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396323 Los(e)/Seite
Los 164
Murray, Sons and Company Ltd - An early 20th Century advertising point of sale enamel sign having a central brown and white chess board. The periphery reading 'Murrays Pineapple Cigarettes', 'Murrays Yachtsman Navy Plug'. 'Murrays Mellow Smoking Mixture' and 'Murrays' Mottled Flake'. Wear commensurate with age mostly to the edges. Measures approx; 38cm x 38cm.
Los 230
John Dugdill & Co - A large vintage 20th Century 1930's Art Deco industrial engineers articulated multi positional mountable desk lamp light. The lamp having a green enamel shade with white finished interior with all raised on three ebonised metal arms with brass COG joints with all raised on a circular brass mount base. Raised and impressed makers marks to the base 'Dugdill AP9102'. Measures approx fully extended; 160cm long.
Los 246
St. Bruno Flake - Ogden's - A vintage early 20th Century tobacconists advertising display enamel sign featuring a central pictorial parcel of rough cut tobacco with yellow and red writing on blue ground reading "St. Bruno Flake". Wear commensurate with age, overall good. Measures approx; 93cm x 61cm.
Los 268
Herbert Terry & Sons - Model 75 - An original retro vintage mid 20th Century anglepoise industrial work factory desk table lamp light having a white enamel pendant shade with adjustable arm. All raised on circular weighted base. Sold as untested by ourselves. Re-painted shade. Measures approx; 74cm tall as per photo.
Los 374
Zinolin - An early 20th Century white and black enamel outdoor advertising point of sale thermometer for the new zinc paint "Zinolin". Black lettering on white ground with central thermometer and wording below reading 'Avoid Lead Poisoning Use Zinolin All Zinc - No Lead'. Thermometer not working. Measures approx; 69cm x 18cm.
Los 40
Rowntree's Elect Cocoa - An early 20th Century circa 1910 pictorial confectionary shop display advertising enamel sign for Rowntree's designed and signed by Beggarstaff. Makers To H.M The King to the top and bottom in turquoise with central decoration in black with on all on white ground. Restoration in places mostly to the white background, overall a good example. Measures approx; 78cm x 50cm.
Los 400
A Circa 1870 GWR Great Western Railway locomotive steam train station mahogany / oak cased double sided twin dial fusee movement station clock . Comprises a large circular enamel dial with bold Roman numeral chapter ring , heart shaped faceted hour hand and long minutes hand above a central winding hole and notated GWR. The reverse side having a matching smaller dial. Both with glazed hinged doors. The movement with chain driven fusee and linking connecting bar. The reverse of the dial stamped with numerals 55. Dials measures; 13" & 11". Measures approx; 50cm x 30cm x 45cm. Pendulum present. Date of manufacture unknown.
Los 43
St. Julien Tobacco - Ogden's - A vintage early 20th Century tobacconists advertising display enamel sign featuring a central pictorial parcel of pure blended Virginia tobacco with yellow and red writing on blue ground reading "St. Julien Tobacco". Wear commensurate with age, overall good. Measures approx; 93cm x 61cm.
Los 486
Abbey Road Building Society - An early 20th Century advertising enamel sign of rectangular form finished in yellow with red and blue lettering reading 'Splendid For Investment Abbey Road Building Society, Ample Funds Available For House Purchase, Best Society For Borrowers'. Wear commensurate with age. measures approx; 76cm x 52cm.
Los 500
Enamel signs & vintage Advertising interest - Diadem Flour - An impressive Edwardian local Bristol interest advertising point of sale large size shop display mirror for The Royal Diadem High Grade Double Extra Self Raising Flour. The mirror featuring gold leaf textured lettering over red & black block reading " Diadem " with gold leaf Flour notation below a central painted flour packet. Monogrammed to centre for EBM (Edwin Buller Mitchell (1849-1925) who founded the company in 1890). The silvered foil mirror plate set within a painted wooden frame. The topmost section of the mirror has a heavier degree of foxing however any dirt or paint is to the outer mirror and not the lettering or artwork and is easily removable. The largest example known measuring an approx 183cm x 129cm.
