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396323 Los(e)/Seite
Los 8300
Bassett-Lowke or similar Gauge 1 and Larger Wooden Station measuring 42" x 7" and standing 9" tall (1.07 x .17 x .24m) named Midwood with a number of enamel signs including Wakefield Castrol, News of the World, Gold Flake, Worthington Always and a number of others, platform building with double storey to both ends and single storey to the centre. Some deterioration throughout and overpainting, will require some work and suitable for restoration, generally Fair to Good.
Los 8586
Various manufacturers coaches, wagons & layout accessories. To include Triang BR maroon brake / 2nd coach; Triang LNER teak brake / 3rd; Wrenn closed van "WATNEYS"; 3x coach interior units; 2x spare tenders; Mike's Models 2x Water Cranes, Gas Lamps; paper enamel signs, advertising posters, unboxed diecast plus many other items. Conditions: Poor to Excellent. (Qty)
Los 792
Vintage jewellery box containing antique & vintage jewellery inc silver brooches, hardstone frog brooch / pendant, Charles Dickens pendant, silver & enamel cross pendant, plastics double flower dress clip & brooches, Austrian crystal, French glove hook, miniature glass birds, coral beads etc
Los 135
Alan Arthurs Imperial Goonbarrow. Studying Fine Art at Falmouth College and Loughborough gaining a B A (Hons). Alan went on to paint for festivals, including huge mystic and sci-fi hot dog hoardings. In 1986 he started painting stage equipment in psychedelic ultra-violet paints for the band Hawkwind and stayed with them for ten years, progressing from backstage crew to security chief and stage manager at venues in the US and Europe. He combined this with being a foreman on the band's farm where he fought weeds, tended livestock, painted album covers and designed t-shirts, programmes and promotional artwork. enamel paint on board,mounted,38cm x 30cm
Los 314
Bill Foulkes Continental gold and enamel 1968 European Cup Winners Medal the obverse inscribed COUPE DES CLUBS CHAMPIONS EUROPEENS, the reverse inscribed VAINQUEUR 1968, stamped Peka, 0.750 with ring suspension, in later bespoke hinged velvet lined case with brass plaques one inscribed 1968 EUROPEAN CUP FINAL, WINNERS: MANCHESTER UNITED F.C., the other Presented To BILL FOULKES (CENTRE HALF) PROVENANCE: Christie's Scotland Football Memorabilia including The Bill Foulkes Collection, 14th October 1992, Lot 88 Graham Budd Auctions Sporting Memorabilia, 5th November 2012, Lot 553 EXHIBITED: National Football Museum Manchester Bill Foulkes was a professional football player who is best remembered for his long and successful career with Manchester United Football Club in England. Born on 5th January 1932 in St Helens, Lancashire, England, Foulkes was a one-club man, dedicating his entire playing career to Manchester United from 1951 until 1970. Foulkes was primarily a central defender, known for his physical strength, aerial ability, and dedication to the team. His career was remarkable not just for its length but also for the incredible success he experienced. He made a total of 688 appearances for Manchester United, a figure only surpassed by a select few players in the history of the club, Ryan Giggs and Bobby Charlton. Perhaps the most significant event in Foulkes' career came in 1958 when he was one of the survivors of the Munich air disaster, a plane crash that claimed the lives of 23 people, including eight of his Manchester United teammates. Foulkes was one of the players who helped rebuild the team in the wake of the tragedy, he took on the responsibility of captaining the side when fixtures resumed. Foulkes won numerous titles during his career with Manchester United, including the English First Division four times and the F.A. Cup once. Arguably the pinnacle of his career as a member of the 1968 European Cup final team that defeated Benfica 4-1 at Wembley in extra-time. Taking a slender 1-0 lead into the 2nd leg, Bill Foulkes 80th minute goal levelling the match 3-3 thus giving United a 4-3 aggregate win that sent Manchester United to the final. United were the first English team to be crowned European Champions, following Celtic's triumph for Scotland the previous year. After retiring as a player, Foulkes moved into coaching. He managed several teams around the world, including in the United States, Norway, and Japan. Foulkes passed away on 25 November 2013 at the age of 81.
Los 313
Frank Kopel 9ct gold and enamel 1979-80 Scottish League Cup Winners medal the obverse inscribed SCOTTISH FOOTBALL LEAGUE, the reverse inscribed LEAGUE CUP, 1979-80, Winner, Frank Kopel, with ring suspension In the Scottish League Cup final replay played on 12th December 1979 at Dens Park, Dundee, Dundee United defeated Aberdeen 3-0. The first match played at Hampden on 8th December ended in a 0-0 draw
Los 312
Mal Donaghy silver and enamel 1991 Football League Cup runners-up medal the obverse inscribed THE FOOTBALL LEAGUE CUP, the reverse inscribed FINALISTS, 1990-91, in original fitted case Provenance: Graham Budd Auctions, Sporting Memorabilia, 10th November 2014, Lot 766 In the 1991 Football League Cup Final played on 21st April, Sheffield Wednesday defeated Manchester United 1-0 through a goal by John Sheridan in the 37th minute. Mal Donaghy was a non-playing substitute
Los 67
A Chinese Famille Vert porcelain ginger jar and cover, republic period or later, painted in the round with a mother breastfeeding her infant beneath a tree in a walled garden and merchants carrying yokes against a mountain backdrop, 18 cm diameter, 19 cm overall height, together with a large Famille Rose punch bowl, blue enamel ground peony decorated ginger jar and cover and other Chinese polychromic porcelain.
