph and Inge Ehrman collection (Lots 1, 3-7, 11, 13, 14, 48)For further information on this lot please visit Bonhams.com
CARLO GIULIANO: ENAMEL AND PEARL CHAIN, CIRCA 1880The fine chain necklace composed of turquoise enamel 'candy twist' batons, alternating with 3.5mm pearls on trace-linking, maker's mark CG, pearls untested, some enamel loss, length 117.7cmFootnotes:ProvenanceProperty from the Ralph and Inge Ehrman collection (Lots 1, 3-7, 11, 13, 14, 48)For further information on this lot please visit Bonhams.com
CASTELLANI: ARCHAELOGICAL REVIVAL BEAD RING, CIRCA 1860The turquoise enamel bead with 'evil eye' motifs, within a ropetwist mount with beadwork detail, maker's mark CC, ring size approximately N (hoop off round)Footnotes:ProvenanceProperty from the Ralph and Inge Ehrman collection (Lots 1, 3-7, 11, 13, 14, 48)For further information on this lot please visit Bonhams.com
CASTELLANI: HARDSTONE INTAGLIO, ENAMEL, PEARL AND RUBY PENDANT/BROOCH, CIRCA 1860The banded agate engraved to depict Odysseus tied to a mast and a Siren playing the lyre, within a border alternating with white enamel sprays and ruby cabochons within pie-crust closed-back settings, suspending a detachable ropetwist finial issuing a 25.0mm baroque pearl beneath naturalistic leaves, mounted in gold, maker's mark CC, some enamel repair, pearl drop associated, lengths: brooch/pendant 4.7cm, detachable pearl drop 4.5cm, cased by S.J Phillips, 139 New Bond Street, London, W1.Footnotes:ProvenanceProperty from the Ralph and Inge Ehrman collection (Lots 1, 3-7, 11, 13, 14, 48)For further information on this lot please visit Bonhams.com
MARCUS & CO: ENAMEL, PEARL, DIAMOND AND GEM-SET JEWEL, CIRCA 1895Of abstract foliate form, the iridescent enamel graduating from blue to green with burnt orange accents, applied with sinuous tendrils, millegrain-set with old-brilliant and rose-cut diamonds, accented by circular-cut emeralds, rubies and sapphires, the central 13.5mm bouton pearl of purple tint atop bicoloured enamel leaves, issuing an old brilliant-cut diamond quatrefoil, terminating with a later natural pearl drop weighing 13.25 carats, via a single-cut diamond surmount, the reverse decorated with finely engraved basket and fluted motifs, mounted in silver and gold, signed Marcus & Co., old brilliant-cut diamonds approximately 15.10 carats total, later clip fitting, length 10.2cmFootnotes:Accompanied by a report from The Gem and Pearl Laboratory stating that the 13.25 carat drop-shaped pearl is natural, saltwater. Report number 24506, dated 26th April 2024.Accompanied by a report from The Gem and Pearl Laboratory stating that the 13.15 carat bouton pearl is natural, freshwater. Report number 24507, dated 26th April 2024.Born in 1828, Herman Marcus began his career working for Ellemeyer, the Dresden court jewellers, until 1850, when he moved to New York to begin working with Tiffany and Co., before moving to Ball, Black & Co. In 1864, he formed Starr & Marcus with Theodore Starr, where they worked alongside each other until 1877, when Herman returned to Tiffany & Co., representing them at the Paris International Exposition of 1878. In 1884 he left Tiffany once more, joining his son, William, at Jacques & Marcus, which evolved to become Marcus & Co, after William's business partner, George Jaques retired in 1892. Shortly after, they were joined on the corner of 5th Avenue and 45th Street by Herman's son, George Elder.Marcus & Co. developed a bold, confident style of design, creating sculptural, colourful jewels, representative of the naturalistic joy of the Art Nouveau period. After Herman Marcus' death in 1899, the firm continued under the brothers' leadership, continuing to flourish into the 20th Century. The sinuous lines unfurling from the centre of the brooch reflect the Art Nouveau aesthetic prevalent during this period. The carefully rendered colourful enamel throughout this piece is very characteristic of the firm's work, with the graduation in colour pleasingly visible in the original design drawing.Also illustrated: The design drawing of this jewel in its original form as a pendant.'Jewelry Design Books of Jaques and Marcus, 1890 to 1910', Volume 4, 'Brooches, Pendants, No. 3', p.27.Reproduced with kind permission from Dartmouth Libraries Digital Archive.For further information on this lot please visit Bonhams.com