Los 511
Castrol - Motoring Interest - A vintage early 20th Century 1920's / 30's enamel garage / shop display advertising sign having red ground with with central white strip reading "Castrol" in black letters. To the circular yellow cartouche "Wakefield Motor Oil". Wear commensurate with age throughout the sign. Measures approx; 50cm x 78cm.
Los 521
John Dugdill & Co - A vintage 20th Century Art Deco industrial engineers articulated multi positional mountable desk lamp light. The lamp having a green enamel shade with white finished interior with all raised on two adjustable arms with all raised on a circular mount base all finished in grey. Raised makers marks to the base 'Dugdill RTM'. Measures approx fully extended; 88cm long.
Los 541
Board Of Trade Labour Exchange - A vintage 20th Century King George V porcelain enamel advertising sign for the Labour Exchange having black writing on white ground with the central Royal crest. Addressed to 34B Oxford Street, Weston - Super - Mare. Wear commensurate with age, overall a good example. Measures approx; 47cm x 30cm.
Los 9
John Dugdill & Co - A vintage 20th Century 1930's Art Deco industrial engineers articulated multi positional mountable desk lamp light. The lamp having a green enamel shade with white finished interior with all being raised on two adjustable arms with brass COG joints with all raised on a circular mount base. Impressed makers marks to the base 'Dugdill AP17014'. Measures approx fully extended; 93cm long.
Los 15
CHRISTO (1935-2020) The Pont Neuf, Wrapped (Project for Paris) 1985 signed, titled and dated 1985; signed, dated 1985 and dedicated For Paola and Loris Venezia 2004 on the reverse enamel paint, wax crayon, charcoal, pencil, photograph and tape on card laid on board, in a Perspex frame28.5 by 36.2 cm. 11 1/4 by 14 1/4 in. Footnotes:This work is accompanied by a photo-certificate of authenticity signed by the artist.Provenance Collection of the artist, USGalleria d'Arte Contini, VenicePrivate Collection, Italy (acquired directly from the above in 2004) Acquired from the above by the present ownerExhibitedVenice, Galleria d'Arte Contini; Cortina d'Ampezzo, Galleria d'Arte Contini, Christo and Jeanne-Claude XTO & J-C', 2004, p. 90, illustrated in colourThis lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 35
JULIAN OPIE (B. 1958)Wooden Painting 16 2006 signed on the reverseenamel on wood90 by 61.2 cm.35 7/16 by 24 1/8 in.This work was executed in 2006.Footnotes:ProvenanceAcquired directly from the artist by the present owner in 2007Contemporary British artist Julian Opie is widely recognised for his distinctive depictions of figures, portraits, and landscapes. Born in London in 1958, Opie graduated from Goldsmiths College in 1982, studying under Michael-Craig Martin, and was quickly associated with the New British Sculpture movement. From the 1980s into 1990s he transitioned from painted steel sculptures inspired by Pop Art and Minimalism into a simpler graphic style, which he employs across a diverse range of media, from paintings to animation, continually pushing the boundaries of traditional artistic practice.Opie plays with ways of seeing through reinterpreting the vocabulary of everyday life; his reductive style evokes both a visual and spatial experience of the world around us. Alongside his clear influence in Pop aesthetics, particularly the work of Andy Warhol and Roy Lichtenstein, Opie draws further inspiration from classical portraiture, Egyptian hieroglyphs, Greek mythology, Japanese woodblock prints, as well as public signage, information boards, traffic signs and even the Tintin cartoons by Hergé. Through connecting the clean visual language of modern life with the fundamentals of art history, Opie has produced a distinctive and unique style in his body of work which have appeared in cities and sculpture parks around the world.Perhaps more widely recognised for his portraits and figurative studies, Opie reduces his subjects to essential lines created by thick black outlines and filled in with solid areas of flat, vibrant colour. His figurative subjects are de-personalised; he either chooses to render a featureless face using just a blank circle, or otherwise only depicts very basic facial features using dots and lines in the simplest expression of form. He chooses to differentiate his figures through colour of backgrounds, hairstyles, position of head, light reflected in the eyes and accessories. This depersonalised style creates an ambiguous