Los 111
A Queen Elizabeth II limed oak coronation stool, with a concave seat with its original blue-green velvet upholstery bearing a numbered seating plan enamel plaque (184) branded to the underframe with HRH Queen Elizabeth's crowned cypher and the legend coronation. on chamfered squared supports with tassel feet. 47 cm wide x 33 cm deep x 49 cm overall height.
Los 230
A German porcelain figure group of the marriage coach of Napoleon with footmen a team of four grey horses drawing an ornate coach titled to the base and bearing a crowned N mark. 66 cm long x 17 cm deep x 31 cm overall height. A private estateSome slight chipping to some flowers. No structural damage. Some enamel and gilt loss in places
Los 103
A pair of Chinese Famille Verte porcelain vases and covers, late Qing Dynasty/Early Republic, the domed covers with pommel finials and painted with iron red bands and gilt vines, each perpendicular body painted in the round with flowering vines, stands of bamboo and a lucky crickets. Bearing an apocryphal mark in the seal for Kangxi, seated upon turned hardwood bases, 11 cm diameter x 22 cm height of vase and covers.No apparent damage or repair. Some surface pitting in places, and enamel loss visible on close inspection, notable to the gilt. Wear to the underside of the footrim and inside cover rims.
Los 262
An engraved gold plated early 20th century American Waltham Watch Company gentleman's pocket watch. The white enamel dial with roman numerals and smaller seconds dial. Inside plate inscribed 'made of two plates of 14ct gold with a plate of composite between. In a fitted leather case. (not working)
Los 117
Norah OKelly RHA (b.1886 - unknown) Hermes Enamel Panels and metalwork on a stained timber shield, 67 x32 (26½ x 12½")With label verso inscribed with artist's name, details of class number from Dublin School of Art dated and 1912; and another hand written label 'By Norah M. O'Kelly under P. Oswald Reeves at Dublin School of Art'.We do not know much of Norah’s life or career except for small fragments of information that we can gain from the work itself. The labels on the back of enamel panel give us some more insight. Her full name was Norah Mary O’Kelly, she was a student in class 6019 in the Dublin School of Art and her profession is listed as ‘craftworker’. Presumably the panel was made during her time there as a student. It also lists her under the supervision of Percy Oswald Reeves, who was an enameller and metalworker from England who moved to Ireland in 1902 to work at the Dublin Metropolitan School of Art. He had studied under the famous British enameller Alexander Fisher. The School was very well known for its enamel and stained glass departments, which were both hugely popular art forms in Ireland. As a result the Irish Arts and Crafts movement flourished in the early part of the 20th century.Mythology and symbolism are key elements of the enamel and metalwork art of the period. As a medium it as often championed by women who excelled in this artform, elevating the individual and handmade objects. The central panel of this work depicts the Greek god Hermes, standing with his caduceus in one hand and with a satchel slung across his body. His head and feet are adorned with wings as he seems to float above the landscape behind him. The sky is filled with deep blue and turquoise tones, teeming with swimming fish and a majestic lion, while stars light up the background. It is mounted on a wooden shield shaped plaque, with scrolling vacant reserves that were possibly meant to be engraved with a title and the artist’s name or dedication if it was a private commission, but these are details that we can only speculate at.Historical records also prove invaluable in providing an insight into the specific connections between artists and cultural institutions of early 20th century. Dr Katy Milligan wrote an article[1] in 2016 examining the cultural losses connected to the 1916 rising and in particular the fire that destroyed the Royal Hibernian Academy’s original building on Abbey Street. The annual RHA exhibition was taking place at time the shell was fired from the British Navy yacht Helga, igniting a fire which engulfed the building and all 500 of the artworks on display along with the Academy’s collection of prints, books and other objects. Through her research into the claims made to the Property Losses (Ireland) Committee by the RHA and the artists to gain some compensation for loss of their artwork, Dr Milligan uncovered some fascinating details about artists, particularly female artists, whose work, and careers remain much a of mystery to us today.Norah O’Kelly is one of the artists mentioned in her text and we learn that she had four oil paintings in the RHA exhibition in 1916, all of which were of landscape views of India. Interestingly she was living there at the time as indicated by her father submitting the claim on her behalf. On it her address is listed as ‘Loreto House, & Middleton Row, Calcutta’, a school founded by Loreto sisters in 1840. We do not know why she was in India or how long she remained there. The 1911 census confirms she was an art teacher in her 20s, and she may possibly have been offered a teaching job in India. She had clearly moved in a different direction artistically from metalwork to producing oils and landscape works. This enamel panel is a wonderful example of her early practice and it is a rare opportunity to see it offered on the auction market.Niamh Corcoran, September 2023[1] Dr. Katy Milligan ‘A Closer Look at Inspiring Ireland 1916 Objects- The Cultural Cost of 1916: The Property Losses (Ireland) Committee and The Royal Hibernian Academy’ – Research Fellow at the ESB Centre for Study of Irish Art, at The National Gallery of Ireland
Los 203
Coca-Cola Lady, emaillierter Metalldruck, 39,5 cm x 39,5 cm Objektmaß, signiert, AP bezeichnet, partiell berieben, leicht verschmutzt, EmailleabplatzerMel Ramos (1935 Sacramento/California - 2018 Oakland)Coca-Cola Lady, enamelled metal print, 39.5 cm x 39.5 cm object size, signed, AP inscribed, partially rubbed, slightly soiled, enamel chips
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396323 Los(e)/Seite