DIAMOND AND ENAMEL 'NIGHT AND DAY' PENDENT EARRINGS, CIRCA 1880Each cushion-shaped diamond weighing 2.83 or 2.85 carats, suspended within a detachable beaded hoop, issuing from a knifewire surmount with bead and scroll detail, accompanied by a pair of detachable, spherical textured 'jackets' with black taille d'epargne enamel detail, mounted in gold, length 3.0cm, later hook fittings, fitted case by Shreve, Crump & Low, BostonFootnotes:Established in 1796 by watchmaker and silversmith John McFarlane, Shreve, Crump & Low is one of the oldest jewellery stores in North America. The firm changed partners, and names, several times in the early 19th century, reflecting the speed of development throughout America at the time. John J. Low worked as an apprentice and became partner in 1822; his son George eventually forming Shreve, Crump & Low Co. in 1869. The firm is known for timeless fine jewellery, watches, tableware and antiques, and has exhibited artefacts from Ancient Greece and Rome.For further information on this lot please visit Bonhams.com
CASTELLANI: AGATE CAMEO AND GEM-SET PENDANT, CIRCA 1870The agate carved to depict Eros and Psyche, within a tiered ropetwist surround, accented by cabochon rubies and two half pearls, between a green enamel or hardstone bead, with piecrust decoration to the reverse, mounted in gold, maker's mark CC, replacement green bead, length 2.8cmFootnotes:ProvenanceProperty from the Ralph and Inge Ehrman collection (Lots 1, 3-7, 11, 13, 14, 48)For further information on this lot please visit Bonhams.com
Early 20th century nickle goliath pocket watch, white enamel dial with Arabic numerals and subsidiary seconds dial, in silver velvet and silk lined case by Henry Williamson Ltd, Birmingham 1905 and a gold-plated lever Traveller pocket watch by American Watch Company, Waltham, on gilt Albert chainCondition Report:Goliath pocket watch functioning, dial and cover good, case with some light scratches, diameter = 65mm, silver outer case with some damage, Waltham watch functioning, clean movement, dial with some light marks otherwise good
An early Victorian 18ct gold mourning ring, An early Victorian 18ct gold mourning ring, the square onyx panel within a black enamel surround, and 'In Memory Of' text to band and shoulders, with text 'Sophia Lowe, Died 26 Feb'y, 1853 aged 66' to reverse, hallmarks indistinct, maker's marks JG, ring size L, gross weight 3.1g. Overall condition fairLosses throughout to enamelwork, completely worn from band, partially worn from shoulders, nibbles and area of discolouration/loss to surroundScratches and abrasion to onyx, possible replacementRing band very slightly misshapen but wearableRing resizedSponsor's mark, passant mark and Victoria head marks all clear and legible, remaining marks not present due to resizing
A late 18th century gilt metal open face pocket watch by Julian Leroy, Paris. Turkish market, the signed dial with black Turkish markers set in a raised white chapter, outer minute track with five minute divisions, verge fusee movement signed and numbered 32038 within a gilt metal case with tri-colour embossed floral decoration, case diameter 55mm. Overall condition good to fairWatch working at time of cataloguing, Wilson 55 does not guarantee the working accuracy of any timepiece offeredCase - wear and tarnishing to gilt metal in keeping with age and use, case shuts, does not clip firmlyDial - light scratches and discolouration to enamel, some light nibbles to edges visible with magnification and scratches to inner chapter ringMovement - in good order