sense of subjectivity in the sitter and provokes the viewer to question what makes a portrait of a person distinct and how they can relate to it. Bonhams are delighted to be offering three works by Julian Opie - two figurative pieces and a dynamic digital landscape of Lake Kawaguchi in Japan. Aniela 2, executed in 2011, is a portrait of the artist's wife. Set against a vibrant red background, Aniela is not submitting to the viewer; she appears to us in the nude, loosely holding a piece of drapery, captured in a private moment. Aniela was a regular sitter for the Opie and resulted in a series inspired by Renaissance and neoclassical paintings of Greek goddesses such as Aphrodite. In this series, Opie portrayed his wife in the nude occasionally wrapped in drapery which has been reduced to its most essential elements or holding a Grecian urn. Indeed, in this present work we can draw parallels to classicism and his interest in interpreting Greek mythology. Julian Opie's style increased in popularity after he designed the cover of English Britpop band Blur's best of album which was released in 2000.The four-part portrait is not only one of the most famous album covers to be produced but is considered as an iconic artwork. The portraits of the four band members of Blur were bought by the Art Fund in 2001 and now reside in the collection of the National Portrait Gallery in London. Today, Julian Opie is considered one of the leading contemporary artists in the world and his work is exhibited extensively in galleries and museums around the world, including in the Essl Collection, Vienna, the Stedelijk Museum, Amsterdam, Israel Museum, Jerusalem, Takamatsu City Museum of Art, Japan, Museum of Modern Art, New York, Institute of Contemporary Arts, Boston, among many others.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 53
DAMIEN HIRST (B. 1965)8435. Dilemma Here 2016 signed, titled, dated 2016, numbered 8435 and stamped on the reverseenamel paint on handmade paper21.4 by 29.8 cm.8 7/16 by 11 3/4 in.This work is number 8435 from a series of 10,000 unique examples. The corresponding non-fungible token has been burned.Footnotes:ProvenanceHENI, LondonAcquired directly from the above by the present owner in 2021Damien Hirst has often been considered the definitive enfant terrible and impresario of contemporary art since his monumental rise to global stardom in the 1990s as the figurehead of the Young British Artists (YBAs). His exhibitions and ventures have consistently drawn broad acclaim and criticism, such is the nature of his practice to polarise and activate the passions of his audience. He has never shied away from ideas that would be deemed too unwieldy or all-encompassing for the purview of fine art, approaching life, death, the psyche, and the nature of mythos with a confidence that is nothing short of inspirational. In such a vein, presented here is Hirst's most recent and ingenious project: his first NFT 'drop', titled The Currency. Launched in 2021 and endorsed by Mark Carney, former Bank of England governor, Hirst produced 10,000 unique works – attractive abstract spot paintings on heavyweight paper that are instantly recognisable as Hirst's iconic motif – that exist both as the physical work and a corresponding Non-Fungible Token (NFT). Upon purchase, the buyer was forced to choose between the physical or the digital asset, with the leftover piece being destroyed or burned. The entire 10,000-piece drop sold out and has since become one of the most appreciating and highly sought-after works by NFT and art collectors alike. The work presented here is 8435. Dilemma Here – a physical piece whose corresponding NFT has been burned and only the tangible work remains. Ranked by machine-learning artificial intelligence, the pieces are graded on their colour composition, the weight of the paper, as well as their titles. 8435 boasts an exceptional ranking of 103rd for green pigments, 167th for number of words in the title, as well as 2521st for weight, giving the piece an appealing mass for its handsome scale. The present work represents one of the most exciting enterprises by Hirst, himself one of the pioneers of contemporary artistic practice in the 21st century, to challenge not only the hegemony of capital and financial instruments, but also of the nascent divide between the physical and virtual worlds.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
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396323 Los(e)/Seite