A 1970s 18ct gold Omega De Ville manual wind wristwatch, ref. 97320/8270. The brown rectangular signed dial with quarter markers and white enamel hands, signed cal. 620 17 jewel manual wind movement numbered 31374696, within an 18ct gold case bearing Swiss assay marks, to the integral fancy textured link bracelet with maker's folding clasp, import marks for London, 1972, case diameter 37mm, length 19cm, gross weight 158.7g. With maker's box and papers.Overall condition goodWatch working at time of cataloguing. Wilson 55 does not guarantee the working accuracy of any timepiece offeredScratches in keeping with age and occasional wear
A Victorian onyx and split pearl memorial locket. The oval onyx locket set with split pearls in a foliate design, with glazed panel reverse and split pearl and enamel tapered surmount, length 5.4cm, gross weight 14.4g. With Hall & Co., Manchester fitted case and later cord.Overall condition good to fairScratches and abrasion in keeping with age and occasional wearAdhesive visible to reverse of surmountOne small scuff to reverse of onyx near setting, visible only with close inspectionPossible adhesive to one split pearl, visible with magnificationSome wear to enamel on surmount, visible with magnification
A charm bracelet. The 9ct gold trace link chain with heart shape padlock clasp bearing hallmarks for Birmingham, 1899, suspending fifteen charms to include:An eagle charm with red gem eyesA 19th century opal and blue enamel shield shape locket, vacant reverseA continental circular charm containing a figural modelA wirework oil lamp charm stamped K18A bear charm with red gem eyes, holding a baton with seed pearl terminalsA French 18ct gold 19th century enamel and seed pearl watch keyA continental lilac glass and base metal grapes charmAn eagle's claw charm holding a shakudo sphereA 'forget me not' hinged book charm dated 1858A goat and cart charmA George II half guinea dated 1809A French painted china heart pendant, with Frederic the Great logo and textA carved coral Figa charmA rifleman charmA 19th century floral bloodstone sealTogether with a loose 19th century turquoise and diamond jewellery component, length of bracelet 16cm, gross weight 62.9g. Overall condition fair to goodScratches, dents, discolouration and previous repairworkWith safety chain, AFPadlock clasp in working order, chain in need of attentionSoft solder marks to many charms and attachmentsEagle charm - legs snapped and soft solder marksOpal locket - reverse deficient, wear and losses to enamelCircular charm - abrasionWatch key - wear and losses to enamel, marks clearChina pendant - wear and losses to some painting
Japy Frères - 19th century French ormolu and porcelain mantel clock, the break-arched front panel, simulating champleve enamel with 'jewelled' enrichment, having a cellular Roman dial, rosette centre and a minute track, inscribed beneath 'G. Davis, Paris' [retailer], the two-train movement with Medaille d'Honneur exposition stamp, numbered 1275, the case with porcelain two-handled urn surmount over half columns with porcelain panels matching the urn and front panel, raised on toupie supports, 40.5cm high, internal label of 'J. C. Ralls, Watchmaker, Jeweller and Optician, Greenwich House, Clevedon', with original pendulum also numbered 1275, on shaped giltwood base with 1880 presentation inscription to the Rev. E. A. Sandford on his leaving the Curacy of Rastrick, with ebonised base and glass dome, 54cm high overall
Three late George III seed pearl-decorated pendants, the first finely decorated with a basket of flowers having seed pearl rim and foot, and with swags, beneath convex glazing within seed pearl border, the glazed vacant reverse within engraved 'rose gold' surround, 30mm wide x 48mm high; together with two smaller, one having intricate seed pearl initials in cursive script on deep blue enamel backing, the other with vacant compartment for a hair locket, both with 'rose gold' backing (converted), 38mm ex. loops, (3)

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396325 Los(e)/Seite